Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

Wyszukujesz frazę "art music" wg kryterium: Temat


Tytuł:
Ukrainian students enrolled in music education studies in Poland – education, attitudes, professional expectations, and their relations to their environment – research report
Autorzy:
Chaciński, Jarosław
Powiązania:
https://bibliotekanauki.pl/articles/566592.pdf
Data publikacji:
2020-01-10
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
double diploma
art music
Ukraine
student mobility
cultural canon
Opis:
The significant growth in the number of Ukrainian s tudents at Polish institutions of higher education has significantly changed the face of academic education in this country. The existing model of higher education mostly based , especially in smaller centres, on studies of a single nation has been evolving over a t least several years in the direction of a bi- or multicultural model. Ukrainians currently constitute the largest group of minority students in Polish institutions of higher education , which affects social attitudes perceptible in the academic environment, arouses interest in th e Other or evokes negative cultural ste- reotypes and prejudice. In the context of these cha nges, key questions arise about the mo- bility of Ukrainian students to Poland, which can b e addressed in the following research questions: What are the motives of Ukrainian studen ts coming to Poland? Will Ukrainian graduates remain in Poland and be assimilated, or w ill the higher professional qualifica- tions earned help many Ukrainians with Polish degre es to build a new social, economic and cultural order? What is the structure of education for a Ukrainian student – one based on the domi- nance of one cultural canon or one that shows cultu ral diversity? Included these visible changes at Polish universiti es were also programmes in “Art Ed- ucation in the Musical Arts”, including those condu cted in the Institute of Music at the Pomeranian Academy in Słupsk. Since 2014, this inst itution and institute have offered “semester exchange” and “double degree” programmes for students from Ukrainian insti- tutions, and many Ukrainians have chosen Słupsk as the place for the full programme of their music and pedagogical studies. The theoretical section of the article is divided i nto three parts: 1. Academic mobility - in which select literature o n the situation of students pursuing their education abroad is discussed. At the foregro und of these discussions are the problems of students’ adaptation to a new, cultural ly foreign environment. Also con- sidered are the perceived difficulties in studying in the chosen field, as well as the question of the declared strength of the desire of Ukrainian students to emigrate to a new country, understood in the perspective of their car eer development in the profession. 2. Students from Ukraine pursuing studies in music and pedagogy form a certain image of their future professional employment, namely as a music teacher at school. There- fore, the focus of this article is the analysis of different models of this profession and their integration with the interests and musical ac tivities they engage in. Jarosław Chaci ń ski 256 3. Another area of the literature analysis, underta ken in order to learn about the changes in the consciousness of Ukrainian students, is the subject of shaping their individual cultural image, based on the dominance of their nat ive cultural canon, which then un- dergoes an inevitable process of acculturation. In this aspect, it is important to esti- mate how much they have learned and their ability t o recognize another cultural tra- dition, as well as to acquire the competence to dea l with the history of Polish culture and its most outstanding works in the musical, visu al, architectural and literary arts. The research variables identified in the theoretica l part of the article were then the main inspiration for the survey research, included in th e second part of the article, in which Ukrainian students, answering the questions in the survey, declared their attitudes toward selected phenomena in which they participate, made a self-assessment of their assimilation of the Polish cultural canon in the context of the previous canon of their native Ukrainian culture, declared their professional preferences, o riented towards performing the future work of a music teacher according to a defined model.
Źródło:
Ars inter Culturas; 2019, 8; 233-256
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Hybridité artistique et hybridité identitaire dans Tels des astres éteints (2008) de Léonora Miano
Artistic hybridity and identity hybridity in Tels des astres éteints (2008) writing by Leonora Miano
Autorzy:
Kana Nguetse, Paul
Powiązania:
https://bibliotekanauki.pl/articles/483642.pdf
Data publikacji:
2016
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
artistic hybrydity
identity hybridity
art of music
literary art
poetic hybrid
Opis:
If there is an aesthetic that characterizes the novel Tels des astres éteints writing by Leonora Miano, it is the combination of literary art and the art of music. This artistic hybridity that starts from paratexts transforms the novel into iso-epistemic space and into an archive of memory discography. For this poetic hybrid, the author expands the fields of observation and intensifies cognitive quest (Krysinski, 2004). It is also a scriptural technical mobilized to translate and defend the identity hybridity.
