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Tytuł:
El análisis de la comicidad verbal de los refranes del campo temático de la mujer
Analiza komizmu słownego w przysłowiach hiszpańskich dotyczących kobiety
Autorzy:
Kołodziejczyk, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/1954150.pdf
Data publikacji:
2004
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
przysłowie
komizm językowy
proverb
verbal comic
Opis:
Artykuł dotyczy komizmu słownego zawartego w przysłowiach hiszpańskich. Korpus wykorzystany do analizy stanowią przysłowia z zakresu ograniczonego do tematu kobiety. Komiczność nie jest cechą konieczną, by dany twór językowy zakwalifikować jako przysłowie, ale w niektórych kręgach tematycznych jest ona dlań bardzo charakterystyczna. Tematyka przysłów została tu wybrana właśnie ze względu na ich reprezentatywny charakter: wiele z nich zawiera niewątpliwie szereg elementów komicznych. W opracowaniu, składającym się z 6 części, znaleźć można jasną klasyfikację mechanizmów komicznych, podzielonych na ogólne i typowo językowe. Wśród mechanizmów ogólnych szczególną uwagę zwrócono na kontrast (w tym głównie zestawienie), zaskoczenie i przesadę (zarówno typowo słowną jak i pozajęzykową). Mechanizmy typowo językowe opisane w artykule to komiczna modyfikacja wyrazów, neologia, komiczne użycie tradycyjnych jednostek języka oraz rym. Poza tą klasyfikacją znaleźć tu można również podział przysłów na żarty słowne tendencyjne i niewinne, z których te pierwsze stanowią bez wątpienia większość.
Źródło:
Roczniki Humanistyczne; 2004, 52, 5; 127-144
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Komiczna funkcja ekfrazy w Pharmakeutriai Teokryta
The Comic Function of Ekphrasis in Theocritus’ Pharmakeutriai
Autorzy:
Korus, Kazimierz
Powiązania:
https://bibliotekanauki.pl/articles/2127713.pdf
Data publikacji:
2007
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
mim
Teokryt
komizm ekfrazy Pharmakeutria
mime
Theocritus
comic character of the ekphrasis Pharmakeutria
Opis:
According to the author, a proper interpretation should have a genological character. It means that one should accept the obvious truth that this work is a mime. Therefore it has its distinctive features. It is also harmoniously combined with the requirements of lyrical song. It is designed to arouse to laughter, or rather perhaps smile (γελωτοποιεῖν), and not to move with wistful song of a complaining girl, a fact that has up to know been assumed by modern scholars in all earnestness. The ekphrasis of magic examined by Fritz Graf (1995) confirms the presumptions of interpretation. This scene (l. 1-63) is comic in character, let it suffice to mention the comic tirades of the maid and four (I mention only the principal ones, not all of them) mode to arouse laughter, i.e. διαστρέφειν τὸ ἀληϑές, παράχρουν, ἑτερόσχημον, πλεονάζειν combined with αὔξησις (amplificatio or gradatio ad absurdum). Similarly, they have been used in the second part of the work in combinations between the first and the third, the second and the fourth. This in an unambiguous manner confirms from the genological point of view that Pharmakeutria belongs to mime as a literary genre.
Źródło:
Roczniki Humanistyczne; 2007, 54-55, 3; 77-91
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wielki apetyt na „miniburgera” . O problemach opracowania komiksów w formacie MARC 21
A lust for a “miniburger”. On problems encountered during library processing of comic books in MARC 21 format
Autorzy:
Szczecińska, Agnieszka
Kowalska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/911575.pdf
Data publikacji:
2010-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Comic book
Cataloguing
Komiksy
Katalogowanie
Opis:
Od 2007 roku Biblioteka Uniwersytecka w Poznaniu gromadzi komiksy oraz materiały ich dotyczące. Momentem znaczącym dla gromadzenia tych wydawnictw był zakup prywatnej kolekcji 4670 komiksów. Niniejszy artykuł definiuje pojęcie „komiks” oraz omawia trudności, jakie napotykają katalogerzy w opracowaniu formalnym tego trudnego materiału. Autorki porównały rozwiązania zastosowane w innych bibliotekach. Przedstawiły również stan prac nad katalogowaniem komiksów w Bibliotece Uniwersyteckiej w Poznaniu. Artykuł zawiera przykłady i propozycje konkretnych rozwiązań.
