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Wyświetlanie 1-15 z 183
Tytuł:
Trans*-Subjectivity: Exploring Research Positionality in the Field
Autorzy:
Whitley, Cameron T.
Powiązania:
https://bibliotekanauki.pl/articles/2118980.pdf
Data publikacji:
2015-10-31
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Gender
Feminist Methodology
Transgender
Feminist Research
Subjectivity
Trans*
Opis:
The focus on trans*1 individuals as researcher subjects often problematizes trans* identity, limiting the possibility for trans* individuals to create and co-create bodies of knowledge. Drawing on three years of participatory research in the animal production industry, I discuss the implications of my subjectivity as a trans* man in this particular setting and in my research more broadly. Beyond being a self-reflexive exercise, this study seeks to make a number of theoretical and empirical contributions. First, feminist literature discussing one’s subjectivity has largely focused on the dialectical existence between men and women, with little room for trans* or gender diverse perspectives. Further, studies that have acknowledged trans* identity have done so in relation to trans* persons as research subjects, with no recognition of their positionality or the possibility of the trans* researcher. This study seeks to change these paradigms by extending current feminist research frameworks on subjectivity to include greater gender diversity.
Źródło:
Qualitative Sociology Review; 2015, 11, 4; 66-80
1733-8077
Pojawia się w:
Qualitative Sociology Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Implementation of Sweden’s Feminist Foreign Policy
Autorzy:
Verezhak, Viktoriia
Powiązania:
https://bibliotekanauki.pl/articles/2120145.pdf
Data publikacji:
2022-09-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
feminist government
feminist foreign policy
Swedish government
gender inequality
Opis:
During the late twentieth century, the question of gender equality became an important issue on the global agenda. Despite the fact that there has been a drastic substantial progress in favor of gender equality, there are still a lot of issues connected with the subject of gender in the world. The feminist foreign policy is not an established political concept. Sweden was the first country to pursue a feminist foreign policy in 2014. This approach was part of the world’s first ‘feminist government’. The goal is to achieve equality in all spheres of society, as well as to guarantee equal conditions for women and men in society and in their personal lives. I consider this topic of research to be a great opportunity to explore how the feminist foreign policy works and how it influences the international relations.
Źródło:
Reality of Politics; 2022, 21; 150-170
2082-3959
Pojawia się w:
Reality of Politics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Genderowa perspektywa w polityce społecznej i w pracy socjalnej. Próba rekonstrukcji głównych założeń i ich implikacji dla praktyki
Gender perspective in social policy and social work. An attempt to reconstruct the main assumptions and their implications for practice
Autorzy:
Wódz, Kazimiera
Klimczak, Jolanta
Powiązania:
https://bibliotekanauki.pl/articles/413563.pdf
Data publikacji:
2020
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
feminist social policy, feminist social work, femininity
feministyczna polityka społeczna, feministyczna praca socjalna, kobiecość
Opis:
This article focuses on the gender perspective in the analyses of social policy and social work debates. The main goal is to deliberate the key arguments that are used by the representatives of feminist critics of social policy in Western Countries in their discussions about the sources of the crises of contemporary welfare states. It takes up issues connected with gender and its influence on (re)building social roles, femininity/masculinity, social work, and social care. The emphasis is on how these interpretations reflect differences in interpretations and understandings of female social workers and users of both sexes, (women and men), regarding topics such as care and power, social policy and ideology, male and female communication styles and anti/oppressive identities and practices.
Przedmiotem artykułu jest genderowa perspektywa w analizie polityki społecznej i debatach o pracy socjalnej. Naszym celem jest pokazanie głównych argumentów wykorzystywanych przez przedstawicieli/przedstawicielki feministycznej krytyki polityki społecznej w krajach zachodnich w dyskusji na temat źródeł obserwowanego kryzysu współczesnych welfare states. Podejmujemy kwestie związane z płcią i jej wpływem na: (re)interpretację ról społecznych, kobiecość/męskość, pracę socjalną i opiekę społeczną. Nacisk kładziemy na sposób, w jaki interpretacje te odzwierciedlają rozumienie różnicy między pracownikami socjalnymi (przede wszystkim kobietami) a beneficjentkami/beneficjentami (kobietami i mężczyznami), opieką i władzą, polityką społeczną i ideologią, stylami komunikacji mężczyzn i kobiet oraz antyopresyjnymi tożsamościami i praktykami.
