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Tytuł:
Metafora synestezyjna w rosyjskich tekstach krytyki muzycznej
Synesthetic metaphor in Russian musical critical texts
Autorzy:
Dzienisiewicz, Maria
Powiązania:
https://bibliotekanauki.pl/articles/481993.pdf
Data publikacji:
2018-09-30
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
synesthesia
classical music
music critique
metaphor
Russian
Opis:
The paper presents a variety of synesthetic metaphors used by musical critics. The metaphors were retrieved from musical critical texts written in Russian, which described classical music events. The basis of division are human senses: hearing, touch, sight and taste. Metaphors are divided into two main groups: intermodal and singlemodal ones. The most representative type turned out to be synesthetic metaphors referring to the sense of touch.
Źródło:
Acta Polono-Ruthenica; 2018, 3, XXIII; 31-44
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Моцартовский фестиваль во Львове
Mozart Festival in Lviv
Autorzy:
Новакович, Мирослава
Powiązania:
https://bibliotekanauki.pl/articles/566506.pdf
Data publikacji:
2020-01-10
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
Mozart Festival
classical music
academic symposium
Opis:
This article discusses the importance of hosting the LvivMozArt Festival in Lviv (Ukraine). It is shown how within the short period of its existence (three years) the festival has tended to develop rapidly and received meaningful sponsorship. Attention is focused on its art director and founder, conductor Oksana Lyniv, who has set herself the goal of organizing a classic festival with non-standard formats, but with a high-quality performance of classical music. It is noted that a distinctive feature of the LvivMozArt festival is the combination of different formats: live art performance, academic symposium, chamber and symphony concerts, and opera. This article analyzes the literary bias of the academic symposium entitled “Literary Impressions in Music”, which was attended by prominent scholars from Ukraine, Austria, Germany and Poland. It is argued that the biggest event of the festival was its opening. The concert was dedicated to the 125th anniversary of the birth of the Austrian writer Joseph Roth and the memory of the Holocaust victims.
Źródło:
Ars inter Culturas; 2019, 8; 335-340
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Introduction to Life and Output of Johann Baptist Schiedermayr1
Autorzy:
Bujas, Jolanta
Powiązania:
https://bibliotekanauki.pl/articles/514083.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
church music
Johann Baptist Schiedermayr
music in Linz
Classical music
Opis:
Although nowadays the output of Johann Baptist Schiedermayr is almost completely forgotten, in the 19th century the composer was widely recognized as an author of both sacred and secular music. His compositions were performed mostly in Central Europe, but it should be underlined that the preserved manuscripts display an impressive area in which he must have been known. There are thousands preserved sources that confirm his popularity in the past; therefore, it is disturbing as well as intriguing that Schiedermayr is usually overlooked by scholars investigating music of the early 19th century. In my paper, I present life of the composer, including existing literature that concerns this topic, and I make an attempt to reconstruct his output as hitherto no one have done it. It appears that Johann Baptist Schiedermayr was well-educated and played a crucial role in the musical life of Linz at his time. Besides his achievements as a musician, conductor and teacher, he composed a vast variety of musical pieces, although he focused mostly on church music. Based on the studies done so far, we can assume that he created hundreds of compositions presenting his excellent compositional technique as well as musicality; many of them were also printed. Nevertheless. further research is absolutely necessary in order to broaden knowledge of this brilliant persona and his oeuvre.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2018, 2(37) Eng; 63-100
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Werbalizacja emocji w tekstach rosyjskiej krytyki muzycznej
Autorzy:
Dzienisiewicz, Maria
Powiązania:
https://bibliotekanauki.pl/articles/1022509.pdf
Data publikacji:
2019-08-08
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
verbalization
emotions
classical music
Russian
musical criticism
Opis:
The paper is an attempt to present the ways of verbalization of emotions in Russian critical texts. The material shows examples of verbalization in two aspects of analysis: in first part the material has been divided into five groups and focused on the grammatical characteristics of the examples, in second part the author of the article attempts to compare the descriptions of emotions written in music score with examples of verbalization used in critical texts on music. The studied material shows a variety of ways of verbalization of emotions in analyzed texts
Źródło:
Studia Rossica Posnaniensia; 2019, 44, 1; 337-349
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Między ideałem a możliwościami – recenzowanie muzyki poważnej w prasie codziennej
Between the ideal and possibilities. Reviewing classical music in daily press
Autorzy:
Sasin, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/649425.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
review
classical music
newspaper
musical journalism
musical knowledge
Opis:
The Author addresses the problem of reviewing classical music in daily press (based on the example of “Gazeta Wyborcza”), paying attention to such problems as the editor’s requirements, the character of the reviews, as well as the various problems and limitations with which a journalist can be faced.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 17, 3; 191-193
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Johann Baptist Schiedermayr – życie i twórczość. Przyczynek do monografii1
Introduction to Life and Output of Johann Baptist Schiedermayr
Autorzy:
