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    Wyświetlanie 1-11 z 11
    Tytuł:
    Медиевалистический текст в современной русской литературе как ответ на поиски идентичности после распада СССР
    Autorzy:
    Pacyno, Witold
    Powiązania:
    https://bibliotekanauki.pl/articles/1022703.pdf
    Data publikacji:
    2019-08-08
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Medievalism
    contemporary Russian literature
    myth
    national identity
    Opis:
    The aim of the article is defining the cause of popularity of medievalism in contemporary Russian literature as well as describing an impact of the images of the Middle Ages in Russian medievalist texts on the national identity after the collapse of the Soviet Union.
    Źródło:
    Studia Rossica Posnaniensia; 2019, 44, 1; 201-210
    0081-6884
    Pojawia się w:
    Studia Rossica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    West-Pomeranian medievalism. The outline of the problem
    Mediewalizm zachodniopomorski. Zarys problemu
    Autorzy:
    Kwiatkowski, Stefan
    Powiązania:
    https://bibliotekanauki.pl/articles/1193900.pdf
    Data publikacji:
    2015
    Wydawca:
    Towarzystwo Naukowe w Toruniu
    Tematy:
    cultural medievalism
    historiographic medievalism
    historiography
    West Pomerania
    Opis:
    Medievalism in its cultural and historiographic form took on specific forms in West Pomerania. A quarter of a century ago the period of the Polish People’s Republic ended. It was one of the instruments of social integration and the historical policy of the regime. In this period it acquired its “canonical” form originating from strong emotional grounds, inalienable (as it was believed) “historical rights” and ethnic patriotism. The generation of its animators and recipients was over. Historiography and the “everlasting memory” created by it revealed their historical conditions, their validity limited by what was “here and now”. At present, the consciousness of the medieval past has been marginalised. Local medievalism has now more universal references. It refers to the image of the common culture of medieval Europe, in particular to the imagined community of the Hanseatic towns.
    Źródło:
    Zapiski Historyczne; 2015, 80, 4; 5-20
    0044-1791
    2449-8637
    Pojawia się w:
    Zapiski Historyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Those Wholesome Feasts: John Keats’s Green Medievalism
    Niegdysiejsze zdrowe ucztowanie, czyli o zielonym mediewalizmie Johna Keatsa
    Autorzy:
    Kowalik, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/571844.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet Warszawski. Wydział Neofilologii
    Tematy:
    John Keats
    Medievalism
    ecopoetics
    Opis:
    John Keats often describes poetic creation through an ingestion metaphor and figures the poet and the act of poetic creation within the framework of a healthy ecosystem. The motif of wholesome nourishment appears, in particular, in Keats’s poems of nostalgic retreat into the Middle Ages, where the poet’s present-day concerns are couched in medieval-like literary idiom and imagery. This paper discusses the motif of the wholesome feast in some of these poems to illustrate what I call Keats’s green medievalism.
    Artykuł analizuje mediewalizm Johna Keatsa, angielskiego poety okresu Romantyzmu,z perspektywy ekokrytyki. Przedmiotem analizy są w głównej mierze krótkie wiersze poety, takie jak sonet, ballada, czy oda, nawiązujące do tekstów i legend średniowiecznych. Niektóre z tych utworów powstały, jak sygnalizują ich tytuły, na kanwie konkretnych lektur Keatsa, zwłaszcza Chaucera czy tekstów mylnie jemu przypisywanych w XIX wieku. Analiza skupia się na prześledzeniu motywu uczty, bądź celebracji, w bliskości i ścisłym powiązaniu ze światem przyrody. Mediewalizm Keatsa jawi się jako odmiana nurtu sielankowego i realizacja toposu złotego wieku w obliczu niekorzystnych skutków industrializmu, a także jako przejaw ekologicznej wrażliwości poety. Artykuł zwraca uwagę m. in. na leczniczą moc roślin, obrazy miodu, pszczół, wina, działanie snu, nawiązania do legend o Robin Hoodzie, jak również próbuje zgłębić fascynację Keatsa średniowiecznym poematem alegorycznym „Kwiat i liść”.
