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Wyświetlanie 1-7 z 7
Tytuł:
Representation of Love in Andrić’s Novel The Bridge on the Drina
Prikazi ljubavi u Andrićevu romanu Na Drini ćuprija
Autorzy:
Katušić, Bernarda
Powiązania:
https://bibliotekanauki.pl/articles/636022.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Fromm
Luhmann
Andrić
The Bridge on the Drina
modern love
Opis:
Starting with Erich Fromm’s thesis on love from his seminal work The Art of Loving (1956), the paper tries to show the way in which Fromm’s psycho-biological concept of love is represented differently in different historical formations in Andrić’s historical novel The Bridge on the Drina (1945). A brief analysis of the three love relations from Andrić’s novel reveals the process of the appearance of the concept of modern love, the moment in which love ceases to be a social instancje and becomes an individual act.
Źródło:
Poznańskie Studia Slawistyczne; 2015, 9; 275-286
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
‚Mit Haut und Haar‘ – Somatismen in der modernen Liebeslyrik
‘With Skin and Hair’ – Somatisms in Modern Love Poetry
Autorzy:
Mieder, Wolfgang
Powiązania:
https://bibliotekanauki.pl/articles/1592261.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego
Tematy:
Emotionalität
moderne Liebeslyrik
Somatismen
Sprichwörter
sprichwörtliche Redensarten
emotionality
modern love poetry
proverbs
proverbial expressions
somatisms
emocjonalność
współczesna liryka miłosna
somatyzmy
przysłowia
zwroty idiomatyczne
Opis:
Obwohl eine beachtliche Anzahl von linguistischen Monographien und Aufsätzen zu somatischen Phraseologismen vorliegt, handelt es sich dabei hauptsächlich um vergleichende Textuntersuchungen zwischen zwei oder mehr Sprachen. Von Interesse ist jedoch auch, den eigentlichen Gebrauch, die Funktion und die Bedeutung dieser Somatismen in der mündlichen und schriftlichen Kommunikation zu analysieren. Beispielsweise spielen diese gefühlshaften Ausdrücke besonders in der Liebeslyrik schon seit Jahrhunderten eine erhebliche Rolle. Der Aufsatz zeigt an Hand von Gedichten von Autorinnen und Autoren wie etwa Erich Fried, Walter Helmut Fritz, Ulla Hahn, Heinz Kahlau oder Sarah Kirsch, dass emotionelle Empfindungen in der modernen Liebeslyrik durch körperbezogene Sprichwörter und Redensarten zum Ausdruck kommen. Es handelt sich in diesen Gedichten kaum um romantische Gefühlsoffenbarungen, sondern eher um realistische und ehrliche Aussagen über das Scheitern der Liebe, die Lieblosigkeit unter Menschen und die Frage, ob echte Liebe noch möglich ist.
Chociaż istnieje wiele lingwistycznych monografii i artykułów na temat frazeologicznych somatyzmów, to jednak są to najczęściej różnego rodzaju porównawcze analizy tekstowe między dwoma lub kilkoma językami. Interesująca jest tymczasem także analiza użycia somatyzmów, ich funkcji i ich znaczenia w komunikacji ustnej i pisemnej. I tak np. odgrywają one już od stuleci znaczącą rolę w liryce miłosnej. Artykuł ukazuje na podstawie wierszy takich autorek i autorów, jak choćby Erich Fried, Walter Helmut Fritz, Ulla Hahn, Heinz Kahlau czy też Sarah Kirsch, że we współczesnej liryce miłosnej odczucia emocjonalne wyrażane są za pomocą przysłów lub zwrotów odnoszących się do ciała. W wierszach tych nie chodzi o romantyczne wyznawanie uczuć, ale raczej o realistyczne i szczere wypowiedzi o niedanej miłości, o braku uczuć wśród ludzi, czy też o pytanie, czy prawdziwa miłość jest w ogóle możliwa.
Although there exists a considerable number of linguistic monographs and articles about somatic phraseologisms, they are primarily comparative textual analyses between two or more languages. It is, however, also of interest to analyze the actual use, function and meaning of these somatisms in oral and written communication. These emotional expressions have played a considerable role for centuries in love poetry. The article shows by way of poems by such authors as Erich Fried, Walter Helmut Fritz, Ulla Hahn, Heinz Kahlau or Sarah Kirsch, that emotional feelings are expressed through somatic proverbs and expressions in modern love poetry. These poems hardly deal with romantically expressed feelings but rather with realistic and honest expressions about failed love, the lovelessness among people and the question whether true love is still possible.
