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Wyświetlanie 1-10 z 88
Tytuł:
Zbiory „archeologiczne” Konstantego Świdzińskiego
Autorzy:
Ryszewska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/631143.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
COLLECTING
ARCHAEOLOGICAL MONUMENTS
Collecting
19TH CENTURY
KONSTANTY ŚWIDZIŃSKI
SULGOSTÓW
Opis:
These paper concerns the archaeological part of  Konstanty Świdziński’s collection, which in mid-19th century constituted one of the richest private collections in Poland.   Konstanty Świdziński (1793-1855), son of a Radom castellan Kajetan, took over the family estate after his father’s death in 1814. The profits from the estate, the Sulgostów demesne, was devoted chiefly to the purchase of exhibits for the collection: above all manuscripts and prints, then pictures and  drawings, items of functional art, numismatic specimens and archaeological artefacts. In 1831-1832 Świdziński stayed in Cracow, and then in 1833-1855 in Ukraine, where he also devoted himself to the collecting passion, constantly increasing the collection, archaeological segment included. Świdziński’s collection, assembled by him in different stages of life were heavily dispersed and stored in various localities in all partitions, including  Sulgostów, Cracow, Rogalin and in Paszkówka, Kyiv and Brusilov. Shortly before his death in 1855 he bequeathed his collection and the estate in the Kingdom of Poland to margrave Aleksander Wielopolski. The collection which was then brought to Sulgostów was catalogued in 1856. The “Inventory of the remainders after Konstanty Świdziński” entailed, among other things, the “Archaeological Collection” which comprised 248 items. These were mainly the products of handicraft, including candleholders, rosaries, medallion, lockets, cutlery, trays, snuffboxes, pipes, a clock, bell, mortar, cane, jewel cases, written material, seals, musical instruments, crockery, ornaments, elements of attire and horse-riding gear, militaria (including weapons and armour), crosses and Little Russian medallions, as well as sculptures. This was in line with the 19th-century notion of archaeology and archaeological artefacts, among which one would counted any memorabilia of the past, not necessarily a remote one at that, including flint and stone wares, urns, objects associated with religious rituals, weapons and armour, ornaments and valuables, coins, household items,  paintings, sculptures. The collection’s purely archaeological artefacts, originating from prehistoric and historical times include stone and flint tools (arrowheads and spearheads, axes and hatchets), earthenware (urns), silver ornaments (e.g. earrings). Already after Świdziński’s death, twenty two exhibits from his collection found their way to the Exhibition of Antiquities and Monuments of  Art organised in1858 inCracow. Following Wielopolski’s renouncement of the legacy, Konstanty Świdziński’s collection was incorporated into Krasiński family entail and, along with the remaining contents of the Krasiński Library, were in greater part destroyed by the Nazi invaders as part of the repressions after the collapse of the Warsaw Uprising in 1944.      
Źródło:
Studia Europaea Gnesnensia; 2012, 6; 261-279
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kolekcjonowanie kontra szybkie konsumowanie
Collecting vs. fast consuming
Autorzy:
Siuda, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/1373646.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
fragmentarization of time
collecting
consumerism
acceleration of time
collecting rituals
collectors’ communities
Opis:
The goal of this article is to show that collectors constitute a specific category of consumers. The article treats consumption through the lenses of high-speed society in which time becomes more and more important and scarce resource that people are constantly searching for. One of the reasons of this scarcity is that producers compete with each other. They want to grasp consumers’ time in order to make them spend it for consumption, and that is why one can speak about acceleration of time. Passionate and active acquiring is a thing that makes collectors similar to consumers, but the act of collecting is, in fact, opposed to fast consumption. It is based on different behaviors than those promoted by contemporary and very fast culture. Therefore, one who collects is engaged in a set of acts that are opposed to the time-consuming acquisitions. Collecting allows people to disengage from consumer culture that wants them to destroy old and acquire new goods. To collect is to selectively try to form a “whole” which constitutes a collection. Collecting reveals one’s assumption that objects are to be unique, not utilitarian, they are to be more than pure commodities. Given that collecting requires a lot of free time that is not used for consumption, it might be perceived as an act that is opposed to fast consumption.
