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    Wyświetlanie 1-12 z 12
    Tytuł:
    Diverse Voices: Czech Women’s Writing in the Post-Communist Era
    Różne głosy: Pisarstwo Czeszek w okresie postkomunistycznym.
    Autorzy:
    Sokol, Elena
    Powiązania:
    https://bibliotekanauki.pl/articles/437314.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
    Tematy:
    Czech culture
    women’s writing
    feminist literary criticism
    feminism
    gender
    post-communism
    Opis:
    This essay offers an overview of the diversity of women’s prose writing that emerged on the Czech cultural scene in the post-communist era. To that end it briefly characterizes the work of eight Czech women authors who were born within the first two decades after World War II and began to create during the post-1968 era of ‘normalization’. In this broad sense they belong to a single generation. With rare exception their work was not officially published in their homeland until the 1990s. The writers included are: Lenka Procházková, Tereza Boučková, Alexandra Berková, Zuzana Brabcová, Daniela Hodrová, Sylvie Richterová, Iva Pekárková, and Eva Hauserová. The overview is followed by a concise comparative analysis of texts by three very different writers (Procházková, Pekárková, and Hodrová), using a feminist critical approach. There is also an appendix of works by these writers available in English translation.
    Źródło:
    ARGUMENT: Biannual Philosophical Journal; 2012, 2, 1; 37-57
    2083-6635
    2084-1043
    Pojawia się w:
    ARGUMENT: Biannual Philosophical Journal
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Feminist discourses on utu and heshima in selected works by Tanzanian women writers
    Autorzy:
    Romańczuk, Izabela
    Pawlik, Jacek Jan
    Różański, Jarosław
    Powiązania:
    https://bibliotekanauki.pl/chapters/31233283.pdf
    Data publikacji:
    2023-10-27
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    utu
    heshima
    Swahili literature
    Swahili philosophy
    women writers
    feminist literary criticism
    Opis:
    The paper examines references to Swahili ethics in the literary works of Tanzanian women writers. It focuses in particular on analyzing the moral concepts of utu ‘humanity, morality’ and heshima ‘honor, respect, dignity’ discussed in the short play Heshima Yangu ‘My Honor’ by Penina Muhando Mlama from 1974 and the novel Mungu Hakopeshwi ‘God Doesn’t Borrow Time’ by Zainab Alwi Baharoon from 2017. The author argues that in their feminist critique, these two narratives turn to the basic principles of Swahili philosophy and reconstruct the discourse on the essence of humanity, morality and wisdom.
    Źródło:
    Language, Culture, Literature Intertwined. The Swahili Perspective; 61-78
    9788323561996
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Czy Zofia Kossak pisze herstorię? Literacki portret Maryny Mniszech w powieści "Złota wolność"
    Is Zofia Kossak’s work a herstory? A literary portrait of Maryna Mniszech in the novel "Złota wolność"
    Autorzy:
    Ozaist-Zgodzińska, Zofia
    Powiązania:
    https://bibliotekanauki.pl/articles/40615052.pdf
    Data publikacji:
    2023-12-30
    Wydawca:
    Uniwersytet Komisji Edukacji Narodowej w Krakowie
    Tematy:
    Maryna Mniszchówna
    Zofia Kossak‑Szczucka
    historical novel
    feminist criticism
    herstory
    literary hero
    powieść historyczna
    krytyka feministyczna
    herstoria
    bohater literacki
    Opis:
    Zofia Kossak introduced Maryna Mniszchówna as one of the historical characters in her novel Złota wolność. By doing that she took the challenge of facing the tradition of writing about the empress (present for example in Józef Szujski’s dramas). The article includes an analysis of the method in which Kossak turns Maryna into a literary character, using available sources thoroughly, but creating a different, new story. The writer emphasizes the difference by introducing into the novel the character of Jadwiszka Paryshazówna as an alter ego of the empress, personifying all the vices attributed to her in stereotypes. Kossak used her own social experience (including the traditional role of a woman) to show a famous historical figure in a different way, thanks to which she was able to satisfy her female readers, who did not find a fully developed heroine in previous historical novels. Researchers who deal with Kossak’s work have not paid attention to Maryna Mniszech before. In the analyses that investigate the presence of the empress in cultural texts, the novel Złota wolność has been neglected or mentioned briefly. The article fills this gap.