    Źródło:
    Acta Philologica; 2015, 47; 37-49
    0065-1524
    Pojawia się w:
    Acta Philologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Medievalism of Emotions in King Lear
    Autorzy:
    Czarnowus, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/1812152.pdf
    Data publikacji:
    2021-06-30
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    medievalism
    emotions in Shakespeare
    King Lear
    Reformation in England
    humoral theory
    Opis:
    King Lear exemplifies two cultures of feeling, the medieval and the early modern one. Even though the humoral theory lay at the heart of the medieval and the early modern understanding of emotions, there was a sudden change in the understanding of specific medieval emotions in Renaissance England, such as honour as an emotional disposition. Emotional expression also changed, since the late Middle Ages favoured vehement emotional expression, while in early modern England curtailment of any affective responses was advocated. Early modern England cut itself off from its medieval past in this manner and saw itself as “civilized” due to this restraint. Also some medieval courtly rituals were rejected. Expression of anger was no longer seen as natural and socially necessary. Shame started to be perceived as a private emotion and was not related to public shaming. The meaning of pride was discussed and love was separated from the medieval concept of charity. In contrast, in King Lear the question of embodiment of emotions is seen from a perspective similar to the medieval one. The article analyzes medievalism in terms of affections and studies the shift from the medieval ideas about them to the early modern ones.
      King Lear unaocznia dwie kultury uczuć, kulturę średniowieczną i renesansową. Jest to widoczne przy prezentacji zagadnienia, jak uczucia mają być wyrażane, gdyż w średniowieczu trzeba je było głośno wyrażać, ale w świecie przedstawionym w sztuce jest to trudne do zrobienia. Elementem wspólnym dla starożytności, średniowiecza i renesansu była teoria humoralna. Shakespeare omawia, jak renesans przepracowuje mediewalistyczne pojęcia honoru, złości, wstydu, dumy, a także w jaki sposób podchodzi do tematu uczuć jako czegoś mającego miejsce w ciele. Artykuł analizuje mediewalizm w uczuciach oraz przedstawia renesansową zmianę, która dotyczyła emocji średniowiecznych.
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2021, 23, 38; 181-196
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Romantic Medievalism from a New Comparative Perspective
    Autorzy:
    Seweryn, Dariusz
    Powiązania:
    https://bibliotekanauki.pl/articles/624018.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    romantic medievalism
    new comparative
    Opis:
    From certain point of view a desperate defense of an aesthetic doctrine of classicism, undertaken by Jan Śniadecki, a Polish mathematician and astronomer of the eighteenth century, resembles the E. R. Curtius’ thesis on “Latinism” as a universal factor integrating European culture; it may be stated that post-Stanislavian classical writers in Poland were driven by the same “concern for the preservation of Western culture” which motivated Ernst Robert Curtius in the times of the Third Reich and after its collapse. But the noble-minded intentions were in both cases grounded on similarly distorted perspective, which ensued from a mistificatory attitude towards a non-Latin heritage of the European culture. The range of that mystification or delusion has been fully revealed by findings made by modern so-called new comparative mythology/philology. Another aspect of the problem is an uniform model of the Middle Ages, partially correlated with the Enlightenment-based stereotype of “the dark Middle Ages”, which despite of its anachronism existed in literary studies for a surprisingly long period of time. Although the Romantic Movement of 18th – 19th centuries has been quite correctly acknowledged as an anti-Latinistic upheaval, its real connections with certain traditions of Middle Ages still remain not properly understood. Some concepts concerning Macpherson’s The Works of ossian, put forward by modern ethnology, may yield clues to the research on the question. As suggested by Joseph Falaky Nagy, Macpherson’s literary undertaking may by looked into as a parallel to Acallam na Senórach compiled in Ireland between 11th and 13th centuries: in both cases to respond to threats to the Gaelic culture there arose a literary monument and compendium of the commendable past with the core based on the Fenian heroic tradition that was the common legacy for the Irish and Highlanders. Taking into consideration some other evidence, it can be ascertained that Celtic and Germanic revival initiated in the second half of 18th century was not only one of the most important impulses for the Romantic Movement, but it was also, in a sense, an actual continuation of the efforts of mediaeval writers and compilers (Geoffrey of Monmouth, Snorri Sturluson, Saxo Grammaticus, anonymous compilers of Lebor gabála Érenn and Acallam, Wincenty Kadłubek), who would successfully combine Latin, i.e. classical, and ecclesiastical erudition with a desire to preserve and adapt in a creative way their own “pagan” and “barbarian” legacy.  A special case of this (pre)Romantic revival concerns Slavic cultures, in particular the Polish one. Lack of source data on the oldest historical and cultural tradition of Slavic languages, especially in the Western region, and no record about Slavic tradition in highbrow literary culture induced two solutions: the first one was a production of philological forgeries (like Rukopis královédvorský and Rukopis zelenohorský), the second one was an attempt to someway reconstruct that lost heritage. Works of three Romantic historians, W. Surowiecki, W. A. Maciejowski, F. H. Lewestam, shows the method. Seemingly contradicting theories they put forward share common ground in aspects which are related to the characteristics of the first Slavic societies: a sense of being native inhabitants, pacifism, rich natural resources based on highly-effective agriculture, dynamic demography, a flattened social hierarchy and physical prowess. The fact of even greater importance is that the image of that kind has the mythological core, the circumstance which remains hitherto unnoticed. Polish historians not only tended to identify historical ancient Slavs with mythical Scandinavian Vanir (regarding it obvious), but also managed to recall the great Indo-European theme of ”founding conflict” (in Dumézilian terms), despite whole that mythological model being far beyond the horizon of knowledge at that time. Despite all anachronisms, lack of knowledge and instrumental involvement in aesthetic, political or religious ideology, Romanticism really started the restitution of the cultural legacy of the Middle Ages, also in domain of linguistic and philological research. The consequences of that fact should be taken into account in literary history studies. 