Bujas, Jolanta
Powiązania:
https://bibliotekanauki.pl/articles/514049.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
church music
Johann Baptist Schiedermayr
music in Linz
Classical music
Opis:
Although nowadays the output of Johann Baptist Schiedermayr is almost completely forgotten, in the 19th century the composer was widely recognized as an author of both sacred and secular music. His compositions were performed mostly in Central Europe, but it should be underlined that the preserved manuscripts display an impressive area in which he must have been known. There are thousands preserved sources that confirm his popularity in the past; therefore, it is disturbing as well as intriguing that Schiedermayr is usually overlooked by scholars investigating music of the early 19th century. In my paper, I present life of the composer, including existing literature that concerns this topic, and I make an attempt to reconstruct his output as hitherto no one have done it. It appears that Johann Baptist Schiedermayr was well-educated and played a crucial role in the musical life of Linz at his time. Besides his achievements as a musi¬cian, conductor and teacher, he composed a vast variety of musical pieces, although he focused mostly on church music. Based on the studies done so far, we can assume that he created hundreds of compositions presenting his excellent compositional technique as well as musicality; many of them were also printed. Nevertheless, further research is absolutely necessary in order to broaden knowledge of this brilliant persona and his oeuvre.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2018, 2(37); 63-99
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Panowanie nad publicznością”. Muzyczne i literackie gry Artura Rubinsteina
‘Charming the the audience’. Artur Rubinsteins music and literary strategies
Autorzy:
Tierling-Śledź, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/649205.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
polish musicians
polish pianists
Artur Rubinstein
autobiography
classical music
Opis:
The article discusses the autobiographical work of Artur Rubinstein entitled My Many Years. The author of the article is interested in how the virtuoso pianist writes about music and his inspiring performances. On the one hand, Rubinstein defends the right to a certain freedom in realizing the score, the other hand, he is ashamed to admit ignoring the role of practising the piano. The author of the article treats the pianist’s declarations as a kind of autocreation literary game.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 16, 2; 155-163
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Hearing damage caused by noise in classical musicians
Autorzy:
Zbysińska, Marta
Lachowska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1399069.pdf
Data publikacji:
2020
Wydawca:
Index Copernicus International
Tematy:
classical music
hearing loss
hearing protectors
musicians
noise
orchestra
Opis:
In this paper, we discuss the issue of hearing damage caused by noise in classical musicians. Long-term exposure to highintensity sounds leads to degenerative changes at the level of the cochlea and then in the higher parts of the auditory canal. This is particularly unfavorable for musicians because an efficient hearing organ is necessary for them to perform their daily work. The risk of hearing damage depends on noise parameters and intrinsic factors referred to as individual noise sensitivity. Not all musicians are exposed to sounds that exceed the acceptable level. However, most of them work at noise levels that are close to or above the acceptable safety limit, thus posing a health threat. In addition to hearing threshold elevation, tinnitus, hyperacusis, and diplacusis may result following many years of exposure to high-intensity acoustic stimuli. Although the differences between the hearing thresholds for instrumentalists and members of the unexposed population are not large, researchers emphasize the need to recognize musicians as a risk group and to apply appropriate prevention. One of the methods to prevent hearing damage is to use ear protectors, which, although effectively reduce exposure, are not widely used by instrumentalists as they impede auditory control over the sounds produced by the instrument. In addition, multifaceted prevention programs and various techniques to minimize exposure are used, such as the proper placement of loud instruments in an orchestra.
Źródło:
Polski Przegląd Otorynolaryngologiczny; 2020, 9, 2; 41-53
2084-5308
2300-7338
Pojawia się w:
Polski Przegląd Otorynolaryngologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Neurodydaktyczne podłoże klasycznych zasad nauczania – uczenia się dla wykonawstwa solowych instrumentalnych dzieł muzycznych klasycznych
Neuro-didactical Basis of Classical Teaching – Learning Principles for the Performance of Solo Instrumental Classical Music Works
Autorzy:
Dymnikowa, Maria
Lasoń, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/15836162.pdf
Data publikacji:
2021-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
neuro-didactics
teaching – learning principles
solo instrumental classical music performance
Opis:
The article combines the classical didactics and neuro-didactics of pedagogical areas, music psychology and instrumental music pedagogy of classical music art areas.The methodological study concerns:– the theme as the process of solo instrumental classical music performance;– the subject as the neuro-didactic basis of classical teaching principles - learning in this process;– the pragmatic scientific novelty as the methodological development of a set of key elements of thelesson as professional workshop activities for this process, for universal use for all musical instrumentsperformed by solo classical music works, for various available forms of professional classicalmusic education;– the practical usage for different levels of classical music education, depending on the level of people’spreparation for solo instrumental classical music performance, and promotion of this activity.