Źródło:
Przegląd Socjologiczny; 2020, 69, 2; 9-31
0033-2356
Pojawia się w:
Przegląd Socjologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kobiety i reżim. Opowieść podręcznej jako przestroga, wskazówka i podpowiedź
And what about Atwood? The Handmaid’s Tale as a response to the regime
Autorzy:
Sieńko, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/29519562.pdf
Data publikacji:
2023
Wydawca:
Wyższa Szkoła Gospodarki w Bydgoszczy. Wydawnictwo Uczelniane
Tematy:
feminist criticism
state
women
law
patriarchate
Opis:
This article is devoted to the interpretation of Margaret Atwood’s novel The Handmaid’s Tale. It depicts the changes that have taken place in the United States of America, where the political system has been transformed following a coup d’état and the seizure of power by religious fundamentalists. The writer devotes a great deal of space in the work to the situation of women, so the article uses the perspective of feminist criticism. This made it possible to describe the barbaric laws that particularly affected women. This optic opened up different levels of interpretation, such as the limitations of being a woman. Margaret Atwood’s take on the novel, however, not only undertakes a critique of the regime of power, but also points to the weaknesses of liberal democracy. Accordingly, the article devotes space to the issue of women’s economic oppression, an environmental issue. Furthermore, the diversity of women in terms of their position in the social hierarchy, age, sexuality or reproductive capacity is captured. It seems, therefore, that the writer takes an example from her female readers, which has been seen as a turn towards intersectionality.
Źródło:
Heteroglossia- studia kulturoznawczo-filologiczne; 2023, 14; 83-103
2084-1302
Pojawia się w:
Heteroglossia- studia kulturoznawczo-filologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rodzina w dramacie kobiecym: po przełomie 1989 roku, a w latach 30. XX wieku
Family in ‘Women’s’ Drama after 1989 and in the Thirties
Autorzy:
Kot, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/511453.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
women's drama
feminist discourse
family model
Opis:
The article compares two groups of ‘women’s’ drama, one written during the inter-war period, the other after the changes of 1989. On the one hand, the analysis presents the image of family emerging in these two groups of plays from a feminist perspective. On the other hand, the article raises the question of their form, since it so strongly influences the reception of these works. A comparison of plays written after 1989 with those created dur-ing the inter¬ war period demonstrates the historical continuity of family issues that have not been solved till present day. Concurrently, in terms of form, it shows that combining tradi-tional elements with innovative ones leads to the greatest dramatic effectiveness.
Źródło:
Postscriptum Polonistyczne; 2011, 2(8); 143-157
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Men as Puns in the feminist African novel
Autorzy:
Onuoha, Onyekachi Peter
Oyndamola, Opere Humuani
Powiązania:
https://bibliotekanauki.pl/articles/1062816.pdf
Data publikacji:
2019-06-30
Wydawca:
Akademia Pedagogiki Specjalnej. Language and Society Research Committee
Tematy:
Chinweizu
Men
Pun
Feminist
African Novel
Opis:
The dominant hierarchy upon which the order of existence is predetermined has placed the man at the centre of creation; which is also substantiated by cultural norms that prioritized generic divides. The principles of feminism have been created to alter patriarchal hegemony in order to reconstruct the distorted female self of an egalitarian society. However, in an attempt to reconstruct these misconceptions upheld by patriarchy, most feminist texts and criticisms have denied the woman the agency of freewill and independent choices, except the continuous emphasis on feminist objectification that patriarchy seem to propagate. It is against this backdrop, that this paper interrogates the subjugation of the woman by her fellow woman and to outline a model of feminist liberation. This is consequent upon the fact that even at the disruption of patriarchy, some feminist scholars have failed to account for the role of women in using men as puns in the subjugation of their fellow women in the African novel. Consequently, this paper replicates Chinweizu’s Masculinist Dissection of Matriarchy and uses feminist-deconstruction to interrogate Ama Ata Aidoo’s Changes and Nawal El Saadawi’s A Woman at point Zero. To this effect, it submits that women are stakeholders in the structure of matriarchy and the substructure of patriarchy and men are mere puns in the structure of matriarchal subjugation of their fellow woman. The concept of pun(s) which is play on word is used in its expounded form on how women manipulate men physically and psychologically for their economic and political gains.
Źródło:
Language, Discourse & Society; 2019, 7, 1; 163-186
2239-4192
Pojawia się w:
Language, Discourse & Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Modernist Women and Cinema
Autorzy:
Humm, Maggie
Powiązania:
https://bibliotekanauki.pl/articles/636780.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
modernism, women, cinema, viewer, feminist aesthetic
Opis:
Matching the ever-increasing numbers of female participants in the commercial venues of department stores and cinemas in the 1920s, modernist women writers enjoyed a new visibility in the intellectual world of cinema journalism. Yet cinema modernism, like literary modernism, was veined by masculinity in the 1920s. The paper argues that modernist women writers, including Colette, H.D., Dorothy Richardson, and Virginia Woolf, created a feminist standpoint. By replacing the prescriptive male gaze with a feminist aesthetics: identifying with stars and women viewers and by describing audiences as socially constituted and gendered.