    Źródło:
    Colloquia Litteraria; 2017, 2; 51-84
    1896-3455
    Pojawia się w:
    Colloquia Litteraria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Romantic medievalism from a new comparative perspective
    Autorzy:
    Seweryn, Dariusz
    Powiązania:
    https://bibliotekanauki.pl/articles/624186.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    romantic medievalism
    new comparative
    Opis:
    From certain point of view a desperate defense of an aesthetic doctrine of classicism, undertaken by Jan Śniadecki, a Polish mathematician and astronomer of the eighteenth century, resembles the E. R. Curtius’ thesis on “Latinism” as a universal factor integrating European culture; it may be stated that post-Stanislavian classical writers in Poland were driven by the same “concern for the preservation of Western culture” which motivated Ernst Robert Curtius in the times of the Third Reich and after its collapse. But the noble-minded intentions were in both cases grounded on similarly distorted perspective, which ensued from a mistificatory attitude towards a non-Latin heritage of the European culture. The range of that mystification or delusion has been fully revealed by findings made by modern so-called new comparative mythology/philology. Another aspect of the problem is an uniform model of the Middle Ages, partially correlated with the Enlightenment-based stereotype of “the dark Middle Ages”, which despite of its anachronism existed in literary studies for a surprisingly long period of time. Although the Romantic Movement of 18th – 19th centuries has been quite correctly acknowledged as an anti-Latinistic upheaval, its real connections with certain traditions of Middle Ages still remain not properly understood. Some concepts concerning Macpherson’s The Works of ossian, put forward by modern ethnology, may yield clues to the research on the question. As suggested by Joseph Falaky Nagy, Macpherson’s literary undertaking may by looked into as a parallel to Acallam na Senórach compiled in Ireland between 11th and 13th centuries: in both cases to respond to threats to the Gaelic culture there arose a literary monument and compendium of the commendable past with the core based on the Fenian heroic tradition that was the common legacy for the Irish and Highlanders. Taking into consideration some other evidence, it can be ascertained that Celtic and Germanic revival initiated in the second half of 18th century was not only one of the most important impulses for the Romantic Movement, but it was also, in a sense, an actual continuation of the efforts of mediaeval writers and compilers (Geoffrey of Monmouth, Snorri Sturluson, Saxo Grammaticus, anonymous compilers of Lebor gabála Érenn and Acallam, Wincenty Kadłubek), who would successfully combine Latin, i.e. classical, and ecclesiastical erudition with a desire to preserve and adapt in a creative way their own “pagan” and “barbarian” legacy.  A special case of this (pre)Romantic revival concerns Slavic cultures, in particular the Polish one. Lack of source data on the oldest historical and cultural tradition of Slavic languages, especially in the Western region, and no record about Slavic tradition in highbrow literary culture induced two solutions: the first one was a production of philological forgeries (like Rukopis královédvorský and Rukopis zelenohorský), the second one was an attempt to someway reconstruct that lost heritage. Works of three Romantic historians, W. Surowiecki, W. A. Maciejowski, F. H. Lewestam, shows the method. Seemingly contradicting theories they put forward share common ground in aspects which are related to the characteristics of the first Slavic societies: a sense of being native inhabitants, pacifism, rich natural resources based on highly-effective agriculture, dynamic demography, a flattened social hierarchy and physical prowess. The fact of even greater importance is that the image of that kind has the mythological core, the circumstance which remains hitherto unnoticed. Polish historians not only tended to identify historical ancient Slavs with mythical Scandinavian Vanir (regarding it obvious), but also managed to recall the great Indo-European theme of ”founding conflict” (in Dumézilian terms), despite whole that mythological model being far beyond the horizon of knowledge at that time. Despite all anachronisms, lack of knowledge and instrumental involvement in aesthetic, political or religious ideology, Romanticism really started the restitution of the cultural legacy of the Middle Ages, also in domain of linguistic and philological research. The consequences of that fact should be taken into account in literary history studies.