Źródło:
Przegląd Socjologii Jakościowej; 2012, 8, 3; 58-75
1733-8069
Pojawia się w:
Przegląd Socjologii Jakościowej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W oczekiwaniu na Niepodległą – działalność kolekcjonerska Heleny Dąbczańskiej
Awaiting Poland’s independence – Helena Dąbczańska’s activity as a book collector
Autorzy:
Gruchała, Irena
Powiązania:
https://bibliotekanauki.pl/articles/471903.pdf
Data publikacji:
2020-04-19
Wydawca:
Uniwersytet Warszawski. Wydział Dziennikarstwa, Informacji i Bibliologii
Tematy:
Helena Dąbczańska
kolekcjonerstwo
muzea
collecting
museums
Opis:
During the period following the Partitions of Poland, the partitioning powers took control of cultural institutions, using them to deprive Poles of their national identity. Therefore, an unofficial cultural life had to be organized by the Polish people themselves. The current paper presents the activities of Helena Dąbczańska (1863-1956), a well-known book collector from Lwów, who established a museum in her house. The museum held a large library, a collection of paintings, china, furniture and other works of art. Dąbczańska’s example shows how an energetic and committed individual could make an immense contribution to Polish culture during this period. The sources referred to in the article are H. Dąbczańska’s memoirs, the materials she bequeathed to the National Ossoliński Institute in Wrocław, the existing literature about the collector’s life and legacy, and the results of preliminary research conducted in several museums. During her lifetime, the collector transferred her collections to various museums. The largest portion of her legacy went to the National Museum in Kraków, the Industrial Museum in Kraków and the National Museum named after King John III in Lwów. Smaller bequests went to the Wielkopolska Museum in Poznań, the Podole Museum in Tarnopol and the Ethnographic Museum in Kraków. Today, artefacts from Dąbczańska’s collections are still on display in museums and libraries.
Źródło:
Z Badań nad Książką i Księgozbiorami Historycznymi; 2019, Tom specjalny: Dla Niepodległej / Special Issue: For an Independent Poland; 207-233
1897-0788
2544-8730
Pojawia się w:
Z Badań nad Książką i Księgozbiorami Historycznymi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mathematical model of dust cleaning process in centrifugal-inertial dust collector
Autorzy:
Batluk, V.
Paranyak, N.
Makarchuk, V
Powiązania:
https://bibliotekanauki.pl/articles/410648.pdf
Data publikacji:
2013
Wydawca:
Polska Akademia Nauk. Oddział w Lublinie PAN
Tematy:
dust collecting
air cleaning
pollution
centrifugal
cyclone
Opis:
The article is devoted to the problem of providing air cleaning from dust in various industries, using highly efficient apparatus, with the aim of bringing the volume of harmful emissions to the sanitary standards. The article presents new directions in creating of dust cleaning apparatus, based on the usage of centrifugal, inertial forces, by which the efficiency of dust collection could be significantly increased.
Źródło:
ECONTECHMOD : An International Quarterly Journal on Economics of Technology and Modelling Processes; 2013, 2, 2; 9-16
2084-5715
Pojawia się w:
ECONTECHMOD : An International Quarterly Journal on Economics of Technology and Modelling Processes
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The mathematical model of material particle motion
Autorzy:
Batluk, V.
Sukach, R.
Powiązania:
https://bibliotekanauki.pl/articles/410915.pdf
Data publikacji:
2014
Wydawca:
Polska Akademia Nauk. Oddział w Lublinie PAN
Tematy:
dust collecting
air cleaning
pollution
centrifugal
cyclone
Opis:
This article is concerned with the problem of high-performance dust-catching equipment creation for various industries, where: fine-dyspersated dust fractions are emitted, in order to make their emissions conform to sanitary norms. This article elucidates new tendencies in the area of the creation of equipment for air from dust cleansing, which are based on the use of centrifugal inertia forces.
Źródło:
ECONTECHMOD : An International Quarterly Journal on Economics of Technology and Modelling Processes; 2014, 3, 2; 3-6
2084-5715
Pojawia się w:
ECONTECHMOD : An International Quarterly Journal on Economics of Technology and Modelling Processes
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Meteoryt Pułtusk w wybranych zagranicznych kolekcjach
Pułtusk meteorites in selected world collections
Autorzy:
Biała, Jadwiga
Jakubowski, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/1032379.pdf
Data publikacji:
2019
Wydawca:
Polskie Towarzystwo Meteorytowe
Tematy:
Pultusk
collecting
fall
historical
meteorites
museums
provenance
Opis:
On 31 January 1868, a bright fireball was observed over Poland and tens of thousands of meteorites fell northeast of the town of Pułtusk. Immediately after the fall, locals from Pułtusk went out to collect the meteorites estimated to number between 70,000 to 180,000 individual specimens. Pieces ranged from a single gram to 9 kg. The Zambrzycki family who were local land owners traded the largest mass of Pułtusk specimens to various international museums. Study shows information form institutions including Bonn, Berlin, London, Vienna, Paris, Smithsonian (Washington) and Stockholm. This paper documents the world’s biggest collections of Pułtusk specimens, and the provenance of specimens listing the original dealers, collectors and scientist who provided specimens to the various museum and institutional collections at the time.