Źródło:
Przegląd Kulturoznawczy; 2014, 3(21)
1895-975X
2084-3860
Pojawia się w:
Przegląd Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Feminist Phenomenology and the Politics of Wonder
Autorzy:
Mann, Bonnie
Powiązania:
https://bibliotekanauki.pl/articles/2158923.pdf
Data publikacji:
2018
Wydawca:
Projekt Avant
Tematy:
feminist phenomenology
homophobia
Irigaray
phenomenology
wonder
Opis:
The philosophers agree that philosophy begins in wonder. How wonder is understood, however, is not at all clear and has implications for contemporary work in feminist phenomenology. Luce Irigaray, for example, has insisted on wonder as the passion that will renew relationships between women and men, provide a foundation for democracy, and launch a new era in history. She calls on women to enact practices of wonder in relation to men. In what follows I briefly review the most significant claims about wonder in the history of philosophy generally, and as related to the phenomenological practice of the epoché particularly. I consider Irigaray’s claims about wonder as they arise out of this tradition, and try to spell out both what is promised to women and what is asked of them through affirmations of wonder. I suggest that this prescriptive notion is at the heart of a new conservatism in “feminist” thought that turns on nostalgia for age-old beliefs about women’s proper mode of relation toward men and their accomplishments, and is deeply homophobic. I urge readers to adopt a more critical attitude toward wonder as related to sexual difference by historicizing the inquiry in keeping with the phenomenological practice of Simone de Beauvoir. Drawing on Kant, Beauvoir, and contemporary work by Sara Ahmed, I suggest that there is a politics of wonder at work here which feminists have every reason to question. Reflecting on the politics of wonder also discloses some key features of critical feminist phenomenological practice.
Źródło:
Avant; 2018, 9, 2; 43-61
2082-6710
Pojawia się w:
Avant
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dyskurs feministyczny i kategoria gender a współczesna literatura rosyjska. Zarys teoretyczny
Feminist discourse and gender in contemporary Russian literature
Autorzy:
Borodzicz-Chiszko, Monika
Powiązania:
https://bibliotekanauki.pl/articles/481457.pdf
Data publikacji:
2010-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Feminist discourse
gender contemporary Russian literature
Opis:
The article is devoted to the problem of feminism and gender in Russia and their influence on the development of contemporary women’s prose. The article deals with the most important features of Russian feminism taking into account the differences in relation to the movement in Western Europe. The author pays special attention to the influence of orthodox religion on the development of feminism in Russia as well as to the specific view of the role of woman and man in the society resulting from Russian culture. Religious and cultural impact over the specific character of Russian feminism is connected with the fact that in Russia a greater emphasis is placed on gender and not on sex. Therefore, the author believes that feminism in Russia has stimulated creativity of women in different fields of art and especially in literature.
Źródło:
Acta Polono-Ruthenica; 2010, 1, XV; 105-110
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Traducteur : auteur ou guide? Letters from an Other de Lise Gauvin au-delà du stéréotype
Translator: an author or a guide? Letters from an Other by Lise Gauvin beyond the stereotype
Autorzy:
Warmuzińska-Rogóż, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1368334.pdf
Data publikacji:
2021-03-31
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
translator
stereotype
feminist translation
Nicole Brossard
Opis:
The article aims to present the particularities of the English translation of Lise Gauvin’s novel Lettres d’une autre by a Canadian feminist translator, Suzanne de LotbinièreHarwood. The purpose of the translation was to make the Quebec culture closer to the English speaking Canadians. Moreover, de Lotbinière-Harwood intended to emphasize feminist issues. Indubitably, such a project goes beyond the stereotypical function of translation as the translator herself is clearly visible in the text. The specificity of the de Lotbinière-Harwood’s translation encourages the reflection on the problematic border between a translation sensu stricto and a translation being at the same time some kind of explanation. The article seeks to answer to the following questions: is a literary translator “only” a transmitter of meanings invented by the author or a guide in the unknown world? Is he also a full-fledged author? In addition, the article considers how far a translator is allowed to be visible in a text, in particular, if he aims to explain culture.
Źródło:
Romanica Silesiana; 2019, 16, 2; 306-318
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Feminist Transgressions and Critical Dys-u-topian Drama: Ann Jellicoe, Bryony Lavery and Germaine Greer
Autorzy:
Lorek-Jezińska, Edyta
Powiązania:
https://bibliotekanauki.pl/articles/971259.pdf
Data publikacji:
2020
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
critical dystopia
feminist drama
transgression
gender reversal
Opis:
Referring to the discussion on the critical potential of dystopias in fiction, the article examines twentieth century feminist plays by Ann Jellicoe, Bryony Lavery and Germaine Greer for their presentation and critical deconstruction of gender roles, social structures and power relations. In the plays discussed in the article the critical and transgressive strategies used by the playwrights question the possibility of separating utopias and dystopias, showing how they are linked to and dependent on each other. Refusing to provide neat endings and definitions, the plays open up to contradictory readings by mixing the elements of dystopia and utopia and inviting critical and self-reflexive interpretations directing the critique of the past and the future towards the present.