Poznań University Library has been collecting comic books and other relevant material since 2007. A conducive opportunity for the decision to collect comics publications was a purchase of a private collection of 4,670 comic books the very same year. The present article introduces the reader to the notion of “comic book” or “comics” and discusses problems in formal processing that face cataloguers of this difficult material. The authors compare different solutions to the problem applied in other libraries and present the current state of affairs in comics cataloguing at Poznań University Library. The article is complemented with specific examples and particular solutions to be applied in the near future.
Źródło:
Biblioteka; 2010, 14(23); 149-162
1506-3615
2391-5838
Pojawia się w:
Biblioteka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Od śmiechu do ironii. Wstęp do problematyki ironizowania
From Laughter to Irony. The Introduction to the Issues of Irony
Autorzy:
Strug, Artur
Powiązania:
https://bibliotekanauki.pl/articles/1929386.pdf
Data publikacji:
2011
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
ironia
komizm
śmiech
humor
średniowiecze
irony
comic
laughter
humour
Middle Ages
Opis:
This article provides a theoretical basis for the analysis of the phenomenon of irony in the art of the late Middle Ages. In this text the author limits himself to the presentation of theoretical aspects. An attempt to identify the irony as a mean of expression of the artist in the work of art has been planned in the separate work. The starting point for understanding the concept of irony is the phenomenon of laughter, one of the most basic of human responses, which is the base for more complex forms of humor, and its numerous variations. The aim of the author of this article is ordering, as fully as possible, the concepts that revolve around the issue of the comic. Many of the terms included in the main category of the meaning that is the humor, such as parody, satire or irony, is sometimes used interchangeably and the boundaries between them are blurred. Due to the fact that one of the assumptions of ironic speech is that it was not easy to read, its diagnosis is often debatable. However, such scholars as Bachtin and Le Goff see some signs of irony in medieval literature and everyday life of European citizens. Most of the research concerns the irony of its occurrence in the language and art closely associated with the language, the literature. Irony and ironic words are rare in relation to the visual arts. Reflection on the concept of irony and the analyze of its meanings in different contexts in this article is the starting point for subsequent analysis and interpretation of selected works of art.
Źródło:
Roczniki Humanistyczne; 2011, 59, 4; 29-59
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
COMIC BOOK MOVIES. INSPIRATION, ADAPTATION AND SCREENING
Autorzy:
Tomczak, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/646716.pdf
Data publikacji:
2012
Wydawca:
Akademia Górniczo-Hutnicza im. Stanisława Staszica w Krakowie
Tematy:
movies
comic book
inspiration
adaptation
screening
Opis:
The purpose of the article is to draw attention to the issue of movies and comic books relationship. Nowadays we can see numerous cinematic versions of graphic novels. Especially what is so called „super hero movies”. Historical development of both movies and comic books was the same. There were several thematic borrow-ings. Also popular culture had significant influence on these media. It is possible among movies and graphic novels to distinguish inspiration, adaptation and screening. Comic book movies are not a new phenomenon. But its character seems a bit morę complicated.
Źródło:
Studia Humanistyczne AGH; 2012, 11, 3
2084-3364
Pojawia się w:
Studia Humanistyczne AGH
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le trio hergéen : un tournant dans « Les aventures de Tintin »
The Hergéan trio: A turning point in "The Adventures of Tintin"
Autorzy:
Chéron, Sophie
Powiązania:
https://bibliotekanauki.pl/articles/1051550.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Comic strips
Hergé
Tintin
Identity
Narrative function
Opis:
Before Captain Haddocks’ and Professor Calculus’ appearance in "The Crab with the Golden Claws" (eighth album, 1941) and "Red Rackham’s Treasure" (eleventh album, 1944) Tintin doesn’t have strong links with the other characters. His youth, dynamism and resourcefulness are his only characteristics – he has no past, no name, no family, no occupational ties. The two new friends Hergé gives him provide the last ten albums of The Adventures more consistency, humor, and a proper space which were missing until then.
