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Tytuł:
Zbiory „archeologiczne” Konstantego Świdzińskiego
Autorzy:
Ryszewska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/631143.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
COLLECTING
ARCHAEOLOGICAL MONUMENTS
Collecting
19TH CENTURY
KONSTANTY ŚWIDZIŃSKI
SULGOSTÓW
Opis:
These paper concerns the archaeological part of  Konstanty Świdziński’s collection, which in mid-19th century constituted one of the richest private collections in Poland.   Konstanty Świdziński (1793-1855), son of a Radom castellan Kajetan, took over the family estate after his father’s death in 1814. The profits from the estate, the Sulgostów demesne, was devoted chiefly to the purchase of exhibits for the collection: above all manuscripts and prints, then pictures and  drawings, items of functional art, numismatic specimens and archaeological artefacts. In 1831-1832 Świdziński stayed in Cracow, and then in 1833-1855 in Ukraine, where he also devoted himself to the collecting passion, constantly increasing the collection, archaeological segment included. Świdziński’s collection, assembled by him in different stages of life were heavily dispersed and stored in various localities in all partitions, including  Sulgostów, Cracow, Rogalin and in Paszkówka, Kyiv and Brusilov. Shortly before his death in 1855 he bequeathed his collection and the estate in the Kingdom of Poland to margrave Aleksander Wielopolski. The collection which was then brought to Sulgostów was catalogued in 1856. The “Inventory of the remainders after Konstanty Świdziński” entailed, among other things, the “Archaeological Collection” which comprised 248 items. These were mainly the products of handicraft, including candleholders, rosaries, medallion, lockets, cutlery, trays, snuffboxes, pipes, a clock, bell, mortar, cane, jewel cases, written material, seals, musical instruments, crockery, ornaments, elements of attire and horse-riding gear, militaria (including weapons and armour), crosses and Little Russian medallions, as well as sculptures. This was in line with the 19th-century notion of archaeology and archaeological artefacts, among which one would counted any memorabilia of the past, not necessarily a remote one at that, including flint and stone wares, urns, objects associated with religious rituals, weapons and armour, ornaments and valuables, coins, household items,  paintings, sculptures. The collection’s purely archaeological artefacts, originating from prehistoric and historical times include stone and flint tools (arrowheads and spearheads, axes and hatchets), earthenware (urns), silver ornaments (e.g. earrings). Already after Świdziński’s death, twenty two exhibits from his collection found their way to the Exhibition of Antiquities and Monuments of  Art organised in1858 inCracow. Following Wielopolski’s renouncement of the legacy, Konstanty Świdziński’s collection was incorporated into Krasiński family entail and, along with the remaining contents of the Krasiński Library, were in greater part destroyed by the Nazi invaders as part of the repressions after the collapse of the Warsaw Uprising in 1944.      
Źródło:
Studia Europaea Gnesnensia; 2012, 6; 261-279
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kolekcjonowanie kontra szybkie konsumowanie
Collecting vs. fast consuming
Autorzy:
Siuda, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/1373646.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
fragmentarization of time
collecting
consumerism
acceleration of time
collecting rituals
collectors’ communities
Opis:
The goal of this article is to show that collectors constitute a specific category of consumers. The article treats consumption through the lenses of high-speed society in which time becomes more and more important and scarce resource that people are constantly searching for. One of the reasons of this scarcity is that producers compete with each other. They want to grasp consumers’ time in order to make them spend it for consumption, and that is why one can speak about acceleration of time. Passionate and active acquiring is a thing that makes collectors similar to consumers, but the act of collecting is, in fact, opposed to fast consumption. It is based on different behaviors than those promoted by contemporary and very fast culture. Therefore, one who collects is engaged in a set of acts that are opposed to the time-consuming acquisitions. Collecting allows people to disengage from consumer culture that wants them to destroy old and acquire new goods. To collect is to selectively try to form a “whole” which constitutes a collection. Collecting reveals one’s assumption that objects are to be unique, not utilitarian, they are to be more than pure commodities. Given that collecting requires a lot of free time that is not used for consumption, it might be perceived as an act that is opposed to fast consumption.