    Źródło:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2023, 23; 165-182
    2081-1853
    Pojawia się w:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Activist Discourse and the Origins of Feminist Shakespeare Studies
    Autorzy:
    Nerio, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/39767396.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Anna Murphy Jameson (1794-1860)
    Margaret Fuller (1810-1850)
    feminist literary criticism
    Shakespeare’s Heroines (1832)
    Woman in the Nineteenth-Century (1845)
    Romantic literature
    Romantic literary criticism
    Romantic sociability
    nineteenth century public sphere
    Opis:
    This essay reconsiders interpretations of Shakespeare by Irish writer Anna Murphy Jameson and the American Transcendentalist Margaret Fuller. Developing an informal method in which the voice of the female critic rallies in defence of Shakespeare’s heroines, they intervene in a male-dominated intellectual sphere to model alternative forms of women’s learning that take root outside of formalized institutional channels. Jameson, in Shakespeare’s Heroines, invokes the language of authentic Romantic selfhood and artistic freedom, recovering Shakespeare’s female characters from earlier critical aspersion as figures of exceptional female eloquence and resilience; she adopts a conversational critical voice to involve her female readers in the interpretative process itself. Fuller, in Woman in Nineteenth Century, speaks authoritatively as a kind of female prophet to argue that women’s creative reinterpretations of Shakespeare point the way to a revitalization of a sterile literary critical field. Both writers call for the reform of women’s education through revisionist interpretations of history attuned to the representation of female exceptionalism. In embryonic form, these nineteenth century feminist writings formulate a persistent strain of socially engaged, activist feminist criticism of Shakespeare.
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2023, 27, 42; 143-160
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Women and Intertextuality: On the Example of Margaret Atwood’s The Penelopiad
    Autorzy:
    Lisowska, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/24987865.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    intertextuality
    feminist literary criticism
    arachnology
    reinterpretation
    humour
    Opis:
    The aim of the study is to consider feminist retellings of myths and legends. As an example, Margaret Atwood’s book The Penelopiad is analyzed. The interpretation is situated in a broader context of intertextual practices characteristic of the feminist vision of literature. I present the ideas which Atwood shares with authors engaged in women’s movement. Among these there is Atwood’s understanding of intertextuality (noticeable especially in The Penelopiad). Bibliographical basis of the study comprises books which are fundamental to feminist and gender criticism (e.g. Poetics of Gender, ed. by N. Miller, New York 1986; S. M. Gilbert, S. Gubar The Madwoman in the Attic. The Woman Writer and the Nineteenth- Century Literary Imagination, New Haven and London 1984). What is more, the study refers to the books which allow considering the notion of intertextuality (G. Allen, Intertextuality, London and New York 2010, J. Clayton. E. Rothstein (eds.), Influence and Intertextuality in Literary History, Wisconsin 1991) and connecting the interpretation with the problems crucial to contemporary literary studies (L. Hutcheon L. A Poetics of Postmodernism. History, Theory, Fiction, New York and London 1988, B. Johnson, A World of Difference, Baltimore and London 1989).
    Źródło:
    Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2014, 2, 1; 18-27
    2353-6098
    Pojawia się w:
    Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Women and Intertextuality: On the Example of Margaret Atwood’s The Penelopiad
    Autorzy:
    Lisowska, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/653583.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    intertextuality
    feminist literary criticism
    arachnology
    reinterpretation
    humour
    Opis:
    The aim of the study is to consider feminist retellings of myths and legends. As an example, Margaret Atwood’s book The Penelopiad is analyzed. The interpretation is situated in a broader context of intertextual practices characteristic of the feminist vision of literature. I present the ideas which Atwood shares with authors engaged in women’s movement. Among these there is Atwood’s understanding of intertextuality (noticeable especially in The Penelopiad). Bibliographical basis of the study comprises books which are fundamental to feminist and gender criticism (e.g. Poetics of Gender, ed. by N. Miller, New York 1986; S. M. Gilbert, S. Gubar The Madwoman in the Attic. The Woman Writer and the Nineteenth- Century Literary Imagination, New Haven and London 1984). What is more, the study refers to the books which allow considering the notion of intertextuality (G. Allen, Intertextuality, London and New York 2010, J. Clayton. E. Rothstein (eds.), Influence and Intertextuality in Literary History, Wisconsin 1991) and connecting the interpretation with the problems crucial to contemporary literary studies (L. Hutcheon L. A Poetics of Postmodernism. History, Theory, Fiction, New York and London 1988, B. Johnson, A World of Difference, Baltimore and London 1989).