Źródło:
Quêtes littéraires; 2016, 6; 147-156
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rola tekstów kultury w kształceniu humanistycznym
The role of cultural texts in humanistic education
Autorzy:
Świątek, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/460395.pdf
Data publikacji:
2016
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
teksty kultury, nauczanie, sztuka, muzyka, film, estetyka, polski
cultural texts, teaching, art, music, film, aesthetics, polish
Opis:
The paper focuses on the function of art, music and films in teaching and developing cultural sensitivity. In this paper the author presents the standpoint, that teaching language and literature should be complemented with teaching art.
Niniejsza praca dotyczy funkcji, jaką pełnią teksty kultury w szkolnictwie każdego stopnia. Artykuł porusza problem wykorzystania muzyki, sztuk plastycznych czy filmów do nauczania języka polskiego i kształtowania wrażliwości estetycznej.
Źródło:
Ogrody Nauk i Sztuk; 2016, 6; 407-414
2084-1426
Pojawia się w:
Ogrody Nauk i Sztuk
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cisza i jej notacje – wokół partytur muzycznych twórców awangardy
Silence and Their Notations - Musical Scores of the Avant-garde Artists
Autorzy:
Nowakowska, Maria
Powiązania:
https://bibliotekanauki.pl/articles/578984.pdf
Data publikacji:
2019
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
history of music, avant-garde, avant-garde music, silence, conceptual art
Opis:
The article discusses a range of musical compositions from the avant-garde movement and conceptual art, in which silence is the dominant artistic matter. From little-known In futurum by Erwin Schulhoff and the acclaimed John Cage’s 4’33”, to the untamed wilderness of Cornelius Cardew’s visual experiments and the political silence of anarcho-punk Crass’s recordings - the paper gives rise to a look at the richness of meanings hidden in silence.
Źródło:
Zagadnienia Rodzajów Literackich; 2019, 62, 4; 101-115
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Locus of control and styles of coping with stress in students educated at Polish music and visual art schools – a cross-sectional study
Autorzy:
Nogaj, Anna Antonina
Powiązania:
https://bibliotekanauki.pl/articles/2128403.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
locus of control
coping
stress
music and visual art school students
Opis:
The article focuses on identifying differences in the locus of control and styles of coping with stress among young students who are artistically gifted within the fields of music and visual arts. The research group includes Polish students (n = 354) of both music and visual art schools who develop their artistic talents in schools placing particular emphasis on professional training of their artistic abilities and competences within the field of music or visual arts respectively. We make an assumption that different types of difficult situations experienced by youth educated at music and visual art schools may generate differences in dominating personal traits as well as in their sphere of emotions. The results of cross-sectional research in 2013 confirm the assumption regarding differences among music and visual art school students both with regard to the source of the locus of control, understood as the personality variable, and dominating styles of coping with stress. Moreover, a positive correlation between the tendency towards internal locus of control and a task-oriented style of coping with stress in difficult situations has been observed in music school students.
Źródło:
Polish Psychological Bulletin; 2017, 2; 279-287
0079-2993
Pojawia się w:
Polish Psychological Bulletin
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
INTERSECTIONS OF DRAMATIC ARTS AND MUSIC EDUCATION
Autorzy:
Zahatňanská, Mária
Kušnírová, Eva
Powiązania:
https://bibliotekanauki.pl/articles/566345.pdf
Data publikacji:
2015
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
dramatic education
creative drama
cross-curricular relations
intersection of dramatic art education and music education
Opis:
The contribution focuses on the possibilities of applying the elements of music education within the theory and practice of drama education in the education of undergraduate students – the future elementary and secondary school teachers. Implementation of music education to the subject of Drama education in the study programme ‘Teaching comprehensive subjects’ allows the participants: a) learn how to use the aforementioned educational art subjects as the possibility to create a positive atmosphere in the classroom by creative education; b) activate students in educational process. The theoretical part of the paper is illustrated by the examples from the educational practice compiled by the authoresses.