Źródło:
Przegląd Socjologii Jakościowej; 2012, 8, 3; 58-75
1733-8069
Pojawia się w:
Przegląd Socjologii Jakościowej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W oczekiwaniu na Niepodległą – działalność kolekcjonerska Heleny Dąbczańskiej
Awaiting Poland’s independence – Helena Dąbczańska’s activity as a book collector
Autorzy:
Gruchała, Irena
Powiązania:
https://bibliotekanauki.pl/articles/471903.pdf
Data publikacji:
2020-04-19
Wydawca:
Uniwersytet Warszawski. Wydział Dziennikarstwa, Informacji i Bibliologii
Tematy:
Helena Dąbczańska
kolekcjonerstwo
muzea
collecting
museums
Opis:
During the period following the Partitions of Poland, the partitioning powers took control of cultural institutions, using them to deprive Poles of their national identity. Therefore, an unofficial cultural life had to be organized by the Polish people themselves. The current paper presents the activities of Helena Dąbczańska (1863-1956), a well-known book collector from Lwów, who established a museum in her house. The museum held a large library, a collection of paintings, china, furniture and other works of art. Dąbczańska’s example shows how an energetic and committed individual could make an immense contribution to Polish culture during this period. The sources referred to in the article are H. Dąbczańska’s memoirs, the materials she bequeathed to the National Ossoliński Institute in Wrocław, the existing literature about the collector’s life and legacy, and the results of preliminary research conducted in several museums. During her lifetime, the collector transferred her collections to various museums. The largest portion of her legacy went to the National Museum in Kraków, the Industrial Museum in Kraków and the National Museum named after King John III in Lwów. Smaller bequests went to the Wielkopolska Museum in Poznań, the Podole Museum in Tarnopol and the Ethnographic Museum in Kraków. Today, artefacts from Dąbczańska’s collections are still on display in museums and libraries.
Źródło:
Z Badań nad Książką i Księgozbiorami Historycznymi; 2019, Tom specjalny: Dla Niepodległej / Special Issue: For an Independent Poland; 207-233
1897-0788
2544-8730
Pojawia się w:
Z Badań nad Książką i Księgozbiorami Historycznymi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mathematical model of dust cleaning process in centrifugal-inertial dust collector
Autorzy:
Batluk, V.
Paranyak, N.
Makarchuk, V
Powiązania:
https://bibliotekanauki.pl/articles/410648.pdf
Data publikacji:
2013
Wydawca:
Polska Akademia Nauk. Oddział w Lublinie PAN
Tematy:
dust collecting
air cleaning
pollution
centrifugal
cyclone
Opis:
The article is devoted to the problem of providing air cleaning from dust in various industries, using highly efficient apparatus, with the aim of bringing the volume of harmful emissions to the sanitary standards. The article presents new directions in creating of dust cleaning apparatus, based on the usage of centrifugal, inertial forces, by which the efficiency of dust collection could be significantly increased.
Źródło:
ECONTECHMOD : An International Quarterly Journal on Economics of Technology and Modelling Processes; 2013, 2, 2; 9-16
2084-5715
Pojawia się w:
ECONTECHMOD : An International Quarterly Journal on Economics of Technology and Modelling Processes
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The mathematical model of material particle motion
Autorzy:
Batluk, V.
Sukach, R.
Powiązania:
https://bibliotekanauki.pl/articles/410915.pdf
Data publikacji:
2014
Wydawca:
Polska Akademia Nauk. Oddział w Lublinie PAN
Tematy:
dust collecting
air cleaning
pollution
centrifugal
cyclone
Opis:
This article is concerned with the problem of high-performance dust-catching equipment creation for various industries, where: fine-dyspersated dust fractions are emitted, in order to make their emissions conform to sanitary norms. This article elucidates new tendencies in the area of the creation of equipment for air from dust cleansing, which are based on the use of centrifugal inertia forces.
