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Tytuł:
Komizm obsceniczny w trzech odsłonach. Relacje między przekładami Dialogus Salomonis et Marcolfi na języki polski, włoski i angielski
The obscene comic in three contexts. Relations between Polish, Italian and English translation of Dialogus Salominis et Marcolfi
Autorzy:
Bąkowska, Nadzieja
Powiązania:
https://bibliotekanauki.pl/articles/28409066.pdf
Data publikacji:
2015
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
Obscene comic
Comparative study
Medieval literature
Opis:
The article is an attempt to characterize linguistic and cultural relations between three translations of Dialogus Salomonis et Marcolfi from Latin into vernacular languages: Polish, Italian and English. Comparative analysis of the three translations confirms that in the cultural contexts examined, despite some discrepancies concerning the explicitness of language and images, there is the same model of comedy, based on obscene elements. The analysis aims to determine the nature and substrate of differences occurring between texts in terms of the obscene comic, as well as the extent to which various local colours were adopted in the translation process.
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2015, 6; 57-71
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Beyond the Convention? Representation of Female Characters in Middle English Romances
Autorzy:
Kiełkowicz, Justyna
Powiązania:
https://bibliotekanauki.pl/articles/601261.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Middle English romance
medieval studies
medieval literature
gender
feminism
Opis:
The paper presents literary images of medieval women in four Middle English romances, viz. King Horn, Sir Isumbras, Havelok the Dane and Sir Gawain and the Green Night. Its aim is to identify some conventional patterns of representation of female characters in the literary works classified as different subtypes of the genre of romance, namely ancestral romance (King Horn, Havelok the Dane), homiletic romance (Sir Isumbras) and Arthurian romance (Sir Gawain and the Green Knight). After Sharon Farmer and other feminist critics, the concept of gender is interpreted as one of the major categories of difference in medieval English society. This argument is supported by the analysis of the construction of female characters in the romances in question. However, while it is important to remember that the society of medieval England was to a large extent male-governed and male-dominated, which is the reason for the apparent centrality of male protagonists in medieval English literature, the function of female characters in literary works of that period is not necessarily secondary. The paper focuses on the importance of women in presenting the protagonist’s genealogy and on selected strategies of representation, such as reversal of gender roles or marginalization of female characters. The essay attempts to demonstrate that the category of gender, as it is seen in the medieval texts, cannot be reduced to a simplified model of binary oppositions, since the romances also introduce the complexity of power relations and tensions between the sexes. 
Źródło:
New Horizons in English Studies; 2017, 2
2543-8980
Pojawia się w:
New Horizons in English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pilate as the Legal ‘Other’ in the N-Town Cycle Passion Plays
Autorzy:
Tomasz, Wiącek,
Powiązania:
https://bibliotekanauki.pl/articles/889059.pdf
Data publikacji:
2020-09-14
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
medieval literature
medieval theatre
law
legal procedures
the Other/Otherness
Opis:
In the late medieval N-Town Cycle Passion Plays, the trial of Jesus is presented in the context of a medieval courtroom, where Jesus is brought by Annas and Cayphas to be judged by Pontius Pilate. However, while the priests through abuses of the legal procedures attempt to ensure Jesus’s demise, Pilate opposes their intent by remaining true to his judicial duties, which presents him as a lonely Other in the presented world of legal misconduct. This paper explores the concept of otherness in a legal context of the plays, as well as the legal and social significance of Pilate’s actions.
Źródło:
Anglica. An International Journal of English Studies; 2020, 29/1; 29-40
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ИДЕЯ ПОРЯДКА И ЕЁ ВОПЛОЩЕНИЕ В ЖАНРОВОЙ ТРАДИЦИИ ДРЕВНЕЙ РУСИ
The Concept of Order and Its Realization in the Genre Tradition of Old Russia
Autorzy:
Шунков, Александр
Powiązania:
https://bibliotekanauki.pl/articles/444851.pdf
Data publikacji:
2012-06-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
genre,
Russian medieval literature, ceremonial and artistic texts
Opis:
The article considers the problem of the creation and evolution of aspecific genre of medieval Russian literature – order (a description of court ceremonial). The article identifies the origins of the genre form, its artistic and aesthetic basis, analyzes the evolution of the Russian publishing tradition of book of the 12–17th centuries. Particular attention is drawn to the existence of the called genre forms in the Russian court culture of the 1650s, the era of the reign of Tsar Alexei Mikhailovich.