Źródło:
Ars inter Culturas; 2015, 4; 99-108
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Muzykoterapia w poszukiwaniu sensu życia przez osoby w podeszłym wieku
Music therapy in finding a purpose in life by the older people
Autorzy:
Patonia, Liliya
Powiązania:
https://bibliotekanauki.pl/articles/459932.pdf
Data publikacji:
2016
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
arteterapia, muzykoterapia, sens życia, psychologia egzystencjalna, starość, podeszły wiek
art-therapy, music therapy, purpose of living, existential psychology, ageing, senior age
Opis:
The main aim of this article is to represent speculations on the topic of therapy conducted through art, in general, and music therapy based on the concept of existential psychology, in particular. Analysis of the literature sources related to the topic and personal observations and experiences allow us to perceive the meaningful and therapeutic role of music in meeting the needs of self-realization and finding purpose in life. The represented material bears the main objectives of raising awareness about the above-mentioned topic and suggesting the use of the observed existential tenets in treating older people with music therapy.
Celem niniejszego artykułu jest próba przedstawienia rozważań na temat terapii przez sztukę, a mianowicie muzykoterapii w oparciu o koncepcję psychologii egzystencjalnej. Analiza literatury przedmiotu oraz osobiste obserwacje i doświadczenia pozwalają dostrzec znaczącą, terapeutyczną rolę muzyki w zaspokajaniu potrzeb związanych z samorealizacją oraz sensem życia. Przedstawiony materiał ma za zadanie wzbudzić zainteresowanie powyższą problematyką oraz przedstawić propozycję zastosowania wybranych założeń egzystencjalnych w zajęciach muzykoterapeutycznych z osobami w podeszłym wieku.
Źródło:
Ogrody Nauk i Sztuk; 2016, 6; 263-269
2084-1426
Pojawia się w:
Ogrody Nauk i Sztuk
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kiedy Van Gogh siedzi na trzepaku. Organizacja procesu nauczania przedmiotów muzyka i plastyka – planowanie działalności dydaktycznej w szkole podstawowej
When Van Gogh Is Sitting on a Trestle: The Organization of the Teaching Process and the Planning of Teaching Activities for the Subjects Music and Visual Arts in Primary School
Autorzy:
Adamczewski, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/26446123.pdf
Data publikacji:
2021
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
przedmioty muzyka i plastyka
organizacja procesu nauczania
planowanie działalności dydaktycznej
kreatywność
art and music education
teaching and planning process
primary school education
creativity
Opis:
W XXI wieku nauczanie muzyki i plastyki może być postrzegane jako klucz do rozwoju artystycznego dzieci. W artykule poruszono kwestię organizacji procesu nauczania przedmiotów muzyka i plastyka oraz planowania działalności dydaktycznej w szkole podstawowej. Głównym celem jest zaprezentowanie autorskich pomysłów i dobrych praktyk dydaktycznych, które pozwolą urozmaicić edukację artystyczną. Tego rodzaju wiedza, wynikająca zarówno z przeglądu literatury, jak i z doświadczeń pedagogicznych autora, może być cenna dla nauczycieli i badaczy zajmujących się nauczaniem i edukacją nauczycieli przedmiotów artystycznych na poziomie szkoły podstawowej.
Teaching music and visual arts to children can be seen as the key to their development. In his article, Jakub Adamczewski discusses the current shape of the organization of the teaching and planning processes of these two subjects in the context of the Polish primary school. Adamczewski’s main aim is to present new ideas and good practices, as based on his teaching experience, in the hope that they can be used to improve art education. This kind of knowledge, deriving from both a review of the literature on this subject and pedagogical experience, may be of value for teachers and academics involved in the education of art teachers at the primary-school level.