Źródło:
ECONTECHMOD : An International Quarterly Journal on Economics of Technology and Modelling Processes; 2014, 3, 2; 3-6
2084-5715
Pojawia się w:
ECONTECHMOD : An International Quarterly Journal on Economics of Technology and Modelling Processes
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Meteoryt Pułtusk w wybranych zagranicznych kolekcjach
Pułtusk meteorites in selected world collections
Autorzy:
Biała, Jadwiga
Jakubowski, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/1032379.pdf
Data publikacji:
2019
Wydawca:
Polskie Towarzystwo Meteorytowe
Tematy:
Pultusk
collecting
fall
historical
meteorites
museums
provenance
Opis:
On 31 January 1868, a bright fireball was observed over Poland and tens of thousands of meteorites fell northeast of the town of Pułtusk. Immediately after the fall, locals from Pułtusk went out to collect the meteorites estimated to number between 70,000 to 180,000 individual specimens. Pieces ranged from a single gram to 9 kg. The Zambrzycki family who were local land owners traded the largest mass of Pułtusk specimens to various international museums. Study shows information form institutions including Bonn, Berlin, London, Vienna, Paris, Smithsonian (Washington) and Stockholm. This paper documents the world’s biggest collections of Pułtusk specimens, and the provenance of specimens listing the original dealers, collectors and scientist who provided specimens to the various museum and institutional collections at the time.
Źródło:
Acta Societatis Metheoriticae Polonorum; 2019, 10; 13-22
2080-5497
Pojawia się w:
Acta Societatis Metheoriticae Polonorum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"Treasures from the Wreck of the Unbelievable" - archeologia jako element strategii artystycznej Damiena Hirsta
“Treasures from the Wreck of the Unbelievable“ – Archeology as an Element of Damien Hirst’s Artistic Strategy
Autorzy:
Brillowski, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/909566.pdf
Data publikacji:
2020-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Hirst
mockumentary
science
art
myth
collecting
archaeology
Opis:
The most important element of Damien Hirst's multimedia project "Treasures from the Wreck of Unbelivable" was the exhibition, presented from April 9 to December 3, 2017 in Venice, in the galleries of the Pinault Foundation in Punta della Dogana and Palazzo Grassi. It was completed by several book publications and a 90-minute film of the same title, made available globally on the Netflix online platform on January 1, 2018. The exhibition included over a hundred objects, mainly sculptures, made in various techniques and materials in a wide range of sizes. The film, stylized as a popular science documentary, presents the fictional story of their discovery and exploration at the bottom of the Indian Ocean, and their transport to Venice. It develops the main idea of the exhibition – a fictitious vision of the origin of these objects from an ancient wreck, filled with artistic collections, belonging to a fabulously rich ancient Roman freedman, with the significant name Cif Amotan II (anagram from “I am a fiction”). Realizing this fancy artistic vision, most of the works were made as if they had been damaged by the sea waves and overgrown with corals and other marine organisms. Hirst created a comprehensive and all-encompassing narrative using the principle of "voluntary suspension of unbelief," formulated by Samuel T. Coleridge. The artist sets himself and the viewer on a fantastic journey into the ancient past, taking up subjects central to his ouevre for decades: faith, relations of art and science, transience and death. He does this by means of numerous references to the artistic and mythological heritage of antiquity, not only Graeco-Roman, but also of other great cultures and civilizations.             Although the formal and technical aspects of the project will also be discussed, the main goal of the author is to analyze how Hirst used the knowledge of antiquity (classics) to create both the exhibition itself and the mockumentary. The artist made archeology an element binding his narrative together, showing in the film not only how artefacts were obtained from the bottom of the ocean. He also presented a number of tasks that scientists deal with at various stages of the project – from the first discovery, through interpretation and conservation, to the presenting at the museum-like exhibition. Of course, his purpose was not to create a study in the methodology of underwater exploration, but to reflect on the cognitive power of science examining remains of ancient times. By juxtaposing two possible attitudes towards relics of the past, i.e. the strict discipline of the scholar and the imagination of the treasure hunter, he concludes that narratives arising from them will both have the character of a mythical tale. The ontic status of the artefacts themselves, as the things of the past, left in a fragmentary state by the passage of time, sets all the stories related to them within the discourse of faith.