Źródło:
Acta Neophilologica; 2012, XIV/1; 193-201
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Павловићево читање народне и старе српске поезије
Pavlović’s Reading of Folk and Old Serbian Poetry
Autorzy:
Despić, Đorđe M.
Powiązania:
https://bibliotekanauki.pl/articles/2046458.pdf
Data publikacji:
2021-11-27
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Miodrag Pavlović
essay
folk lirics
Serbian medieval literature
poetry
interpretation
Opis:
У раду се аналитичким методом указује на домете и импликације Павловићевог проучавања српске усмене и средњовековне књижевности. Притом, текст настоји да овај сегмент његове есејистике представи и у контексту ширег Павловићевог есејистичког, али и песничког опуса, истичући њихово плодно и разноврсно кореспондирање. Његови есеји у функцији су смисаоног и вредносног осветљавања наших најстаријих књижевних слојева, чиме се до краја уобличава представа о књижевно-историјском распону српске поезије и искуство јединственог духовног континуитета. Павловићеви Огледи о народној и старој српској поезији представљају пример како ширина интересовања, импресиван интелект, ерудитна компетенција, отворен и откривалачки дух, али и незаобилазан уметнички сензибилитет и неретко поетска експресија, постају замајац нових читања и тумачења, сасвим сигурно драгоцених за будуће генерације читалаца и изучавалаца.
Using the analytical method, the paper points to the extents and implications of Pavlović’s research of Serbian verbal folk and medieval literature. Along with this, the paper tries to present this segment of his essayistic work in the context of the wider Pavlović’s essayistic and poetic opus as well, emphasizing their prolific and versatile corresponding. His essays are in a function of thoughtful and evaluating reflections of our oldest literature strata, which eventually shapes up the image about literature and historical span of Serbian poetry and the experience of a unique spiritual continuity. Pavlović’s Essays on Folk and Old Serbian Poetry (orig. Ogledi o narodnoj i staroj srpskoj poeziji) represent an example of how broadness of interests, an impressive intelect, erudite competency, an open and explorative spirit, but also inevitable artistic sensibility and frequent poetic expression become a trigger for new readings and interpretations surely valuable for new generations of readers and researchers.
Źródło:
Poznańskie Studia Slawistyczne; 2021, 21; 265-278
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Judas, a Medieval Other? Religion, Ethnicity, and Gender in the Thirteenth-Century Middle English Judas
Autorzy:
Czarnowus, Anna
Powiązania:
https://bibliotekanauki.pl/articles/943033.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
otherness of medieval literature
medieval texts
poem Judas
representing Jews
Middle English literature
The Siege of Jerusalem
Opis:
The article commences with a discussion of the otherness of medieval literature in comparison with the texts from other epochs. The topic of otherness also appears in medieval texts. The religious, ethnic, and gender difference of Judas is complemented by that of his “sister”, who similarly to him illustrates the anti-Judaic stereotypes of the epoch. In the thirteenth-century poem Judas, however, remains a universal figure, since he is one of many traitors and sinners, while his “sister” univocally embodies the type known as la juive fatale. Judas’ eeminacy, both psychological and physical, seems to be only one of many diverse aspects of that complex literary construct. The equivocal nature of representing Jews in Middle English literature is best exemplified by the fourteenth-century romance The Siege of Jerusalem, but even this text features the topic of weakness, if not effeminacy, of that ethnic group in their confrontation with the Romans. Judas, a text more complex in that respect from e Siege of Jerusalem, emphasizes religious, ethnic, and gender difference, but also presents the main character as an everyman, allowing its modern readers to explore the sphere of medieval imagination to a greater extent.