Źródło:
Studia Romanica Posnaniensia; 2012, 39, 1; 89-98
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Stripovni stil pjesničkoga subjekta u suvremenom hrvatskome pjesništvu iskustva intermedijalnosti i postintermedijalnosti
The comic book style of the poetical subject in the contemporary Croatian poetry of intermedial and postintermedial experience
Autorzy:
Jukić, Sanja
Powiązania:
https://bibliotekanauki.pl/articles/635899.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
poetic subject
media subject
comic book style
comic book subject
intermedial and postintermedial poetry
Opis:
This  paper  deals  with  poetic  subjects  in  the  comic  book  format  as  presented  in  the media. The subject of media entity  dominates the corpus of texts in  intermedial and post-intermedial poetry experience. These aspects of Croatian poetry from 1968 up to the present day,  whose structures  are  primarily  determined  by  contacts  with  different  media  culture texts,  are  defined by  Goran  Rem.  This  paper  explores  the  ways  in  which  the  media  inter-mediates comic book semiotics into the poetic code of that particular part of contemporary Croatian poetry and thus determines the paradigmatic forms of the subject of media/comic book.
This  paper  deals  with  poetic  subjects  in  the  comic  book  format  as  presented  in  the media. The subject of media entity  dominates the corpus of texts in  intermedial and post-intermedial poetry experience. These aspects of Croatian poetry from 1968 up to the present day,  whose structures  are  primarily  determined  by  contacts  with  different  media  culture texts,  are  defined by  Goran  Rem.  This  paper  explores  the  ways  in  which  the  media  inter-mediates comic book semiotics into the poetic code of that particular part of contemporary Croatian poetry and thus determines the paradigmatic forms of the subject of media/comic book. 
Źródło:
Poznańskie Studia Slawistyczne; 2012, 2
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Giovanni Battista Pergolesi i jego theatrum doloris
Autorzy:
Szywalski, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/668959.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Papieski Jana Pawła II w Krakowie
Tematy:
Giovanni Battista Pergolesi
opera
comic opera
opera buffa
the Enlightenment
sentimentalism
galant style
opera komiczna
oświecenie
sentymentalizm
styl galant
Opis:
Stabat Mater is one of the last compositions by Giovanni Battista Pergolesi and today it is probably the most well-known and valued arrangement of those ancient sequences. The composer translated the incredibly moving medieval poem into the sounds with a great mastery. He managed to create a musical fresco placing us in the centre of the suffering true mystery. The power of his music is so real and stimulating that it is not possible to remain indifferent.The following essay presents the phenomenon of Pergolesi’s artistic genius on the background of that time cultural changes and it focuses on his posthumous fame. The author analyses the composer’s achievement of galant style and discusses Pergolesi’s Stabat Mater in relation to the language of emotions related to sentimental literature. Moreover, he suggests to comprehend that music through the prism of the Italian Marian devotion phenomenon. Scientists are still intrigued by the figure of Giovanni Battista Pergolesi. They try to reconstruct his life story and to deal with the confusion concerning his legacy. The success story of Pergolesi’s Stabat Mater is particularly interesting. Thus, successive generations of musicologists ask a question what the fame origin of this work and its creator could be. The author of this essay presents a few clues that might help us to get closer to the answer to this question.