Źródło:
Artium Quaestiones; 2020, 31; 123-170
0239-202X
Pojawia się w:
Artium Quaestiones
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Antitrust and Copyright Collectives – an Economic Analysis
Autorzy:
Zabłocka, Adrianna
Powiązania:
https://bibliotekanauki.pl/articles/530183.pdf
Data publikacji:
2008-12-01
Wydawca:
Uniwersytet Warszawski. Wydawnictwo Naukowe Wydziału Zarządzania
Tematy:
collecting societies
copyright
antitrust
transaction costs
welfare
Opis:
The activity of the copyright collecting societies had been scrutinized by many antitrust authorities. The paper presents the decision taken by the President of the Office of Competition and Consumer Protection (UOKiK), which deals with abusing practices of Polish copyright collective society – ZAiKS. The paper concentrates on the economic aspects of the decision from the President of UOKiK.
Źródło:
Yearbook of Antitrust and Regulatory Studies; 2008, 1(1); 152-165
1689-9024
2545-0115
Pojawia się w:
Yearbook of Antitrust and Regulatory Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Między tym, co „nasze” a atrakcją turystyczną. Prywatne kolekcje i izby regionalne na Śląsku Cieszyńskim w perspektywie antropologicznej
Between Components of „Our Heritage” and a Tourist Attraction. Private Collections and Folk Exhibitions in Cieszyn Silesia in an Anthropological Perspective
Autorzy:
Studnicki, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/2052190.pdf
Data publikacji:
2014-12
Wydawca:
Muzeum "Górnośląski Park Etnograficzny w Chorzowie"
Tematy:
Cieszyn Silesia
collecting
regionalism
Śląsk Cieszyński
kolekcjonerstwo
regionalizm
Opis:
The article discusses private folk exhibition rooms, collections and museums founded by non-governmental organizations or enthusiasts of local communities’ past, history, culture and heritage. On the one hand, those places are a kind of sites of memory (lieux de mémoire), on the other, they are tourist attractions. Their appearance can be described as manifestation of cultural identity and response to changes introduced, by modernity and globalization.
Artykuł poświęcony jest prywatnym izbom regionalnym, kolekcjom, muzeom zakładanym przez stowarzyszenia społeczne i osoby będące fascynatami lokalnej przeszłości, historii, kultury i dziedzictwa. Z jednej strony są one rodzajem miejsc pamięci, z drugiej zaś są atrakcją turystyczną. Ich pojawienie się można wyjaśniać jako manifestację tożsamości kulturowej oraz reakcję na zmiany, jakie przyniosła nowoczesność i globalizacja.
Źródło:
Rocznik Muzeum "Górnośląski Park Etnograficzny w Chorzowie"; 2014, 2, 2; 23-69
2353-2734
Pojawia się w:
Rocznik Muzeum "Górnośląski Park Etnograficzny w Chorzowie"
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Selective Waste Collection in the Detached Housing Area
Autorzy:
Pasiecznik, I.
Banaszkiewicz, K. P.
Leoniewska-Gogola, J.
Powiązania:
https://bibliotekanauki.pl/articles/124077.pdf
Data publikacji:
2015
Wydawca:
Polskie Towarzystwo Inżynierii Ekologicznej
Tematy:
research survey
collecting waste
selecting waste
waste recovery
Opis:
When it comes to waste management, the main objective of the European Union is to prevent waste production. Produced waste should be primarily recycled or other recovery should be applied. Introduction of an effective waste collection system is a basic activity that guarantees achieving European Union agenda including the minimal level of recycling and preparation for reuse. The aim of the research was the analysis of the selective waste collection in the detached housing area (before 1st July 2013). The evaluation was prepared on the basis of an opinion research conducted among the residents. One hundred respondents, living in one of the housing estates in Wrocław, took part in the survey.