Artykuł rozpoczyna się tezę o odmienności (otherness) literatury średniowiecznej na tle innych epok, która to inność jest również tematem niektórych utworów średnioangielskich. Judasz, odmienny pod względem religijnym, etnicznym i płciowym, ma w tym utworze także „siostrę”, która tak jak on ilustruje antyżydowskie stereotypy epoki. Judasz jest jednak w tym utworze także postacią uniwersalną, jednym z licznych zdrajców i grzeszników otaczających Jezusa, podczas gdy jego „siostra” jednoznacznie uosabia typ postaci znany jako la juive fatale. Zniewieścienie Judasza (psychiczne, ale może również fizyczne) wydaje się tylko jedną stroną tej złożonej konstrukcji literackiej. Typowy dla innych utworów średnioangielskich brak jednoznaczności w przedstawianiu Żydów dobrze ilustruje czternastowieczny romans Oblężenie Jeruzalem (The Siege of Jerusalem), ale nawet tam pojawia się motyw nie tyle zniewieścienia, co słabości tej grupy społecznej w konfrontacji z Rzymianami. Judasz, tekst bardziej skomplikowany od Oblężenia, uwypukla różnice religijne, etniczne i te dotyczące płci kulturowej, ale też pokazuje główna postać jako rodzaj everymana, pozwalając współczesnym czytelnikom głębiej wniknąć w sferę średniowiecznej wyobraźni.
Źródło:
Terminus; 2011, 13, 24; 15-30
2084-3844
Pojawia się w:
Terminus
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The topos of the ages of the world and man in the first sermon on Dominica Septuagesimae of Mikołaj of Błonie
Autorzy:
Grzybowska, Lidia
Powiązania:
https://bibliotekanauki.pl/articles/28407892.pdf
Data publikacji:
2023
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
medieval preaching
Polish medieval literature
the ages of the world
medieval conception of time
medieval sermon
Opis:
This article aims to investigate how Mikołaj of Błonie, a Polish preacher from the first half of the fifteenth century, employs the motif of the ages of the world and man in the first sermon on Dominica Septuagesimae from his collection de tempore. In order to determine its function in respect to the medieval text and its role in religious instruction, this study identifies the sources of this theme and how it was adapted by the preacher according to the requirements of the sermon genre. A comprehensive analysis of Mikołaj of Błonie’s sermon demonstrates that the preacher employs the topos of the ages of the world and man as a persuasive literary device carrying a powerful, charismatic exhortation, in line with the didactic and moralizing nature of the sermon as a rhetorical genre. I will argue that the preacher exerted meticulous care in selecting and adapting source materials to make it relevant and appealing to his audience.
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2023, 14; 83-102
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Живото знание за средновековното ръкописно наследство
Autorzy:
Tsibranska-Kostova, Mariyana
Powiązania:
https://bibliotekanauki.pl/articles/681545.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
old Bulgarian literature, medieval literature, paleoslavistics, Klimentina Ivanova
literatura starobułgarska, średniowiecze, paleoslawistyka, Klimentina Ivanova
Opis:
A review of: Ivanova, Klimentina. Manuscripts. Authors. Texts. Krakowsko-Wileńskie Studia Slawistyczne. Tom 14. Krakow: Scriptum Tomasz Sekunda, 2018, 563 pp. ISBN 978-83-66084-15-5. [In Bulgarian: Иванова, Климентина. Ръкописи. Автори. Творби. Krakowsko-Wileńskie Studia Slawistyczne. Tom 14. Kraków: Scriptum Tomasz Sekunda, 2018, 563 стр.]
Recenzja książki: Ivanova, Klimentina. Manuscripts. Authors. Texts. Krakowsko-Wilenskie Studia Slawistyczne. Tom 14. Krakow: Scriptum Tomasz Sekunda, 2018, 563 pp. ISBN 978-83-66084-15-5 [In Bulgarian: Иванова, Климентина. Ръкописи. Автори. Творби. Krakowsko-Wileńskie Studia Slawistyczne. Tom 14. Kraków: Scriptum Tomasz Sekunda, 2018, 563 стр.]