Źródło:
Colloquia Germanica Stetinensia; 2020, 29; 131-156
2450-8543
2353-317X
Pojawia się w:
Colloquia Germanica Stetinensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
De consolatione somni – figura Pocieszycielki w renesansowej poezji miłosnej. Jan Kochanowski w nurcie łacińskiej literatury europejskiej (Boecjusz, F. Petrarca, G. Pontano, J. Secundus)
Autorzy:
Urban-Godziek, Grażyna
Powiązania:
https://bibliotekanauki.pl/articles/943032.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
A Dream Motif, Consolation, Early Modern Love Poetry, Mournful Poetry, Neo-Latin Poetry, Boethius, Francesco Petrarch, Giovanni Pontano, Janus Secundus, Jan Kochanowski
Opis:
De consolatione somni– the figure of the comforter in renaissance love poetry. Jan Kochanowski and the current of Latin literature in Europe (Boecjusz, F. Petrarca, G. Pontano, J. Secundus)This paper presents the history of a motif that the author calls De consolatione somni. It is based on the Boethian pattern of consolation brought about by a woman who appears in a dream. Lady Philosophy, who in De consolatione Philosophiae morally and philosophically comforts Boethius when under sentence of death, is later introduced by Dante and Petrarch into the Renaissance poetry. The motif was applied to two ends: to express love in amorous poetry and grief in poetry of mourning. In Dante’s Vita nova and Petrarch’s Canzoniere (the author analyses poems No. 282 and 359) the deceased beloved appears to the bereaved lover in a dream and brings him comfort. Boccaccio, the third jewel in the “Tuscan crown,” in his eclogue Olympia introduces this motif to literature of mourning, creating the patterns of poetry dedicated to deceased girls (his influence is visible, for instance, in the Middle English poem The Perl, in the Dialogue en forme de vision nocturne by Margaret of Navarre or in Lament XIX by Kochanowski). The 15th-century lyric bonds mourning and erotic elements together even more strongly, adding a sensual dimension. Giovanni Pontano, in his poems dedicated to the memory of his late wife (the author analyses works from Lyra 9, Eridanus II 1; II 32, Hendecasyllabi II 29), evokes dream visions in which her spirit visits him. This consolation, however, had a clear sensual and erotic character, for the dead wife would come to her husband’s bed. He also likewise envisioned the prospective unification of the spouses in Elysium. In the next two centuries, in anti-Petrarchan poetry such consolation experienced in erotic dreams appeared both in poems of mourning (when the beloved passed away) and in love poems (when fulfilment was impossible for other reasons). The latter option is here illustrated in elegy I 10 by Secundus. A dream that compensates for the deficiencies of reality is a frequent motif in baroque poetry (G.B. Marino, A. Morsztyn). Yet the target point of this study is determined by the works that constitute the compositional frame of book II of Jan Kochanowski’s Elegiarum libri IV. Here we come across a rather unusual idea. A betrayed lover wishing to free himself from his humiliating love has a dream in which the goddess Venus appears (elegy II 4). Like Lady Philosophy (the Boethian pattern is particularly visible in a previous version of the elegy that is preserved in a manuscript), Venus tries to convert her charge to her domain, that is, to renew love in him. (This character, and especially her way of reasoning, is reminiscent of the creation of the Mother in Lament XIX). The triumph of the comforter is not long – elegy 11 brings another concept: a suicide committed in a dream that symbolically puts an end to unhappy love. Another significant aim of this paper is to draw attention to the influence that Boethius and his version of Platonism had on Renaissance poetry, and on Jan Kochanowski in particular. It seems especially important for recognising the sources of Lament XIX and elegies from book II of the printed volume. The first to have noticed Boethius’ impact on Kochanowski’s work was Izydor Richter (1912) but his discovery has not been exploited by later researchers. To sum up, the paper presents the history of a non-obvious (singled out by the paper’s author) motif in modern poetry and its relation to both love poetry and poetry of mourning as well as the Neoplatonic basis of Renaissance erotic lyric. It also explains the origin and the meaning of the dream vision in Kochanowski’s book II of Elegies and (although it is not the chief aim of the paper) the genesis of the comforting Mother who appears with Orszulka, the departed daughter of the poet, in Lament XIX.
Źródło:
Terminus; 2014, 16, 1(30)
2084-3844
Pojawia się w:
Terminus
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A Tragic Venus. Idolatry, Desire and Suffering in “The Planter of Malata” by Joseph Conrad
Autorzy:
Zalewski, Cezary
Powiązania:
https://bibliotekanauki.pl/articles/2188126.pdf
Data publikacji:
2021
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
love
idolatry
modern masochism
Opis:
The article is devoted to the analysis of the modern experience of love, to which the entire narrative of the Planter of Malata has been devoted. The modern approach to the subject will be understood here as the penetration of the sacred sphere into the domain of the profane. Thanks to this mechanism, it becomes possible to create the expression of an indirect, confused, quasi-sacred experience. Conrad’s protagonist thus sees a woman in terms of “sanctity,” which will be interpreted in terms of “modern idolatry” (J.-L. Marion), eliminating any distance between the worshiper and the object of worship. The main scope of the analyses will concern the consequences that result from the starting point established in this way. Conrad’s text confirms the assumption that “pain is a sign and a means of contact with the divine” (D. Morris), but at the same time indicates many levels at which this process takes place.