Źródło:
Journal of Ecological Engineering; 2015, 16, 3; 124-129
2299-8993
Pojawia się w:
Journal of Ecological Engineering
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Collecting Coins and Medals in 18th-Century Sweden
Autorzy:
Haidenthaller, Ylva
Powiązania:
https://bibliotekanauki.pl/articles/32353046.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
numismatic
collecting
coins
medals
Sweden
18th century
Opis:
During the 18th century, collections of coins and medals were familiar sights. The collectors ranged from scholars to amateurs, men and women and the collectables tempted collectors for various reasons: they signified wealth and knowledge, they rendered historical events or current politics in material form, or they were miniature artworks and financial investments. Also, the visual and material culture that involved collecting coins and medals consisted of cabinets and numismatic publications. But how were numismatic collections amassed, and how were they used? What did it mean to own a coin and medal collection? This article discusses the practices of collecting numismatics in 18th-century Sweden through various case studies concerning private and public collections, such as the Uppsala University coin cabinet or the possessions of politician Carl Didric Ehrenpreus, numismatist Elias Brenner, medal artist Arvid Karlsteen, and merchant-wife Anna Johanna Grill. These cases illuminate the diverse motivations behind collecting, from intellectual curiosity to social status. These case studies include immaterial facets such as witty discussions and international networks and material aspects such as coins, medals, cabinets, letters, and publications. Based on contemporary written sources, this article sheds light on how numismatic objects were bought, sold and circulated, highlighting the market dynamics of collecting. Furthermore, the examples examine how numismatic publications were used next to the objects, contributing to hermeneutic study and the collecting process. The written records provide insight into the scholarly discourse surrounding these collections, offering a glimpse into the intellectual context of the time. Finally, the article will add to the understanding of values and ideas attached to the practices of collecting coins and medals in early modern Europe. It elucidates the role of numismatics as a collecting practice, as well as how it shaped cultural perceptions, underscoring the intricate interplay between material and visual culture, society, and the production of knowledge during this period.
Źródło:
Artium Quaestiones; 2023, 34; 111-137
0239-202X
Pojawia się w:
Artium Quaestiones
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dorobek i perspektywy badań nad życiem i działalnością Stanisława Kostki Potockiego prowadzonych w Muzeum Pałacu Króla Jana III w Wilanowie. W dwusetną rocznicę śmierci
Achievements and prospects in studies on the life and actions of Stanisław Kostka Potocki carried out at the Museum of King Jan III’s Palace at Wilanów on the 200th anniversary of Potocki’s death
Autorzy:
Kwiatkowska, Anna
Paprocka-Gajek, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/2057821.pdf
Data publikacji:
2021
Wydawca:
Muzeum Pałacu Króla Jana III w Wilanowie
Tematy:
Stanisław Kostka Potocki
Wilanów
Winckelmann Society
museology
art collecting
Opis:
The museum established in the Wilanów residence by Stanisław Kostka Potocki was the first art museum in Poland. Today, on the bicentenary of the death of its founder, we reflect upon the activities and prospects for research on Potocki's legacy conducted with the participation of the Museum of King Jan III's Palace at Wilanów. In 2014, in cooperation with the Winckelmann Society, the Museum initiated the project “Johann Joachim Winckelmann i/und Stanisław Kostka Potocki. Nowe badania i dokumenty/Neue Forschungen und Dokumente”, aimed at studying the influence of Winckelmann's works on art collecting in Central Europe, including the activity of Stanisław Kostka Potocki. As part of the project, a German translation of Potocki's most important work, O sztuce u dawnych, czyli Winkelman Polski, has been published. The popularisation of Potocki's output is also carried out by way of organising numerous scientific conferences and publishing studies on his literary legacy (cf. O spuściźnie literackiej Stanisława Kostki Potockiego. Studia i szkice), political activity (M. Getka-Kenig, Stanisław Kostka Potocki. Studium magnackiej kariery w dobie upadku i “wskrzeszenia” Polski), the ways of developing his collection of works of art, as well as the stories of individual objects therein, such as the image of the Salvator Mundi by Leonardo da Vinci or the portrait of Stanisław Kostka Potocki by Jacques-Louis David. At the same time, research is being carried out on Potocki's collection itself, as well as on his manuscripts and letters. The results of this research are presented in the form of exhibitions organised by the Museum (“Leonardiana in Polish Collections”) and numerous articles published in Wilanów Studies. The profound change, currently underway, of the profile of both the permanent and temporary exhibitions in the interiors of the Wilanów Palace aims to emphasise the significance of the Enlightenment idea of collecting as practised by Stanisław Kostka Potocki. The section of the exhibition on the first floor of the palace, presenting the art collecting achievements of the third generation of the Potocki family in Wilanów, will be made available to the public in 2022.