    Źródło:
    Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2014, 2, 1
    2353-6098
    Pojawia się w:
    Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Emigracja i twórczość emigracyjna Polek – od ewolucji społecznych do literackich
    Emigration and emigration works of Polish women - from social to literary evolutions
    Autorzy:
    Kronenberg, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/40570846.pdf
    Data publikacji:
    2015-12-10
    Wydawca:
    Akademia Humanistyczno-Ekonomiczna w Łodzi
    Tematy:
    emigracja
    literatura emigracyjna kobiet
    feministyczna krytyka literacka
    gender
    emigration
    women's emigration literature
    feminist literary criticism
    Opis:
    Celem artykułu jest prezentacja zjawiska emigracji Polek po roku 2004 na podstawie ich bogatej twórczości literackiej (40 powieści i 30 fragmentów dzienników opublikowanych w 3 antologiach). Dlatego autorka korzysta z perspektywy badawczej określanej terminem socjologii literatury. Emigracje kobiet to zjawisko, które trwale zmienia społeczeństwa: zarówno Polski, jak i nowej ojczyzny. Ten proces znalazł odbicie także w twórczości literackiej emigrantek: literatura pisana przez kobiety została wzbogacona o nowe typy bohaterek, nowe wątki, tematy, motywy. Jest to przykład na to, jak ewolucje społeczne (np. emigracja) zmieniają także wytwory kulturowe, a docelowo – także społeczeństwa (np. proponując nowe postawy kobiet, w tym przypadku feministyczne).
    The aim of this article is to present the phenomenon of Polish women's emigration after 2004, based on their rich literary output (40 novels and 30 diary excerpts published in 3 anthologies). Therefore, the author employs a research perspective known as the sociology of literature. Women's emigration is a phenomenon that permanently changes societies: both in Poland and in their new homelands. This process is also reflected in the literary works of emigrant women: literature written by women has been enriched with new types of heroines, new threads, themes, and motifs. This serves as an example of how social evolutions (such as emigration) also transform cultural products and, ultimately, societies (e.g., by proposing new attitudes for women, in this case, feminist ones).
    Źródło:
    Civitas Hominibus. Rocznik filozoficzno-społeczny; 2015, 10; 157-167
    1896-1819
    2391-5145
    Pojawia się w:
    Civitas Hominibus. Rocznik filozoficzno-społeczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Women and the Canon. Are We Justified to Speak of a Female Literary Canon Nowadays?
    Autorzy:
    Kirova, Milena
    Powiązania:
    https://bibliotekanauki.pl/articles/635407.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    women’s literature
    women’s literary canon
    female writing
    Bulgarian literature
    alternative canon
    feminist criticism
    Opis:
    The paper is initiated by a brief outline of the development of women’s literature in the ex-“East European” countries since 1989. Then it turns to feminist literary theory tracking two different periods of its reception by, and adaption to, literary criticism in post-communist academic research. The concepts of women’s generations and women’s literary canon, vital for the western tradition of gynocriticism, are closely analyzed in line with their relevance to present-day women’s literature in post-communist culture. The paper ends with a presentation of a threefold model of the prospective to speak of women’s literature imbedded in, or in counter stance to, the traditional literary canon.
    Źródło:
    Poznańskie Studia Slawistyczne; 2016, 11; 171-187
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    FEMINISTYCZNE GRY Z AUTOBIOGRAFIĄ
    Autorzy:
    Janiak, Edyta
    Powiązania:
    https://bibliotekanauki.pl/articles/487782.pdf
    Data publikacji:
    2018
    Wydawca:
    Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
    Tematy:
    LITERATURE
    AUTOBIOGRAPHY
    FEMINISM
    READING STRATEGY
    FEMINIST LITERARY CRITICISM
    FEMALE AUTOBIOGRAPHY
    LITERATURA
    AUTOBIOGRAFIA
    FEMINIZM
    STRATEGIA LEKTUROWA
    LITERACKA KRYTYKA FEMINISTYCZNA
    KOBIECA AUTOBIOGRAFIA
    Opis:
    The Feminist Games with Autobiography The aim of the article is showing diverse ways of reception and descrip- tion of female autobiographies in the critical literary research. The au- thor devotes exceptional attention to the feminist researchers’ approach to these texts and the reading strategies proposed by them. Tracing the feminism – female autobiography relation makes it possible to perceive mutual influences and observe evolution of the emerging discourse of the feminist literary criticism.
    Źródło:
    DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu; 2018, 25; 152-165
    1733-1528
    Pojawia się w:
    DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Il perturbante come strategia sovversiva: realismo magico ed elementi fantastici nei Racconti sardi di Grazia Deledda
    The Uncanny as a Subversive Strategy: Magic Realism and Fantastic Elements in Grazia Deledda’s Racconti sardi
    Autorzy:
    Gorgojo-Iglesias, Raisa
    Powiązania:
    https://bibliotekanauki.pl/articles/34670925.pdf
    Data publikacji:
    2024-06-30
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Grazia Deledda
    magic realism
    fantastic literature
    literary foremothers
    feminist literary criticism
    realismo magico
    letteratura fantastica
    antenate letterarie
    critica letteraria femminista
    Opis:
    This paper discusses the absence of Grazia Deledda both in Spanish university curricula and on the Spanish publishing market, an oblivion shared by other female authors of her time. This exclusion has a dual cause: the writers’ gender and the literary genre they cultivated. In this study, I offer a new reading of Deledda’s Racconti sardi (1894) through a critical analysis of its architectural elements, resonating with magic realism and the fantastic genre. These elements fit within the aesthetics of the liminal (Tomassini, 1992), which seeks to reinterpret the history of otherness as opposed to normative and legitimised histories. While magic realism proposes a world tailored to the experience of the other, which belies the official truth, the fantastic highlights the flaws of the uniform conception of reality. Such narratives may convey a subversive, albeit often overlooked, message as the mechanisms of the genres of the non-real promote readers’ estrangement, a revision of the contract of fiction and, therefore, multiple levels of reading. These accomplishments make Deledda a classic author whose narrative production, which starts from the local to become universal, is worth continual re-reading.