    Źródło:
    Colloquia Litteraria; 2016, 20, 1; 253-287
    1896-3455
    Pojawia się w:
    Colloquia Litteraria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Review of the Book: Hans Sauer and Piotr P. Chruszczewski (eds.) Mostly Medieval: In Memory of Jacek Fisiak (= Beyond Language 5). San Diego, CA 2020: Æ Academic Publishing. ISBN: 978-1-68346-186-9, 568 pages
    Autorzy:
    Traxel, Oliver M.
    Powiązania:
    https://bibliotekanauki.pl/articles/2013224.pdf
    Data publikacji:
    2021
    Wydawca:
    Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
    Tematy:
    Gedenkschrift
    Old English
    Middle English
    medievalism
    linguistics
    Opis:
    This article is a review of a Gedenkschrift intended to memorise Jacek Fisiak, a well-known Polish professor of English who died in 2019. It presents an overview of the contributions to this volume, which is divided into six “Parts,” each of which focuses on a particular aspect connected to his person or academic work. The articles in this book cover a large number of fields, ranging from individual recollections through topics on historical English up to the modern day. It is concluded that this publication is a suitable way to posthumously honour a particularly productive and beloved scholar.
    Źródło:
    Academic Journal of Modern Philology; 2021, 14; 383-389
    2299-7164
    2353-3218
    Pojawia się w:
    Academic Journal of Modern Philology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Po co poetom Średniowiecze? Różewicz – Herbert – Miłosz
    Autorzy:
    Regiewicz, Adam
    Powiązania:
    https://bibliotekanauki.pl/articles/2030695.pdf
    Data publikacji:
    2020-12-28
    Wydawca:
    Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
    Tematy:
    Tadeusz Różewicz
    Czesław Miłosz
    Zbigniew Herbert
    medievalism
    literary tradition
    mediewalizm
    tradycja literacka
    Opis:
    W artykule podjęto próbę opisu koncepcji średniowiecza zaproponowanej przez polskich poetów: Tadeusza Różewicza, Zbigniewa Herberta i Czesława Miłosza. Autorzy wykorzystują tę koncepcję do oceny współczesności. Obraz średniowiecza to z jednej strony koncepcja etyczna pełna odniesień do kategorii Dziedzictwo (cywilizacyjne i duchowe), z drugiej zaś mroczny okres, w którym człowiek i Bóg człowiek gubią się. Poeci wolą używać klisz Oświecenia i Romantyzmu, tworząc za ich pomocą klarowny pogląd ideologiczny.
    The paper attempts to describe the concept of the medieval period built by Polish poets: Tadeusz Różewicz, Zbigniew Herbert and Czesław Miłosz. The authors use this concept for the evaluation of contemporary times. The image of the Middle Ages is, on the one hand, an ethical concept abounding in references to the category of Heritage (civilisational and spiritual), and on the other hand, a dark period in which the individual and the human God become lost. The poets prefer using Enlightenment and Romantic clichés, creating a clear ideological view by means of them.
    Źródło:
    Tematy i Konteksty; 2020, 15, 10; 372-386
    2299-8365
    Pojawia się w:
    Tematy i Konteksty
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Greening the Anglo-Saxons in Paul Kingsnorth’s "The Wake"
    Autorzy:
    Czarnowus, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/2083277.pdf
    Data publikacji:
    2018
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    medievalism
    the pastoral
    primitivism
    landscape
    anthropocentrism
    mediewalizm
    pastoralizm
    prymitywizm
    krajobraz
    antropocentryzm
    Opis:
    The essay argues that Paul Kingsnorth’s novel The Wake is written in the spirit of the eighteenth century pastoral tradition. The medievalist trope of primitivism is used in reference to the Anglo-Saxon culture and language. What characterizes the medievalism of the novel is presentism. Buccmaster represents both the Wild Man and the Noble Savage type. In the pastoral manner, Kingsnorth writes in the spirit of anthropocentrism and focuses on the social classes in the early medieval world that he “greens” in the novel.