Źródło:
Studia Wilanowskie; 2021, XXVIII; 21-39
0137-7329
2720-0116
Pojawia się w:
Studia Wilanowskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przydatność dla hodowli miejscowych populacji owsa siewnego o wysokim zróżnicowaniu cech fenotypowych
The importance of local oat populations with a wide variety of phenotypic traits in relation to breeding process
Autorzy:
Kloc, Grzegorz
Dostatny, Denise F.
Powiązania:
https://bibliotekanauki.pl/articles/2199370.pdf
Data publikacji:
2020-10-22
Wydawca:
Instytut Hodowli i Aklimatyzacji Roślin
Tematy:
owies
ekspedycje
zasoby genowe
oat
collecting missions
gene resources
Opis:
Wyjazdy kolekcyjne są jednym z ważniejszych źródeł pozyskiwania materiałów w Krajowym Centrum Roślinnych Zasobów Genowych (KCRZG). Wybór Litwy jako obszaru poszukiwań zasobów genowych był związany z historycznymi relacjami z Polską. W latach 2011 – 2013 przeprowadzono trzy ekspedycje, podczas których zebrano 32 obiekty Avena sativa L. wraz z danymi paszportowymi. Zebrane próbki zostały wysiane na 2,5 m2 poletkach Instytutu Hodowli i Aklimatyzacji Roślin (IHAR-PIB) w Radzikowie w latach 2012, 2013, 2014. Na każdym poletku, ręcznie wysiano 600 nasion. Odnotowywano stan wylegania roślin, pojawiające się choroby, wyliczono masę tysiąca ziaren oraz plon. U większości obiektów wiechowanie występowało później niż u odmian wzorcowych. Lokalne obiekty odmian owsa były wyższe od wzorcowych obiektów a mimo to odznaczały się niskim stopniem wylegania. Lokalne odmiany owsa mogą stanowić źródło pojedynczych, unikalnych cech poszukiwanych przy tworzeniu nowych odmian.
Collecting missions are among the most important sources of collecting materials at the National Center for Plant Genetic Resources (KCRZG). The choice of Lithuania as a place to search for genetic resources was associated with historical relations with Poland. In the years 2011 - 2013 three collecting missions took place, collecting 32 accessions of Avena sativa L. with passport data. Collected samples were sown on 2.5 m2 plots at Radzików IHAR in 2012, 2013, 2014. 600 seeds were manually sown on each plot. During observations, plant lodging andemerging diseases were noted, and thousand grain weight and yield was calculated. For most accessions, panicles appeared later than in reference varieties. Local objects in this category were higher than the reference objects and had a low lodging degree. Local oat can be a source of individual, unique traits for breeding.
Źródło:
Biuletyn Instytutu Hodowli i Aklimatyzacji Roślin; 2020, 290; 5-8
0373-7837
2657-8913
Pojawia się w:
Biuletyn Instytutu Hodowli i Aklimatyzacji Roślin
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ignacy Domeyko i sztuki piękne
Ignacy Domeyko and Fine Arts
Autorzy:
Drien, Marcela
Guzmán, Fernando
Powiązania:
https://bibliotekanauki.pl/articles/29519275.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Ignacy Domeyko
sztuka
edukacja
kolekcjonerstwo
Chile
art
education
collecting
Opis:
Polski uczony Ignacy Domeyko zapisał się w historiografii przede wszystkim jako założyciel mineralogii w Chile. Uznany był za reformatora Instytutu Narodowego i pełnił funkcję rektora Universidad de Chile, którą objął po Andrésie Bello. Celem niniejszego tekstu jest analiza – słabo jak dotąd zbadanych – powiązań Domeyki ze sztuką. Ten wymiar aktywności polskiego uczonego, związanego na stałe z Chile od 1838 roku, znalazł odbicie przede wszystkim w jego rysunkach, zainteresowaniu sztuką i kolekcjonowaniu dzieł, a także w pracy na rzecz promowania edukacji artystycznej w Chile i w poglądach uczonego na temat funkcji sztuki w życiu społecznym. Sztuka niezmiennie zajmowała ważne miejsce wśród jego zainteresowań. Przez lata wykonał całą serię rysunków, które wiązały się nie tylko z pracą naukową, lecz również z różnymi wydarzeniami z jego życia. Po raz pierwszy były one prezentowane publicznie w czasie uroczystości upamiętniających postać Domeyki, a zorganizowanych po jego śmierci w 1889. Wymowne są także niektóre