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Tytuł:
Парадокси екзистенції у щоденниках Євгена Маланюка
Paradoxes of Existence in Yevhen Malanyuk’s Diaries
Autorzy:
Mnich, Roman
Powiązania:
https://bibliotekanauki.pl/articles/2154658.pdf
Data publikacji:
2020-08-26
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Yevhen Malanyuk
diary
internal author
external author
reflected author
Opis:
The article discusses the paradoxes of existence as represented in Diaries of Yevhen Malanyuk (1897–1968), one of the most influential Ukrainian poets and intellectuals of the twentieth century. Taking into account Malanyuk’s biography and poetic heritage, three types of the image of “the author” have been distinguished: the internal author (Malanyuk’s voice presented in his personal papers and writings not meant for publication), the external author (Malanyuk’s perception by his contemporaries), and the reflected author (Malanyuk’s voice revealed in his publications). Malanyuk’s Diaries present the image of the internal author, which differs from the image readers are accustomed to encounter in his published works. In Diaries paradoxes are revealed in Malanyuk’s attitude towards his contemporaries, friends, political and historical events.
Źródło:
Studia Polsko-Ukraińskie; 2020, 7; 90-105
2353-5644
2451-2958
Pojawia się w:
Studia Polsko-Ukraińskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
СТИЛИСТИЧЕСКИЙ ПАРАМЕТР В СОВРЕМЕННЫХ РУССКИХ АВТОРСКИХ СЛОВАРЯХ
Stylistic parameter in modern Russian author dictionaries
Autorzy:
Larisa, Shestakova
Powiązania:
https://bibliotekanauki.pl/articles/615366.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Opolski
Tematy:
author lexicography
stylistic label
structural stylistics
explanatory author dictionary
concordance
frequency dictionary
Opis:
The aim of this article is to analyze the practice of using of stylistic labels in modern Russian author (writer) dictionaries. It is shown that labels of this type as the main kind of markers of stylistic information characterize, first of all, the explanatory author dictionaries, which have a full corpus. In these dictionaries the set of the stylistic labels represents the selection from the available nomenclature of labels, which is supplemented by new labels. From the functional point of view, such labels are dual – on the one hand, they stylistically structure the author’s lexicon, on the other hand – they are the markers of certain features of his individual style. Among differential authorexplanatory dictionaries, such ones are separated, in which the stylistically painted specific massifs of lexicon are presented. The stylistic unity of such words defines redundancy of labels and therefore the application of special receptions in relation to them (for example, their transfer in a reference part of the dictionary entry) is used. Special attention is given to author registrative dictionaries (to concordances, frequency dictionaries), in which the structure complication is connected with using of stylistic labels. The research is based on the material of Russian author dictionaries published mainly at the beginning of the year 2000.
Źródło:
Stylistyka; 2017, 26; 7-25
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Стилистический параметр в современных русских авторских словарях
MILOSAV Ž. ČARKIĆ, MODELS OF RHYME. LAMBERT, Saarbrüchen: Academic Publishing, 2017, 452 pp.
Autorzy:
Bunjak, Petar
Powiązania:
https://bibliotekanauki.pl/articles/615678.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Opolski
Tematy:
author lexicography
stylistic label
structural stylistics
explanatory author dictionary
concordance
requency dictionary
Opis:
The aim of this article is to analyze the practice of using of stylistic labels in modern Russian author (writer) dictionaries. It is shown that labels of this type as the main kind of markers of stylistic information characterize, first of all, the explanatory author dictionaries, which have a full corpus. In these dictionaries the set of the stylistic labels represents the selection from the available nomenclature of labels, which is sup- plemented by new labels. From the functional point of view, such labels are dual – on the one hand, they stylistically structure the author’s lexicon, on the other hand – they are the markers of certain features of his individual style. Among differential author explanatory dictionaries, such ones are separated, in which the stylistically painted specific massifs of lexicon are presented. The stylistic unity of such words defines redundancy of labels and therefore the application of special receptions in relation to them (for example, their transfer in a reference part of the dictionary entry) is used. Special attention is given to author registrative dictionaries (to concordances, frequency dictionaries), in which the structure complication is connected with using of stylistic labels. The research is based on the material of Russian author dictionaries published mainly at the beginning of the year 2000.