Źródło:
Chowanna; 2021, 2(57); 1-18
0137-706X
2353-9682
Pojawia się w:
Chowanna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sztuka mała czy wielka? Refleksje nad twórczością dziecka
Art tiny or great? Reflections on the creativity of a child
Autorzy:
Suświłło, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1387065.pdf
Data publikacji:
2019-03-31
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Tematy:
art
creativity
music
child
Opis:
This paper primarily aims to present, both theoretically and empirically, the art of children at the early education stage. In the first part of the paper I present theoretical foundations and exemplary studies of the creativity of children aged 4–9. In the empirical part I present results of the study of plastic and literary art of third-graders (age 9–10), undertaken under infl uence of music. In the study the method of observation and analysis of products were applied. The results show that children’s creativity bears features of an intellectual activity and it is saturated with children’s experiences, which is demonstrated by the adequate titles of their literary and plastic art works as well as by the descriptions of the music flow.
Źródło:
Problemy Wczesnej Edukacji; 2019, 44, 1; 76-86
1734-1582
2451-2230
Pojawia się w:
Problemy Wczesnej Edukacji
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Machine-music in Preschool Education. How to Provide Music Experience with Classics?
Autorzy:
Barta-Góhér, Edit
Powiązania:
https://bibliotekanauki.pl/articles/507023.pdf
Data publikacji:
2012
Wydawca:
Akademia Ignatianum w Krakowie
Tematy:
music art
absence of the overall integration of knowledge of the world
scholastic attitude
purposeful manipulation
creativity
complexities
wisdom
sense
Opis:
In this paper we would like to highlight the current developments in the field of arts pedagogy in the context of wider trends in the philosophical and psychological thinking, which points to the the most significant aims of arts education, but which in teaching practice has still not been sufficiently accepted. At the same time, the paper aims to draw attention to a very effective and unique concept as proposed by the Slovak composer and pedagogue Juraj Hatrík. This musical-pedagogical method very effectively solves the identified problems of musical pedagogy, starting at the elementary level, where he addressed mainly conceptual and methodical questions. Allmost all projects and methodologies of that are proven and effective in practice.
Źródło:
Journal of Preschool and Elementary School Education; 2012, 2; 11-28
2084-7998
Pojawia się w:
Journal of Preschool and Elementary School Education
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czy muzyka jest ewolucyjną adaptacją?
Autorzy:
Huron, David
Powiązania:
https://bibliotekanauki.pl/articles/645155.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
music
evolution
evolutionary adaptation
art
Opis:
In this paper it is being argued that music might be regarded as a adaptive human behavior in the light of the evolutionary process. The author recalls here the NAPS theory of music according to which music does not prolong the existence of humanity but it might use one or many channels related to feeling pleasure which had evolved to strengthen adaptive behavior. The article recalls examples of theoreis of musical evolution connec ted to such issues as sexual choices, social integrity, development of perception, development of movement abilities, group effort, reduction of conf lict of interests, safe time consumption and communication between generations. All this evidence is being here regarded through archeological, anthropological and etological context. The conclusion of this paper is based on two assumptions. The first one is the notion that our mood is regulated through conversation and being with a friendly human. The other says that music takes and important place in this mood regulation.