    Artykuł proponuje odczytanie powieści The Wake Philipa Kingsnortha w świetle XVIII-wiecznej tradycji pastoralnej. Medievalistyczny w swej naturze prymitywizm jest tu użyty do opisania kultury i języka Anglo-Sasów. Inną cechą mediewalizmu tej powieści jest prezentyzm. Buccmaster jest w niej zarówno „dzikim człowiekiem”, jak i „szlachetnym dzikusem”. Kingsnorth na sposób pastoralny pisze w duchu antropocentyzmu i skupia się na podziałach klasowych we wczesnośredniowiecznym świecie, który przedstawia na sposób „zielony”, ekologiczny.
    Źródło:
    Kwartalnik Neofilologiczny; 2018, 4; 531-543
    0023-5911
    Pojawia się w:
    Kwartalnik Neofilologiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    From Knight Errant to Exploring Pioneer: The Influence of Medieval Romances on the Depiction of Human and Non-Human Others in John Filson’s “The Adventures of Col. Daniel Boon”
    Autorzy:
    Magro, Giulia
    Powiązania:
    https://bibliotekanauki.pl/articles/27177650.pdf
    Data publikacji:
    2022
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Medievalism
    Frontier Narratives
    Early American Literature
    Ecocriticism
    Opis:
    This article analyzes, through a comparative approach, a frontier narrative, John Filson’s “The Adventures of Col. Daniel Boon” (1784), in relation to selected medieval chivalric romances from an ecocritical perspective, exploring the way in which medieval patterns have been employed in the American mythopoeic process, especially in relation to the frontier and the wilderness myths. In fact, medievalist narratives have been often employed to justify an anthropocentric, expansionist, and imperialistic agenda with grievous consequences on the way in which Americans engage with nature and with nonhuman species. At the same time, this tendency is often accompanied by an androcentric and ethnocentric rhetoric, contributing to the marginalization from dominant national discourses of significant sections of the population due to their race and gender. For this reason, attention will be also given to how attitudes toward the nonhuman can reflect and bear an impact on those toward other humans. By investigating how narratives develop, evolve, and circulate across time and space, it becomes possible to reveal the harmful logic they carry, and stress the importance of shifting the narrative in the direction of more sustainable intra- and inter-species relations.
    Źródło:
    Review of International American Studies; 2022, 15, 2; 187-210
    1991-2773
    Pojawia się w:
    Review of International American Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Aleksander Gieysztor and Gerard Labuda for the 100th anniversary of two great historians’ birthdays (1916–2016)
    Autorzy:
    Kosman, Marceli
    Powiązania:
    https://bibliotekanauki.pl/articles/2054616.pdf
    Data publikacji:
    2016-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Medievalism
    science and politics
    historical culture
    political culture
    mediewistyka
    nauka i polityka
    kultura historyczna
    kultura polityczna
    Opis:
    Gerard Labuda and Aleksander Gieysztor were among the most distinguished Polish historians. Their impact on the development of Polish Medieval studies has been tremendous as testified by a large group of their disciples who continue the research commenced by the Poznań and Warsaw historians. Two polish historians and friends, both born in 1916, were among the most eminent medievalists in Poland in the 20th century. Their academic debut came in the years preceding the outbreak of WWII, while their careers progressed brilliantly in the years following the end of the war. For several decades, they marked their academic presence as the authors of great works, and they held the most prominent offi ces in academic life in Poland and in the international arena. They took an active part in the process of political transition, leading to Poland regaining full sovereignty in 1989, and they approved of its evolutionary mode. They were unquestionable moral authorities for scholarly circles and beacons in public activities. Aleksander Gieysztor died in 1999, followed another eleven years later by Gerard Labuda (2010), who remained active until his last days. The 100th anniversary of their birthdays reminds historical circles, first and foremost, albeit not only, of Warsaw and Poznań, about their academic and public achievements.
    Źródło:
    Historia Slavorum Occidentis; 2016, 2(11); 240-264
    2084-1213
    Pojawia się w:
    Historia Slavorum Occidentis
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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