Rodzina w dramacie kobiecym: po przełomie 1989 roku, a w latach 30. XX wieku

The article compares two groups of ‘women’s’ drama, one written during the inter-war period, the other after the changes of 1989. On the one hand, the analysis presents the image of family emerging in these two groups of plays from a feminist perspective. On the other hand, the article raises the question of their form, since it so strongly influences the reception of these works. A comparison of plays written after 1989 with those created dur-ing the inter¬ war period demonstrates the historical continuity of family issues that have not been solved till present day. Concurrently, in terms of form, it shows that combining tradi-tional elements with innovative ones leads to the greatest dramatic effectiveness.