Źródło:
Kultura-Społeczeństwo-Edukacja; 2015, 8, 2; 211-233
2300-0422
Pojawia się w:
Kultura-Społeczeństwo-Edukacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Chopin: Visual Contexts
Autorzy:
Szerszenowicz, Jacek
Powiązania:
https://bibliotekanauki.pl/articles/780347.pdf
Data publikacji:
2010
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Fryderyk Chopin
Władysław Podkowiński
Zbigniew Rybczyński
Teofil Kwiatkowski
Jerzy Duda-Gracz
correspondance des arts
music in art
Opis:
The drawings, portraits and effigies of Chopin that were produced during his lifetime later became the basis for artists’ fantasies on the subject of his work. Just after the composer’s death, Teofil Kwiatkowski began to paint Bal w Hotel Lambert w Paryżu [Ball at the Hotel Lambert in Paris], symbolising the unfulfilled hopes of the Polish Great Emigration that Chopin would join the mission to raise the spirit of the nation. Henryk Siemiradzki recalled the young musician’s visit to the Radziwiłł Palace in Poznań. The composer’s likeness appeared in symbolic representations of a psychological, ethnological and historical character. Traditional roots are referred to in the paintings of Feliks Wygrzywalski, Mazurek - grający Chopin [Mazurka - Chopin at the piano], with a couple of dancers in folk costume, and Stanisław Zawadzki, depicting the composer with a roll of paper in his hand against the background of a forest, into the wall of which silhouettes of country children are merged, personifying folk music. Pictorial tales about music were also popularised by postcards. On one anonymous postcard, a ghost hovers over the playing musician, and the title Marsz żałobny Szopena [Chopin’s funeral march] suggests the connection with real apparitions that the composer occasional had when performing that work. In the visualisation of music, artists were often assisted by poets, who suggested associations and symbols. Correlations of content and style can be discerned, for example, between Władysław Podkowinski’s painting Marsz żałobny Szopena and Kornel Ujejski’s earlier poem Marsz pogrzebowy [Funeral march]. The testimony of people who visited the Cracow apartment of Stanisław Przybyszewski suggests crucial links between Wojciech Weiss’s lost painting Chopin that hung there and the host’s aesthetic writings and legendary sessions of nocturnal improvisations. Against the background of that iconography, Jerzy Duda-Gracz’s idea of painting all Chopin’s works, subsequently brought together in the cycle Chopinowi Duda-Gracz [From Duda-Gracz for Chopin], is quite exceptional, in terms of its genesis, the extent of Chopin’s oeuvre and also the way in which music is transformed into painting. The artist attempted to capture the atmosphere of Polish landscapes visited by the composer, linking them to particular works. The Chopin cycle possesses a clear stylistic and symbolic identity, although it is impossible to establish a universal pattern for translating music into visual art. Although Zbigniew Rybczyński employed a camera and advanced cinematographic techniques, his depiction of Chopin’s Marche funebre from the Sonata in B flat minor (in his suite of films The Orchestra) refers to Romantic-symbolic interpretations and to previous pictorial visualisations. The director dresses his actors in historical costumes and places them in front of the Paris Opera. To the rhythm of Chopin’s music, they play out - using theatrical expression typical of silent film, pantomime, ballet and tableaux vivants - a story of maturing and ageing.
Źródło:
Interdisciplinary Studies in Musicology; 2010, 9; 297-316
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Current Problems of Arts Education and Training in Primary Education
Autorzy:
Sláviková, Zuzana
Powiązania:
https://bibliotekanauki.pl/articles/507067.pdf
Data publikacji:
2012
Wydawca:
Akademia Ignatianum w Krakowie
Tematy:
absence of the overall integration of knowledge of the world
scholastic attitude
purposeful manipulation
music art
creativity
complexities
wisdom
sense
Opis:
In this paper we would like to highlight the current developments in the field of arts pedagogy in the context of wider trends in the philosophical and psychological thinking, which points to the the most significant aims of arts education, but which in teaching practice has still not been sufficiently accepted. At the same time, the paper aims to draw attention to a very effective and unique concept as proposed by the Slovak composer and pedagogue Juraj Hatrík. This musical-pedagogical method very effectively solves the identified problems of musical pedagogy, starting at the elementary level, where he addressed mainly conceptual and methodical questions. Allmost all projects and methodologies of that are proven and effective in practice.
Źródło:
Journal of Preschool and Elementary School Education; 2012, 2; 157-171
2084-7998
Pojawia się w:
Journal of Preschool and Elementary School Education
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Typology of “Music Mirrors”
Autorzy:
Przybylska, Izabela
Powiązania:
https://bibliotekanauki.pl/articles/1201798.pdf
Data publikacji:
2019
Wydawca:
Akademia Ignatianum w Krakowie
Tematy:
music therapy
art therapy
education
Opis:
A review of the book by Szymajda, A. (2016). Od muzykoterapii do “muzycznego lustra” dziecka [From music therapy to the child’s “music mirror”].