Źródło:
Studia Edukacyjne; 2021, 61; 229-258
1233-6688
Pojawia się w:
Studia Edukacyjne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Transformation into anti-manipulation method in voting. Changes in properties
Autorzy:
Sosnowska, Honorata
Powiązania:
https://bibliotekanauki.pl/articles/31342747.pdf
Data publikacji:
2022
Wydawca:
Polska Akademia Nauk. Instytut Badań Systemowych PAN
Tematy:
voting
manipulation
strategic voting
Borda count
properties
classical music competitions
Opis:
This paper examines the properties of the anti-manipulation method in voting. Such a method can be used by committees and similar bodies to ensure that votes reflect genuine preferences. The anti-manipulation method is based on the Borda Count and discourages strategic voting by excluding scores that deviate excessively from the mean. The method does not eliminate strategic voting but diminishes the motivation to apply it. We compare the properties of the Borda Count and the anti-manipulation method. The properties, which are most often found in the literature, were chosen for comparison. Thus, the following properties are examined: consistency, vulnerability to the no-show paradox, vulnerability to the subset choice condition, homogeneity, monotonicity, and vulnerability to the reversal bias paradox as well as the Condorcet winner and loser paradoxes. The anti-manipulation method fails to satisfy most of these properties. A real data example, the voting of a certain jury, is used as a counterexample in most cases.
Źródło:
Control and Cybernetics; 2022, 51, 4; 487-499
0324-8569
Pojawia się w:
Control and Cybernetics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
David Brackett, Categorizing Sound: Genre and Twentieth-Century Popular Music, Oakland 2016 University of California Press, ss. 368. ISBN 9780520248717 (cloth: alk. paper), ISBN 9780520291614 (pbk.: alk. paper), ISBN 9780520965317 (ebook)
Autorzy:
Skalska, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/28408955.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Instytut Sztuki PAN
Tematy:
fonografia
muzyka popularna
muzyka klasyczna
gatunek
phonography
popular music
classical music
genre
Źródło:
Muzyka; 2018, 63, 2; 137-147
0027-5344
2720-7021
Pojawia się w:
Muzyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Medialne formy popularyzacji muzyki poważnej
Media forms popularizing classical music
Autorzy:
Borhulevych, Lyliya
Powiązania:
https://bibliotekanauki.pl/articles/565465.pdf
Data publikacji:
2016
Wydawca:
Akademia Bialska Nauk Stosowanych im. Jana Pawła II w Białej Podlaskiej
Tematy:
muzyka poważna
muzyka popularna
media
popularyzacja muzyki
classical music
pop music
popularization of music
Opis:
W kulturze zdominowanej przez muzykę popularną – lekką, rozrywkową – muzyka poważna musi walczyć o zasłużone miejsce w świadomości społecznej. Do tego celu jej twórcy i propagatorzy wykorzystują przede wszystkim media audiowizualne – radio, telewizję, Internet. Z ich pomocą muzyka poważna przenika do naszego codziennego życia, staje się muzyką „na co dzień”, bardziej dostępna dla szerokiej publiczności. W społeczeństwie istnieje opinia, że główną różnicą między tymi dwiema dziedzinami jest pełniona przez nie funkcja, mianowicie: użytkowy, rozrywkowy charakter i prostota formy muzyki popularnej oraz profesjonalność i skomplikowana forma muzyki poważnej. To przekonanie mija się jednak z prawdą, ponieważ żadna z powyższych cech nie może charakteryzować wyłącznie jednego rodzaju muzyki. Jednocześnie widoczne są powiązania między tymi dwoma rodzajami muzyki – strukturalne i funkcjonalne, a także rosnące zainteresowanie samej kultury popularnej muzyką poważną, które przejawia się m.in. w takich formach, jak talent show.
In culture dominated by pop music – light and entertaining, classical music must fight for a position it rightly deserves in social awareness. For this purpose, its creators and supporters take advantage of audiovisual media, i.e. radio, television or the Internet. With their aid, classical music gets into our everyday life as an „everyday music”, becoming more available for the broad public. The popular opinion is that the main difference between these two forms of artistic creation lies in the function they fulfill, namely: usage, entertainment and simplicity of pop music versus professionalism and complexity of classical music. This opinion however does not seem true, as none of the features mentioned above characterizes only one type of music. At the same time, some structural and functional relationships are visible between these two types as well as a growing interest on the part of culture itself in classical music, which is reflected in, inter alia, such forms as talent shows.
Źródło:
Rozprawy Społeczne; 2016, 10, 3; 28-35
2081-6081
Pojawia się w:
Rozprawy Społeczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pieśni Mieczysława Karłowicza do słów Kazimierza Przerwy-Tetmajera w świetle poglądów XIX-wiecznych teoretyków muzyki na muzyczność języka polskiego
Mieczyslaw Karlowicz’s songs composed to Kazimierz Przerwa-Tetmajer’s poems in the light of the ideas of the musicality of the Polish language according to 19th century music theoreticians
Autorzy:
Dzidowska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/649505.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
musical characteristic
songs
classical music
Mieczysław Karłowicz
linking text with music
poetry
Kazimierz Przerwa-Tetmajer
Opis:
The first part of the article is devoted to the analysis of the 19th-century Polish music theory whose main focus was to study the relationship between text and music in vocal composition, especially from the perspective of the music features of the language and poetic works. Among analysed authors the central place is occupied by two discourses of Józef Elsner, and also the writings of Karol Kurpiński, Jan Jarmusiewicz, Franciszek Mirecki, Józef Sikorski and Władysław Wiślicki. Their goals are threefold: to define the musical characteristics of Polish language, to demonstrate the metrical possibilities of Polish poetry and to establish rules for proper linking text with music. The most im-portant criteria for the proper construction of the vocal work compiled on this basis are included in the second part of the article. They are then used to the analysis of 10 songs of Mieczysław Karłowicz (based on the poetry of Kazimierz Przerwa-Tetmajer). This allows to see some regularity, both in the application of the rules and derogations from them, proving the suitability of this research method and shedding new light on creative process of Karłowicz and Tetmajer.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 15, 1; 11-33
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Publicystyka z zakresu muzyki poważnej w polskich mediach ogólnopolskich i regionalnych
Commentary on classical music in the Polish national and regional media
Autorzy:
Sasin, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/649892.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
commentary
musical journalism
press
classical music
musical knowledge
journalistic genres
specialized journalism
Opis:
The author analyses commentaries on classical music in the Polish media. She indicates that this kind of journalism appears rarely in the broad-range press, on the radio and on television, but that it plays an important role in culture and music press. As far as the broadcast media are concerned, it appears mainly in the public media. The author analy-ses selected press titles, their genres and content. She observes that the functions of press are more and more often adopted by the Internet (the Internet fora or musical blogs). The restricted number of commentary genres is transparent in press articles, while reviews and interviews are most frequent. The authors of these texts are often inexperienced and lack appropriate education. One of the reasons of the limitations of the music commen-tary is that the articles and programmes seem interesting only to a small group of receiv-ers, and the senders are subject to conditions of the free market and conform to the most common tastes. Therefore, when analysing this issue, the receiver’s perspective seems very important. Media interest in music commentary depends on the receivers’ cultural activity, and this activity depends on the level of general education and music culture in the country. Polish music tradition is much weaker than in many other countries, such as Germany. The abandonment of musical commentary would be unfavourable, because such journalism plays many important functions, such as culture- and opinion-making functions.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 17, 3; 136-146
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Спортивная метафора в текстах газетной печати ХV Международного конкурса имени П. И. Чайковского
The metaphor of sport in the press of The XV International Tchaikovsky Competition
Autorzy:
Dzienisiewicz, Maria
Powiązania:
https://bibliotekanauki.pl/articles/915979.pdf
Data publikacji:
2018-12-24
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
metaphor, sport, classical music, competition, Tchaikovsky
метафора, спорт, классическая музыка, конкурс, Чайковский
Opis:
The article presents the analysis of the examples of metaphor of sport in classical music. The material of the above-mentioned phenomenon has been extracted from the press of The XV International Tchaikovsky Competition. The purpose is to describe the examples of sports terminology used as a metaphor in classical music competitions context. The studied material is divided into six lexical-thematic groups. The analysis focuses on Russian nouns, however, the article is complemented with examples of adjectives and verbs. The analyzed material shows that sports terminology can be applied successfully in depicting musical events such as The XV International Tchaikovsky Competition.
Źródło:
Kultury Wschodniosłowiańskie – Oblicza i Dialog; 2018, 8; 23-38
2391-470X
Pojawia się w:
Kultury Wschodniosłowiańskie – Oblicza i Dialog
Dostawca treści:
Biblioteka Nauki
Artykuł
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