artykuły autorstwa rzeźbiarza José Miguela Blanco poświęcone Domeyce i opublikowane w czasopiśmie „El Taller Ilustrado”, w których można prześledzić wczesne relacje Polaka ze sztuką. Domeyko był również właścicielem kolekcji dzieł sztuki, którą gromadził w czasie swoich europejskich podróży. Nabył blisko 20 kopii obrazów oraz oryginały rzeźb, m.in. kopie obrazów Matka Boska Bartolomé Estebana Murilla (1618–1862) czy wykonana przez Carnavalliego kopia Żebraka (El Mendigo), również autorstwa Murilla, której oryginał prawdopodobnie mógł być podziwiany przez Domeykę w Luwrze podczas jego pobytu w Paryżu. Ponadto uczony nabył także Pielgrzyma flamandzkiego malarza Petera Jacoba Horemansa (1700–1776) oraz nieznanego autorstwa popiersie przedstawiające Rembrandta. Domeyko miał też znaczny wpływ na rozwój edukacji artystycznej w Chile. Z różnych przesłanek wynika, że kształcenie chilijskich architektów, malarzy i rzeźbiarzy było ciągłym obiektem jego troski. List uczonego z lipca 1867 roku jest świadectwem uwagi, jaką poświęcał sztukom pięknym jako członek sekcji uniwersyteckiej Instytutu Narodowego; dokument ten opisuje stan takich kierunków, jak architektura, malarstwo, rysunek i rzeźba, dostarczając także dokładnych informacji na temat stypendystów, którzy doskonalili swoją wiedzę w Paryżu. Uwaga, jaką Domeyko poświęcał sztukom pięknym, wydawała się motywowana bardziej jego osobistymi zamiłowaniami niż pełnioną funkcją publiczną.
A Polish scientist Ignacy Domeyko imprinted himself in historiography primarily as a founder of mineralogy in Chile. He was regarded as a reformer of the National Institute and held the position of as rector of the Universidad de Chile, having replaced Andres Bello. This paper aims at analysing Domeyko’s relationship with art, which has been hardly explored so far. This dimension of the Polish scholar’s activity, permanently associated with Chile since 1838, was reflected above all in his drawings, his interest in art and his collection of works, as well as his promotion of artistic education in Chile and his views on the function of art in social life. Art invariably held an important place among Polish researcher’s interests. Over the years, he produced a whole series of drawings that were related not only to his academic work, but also to various moments in his life, as could be seen during commemorative ceremonies conducted after his death in 1889. Some meaningful articles were dedicated to Domeyko by the sculptor José Miguel Blanco in the magazine El Taller Ilustrado, where we can trace the Pole’s early relationship with art. Domeyko owned an art collection assembled during his European travels. He acquired nearly twenty copies and sculptures, including copies of such paintings as Bartolomé Esteban Murillo’s Our Lady (1618-1862) or Carnavalli’s copy of El Mendigo, also by Murillo, the original of which could probably have been admired in the Louvre Museum during Domeyko’s stay in Paris. In addition, he also bought a Peregrino by the Flemish painter Peter Jacob Horemans (1700-1776) and a bust depicting Rembrandt by an unknown artist. Finally, Domeyko had a significant impact on development of artistic education in Chile. There are various indications that Ignacy Domeyko constantly cared about education of Chilean architects, painters and sculptors. His letter of July 1867 reflects the attention he paid to the Fine Arts as a member of the university section of the National Institute; the document describes conditions of such art branches as architecture, painting, drawing and sculpture, providing detailed information on the scholarship recipients who broadened their knowledge in Paris. His attention to the Fine Arts seems to have been motivated primarily by his personal passions, more than by his public function.
Źródło:
TECHNE. Seria Nowa; 2020, 6; 189-201
2084-851X
Pojawia się w:
TECHNE. Seria Nowa
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 88

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