Źródło:
Multidisciplinary Journal of School Education; 2019, 15; 101-104
2543-7585
Pojawia się w:
Multidisciplinary Journal of School Education
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kościół, sztuka i muzyka: doświadczenie poszukiwań i odnajdywania zawsze nowych horyzontów
Autorzy:
de Gregorio, Vincenzo
Powiązania:
https://bibliotekanauki.pl/articles/668921.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Papieski Jana Pawła II w Krakowie
Tematy:
Church
Naples
Rome-Vatican
the Pontifical Institute of Sacred Music
sacred music
music school
the art of music
musical formation
the experience of faith
Kościół
Neapol
Rzym-Watykan
Papieski Instytut Muzyki Kościelnej
  muzyka kościelna
szkoła muzyczna
sztuka muzyczna
formacja muzyczna
doświadczenie wiary
Opis:
On the basis of his own experiences of music, starting with the early childhood, throughout the university studies, until holding various managerial positions at music institutions, the author reaches the final conclusion that the very idea of musical school was born in the Church. The Church has always taught music and singing. Liturgical music has invariably been viewed as “primordial” (“di prim’ordine”), requiring professional skills from its performers. It has not only been a form of artistic expression or the aim in itself, but an instrument of communicating the Gospel and the words directed by the Church to God since the dawn of her history. The “professionalism” of the music within the Church, however, calls for the places of formation and education, so as to endure in time and to lay the foundation for setting guidelines to follow. The above postulate of teaching music in the Church originates from the very mission of the latter which, through her evangelization, “sings out” her faith. The author proposes his own, based on the experiences of many musicians as well, “definition” of the Church music: “Performing music in Church is the experience of faith, enlightened with aesthetic joy which moves the deepest recesses of the soul”. The Church music, understood in this way, evokes in us responsibility for preserving and passing down to next generations the idea of balance between the conception of art as the celestial gift of God (virtus cujusdam caelestis influxus) and the fruit of human intelligence (vehementia assidue exercitationis). Art and music – according to the author – are the fruits (ingenium et opus) of intelligence, efforts and commitment, and they compound with one another into a complete and final work of art (opus cansummatum et effectum).
Na kanwie osobistych doświadczeń z muzyką, począwszy od wczesnej młodości przez lata studiów muzycznych, pełnienia różnych kierowniczych funkcji w instytucjach muzycznych, autor dochodzi do przekonania, że sama idea szkoły muzycznej zrodziła się w Kościele. Kościół zawsze nauczał muzyki i śpiewu. Muzyka liturgiczna zawsze była postrzegana jako „pierwszorzędna” („di prim’ordine”) i domagała się od jej wykonawców profesjonalizmu. Od zarania dziejów Kościoła była nie tylko formą artystycznego wyrazu i  celem sama dla siebie, ale narzędziem komunikowania Słowa Bożego oraz słowem Kościoła zwracającego się do Boga. „Profesjonalizm” muzyki w Kościele potrzebuje jednak miejsc formacji i nauczania, aby móc przetrwać w czasie i mieć solidne podstawy do wytyczania kierunku dla przyszłości. Ten postulat nauczania muzyki ma swoje podstawy w samej naturze misji Kościoła, który ewangelizując, „wyśpiewuje” swoją wiarę. Autor proponuje swoją własną, powstałą także na bazie doświadczeń wielu muzyków, „definicję” muzyki kościelnej: „Wykonywanie muzyki w Kościele jest doświadczeniem wiary, oświeconej estetyczną radością, która porusza najgłębsze zakamarki duszy”. Z tak pojmowanej muzyki kościelnej rodzi się nasza odpowiedzialność za to, aby nadal utrzymywać i przekazać następnym pokoleniom ideę równowagi między koncepcją sztuki jako niebiańskiego daru Boga (virtus cujusdam caelestis influxus) a owocu ludzkiej inteligencji (vehementia assidue exercitationis). Sztuka i muzyka – według autora – są owocem (ingenium et opus) inteligencji, wysiłku i zaangażowania oraz dopełniają się w kompletnym i efektywnym dziele sztuki (opus cansummatum et effectum).
Źródło:
Pro Musica Sacra; 2018, 16
2083-4039
Pojawia się w:
Pro Musica Sacra
Dostawca treści:
Biblioteka Nauki
Artykuł

Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies