Temat: culture of remix - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Opowieść transmedialna jako przykład kreacyjnych możliwości fandomu
Transmedia story as an example of creative possibilities of fandom
Autorzy:: Czopek, Jakub
Powiązania:: https://bibliotekanauki.pl/articles/1373353.pdf
Data publikacji:: 2018-12-15
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: fandom
transmedia storytelling
culture of remix
creativity
Opis:: The subject of the article is the creative activity of fan communities (fandom), with particular emphasis on the transmedia storytelling, i.e. the story told simultaneously within various media. The development of the Internet in the Web 2.0 formula has opened a number of possibilities for the creation of fandoms centered around a particular series, movies, books or games. The main manifestations of the activity of these groups can be reduced on the one hand to analyzing and commenting on a given text of culture, and on the other hand, to develop it, by adding new stories, often using other medium than the one originally used.
Źródło:: Interdyscyplinarne Konteksty Pedagogiki Specjalnej; 2018, 23; 191-202
2300-391X
Pojawia się w:: Interdyscyplinarne Konteksty Pedagogiki Specjalnej
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Creatively and Informally: Scratch and the Remix Culture
Autorzy:: Zuziak, Wojciech Jan
Powiązania:: https://bibliotekanauki.pl/articles/448365.pdf
Data publikacji:: 2017-04-01
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Tematy:: education for creativity
connectivism
constructionism
code to learn
Scratch
culture of remix
Opis:: The purpose of this paper is to demonstrate the focus of education on creativity achieved by the use of coding (“code to learn”), in view of modern pedagogical theories. Social interactions between young creators are an important factor. The paper describes an initial stage of the research on the phenomenon of the remix of simple computer games created by the community of users in the Scratch environment. It presents selected problems of young creators connected to sharing their own work with other community members: authorship acknowledgement, formal acknowledgement for the first author placed on derived products (games), reactions of the first author to the creative development of their ideas or influence of school grades on the will to share the project. There will be further research on the achievements of the same group of students aged 15 to 16 after a series of lessons concerning creating computer games in the Scratch environment.
Źródło:: International Journal of Research in E-learning IJREL; 2015, 1, 2; 89-105
2451-2583
2543-6155
Pojawia się w:: International Journal of Research in E-learning IJREL
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Selfie at a museum: Defining a paradigm for an analysis of taking (self-portrait) photographs at museum exhibitions
Autorzy:: Chlebus-Grudzień, Patrycja
Powiązania:: https://bibliotekanauki.pl/articles/627720.pdf
Data publikacji:: 2018
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: selfie
museum
tourism photography
Culture of Narcissism
remix culture
Opis:: Due to the development of social media, posting one's photos is becoming increasingly popular; they often take the form of, so called, ‘selfie’. The phenomenon of photographing oneself has also occurred in cultural institutions, including museums. The museums are implementing various strategies of reacting to people taking pictures of themselves with exhibits at the background. The article presents an analysis of these reactions, and, based on that, various ways of defining the functions and role of the contemporary museum. The author also attempts to provide an answer to the following question: is posting photographs by visitors an element of creating their own image (‘the Culture of Narcissism’), or is it rather a form of interaction with heritage, of a dialogue with the presented contents (‘remix culture’)?
Źródło:: Turyzm; 2018, 28, 1; 7-13
0867-5856
2080-6922
Pojawia się w:: Turyzm
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Nieznośna lekkość pocieszenia, nieznośna miałkość protestu. Internetowe zmartwychwstania Alana Kurdiego
Autorzy:: Jakubowski, Piotr
Powiązania:: https://bibliotekanauki.pl/articles/1187264.pdf
Data publikacji:: 2016
Wydawca:: Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:: Aylan Kurdi
photography and death
migrant crisis
political protest
remix
internet’s art
culture of convergence
Opis:: The aim of this article is to critically analyze the internet’s remixes of Nilüfer Demir’s photography showing the dead body of Alan Kurdi – a 3-year old Syrian refugee – found on the beach near Turkish city Bordum. The main question here is: how the convergence culture ‘regards the pain of the other’ and deals with it? Semiotic analysis of chosen examples leads to a conclusion that while some artists undertake a specific visual tactics of protest and objection, more often, and even in clearly critical pictures, the ‘rhetoric of consolation’ is a predominating one and serves to both artists’ and viewers’ complacency and consoling. Terror of the pain and death is deleted from those images and replaced by cheap and idle tenderness or even kitsch.
Źródło:: Załącznik Kulturoznawczy; 2016, 3; 300-340
2392-2338
Pojawia się w:: Załącznik Kulturoznawczy
Dostawca treści:: Biblioteka Nauki

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