Źródło:
Zagadnienia Rodzajów Literackich; 2020, 63, 1; 99-109
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gender a kultury muzyczne – kulturoznawcze spojrzenie na badania etnomuzykologiczne i historyczne
Autorzy:
Kizińska, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/636747.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
gender, ethnomusicology, women’s history, feminist musicology
Opis:
Gender and musical cultures – ethnomusicological and historical research in the perspective of cultural studies This article’s aim is to show the importance of the usage of gender category in the analyses of musical cultures. In order to do that, the author shows how crucial gender is in ethnomusicological theories, as well as in social hierarchy theories. All that to see gender as a part of the person’s identity, and also as a part of the whole experience of one’s life in the society. By closely analyzing circumstances that influence the life of a musician or any other individual we can understand their actions, their place in the musical culture, the reasons their work was seen the way it was. And those circumstances include gender experience. Gender, as one of many elements of social hierarchy, is to be seen as a factor that cannot be overlooked or ignored.
Źródło:
Przegląd Kulturoznawczy; 2012, 4(14)
1895-975X
2084-3860
Pojawia się w:
Przegląd Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O recepcji postkolonializmu w Polsce, czyli dlaczego teoria feministyczna musi być marksistowska, żeby być postkolonialną
Autorzy:
Majewska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/636759.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
postcolonial feminist theory, marxist feminism, subaltern subjects
Opis:
Postcolonialism in Poland – a feminist proposition In this article I try to introduce the feminist postcolonial theory in the analysis of several recent texts and projects which have been discussed in Poland and where the postcolonial, situated knowledge can be observed as one allowing the analysis of Polish peasantry, as an important element of the feminist art criticism or as a way of discussing Poland as semi-peripheric in its relation to “the West”. I discuss the debates over the music project R.U.T.A. and theater piece In the name of Jakub S., I also argue, that the application of postcolonial theory could transform the exhibition Gender Check into a genuinely feminist project. Postcolonialism is discussed here as theory directly indebted in the legacy of Karl Marx, theorist which seems irreplaceable in the contemporary cultural studies. The arguments for the last thesis is supported with references to some already historical materialist and decolonial feminist theories.
Źródło:
Przegląd Kulturoznawczy; 2012, 4(14)
1895-975X
2084-3860
Pojawia się w:
Przegląd Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Feminist disability studies vs discrimination of women with disabilities
Autorzy:
KASPRZAK, TOMASZ
Powiązania:
https://bibliotekanauki.pl/articles/938317.pdf
Data publikacji:
2019-03-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
gender
disability
women’s studies
feminist studies
Opis:
Disabled women are often treated as if they were deprived of feelings or desires.They are exposed to discrimination not only because of disability, but also because of gender (multiple discrimination). Feminist disability studies are an interdisciplinary field of research into the socio-political situation of women with disabilities.
Źródło:
Interdyscyplinarne Konteksty Pedagogiki Specjalnej; 2019, 24; 127-138
2300-391X
Pojawia się w:
Interdyscyplinarne Konteksty Pedagogiki Specjalnej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Women and Intertextuality: On the Example of Margaret Atwood’s The Penelopiad
Autorzy:
Lisowska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/653583.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
intertextuality
feminist literary criticism
arachnology
reinterpretation
humour
Opis:
The aim of the study is to consider feminist retellings of myths and legends. As an example, Margaret Atwood’s book The Penelopiad is analyzed. The interpretation is situated in a broader context of intertextual practices characteristic of the feminist vision of literature. I present the ideas which Atwood shares with authors engaged in women’s movement. Among these there is Atwood’s understanding of intertextuality (noticeable especially in The Penelopiad). Bibliographical basis of the study comprises books which are fundamental to feminist and gender criticism (e.g. Poetics of Gender, ed. by N. Miller, New York 1986; S. M. Gilbert, S. Gubar The Madwoman in the Attic. The Woman Writer and the Nineteenth- Century Literary Imagination, New Haven and London 1984). What is more, the study refers to the books which allow considering the notion of intertextuality (G. Allen, Intertextuality, London and New York 2010, J. Clayton. E. Rothstein (eds.), Influence and Intertextuality in Literary History, Wisconsin 1991) and connecting the interpretation with the problems crucial to contemporary literary studies (L. Hutcheon L. A Poetics of Postmodernism. History, Theory, Fiction, New York and London 1988, B. Johnson, A World of Difference, Baltimore and London 1989).
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2014, 2, 1
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
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