    Questo studio nasce dalla constatazione dell’assenza di Grazia Deledda sia dai curricula delle università spagnole sia dal mercato editoriale della Spagna. Tale oblio è stato subìto da altre autrici di varie nazionalità a lei contemporanee e ha una doppia origine: il loro genere e il genere letterario che esplorano. La produzione di studi accademici che analizzano l’opera di Grazia Deledda contribuirà al suo concreto inserimento in specifiche sezioni del programma di studi, oltre a fornire una base per la promozione e la diffusione della sua opera sul piano editoriale. Con questo obiettivo, il presente studio si propone di offrire una nuova lettura dei Racconti sardi (1894) di Grazia Deledda attraverso un’analisi critica della sua architettura, tra realismo magico e genere fantastico, all’interno di quella che potrebbe anche essere definita l’estetica del limite (Tomassini, 1992). Il fantastico o perturbante e il realismo magico tentano di rielaborare la storia dell’alterità in contrapposizione alle storie normative e legittimate, proponendo un mondo a misura dell’esperienza dell’altro che rifiuta la verità ufficiale, nel caso del realismo magico, o sottolineando i difetti della concezione univoca della realtà, nel caso del fantastico. Si tratta di narrazioni che, in un secondo livello di lettura, possono presentare un potenziale messaggio sovversivo che passa inosservato grazie ai meccanismi dei generi del non reale, meccanismi che permettono un allontanamento del lettore, una riformulazione del patto di finzione e, quindi, molteplici livelli di lettura che, in sostanza, fanno di Deledda un’autrice classica, meritevole di continue riletture, la cui narrazione parte dal locale per diventare universale.
    Źródło:
    Italica Wratislaviensia; 2024, 15.1; 85-104
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Literatura, feminizm, krytyka – inne konstelacje?
    Literature, feminism, criticism – other constellations?
    Autorzy:
    Galant, Arleta
    Powiązania:
    https://bibliotekanauki.pl/articles/969802.pdf
    Data publikacji:
    2011
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    literary criticism
    feminism
    feminist literary criticism
    contemporary polish literature
    political turn
    krytyka literacka
    feminizm
    krytyka feministyczna
    polska literatura
    współczesna
    zwrot kulturowy
    Opis:
    Literature, Feminism, Criticism – Other Constellations? In her article the authoress outlines the issues concerning the relation between feminism, literary criticism and modern literature. She poses some questions concerning the prose oeuvre of contemporary Polish women authors as well as the social contexts and aesthetic strategies associated with it. What proved to be important here were also issues allowing reflection on the change of literary-critical and historical and literary discourses inspired by feminist thought, as well as issues allowing to record the losses and gains resulting from the entanglement of feminist literary criticism in mass communication and the results of the „cultural turnaround” of feminist literary studies.
    Źródło:
    Wielogłos; 2011, 1, 9; 67-80
    2084-395X
    Pojawia się w:
    Wielogłos
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Płeć autobiograficznego „ja”. Przypadek Renáty Tyršovej
    Gender of Authobiographical “Self”. The Case of Renáta Tyršová
    Autorzy:
    Filipowicz, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/635389.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    female literary production
    feminist criticism
    autobiography
    biography
    autobiographical “self”
    Czech nationalism
    Opis:
    The aim of this paper, is to try to use feminist and gender theories to read Slavic cultural material, as well as to complete the picture of diversity of Slavic gender orders. For this purpose, the paper focuses on biographies written by Renáta Tyršová devoted to her father and husband. The analysis of this case requires using the feminist criticism of autobiography theory, which is hardly theoretically absorbed within Slavistics. Article seeks to explore the complexities of the relationship between female individual autobiographical “self”, structure of female gender in the bourgeois society of the 19th century, and finally collective idea of nationalism.
    Źródło:
    Poznańskie Studia Slawistyczne; 2016, 11; 261-276
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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