Źródło:
Zeszyty Cyrylo-Metodiańskie; 2018, 7
2449-8297
Pojawia się w:
Zeszyty Cyrylo-Metodiańskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Hagiografie v 10. a 11. století
Hagiography in the tenth and eleventh century
Autorzy:
Bláhová, Marie
Powiązania:
https://bibliotekanauki.pl/articles/2164349.pdf
Data publikacji:
2014-06-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
hagiography
medieval literature
history of hagiography
10th century
11th century
Opis:
In her paper Hagiografie v 10. a 11. Století, Marie Bláhová of Charles University in Prague examines the early history of the development of this genre. First, she discusses what hagiography is and when and under what circumstances this branch of the Latin literature was born. The author points out to the ancient roots of hagiography (the second century). Next to the history and the causes of the emergence of hagiography, the paper presents the development of its forms and changes in the choice of types of holiness, which could be included in such works since the late antiquity until the eleventh century. Marie Bláhová has presented readers with a wide panorama of centers and individuals distinguished in creating and rewriting hagiographic literature, noting their role at the time of birth of a given work and its subsequent dissemination. This panorama is made up of activities of both various centers and literary circles in older Europe, i.e., Empire, England, France, Italy, and in Central Europe, namely Hungary, Czech and Poland.
Źródło:
Historia Slavorum Occidentis; 2014, 1(6); 74-91
2084-1213
Pojawia się w:
Historia Slavorum Occidentis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tolkien w oczach mediewisty
Tolkien Through the Eyes of a Mediaevalist
Autorzy:
Honegger, Thomas
Powiązania:
https://bibliotekanauki.pl/articles/1202405.pdf
Data publikacji:
2017
Wydawca:
Ośrodek Badawczy Facta Ficta
Tematy:
mediaevalism
English literature
Medieval literature
Tolkien
John Ronald Reuel Tolkien
fantasy
fantasy fiction
Lord of the Rings
Opis:
The Lord of the Rings, ever since its publication, has been something of a nuisance to traditional literary critics and has been maligned often and with zest. The main reason for these strong—and often irrational—reactions are primarily due to the fact that The Lord of the Rings does not fit into the literary mainstream and challenges standard critical assumptions about what a work of twentieth-century fiction should be like. The standard tool-kit of the literary critic seems utterly inadequate. Mediaevalists, in contrast, have often taken a more sympathetic view of Tolkien’s work. Honegger’s article Tolkien Through the Eyes of a Mediaevalist will therefore present several ‘mediaeval’ approaches towards Tolkien, evaluate their critical value and discuss their contribution towards a more adequate understanding of Tolkien’s literary work.
Źródło:
Creatio Fantastica; 2017, 2(57); 7-23
2300-2514
Pojawia się w:
Creatio Fantastica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Joi jako źródło niepokoju we wspólnotach emocjonalnych trubadurów i trobairitz
Joi as the Origin of Disquiet in Troubadours’ and Trobairitz’ Emotional Communities
Joi aux origines de l’intranquillité dans les communautés émotionnelles des troubadours et trobairitz
Autorzy:
Sawczuk-Szadkowski, Michał
Powiązania:
https://bibliotekanauki.pl/articles/31339752.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
troubadours
communautés émotionnelles
amour courtois
littérature médiévale
littérature occitane
emotional communities
courtly love
medieval literature
Occitan literature
Opis:
Cet article vise à analyser l’amour courtois des troubadours en mettant l’accent sur la relation entre le joi et la peur ou l’intranquillité. Sur la base des concepts précédents, le modèle de la fin’amor en tant que communauté émotionnelle avec ses caractéristiques de base est présenté. Sur l’exemple de textes choisis de la littérature courtoise, une « carte des émotions » du monde des troubadours, dans laquelle le joi joue un rôle central, est construite. Joi est défini comme « la joie agissante » ou « un état d’harmonie, d’extase et de perfection intérieure ». L’étymologie de ce concept est considérée comme une combinaison des mots gaudium (joie) et joculum (jeu). L’analyse indique que la poursuite du joi est à la fois la raison de la construction de la communauté émotionnelle de la fin’amor et l’objectif des acteurs impliquées. L’obtention du joi repose sur un système élaboré de jeux littéraires. Dans la communauté émotionnelle, le joi déclenche d’autres émotions, notamment la peur et l’intranquillité. En ce sens, le joi n’est pas un état d’harmonie intérieure mais une entité ambivalente, qui affecte aussi bien le bien-être des acteurs de la fin’amor que son absence.
