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Tytuł:
Cakes and Breads in Oribasius’ Collectiones medicae
Autorzy:
Jagusiak, Krzysztof
Kokoszko, Maciej
Rzeźnicka, Zofia
Powiązania:
https://bibliotekanauki.pl/articles/1046680.pdf
Data publikacji:
2015-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
ancient Greek medicine
the Works of Oribasius
ancient gastronomy
ancient Greek dietetics
Opis:
Oribasius (4th century A.D.), Greek doctor, created at least four medical works. The most important of them is Collectiones medicae. We are going to present two foods described there: cakes and breads based on cereal products, described in the beginning of the 1st book. For ancient Mediterranean societies cereals were food which constituted the staple of the diet for the overwhelming majority of the population.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2015, 25, 1; 127-140
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Book Review: Thanos Zartaloudis, "The Birth of Nomos", Edinburgh: Edinburgh University Press, 2019
Autorzy:
Skarbek-Kazanecki, Jan
Powiązania:
https://bibliotekanauki.pl/articles/2028241.pdf
Data publikacji:
2021-12-28
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
nomos
prawo starożytnej Grecji
społeczeństwo starożytnych Greków
polityka starożytnej Grecji
ancient Greek law
ancient Greek society
ancient Greek politics
Opis:
This paper contains a critical assessment of the The Birth of Nomos (Edinburgh: Edinburgh University Press, 2019) of Thanos Zartaloudis. It describes the key assumptions made in this recent publication, as well as the content of each chapter, judging on its merits and defects.
Źródło:
Collectanea Philologica; 2021, 24; 229-234
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Problem antycznej ekfrazy teatralnej. Część II: Scenografia
The Issue of Ancient Theatrical Ekphrasis. Part II: Scenography
Autorzy:
Czerwińska, Jadwiga
Powiązania:
https://bibliotekanauki.pl/articles/648688.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
ekfrasis
scenography
ancient Greek tragedy
Euripides
Opis:
One of the dramatic ekphrasis forms is the ekphrasis of stage design. It describes what is usually made visible, at least partially, to the public, drawing its attention to important elements of scenography that played a significant role in the performance. Therefore it was necessary to make the spectators aware of those elements. They were used by all three tragedians: Aeschylus, Sophocles and Euripides. The article focuses on selected ekphrases of scenography taken from three Euripidean tragedies: Iphigenia in Tauris, Ion, Alcestis, and on their role in the structure of drama.
Źródło:
Collectanea Philologica; 2018, 21; 59-74
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Problem antycznej ekfrazy teatralnej. Część I: Postać
The Issue of Ancient Theatrical Ekphrasis. Part I: The Character
Autorzy:
Czerwińska, Jadwiga
Powiązania:
https://bibliotekanauki.pl/articles/648682.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
ekphrasis
dramatis persona
ancient Greek tragedy
Euripides
Opis:
Ekphrasis is one of the forms that the Greek tragic dramatists used in their plays. From a dramaturgical point of view it was a very important element of play strictly connected with the conventions of the ancient theater. The examples taken from the Euripidean tragedy will be used to demonstrate the ways the ancient Greek tragedians applied ekphrasis in their works. Their review will start with descriptions, which can be conventionally called the ekphrasis of the theatrical “mask”. The term mask is understood here not sensu stricto as a part of actor’s costume, but as having a reference to what it hides. This type of ekphrasis may be found in visually inaccessible to the public of the Greek theater face of dramatis personae that is hidden behind the mask. It concealed facial expressions, so important to understand the action of the drama itself, as well as the role played by the actor. It is impossible to overestimate the importance of this dramaturgical element as a non-verbal means of communication which harmonizes with the text of play and its action and is crucial to perceive the intended meaning of the actors’ words.
