Temat: disinterestedness - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Koncepcja bezinteresowności ekonomicznej Talcotta Parsonsa
Talcott Parsons’ concept of economic disinterestedness
Autorzy:: Wechta, Przemysław
Powiązania:: https://bibliotekanauki.pl/articles/653187.pdf
Data publikacji:: 2019
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: disinterestedness
ethics
bureaucracy
Opis:: The task of the paper is to analyze Talcott Parsons’ concept of economic disinterestedness, which the classical American sociologist introduced at an early stage of his work. It is aimed at economic orthodoxy, whose permanent foundation is the still vital figure of homo oeconomicus. The concept of disinterestedness is about crossing the limits of one’s own advantage in economic activities. When justifying the concept, Parsons refers to Alfred Marshall and his concept of a “gentleman of the world of free industry and entrepreneurship” and Max Weber’s concept of the “spirit of capitalism”. According to Parsons, the embodiment of disinterestedness in advanced capitalism should become a specific type of bureaucracy.
Źródło:: Annales. Etyka w Życiu Gospodarczym; 2019, 22, 2; 7-24
1899-2226
2353-4869
Pojawia się w:: Annales. Etyka w Życiu Gospodarczym
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Inspiracja artystyczna, forma znacząca i zaangażowanie
Autorzy:: Obidzińska, Bogna J.
Powiązania:: https://bibliotekanauki.pl/articles/644721.pdf
Data publikacji:: 2015
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: aesthetic experience
disinterestedness
engagement
form
inspiration
Opis:: Contemporary aesthetic thought, especially that rooted in the pragmatist tradition and apologetic for the environmental experience, tends to situate form oriented aesthetics in juxtaposition to the concept of the aesthetic engagement. In particular the notion of disinterestedness is often brought to the forefront as connected to the concept of psychic distance and disdain for the surrounding reality. This essay attempts to revise two theories strongly promoting the importance of the physical form of the objects inspiring the aesthetic experience of the artist, namely that of Clive Bell and that of Maurice Merleau-Ponty, in order to respond to the aforementioned criticisms of formalism. In particular, the concept of the perception of the form as an end-in-itself rather than as a means to a heterogenous end is analyzed with reference to its engaging character.
Źródło:: Kultura-Społeczeństwo-Edukacja; 2015, 8, 2; 47-58
2300-0422
Pojawia się w:: Kultura-Społeczeństwo-Edukacja
Dostawca treści:: Biblioteka Nauki

Artykuł

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