This paper aims to analyse the courtly love of the troubadours with a particular focus on the relationship between joi and fear or disquiet. With the background of previous concepts, the model of fin’amor as an emotional community with its basic characteristics is presented. On the example of selected texts from the courtly literature, a “map of emotions” of the troubadour world, in which joi plays a central role, is constructed. Joi is defined as “joy acting” or “a state of harmony, ecstasy and inner perfection”. As the etymology of this concept, it is taken as a combination of the words gaudium (joy) and joculum (play). The analysis indicates that the pursuit of joi is both the reason for building the emotional community of fin’amor and the goal of its actors involved. The achievement of joi is based on an elaborate system of literary games. In the emotional community, joi triggers other emotions, including fear and disquiet. Thus, joi is not a state of inner harmony but an ambivalent entity, affecting both the well-being of the individual fin’amor actors and the lack thereof.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Romanica; 2022, 17, 2; 23-35
1505-9065
2449-8831
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Owidiusz u Dantego na tle średniowiecznej tradycji literackiej
Autorzy:
Maślanka-Soro, Maria
Powiązania:
https://bibliotekanauki.pl/articles/638751.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Dante, Ovid, Ovidian literary tradition, medieval Romanic literature, intertextuality
Opis:
The aim of this paper is to present the position and role of the poetry of Ovid, primarily the Metamorphoses, the product of a great poetic talent (ingenium) and an equally great poetic art (ars), in the work of Dante. The author’s point of departure in an analytical and interpretative approach is a synthetic overview of the Ovidian literary tradition in the medieval Romanic culture. The original and creative allusions Dante makes to Ovid in The Divine Comedy, which is the main focus of this paper’s intertextual analysis, stand out more clearly against this background. A distinct evolution may be observed in the way Dante assimilated the work of Ovid. In his early work, the Rime and Vita Nuova, Dante treated Ovid as an authority and referred to him to corroborate his own ideas, or tended to imitate the Ovidian style in his erotic lyrics. In the spirit of his times Dante resorted to the allegorical potential of the Metamorphoses in his prose treatises such as the Convivio. But it was not until the Divina Commedia that he embarked on an intertextual dialogue with his mentor, occasionally adopting a polemical stance and endeavouring to stress the superiority of his own ideas. The paper employs the motif of metamorphosis to illustrate the aspect of aemulatio which superseded Dante’s earlier imitatio approach to Ovid.
Źródło:
Studia Litteraria Universitatis Iagellonicae Cracoviensis; 2011, 6, 1
2084-3933
Pojawia się w:
Studia Litteraria Universitatis Iagellonicae Cracoviensis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Das Eposfragment Dukus Horant: ein mittelalterliches Zeugnis deutsch-jüdischer Interkulturalität?
Autorzy:
Piszczatowski, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/2076677.pdf
Data publikacji:
2016
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Dukus Horant
medieval epic
inter-cultural transfer
Jews in medieval German literature
Opis:
The paper concerns a manuscript discovered in 1896 in the genizah of the Old Synagogue in Cairo. It contains Middle High German and early Yiddish literary texts written in Hebrew alphabet. Among them one may find fragments of the epic Dukus Horant, which, ever since its publication in 1957, has attracted a great deal of academic interest and generated much controversy as regards its place in the medieval tradition of the heroic epic, as well as its linguistic and cultural identity. The present paper discusses the main tendencies in the text’s reception and it also seeks to address the issue of the extent to which Dukus Horant may be treated as an example of inter-cultural transfer between the Jews and the Germans during the Middle Ages.