Źródło:
Acta Societatis Metheoriticae Polonorum; 2019, 10; 13-22
2080-5497
Pojawia się w:
Acta Societatis Metheoriticae Polonorum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"Treasures from the Wreck of the Unbelievable" - archeologia jako element strategii artystycznej Damiena Hirsta
“Treasures from the Wreck of the Unbelievable“ – Archeology as an Element of Damien Hirst’s Artistic Strategy
Autorzy:
Brillowski, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/909566.pdf
Data publikacji:
2020-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Hirst
mockumentary
science
art
myth
collecting
archaeology
Opis:
The most important element of Damien Hirst's multimedia project "Treasures from the Wreck of Unbelivable" was the exhibition, presented from April 9 to December 3, 2017 in Venice, in the galleries of the Pinault Foundation in Punta della Dogana and Palazzo Grassi. It was completed by several book publications and a 90-minute film of the same title, made available globally on the Netflix online platform on January 1, 2018. The exhibition included over a hundred objects, mainly sculptures, made in various techniques and materials in a wide range of sizes. The film, stylized as a popular science documentary, presents the fictional story of their discovery and exploration at the bottom of the Indian Ocean, and their transport to Venice. It develops the main idea of the exhibition – a fictitious vision of the origin of these objects from an ancient wreck, filled with artistic collections, belonging to a fabulously rich ancient Roman freedman, with the significant name Cif Amotan II (anagram from “I am a fiction”). Realizing this fancy artistic vision, most of the works were made as if they had been damaged by the sea waves and overgrown with corals and other marine organisms. Hirst created a comprehensive and all-encompassing narrative using the principle of "voluntary suspension of unbelief," formulated by Samuel T. Coleridge. The artist sets himself and the viewer on a fantastic journey into the ancient past, taking up subjects central to his ouevre for decades: faith, relations of art and science, transience and death. He does this by means of numerous references to the artistic and mythological heritage of antiquity, not only Graeco-Roman, but also of other great cultures and civilizations.             Although the formal and technical aspects of the project will also be discussed, the main goal of the author is to analyze how Hirst used the knowledge of antiquity (classics) to create both the exhibition itself and the mockumentary. The artist made archeology an element binding his narrative together, showing in the film not only how artefacts were obtained from the bottom of the ocean. He also presented a number of tasks that scientists deal with at various stages of the project – from the first discovery, through interpretation and conservation, to the presenting at the museum-like exhibition. Of course, his purpose was not to create a study in the methodology of underwater exploration, but to reflect on the cognitive power of science examining remains of ancient times. By juxtaposing two possible attitudes towards relics of the past, i.e. the strict discipline of the scholar and the imagination of the treasure hunter, he concludes that narratives arising from them will both have the character of a mythical tale. The ontic status of the artefacts themselves, as the things of the past, left in a fragmentary state by the passage of time, sets all the stories related to them within the discourse of faith.
Źródło:
Artium Quaestiones; 2020, 31; 123-170
0239-202X
Pojawia się w:
Artium Quaestiones
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Antitrust and Copyright Collectives – an Economic Analysis
Autorzy:
Zabłocka, Adrianna
Powiązania:
https://bibliotekanauki.pl/articles/530183.pdf
Data publikacji:
2008-12-01
Wydawca:
Uniwersytet Warszawski. Wydawnictwo Naukowe Wydziału Zarządzania
Tematy:
collecting societies
copyright
antitrust
transaction costs
welfare
Opis:
The activity of the copyright collecting societies had been scrutinized by many antitrust authorities. The paper presents the decision taken by the President of the Office of Competition and Consumer Protection (UOKiK), which deals with abusing practices of Polish copyright collective society – ZAiKS. The paper concentrates on the economic aspects of the decision from the President of UOKiK.
Źródło:
Yearbook of Antitrust and Regulatory Studies; 2008, 1(1); 152-165
1689-9024
2545-0115
Pojawia się w:
Yearbook of Antitrust and Regulatory Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Między tym, co „nasze” a atrakcją turystyczną. Prywatne kolekcje i izby regionalne na Śląsku Cieszyńskim w perspektywie antropologicznej
Between Components of „Our Heritage” and a Tourist Attraction. Private Collections and Folk Exhibitions in Cieszyn Silesia in an Anthropological Perspective
Autorzy:
Studnicki, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/2052190.pdf
Data publikacji:
2014-12
Wydawca:
Muzeum "Górnośląski Park Etnograficzny w Chorzowie"
Tematy:
Cieszyn Silesia
collecting
regionalism
Śląsk Cieszyński
kolekcjonerstwo
regionalizm
Opis:
The article discusses private folk exhibition rooms, collections and museums founded by non-governmental organizations or enthusiasts of local communities’ past, history, culture and heritage. On the one hand, those places are a kind of sites of memory (lieux de mémoire), on the other, they are tourist attractions. Their appearance can be described as manifestation of cultural identity and response to changes introduced, by modernity and globalization.
Artykuł poświęcony jest prywatnym izbom regionalnym, kolekcjom, muzeom zakładanym przez stowarzyszenia społeczne i osoby będące fascynatami lokalnej przeszłości, historii, kultury i dziedzictwa. Z jednej strony są one rodzajem miejsc pamięci, z drugiej zaś są atrakcją turystyczną. Ich pojawienie się można wyjaśniać jako manifestację tożsamości kulturowej oraz reakcję na zmiany, jakie przyniosła nowoczesność i globalizacja.
Źródło:
Rocznik Muzeum "Górnośląski Park Etnograficzny w Chorzowie"; 2014, 2, 2; 23-69
2353-2734
Pojawia się w:
Rocznik Muzeum "Górnośląski Park Etnograficzny w Chorzowie"
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-10 z 88

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