Stabat Mater is one of the last compositions by Giovanni Battista Pergolesi and today it is probably the most well-known and valued arrangement of those ancient sequences. The composer translated the incredibly moving medieval poem into the sounds with a great mastery. He managed to create a musical fresco placing us in the centre of the suffering true mystery. The power of his music is so real and stimulating that it is not possible to remain indifferent.The following essay presents the phenomenon of Pergolesi’s artistic genius on the background of that time cultural changes and it focuses on his posthumous fame. The author analyses the composer’s achievement of galant style and discusses Pergolesi’s Stabat Mater in relation to the language of emotions related to sentimental literature. Moreover, he suggests to comprehend that music through the prism of the Italian Marian devotion phenomenon. Scientists are still intrigued by the figure of Giovanni Battista Pergolesi. They try to reconstruct his life story and to deal with the confusion concerning his legacy. The success story of Pergolesi’s Stabat Mater is particularly interesting. Thus, successive generations of musicologists ask a question what the fame origin of this work and its creator could be. The author of this essay presents a few clues that might help us to get closer to the answer to this question.
Źródło:
Pro Musica Sacra; 2013, 11
2083-4039
Pojawia się w:
Pro Musica Sacra
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Witold Gombrowicz w kalejdoskopie recepcji
Witold Gombrowicz in the Kaleidoscope of Reception
Autorzy:
Hamze, Dimitrina
Powiązania:
https://bibliotekanauki.pl/articles/511152.pdf
Data publikacji:
2013
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
reception
Form
comic
dialogue
Opis:
Seen through the perspective of reception, the works of Witold Gombrowicz constitute a wide range of receptive proposals, selectively updated in the constant dynamic of the interactive discourse between the literary subject and the reader. The reader is invited in a covert partnership with his communication peer (the author–the producer) in their joint journey to the own polyphonic, unidentifiable, mutational ego. The relation to the self, as permanently disputed by otherness, finds its artistic application through the comic as the most powerful weapon against the Form, both in the field of the author and of the recipient.
Źródło:
Postscriptum Polonistyczne; 2013, 2(12); 199-219
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Naukowiec jak malowany”. Uwagi o micie i komiksie
Autorzy:
Sochacki, Łukasz
Powiązania:
https://bibliotekanauki.pl/articles/644541.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
comic
comics strip
myth
stereotype
sign
science
Barthes
Eliade
Opis:
The article is a treatise in the field of anthropology of science. The main goal of the essay is the antropological analysis of the comics Expercience by Emilia Dziubak. The author treats the comics as a source of knowledge about stereotypes for the scientist and science. Especially, he points to the mythological patterns used in the comics.
Źródło:
Prace Etnograficzne; 2014, 42, 3; 245-256
0083-4327
2299-9558
Pojawia się w:
Prace Etnograficzne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Autobus Linkego jako parodia PRL. Studium intertekstualne
Linke's "Autobus" as a parody of the Polish People's Republic. Intertextual study
Autorzy:
Hendrykowski, Marek
Powiązania:
https://bibliotekanauki.pl/articles/917993.pdf
Data publikacji:
2014-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
parody
caricature
comic effect
surrealism
texture
stereotype
symbole
style
poetics
aesthetics
turpism
art of the 1950s
image
reality
personal and social experience
Linke
panorama
intertext
allusion
distance
point of view
counterpoint
tragedy
catharsis
Opis:
Marek Hendrykowski’s study is concerned with the close-reading analysis and interpretation of the Autobus (1955–1961) oil on canvas painted by Bronisław Wojciech Linke. This masterpiece of Polish peinture of the 1950s is deeply related to history and conditions of human life in Poland and other East European countries after World War II where everyday life is based on ideology imposed on society. Linke’s peinture gives emblematic ironic image of it created as an anti-social realist protest based on paradigm of Polish culture and art of the period.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 14, 23; 65-79
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Famae petitor. Lucan’s Portrayal of Pompey
Autorzy:
Pypłacz, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1046783.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Pompey
Lucan
irony
comic
epic
Roman Republic
decay
caricature
hero
Opis:
In spite of the fact that Lucan’s sympathies are apparently with the Republicans, his attitude to Pompey, which emerges from the Pharsalia, turns out to be rather critical. Moreover, this criticism actually comes very close to ridicule. Lucan depicts Pompey as a senile and narcissistic leader who dwells on his past success and lives in the world of his own fantasies. Trapped in the vicious circle of his delusions of grandeur, he is rather grotesque than majestic. The harder he tries to enhance his public image, the more pathetic he becomes both in the eyes of his friends and in those of his enemies. The effects of his efforts are, therefore, quite contrary to their purpose. On the one hand, the figure of the senile and deluded Pompey is the caricature of the decaying Roman Republic, whose degeneracy it obviously mirrors. On the other hand, however, Lucan’s grotesque anti-hero is the exact opposite of archetypal epic characters such as Virgil’s Aeneas. Willing yet unable to emulate his literary predecessors, he functions as the caricature of the literary paradigm of a standard epic hero.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2014, 24, 2; 97-118
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Joseph Conrad and Alexander Fredro. Inspirations and parallels in the light of the subject matter of Fredro’s Trzy po trzy
Autorzy:
Samsel, Karol
Powiązania:
https://bibliotekanauki.pl/articles/638814.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Joseph Conrad, Alexander Fredro, feat of memory, feat of testimony, the comic, the tragic, existentialism, narration, symbolizations of narration, Trzy po trzy, Youth, Heart of Darkness
Opis:
The similarities between the works of Alexander Fredro and Joseph Conrad beg the question of the extent to which a comparative interpretation can be made. However, before this question can be answered, we must first redefine the concept of the comic for the purpose of making such a comparison. The aim of this article is to show both authors in a new light as (unwitting?) deconstructors of the traditional concept of the comic (which for Fredro was still associated with that of Molière) and as creators of a new, existential concept of the comic that is tied up with human existence and that can be understood as being heightened by the tragic. An excellent example of this is provided by Fredro’s memoirs of the Napoleonic campaign entitled Trzy po trzy (Tittle-Tattle), which – thanks to the testimony of Aniela Zagórska – we know Conrad read in 1922. The manner of Fredro’s narration – which he himself likens to playing with a shuttlecock – in time proves to be that of a particular literary commemoration, i.e. bearing witness. Identified thus as a component of human existence, the comic serves to provide an escape from the “trauma of death”. A similar evolution can be traced in the style of Marlow’s narration in Conrad’s Youth and Heart of Darkness. Like the narrator of Fredro’s memoirs, Marlow makes the transition from “feat” to “testimony”.
Źródło:
Yearbook of Conrad Studies; 2014, 9
2084-3941
Pojawia się w:
Yearbook of Conrad Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Parodia flmowa
Film Parody
Autorzy:
Hendrykowski, Marek
Powiązania:
https://bibliotekanauki.pl/articles/917704.pdf
Data publikacji:
2014-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
parody
film parody
comic effect
catharsis
contemporary culture
dialogue
war games
rebellion
versus
subversivity
other speak
film poet
parodia
pariodia filmowa
Opis:
Film parodies are now attracting more popular interest than at almost any time in their history except the first two decades of the 20th century (golden era of film parody). The contemporary renewal of parody is an attractive phenomenon of popular culture. To analyse and recontextualize this renewal of parodistic paradigm in film supporting by new media (spontaneous net art) Hendrykowski has compiled a wide-ranging panorama and collection of classic examples made by many famous but also unknown film-makers. Underlying the entire collection is the author’s personal belief that parody can be divers and rich as particular form of cultural rebellion and social catharsis – by turns comic effect and confusing dialogue in polemical confrontation with common opinion and public point of view established by parodied original.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 14, 23; 5-14
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Relax Magazine (1976–1981)
Autorzy:
Rusek, Adam
Powiązania:
https://bibliotekanauki.pl/articles/421503.pdf
Data publikacji:
2014
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
History of the Polish press (1945–1989)
juvenile comic magazines
cartoon strips
czasopisma obrazkowe dla młodzieży
komiksy
prasa Polski Ludowej
Grzegorz Rosiński
Opis:
An analysis of the history of the comic magazine Relax in the context of the cultural policies of Poland’s communist authorities
Źródło:
Rocznik Historii Prasy Polskiej; 2014, 17, 1
1509-1074
Pojawia się w:
Rocznik Historii Prasy Polskiej
Dostawca treści:
Biblioteka Nauki
Artykuł
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