Źródło:
Kwartalnik Neofilologiczny; 2016, 3; 293-303
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
L’entrée à Jérusalem : un exercice de style (de la liturgie au jeu)
The Entry to Jerusalem: an Exercise of Style (from Liturgy to Play)
Autorzy:
Mélou-Le Ferrand, Catherine
Powiązania:
https://bibliotekanauki.pl/articles/2015099.pdf
Data publikacji:
2021
Wydawca:
Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
Tematy:
Medieval literature
Christ’s Passion
Didot manuscript
theatre in Langue d’Oc
entry to Jerusalem
staging
Opis:
The first representations of the Passion of Christ in vernacular language mark an upheaval in liturgical codes. The entry to Jerusalem symbolises this change, as it is one of the most important episodes in the liturgy. It is a popular as well as a royal scene, and a scene of jubilation. It takes place outside the church where a procession has been organised. Through the text of one of the first Passions represented in the Langue d’Oc, namely the Didot manuscript of the Passion, we can see how the staging of the event takes place naturally, even—or especially—in the absence of precise stage directions. Amplification is a part of the game in which no rules are set; it merges with worship and offers devotees the opportunity to get involved in the story. The existing iconography, developed by artists since the 4th century, establishes the symbolic base on which the theatre can rely—costumes, sets and accessories. The very particular liturgy of this scene, celebrated during the Palm Sunday service, reinforces its theatricality and the acting (outside the church), as well as favouring a reversible character of the show. Hence, the spectator becomes an actor and the actor contemplates Christ. The stage directions, along with the absence of precise instructions, outline the codes, constraints and inventions of a nascent Passionist theatre.
Źródło:
Academic Journal of Modern Philology; 2021, 11; 127-134
2299-7164
2353-3218
Pojawia się w:
Academic Journal of Modern Philology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gegenwart und Zukunft der älteren deutschen Literatur in der polnischen Germanistik
Autorzy:
Górecka, Marzena
Powiązania:
https://bibliotekanauki.pl/articles/700317.pdf
Data publikacji:
2015
Wydawca:
Stowarzyszenie Germanistów Polskich
Tematy:
Medieval German literature, Poland, presence and future of early German literature, academic curricula
Opis:
The German literary heritage from the period between Middle Ages and Modern Times (8th-17th cc.) has an unquestionably high status in German Studies in the German-speaking countries. Hence, German Medieval Studies are widely acknowledged as an indisputably vital research domain. Austrian, German and Swiss academic institutions recognize German Medieval Studies as one of the three main autonomous components in German Studies – the other two being modern German Literature and Linguistics. This division is also mirrored in the academic curricula and the regulations concerning the scope of academic examinations. German Medieval Studies have a completely different status in countries other than the above, including Poland. In Poland, there can be no mention of institutional equality between the three components listed above. As can be inferred from the changes affecting the majority of programmes offered by the Institutes of German all around Poland, academic curricula seem to increasingly marginalize the early German literary legacy. The knowledge about the Medieval, Modern or Baroque texts is presented mostly, and sometimes exclusively, through curricular lectures. In some academic programmes, literature starts with the 18th century texts onward. This marginalized status of German Medieval Studies in the Polish Academia manifests itself correspondingly in the two branches of research: specializations and publications. Drawing upon the relevant German and English-language literature, the author of this paper would like to convince the Polish milieus of the specialists in German Studies of how important Old German literature is. The author also puts forward a postulate that in both the scientific and the didactic discourse within German Studies, the early German literary legacy should be given the position it rightly deserves.
Źródło:
Zeitschrift des Verbandes Polnischer Germanisten; 2015, 4, 4
2353-656X
2353-4893
Pojawia się w:
Zeitschrift des Verbandes Polnischer Germanisten
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 46

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