Źródło:
Stylistyka; 2017, 26; 381-383
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Жанровые тенденции в лирике Анны Ахматовой: к вопросу о традиции
Genre trends in Anna Akhmatova’s poetry: to the question of the traditions
Autorzy:
Чаунина, Наталья
Powiązania:
https://bibliotekanauki.pl/articles/22597008.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
genre
«author's installation»
lyrics
Akhmatova
Opis:
This article considers the key genre trends in Akhmatova’s poetry. The term «dominant installation of the author» (Kighney’s term) is used as the main genre-make criterion. The introspective, formally canonical, functional installations are defined and analysed. The conclusion of the article is that the author's installations, inspired by the needs of time and tradition, and may be embodied in an individual poetic work in the syncretic, differently interpreted genre structures.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2012, 5; 80-88
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
All the power in the hands of readers? The negotiation of author and reader roles based on examples in the blogsphere
Autorzy:
Więckiewicz - Archacka, Marta
Powiązania:
https://bibliotekanauki.pl/articles/546403.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
author
reader
blogosphere
Roland Barthes
Opis:
This paper concerns the process of negotiating author and reader roles in the blogosphere. The starting point of this article is the theory of Roland Barthes that the death of the author is necessary for the birth of the reader. This idea notably responds to changing relations between the author and the reader in the new nedia era. The exemple of the blogosphere allows us to see that the roles of the author and the reader are not pre-defined and the filed of their "laws" is negotiated (two models of negotiations are described in this paper). In the blogosphere, wkich is an exemple of participatory culture, knocking the author off his pedestal does not result in the reader replacing the author, as R. Barthes would like. On the empty pedestal, after dumping the author, the reader does not appear - but communication does.
Źródło:
Civitas et Lex; 2016, 3(11); 15 - 26
2392-0300
Pojawia się w:
Civitas et Lex
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
« Ils veulent conjurer le silence ». Ellipses et non-dits chez Andreï Makine
“They want to ward off the silence”. Things left unsaid in Andrei Makine’s novels
Autorzy:
Mistreanu, Diana
Powiązania:
https://bibliotekanauki.pl/articles/483638.pdf
Data publikacji:
2017
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
ellipsis
silence
author image
Makine
Opis:
: The concept of silence is at the core of the Andreï Makine’s writing. Thus, the aim of this article is to underline its manifold manifestations in the FrancoRussian author’s literary creation. The first part of the article argues that biographical gaps are constitutive of his author image (Amossy, 2009), since he is the only member of the French Academy whose biography is still largely unknown, while the second and third parts focus on the narrative and stylistic usages of silence in his novels, as well as on Makine’s philosophy of creation, namely the “theory of the triple birth” (Osmonde, 2011), partially described in his texts.
Źródło:
Quêtes littéraires; 2017, 7; 182-191
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Paratexte der Romantik
Autorzy:
Breuer, Ulrich
Powiązania:
https://bibliotekanauki.pl/articles/700365.pdf
Data publikacji:
2013
Wydawca:
Stowarzyszenie Germanistów Polskich
Tematy:
paratext, romanticism, book, author, materiality
Opis:
The paper presents the research paradigm of paratext analysis. It demonstrates that with its help the book-like form of presenting literary texts will receive special attention. Paratext analysis generates new questions in cultural and media history of romanticism, but also important philological questions can be continued.
Źródło:
Zeitschrift des Verbandes Polnischer Germanisten; 2013, 2, 3
2353-656X
2353-4893
Pojawia się w:
Zeitschrift des Verbandes Polnischer Germanisten
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Автор и адресат в эпистолярии Леонида Добычина
The Author and the Addressee in Leonid Dobychin’s Epistolary
Autorzy:
Шеховцова, Татьяна
Powiązania:
https://bibliotekanauki.pl/articles/16530442.pdf
Data publikacji:
2022
Wydawca:
Polska Akademia Nauk. Czasopisma i Monografie PAN
Tematy:
letter
author
addressee
epistolary personality
egotext
Opis:
The article analyzes the letters of L. Dobychin from 1924-1936. It reveals the main characteristics of the images of the author and the addressee, explicit and implicit forms of the author’s self-expression, the author’s epistolary intentions. The article shows that for Dobychin letters are not only external, but also internal representant of a personality, the most important way of formation of the image of “I” in its subjective and objective significance. The uniqueness of the author’s epistolary personality is determined by absolute sincerity and uncompromising judgment, etiquette pedantry, the combination of ironic and sentimental intonations, acute experience of his relations with the world and people, idealization of writerly status, orientation to the ideal norm both in aesthetic and in behavioral sense. The image of the addressee of the letters is partly mythologized and determined by the type of relationship between the correspondents and the role chosen by the addressee. The variations of the author’s “ego” and the change of the addressees’ role functions provide an expansion of the semantic and aesthetic potential of the image of the addressee and the correspondence as a whole.
Źródło:
Slavia Orientalis; 2022, LXXI, 3; 453-468
0037-6744
Pojawia się w:
Slavia Orientalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Emocje, czyli o poszukiwaniu językowych środków ekspresywności w listach anonimowych
Emotions – A Search for Linguistic Means of Expressions in Anonymous Letters
Autorzy:
Witczak, Anna
Powiązania:
https://bibliotekanauki.pl/articles/458665.pdf
Data publikacji:
2020-06-20
Wydawca:
Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
Tematy:
anonymous post
author identification
emotions
expressivity
Opis:
Anonymous letters are a challenge for linguists and raise a whole range of questions that ultimately allow a creation of the linguistic portrait of the possible author. One of these questions concerns the emotional layer of the anonymous letter and the way anonymous authors express their emotions in language. This article is a contribution to the discussion and analysis of a specific type of speech genre, which is anonymous letter. The data comes from a pilot study of the original anonymous letters, the primary purpose of which is to create a corpus of those letters.
Źródło:
Linguistische Treffen in Wrocław; 2020, 17; 339-354
2084-3062
2657-5647
Pojawia się w:
Linguistische Treffen in Wrocław
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O stylu indywidualnym Stanisława Gajdy. Parę myśli po lekturze
Individual style of Stanisław Gajda. A few thoughts after reading
Autorzy:
Witosz, Bożena
Powiązania:
https://bibliotekanauki.pl/articles/615443.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Opolski
Tematy:
author
individual style
scientific style
science
Opis:
The author is looking for traces of subjectivity in the scientific texts of an eminent Polish linguist. As the determinants of individual style, she recognizes certificates of reading (not only what the author reads but also how he reads), recognizing that the figures of the intertextual relationship (references, quotations, allusions, polemics) allows one to define the personality of the subject. She is interested in the plane of reflection, which manifests itself in the attitude of the scholar to the values of contemporary culture, to the change in the ideals of science, to the place and tasks of the choices of humanists and scholars (methodology, issues, forms of expression). She also finds features of individuality in the preferences of the author in the structure of his speech – composition, construction, syntax, lexis.
Źródło:
Stylistyka; 2016, 25; 47-57
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kamera i poeta doctus? O filmach Edwarda Żebrowskiego z perspektywy lotu ptaka
Camera and poeta doctus? About Edward Żebrowski’s Films
Autorzy:
Szpulak, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/919837.pdf
Data publikacji:
2011-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
author film
ethical problems
Polish cinema
Opis:
This text conserns the excelent polish director Edwrad Żebrowski’ creation. It has character of synthetic discussion. It shows main formal questions of it this creation and main problems of it. It is considered also the question of anachronism of these movies.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2011, 9, 17-18; 220-231
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Aдpecam в языковой коммуникации
Autorzy:
Формановсkая, Н. И.
Powiązania:
https://bibliotekanauki.pl/articles/1925925.pdf
Data publikacji:
2005
Wydawca:
Uniwersytet Opolski
Tematy:
communication
interaction
co-author
addressee switches
Opis:
The paper describes the parameters of verbaI communication with the addressee playingan active part as: 1) the addresser's coauthor when choosing the topie, the style, the genre, the metalanguage etc.; 2) the recipient, who receives, understands and interprets the message, and has commonbackground cultural knowledge and presuppositions with the addresser; 3) the respondent dependant on the preceding discourse/text;The classification of the types of addressees is suggested.Thus the addressee is regarded as an active, next to the addresser, participant of verbalcommunication.
Źródło:
Stylistyka; 2005, 14; 231-240
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Epifania i doświadczenie krystalizujące w biografii twórczej – próba zarysowania pola badawczego
Epiphany and Crystallizing Experience in Authors’ Biography – an Attempt of Defining a Research Field
Autorzy:
Szmidt, Krzysztof J.
Powiązania:
https://bibliotekanauki.pl/articles/2141800.pdf
Data publikacji:
2012-12-31
Wydawca:
Wydawnictwo Naukowe Dolnośląskiej Szkoły Wyższej
Tematy:
biografia
biografia twórcza
biography
author's biography
Opis:
The topic of the article are experiences defined as epiphanies (N. Denzin) and as crystallizing experiences (H. Gardner), being the turning points in biographies of famous authors. The writer is undertaking an attempt of defining the nature of these experiences and their significance for the course of their artistic work and life of selected authors, describes the types of epiphanies and crystallizing experiences as well as he gives two spectacular examples. Epiphanies and crystallizing experiences may constitute an interesting and attractive subject of biographical research in pedagogy. The scope of problems of such a research is outlined by the writer in the second part of the text and it concerns various issues of the formation of a mature biography. The departure point for these problems is a self-attempt of classifying these turning points in authors’ biographies.
Źródło:
Teraźniejszość – Człowiek – Edukacja; 2012, 15, 4(60); 73-86
1505-8808
2450-3428
Pojawia się w:
Teraźniejszość – Człowiek – Edukacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Етика інтерпретації знакових текстів
Ethics of Interpretation of Symbolic Texts
Autorzy:
Polishchuk, Yaroslav
Powiązania:
https://bibliotekanauki.pl/articles/15582271.pdf
Data publikacji:
2022-11-14
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Ukrainian literature
author
interpretation
history
poet
Opis:
The main subject of the review is Mykola Ilnytskyi’s book Reading and Re-reading…, which is very important research on Ukrainian literature in contemporary humanities. The book includes four chapters in all of which fundamental interests of the researcher are described. Mykola Ilnytskyi reviews the classic texts of Taras Shevchenko, Ivan Franko ( chapter 1 ), and the literature of the first part of the 20th century ( chapter 2 ), as well as contemporary texts ( chapters 3, 4 ). This book is not an extensive view of the history of literature of the 20th century. Its main peculiarity is the delivery of important fragments and episodes of literary history. The essays combine a liberal understanding of the subject and an unobtrusive interpretation of the texts, which reflects the unique ethical culture of the researcher. Mykola Ilnytskyi is clearly aware of the multiplicity of meanings offered byfiction, and therefore does not insist on his own right to the truth, but only offers well-founded and personally verified versions of literary plots.
Źródło:
Poznańskie Studia Slawistyczne; 2022, 22; 407-419
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Present day school readers in rapport with the dramatic works of a once-banned Albanian author
Autorzy:
Shingjergji, Besa
Ciftja, Hektor
Powiązania:
https://bibliotekanauki.pl/articles/628101.pdf
Data publikacji:
2013
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
school-level reader, banned author, classical tragedian, author’s re-appraisal, critical thinking, and complex messages.
Opis:
The process of reading, rereading, scrutinizing, re-scrutinizing and appraising an author’s work is not fi nite; moreover it is very dynamic and full of suprises. No doubt that the appraisal and re-appraisal is too complex, including cultural, literary, gender and genre components. This becomes more obvious when referring to an author whose works had been locked up in library stacks during the whole 45 years of totalitarian rule in Albania, and whose appraisal process cannot help facing up to the critical thinking led by biased politicization. In this study the appraisal of the works of one of the most outstanding Albanian writers of the 30s of the twentieth century, Etëhem Haxhiademi, will be done by presenting them in rapport with the present-day school, pre-university and university level readers. This re-appraisal is conducted with a cold logic, devoid of the vindictive political principles which brought the distorted evaluation of the authors’ works, as it happened for many other au-thors as well, and is striving to place the writer into the system of the genuine literary values. Once the reader’s inquisitiveness has been satisfi ed, even after reading a less-known or, moreover, an oblivious or banned literary work, he/she begins reading and rereading it, looking closely into it, essaying to fi nd a proper place for this work in the general system of the national, inter-balkanic and international literary values.E. Haxhiademi’s literary work was known by an older generations of readers whose es-thetic satisfaction it brought forth was confi ned in their consciousness: it was unknown or partly known, not by direct reading but by several interpretations of others, by a middle generation of readers who displayed a certain artistic uncertainty and indifference. However, nowadays it is intently being studied although in excessively fragmentary ways and in many cases even unsuitable ones, by the younger generation of readers who should have a more motivated curiosity for divulging its real values.In the history of the Albanian literature, as well as in the other East European Countries, the authors’ biographies and especially their political aspects, were used as selective criteria to appraise authors and their works, instead of being pure cognitive and studying means. This study intends to reveal the present-day school readers’ affi rmative attitudes or even the non-affi rmative ones, regarding Haxhiademi’s literary works, in the process of re-dimen-sioning the author’s values and those of his literary works.
Źródło:
Journal of Education Culture and Society; 2013, 4, 1; 257-266
2081-1640
Pojawia się w:
Journal of Education Culture and Society
Dostawca treści:
Biblioteka Nauki
Artykuł

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