Źródło:
Yearbook of Conrad Studies; 2019, 14; 109-122
1899-3028
2084-3941
Pojawia się w:
Yearbook of Conrad Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kafka i Felicja. Romans epistolarny
Autorzy:
Stanisław, Kowalczyk, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/897306.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Franz Kafka
the 20th-century epistolography
love in modern literature
the 20th-century autobiography
epistolografia XX w.
miłość w literaturze nowoczesnej
autobiografia XX w.
Opis:
Kafka belongs to the greatest letter writers of the 20th century, but his epistolary prose does not enjoy the popularity it deserves. Kafka’s letters present problems in a different way than his fictional works. They should be read both as a biographical document and a literary text corresponding with the short stories and novels of the author of The Metamorphosis. The article discusses Kafka’s letters to Felice Bauer, a young woman he loved and with whom he was twice engaged. In reality this story ended with a disaster, however its resulted was a remarkable literary text. Elias Canetti called the letters to Felice “the second Trial”; in fact, this epistolary series resembles a novel in letters rather than writing correspondence, such as the one left by Joyce, Mann or Gombrowicz. It offers a fascinating, extraordinary range of emotional experience, style and deep self-analysis. At the same time, it arouses concern due to obsessiveness, repetitions, helplessness of the hero.
Źródło:
Przegląd Humanistyczny; 2016, 60(4 (455)); 71-81
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
To the pluralism of educational ways
Autorzy:
Ries, Lumir
Powiązania:
https://bibliotekanauki.pl/articles/48474738.pdf
Data publikacji:
2003-12-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
pluralism
education
post-modern situation
totality
difference
reformatory ways
alternative schools
artistic avant-garde
education of teachers
social status of teachers
freedom
full humanness
love
Opis:
The article deals with post-modern approach and philosophical thinking and its relation to pluralism. Its manifestation together with globality can be seen at various types of educational projects and schools (reformatory, alternative) and views of liberation of teachers, pupils and their parents to freedom and full humanness.
Źródło:
The New Educational Review; 2003, 1; 149-157
1732-6729
Pojawia się w:
The New Educational Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Der Einfluss der Soziallehre der Kirche auf die europäische Kultur und Gesellschaft
The influence of the social teaching of the Church on the European culture and society
Autorzy:
Štuhec, Ivan Janez
Powiązania:
https://bibliotekanauki.pl/articles/559106.pdf
Data publikacji:
2016
Wydawca:
Gdańskie Seminarium Duchowne
Tematy:
Soziallehre der Kirche
Ideologien
Katholische Aktion
Enzykliken
moderne Kultur
Zivilisation der Liebe
Religionsfreiheit
Staat
Politik
dritter Weg
social teaching of the Church
ideologies
Catholic action
encyclicals
modern culture
civilisation of love
freedom of religion
state
politics
third path
Opis:
In vorliegender Studie ist die Entwicklung der Soziallehre der Kirche von Rerum Novarum an im Schlüssel der Reaktionsfähigkeit oder Reaktionsunfähigkeit der Kirche auf die gesellschaftlichen Veränderungen und in Hinblick auf die Entwicklung dieser Lehre von der ideologischen Konfrontation mit den modernen Ideologien zu den letzten Enzykliken, die in den Vordergrund die Zivilisation der Liebe und Barmherzigkeit stellen, als spezifisches christliches gesellschaftliches Paradigma ohne Ambition, dass die Kirche an der Macht partizipieren würde, vorgestellt. Auf jeden Fall beeinflusst die Soziallehre mit ihren Grundprinzipien in allen Zeiträumen die Entwicklung der europäischen Kultur und ihrer Rechtsordnung. Akzentverlagerung von der Alternative zu den bestehenden Gesellschaftssystemen auf die ethische Rolle der Soziallehre der Kirche stärkt zunehmend die Bestrebung für die Durchsetzung der Religionsfreiheit als ein grundlegendes Menschenrecht. Und gleichzeitig eine klare Unterscheidung zwischen der Mission der religiösen und politischen Institutionen sowie der zentralen Rolle des Staatsbürgers und Gläubigers in einer demokratischen und pluralistischen Gesellschaft.
The article presents the development of the social teaching of the Church from Rerum novarum onwards from the view of responsiveness or non- responsiveness to the social changes and regarding the development of the teaching from ideological confrontation with modern ideologies to the last encyclicals which put emphasis on the civilization of love and charity as a specific social paradigm without the ambition that the Church would be in power. In any case, in all periods, the social teaching with its basic principles has influenced the development of the European culture and its legal order. The shift of focus from the alternative to the existent social systems to the ethical role of the social teaching of the Church has strengthened the endeavours to establish religious freedom as a basic human right. And at the same time, the clear differentiation between the mission of religious and political institutions and the central role of a citizen and believer in a democratic and pluralist society.
Źródło:
Studia Gdańskie; 2016, 38; 239-259
0137-4338
Pojawia się w:
Studia Gdańskie
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-7 z 7

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