Źródło:
Collectanea Philologica; 2018, 21; 39-57
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Z badań nad pojęciem pamięci – mneme w dramacie greckim. Część II: Mneme w utworach Eurypidesa
From the Study on the Concept of Memory – Mneme in Greek Drama. Part II: Mneme in the Eurypides’ Plays
Autorzy:
Narecki, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/648684.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
mneme – memory
semantics
ancient Greek tragedy
Euripides
Opis:
Study on the concept of mneme – “memory” in the plays of Euripides is a continuation of our research (based on the works of Greek tragedians), whose aim is not only to establish meanings, especially new ones, but also to define the role that this concept plays in the works of Euripides. Linguistic and literary analysis of 8 instances of a noun mneme shows that this concept reveals hitherto unknown semantic values and it also performs functions that are important for the plot. Among the meanings of mneme there are five new ones: (1) “testimony, proof” (Suppliant Women), whose role is a ‘media’ message to guarantee the preservation of memory about Theseus’ feats among descendants, (2) “account, balance” (Heracles), rational argument, which the hero must use in a critical situation caused by divine power, (3) specific “history”, which creates the plot (Ion), (4) “reason, rightness” (Iphigenia at Aulis), i.e. evidence of predominance of the woman over the man (in terms of character), (5) “image”, twice in this sense (Iphigenia at Aulis): 1. as a panorama, vivid memory of panegyric and cognitive nature (Greek expedition), 2. as scenes from Iphigenia’s childhood cited in order to change the decision of Agamemnon. In addition to the new ones, Euripides also uses known meanings: mneme with negation, i.e. the lack of “mentions, memories” (= concealment) becomes an important element of the plot of Helen, guaranteeing its happy ending; in turn mneme as Kreon’s “thought” is a tool for mastering feelings and influencing the development of stage events. All meanings defined by Euripides can be divided into two groups. The first group includes meanings that have rational value: (1) “account, balance”, (2) “thought”, (3) “reason, rightness”. In the other group there are expressive meanings: (1) “testimony, proof”, (2) “mention, memory”, (3) “history”, (4) “image”. Undoubtedly, Euripides not only broadened the semantic scope of the concept of mneme, introducing its new values, but creatively used them in his plays, whether to describe the main characters, or as an element influencing the action, or finally as a testimony of the past that is important for the plot.
Źródło:
Collectanea Philologica; 2018, 21; 25-38
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Z badań nad pojęciem pamięci – mneme w dramacie greckim. Część I: Mneme w utworach Ajschylosa i Sofoklesa
From the Study on the Concept of Mneme – “Memory” in Greek Drama. Part I: Mneme in Aeschylus’ and Sophocles’ Plays
Autorzy:
Narecki, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/648690.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
mneme – memory
semantics
ancient Greek tragedy
Aeschylus
Sophocles
Opis:
The aim of the study, which is a continuation of this type of research (based on Greek literary sources of the Presocratic era), is to determine the meanings of the concept of mneme – “memory” in the works of Aeschylus and Sophocles, as well as to determine the function it plays in a given place. Linguistic and literary analysis of 12 instances of a noun mneme in Aeschylus (3) and Sophocles (9) shows that this concept reveals hitherto unknown semantic shades. Aeschylus gives mneme a new meaning of “worship” (in Suppliants). He also uses the already known: intellectual “power of memory” and for the first time in the history of Greek literature identifies “memory” with the mother of all muses – Mnemosyne (in Prometheus Bound). More often mneme appears in the works of Sophocles, which results from the functions performed there. After all, the intellectual “power of memory” and “memories” as the effects of its actions allow the characters to: (1) do well (and thus keep the moral order), (2) get to know the truth about ourselves (to recognize our own identity) changing the course of dramatic action as part of the peripeteia (the case of Oedipus), (3) lead (as the driving force) to destruction of heroes (Jocasta, Oedipus), (4) drive the action (as “thought”), (5) serve as a moral compass (in a new semantic shade “attention”, in Oedipus at Colonuss), (6) store a resource (memories) as a deposit in collective memory as a warning for posterity. And finally, for the first time in history, the concept of mneme as a tool of mimesis is used in Oedipus Rex in the new sense: “the ability to (re)create” (inspired by Mnemosyne) or otherwise: “poetic art of reconstruction” of dramatic events. Defined meanings (semantic shades) of mneme can be divided into 2 groups. The first group includes those that take rational value: “power / ability to remember”, “thought”, “attention”), while the other holds the expressive meanings: “worship, honour, commemoration”, “(re)creative, poetic reconstruction”. It seems that the Greek tragedians were aware of the role that mneme can play in their works: whether in the depiction of the characters, or as an element that drives the action, or in recalling, in various ways, the past and its cultivation.
Źródło:
Collectanea Philologica; 2018, 21; 5-23
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Klaudiusz Elian o nazwach cykad
Claudius Aelian on Words for Cicadas
Autorzy:
Kaczyńska, Elwira
Witczak, Krzysztof Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/1046580.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Ancient Greek
animal terminology
etymology
insects
word-formation
Opis:
In his work Περὶ ζῴων ἰδιότητος (De natura animalium X 44) Claudius Aelian describes cicadas’ names in the following way: „There are, it seems, many species of cicada (τέττιξ), and those who are skilled in these matters enumerate them and report their names. Thus, the Ashen one (τεφράς) is so called from its colour; whence the Membrax (μέμβραξ) got its name I do not know; and Chirper (λακέτας), it appears, is the name for a cicada; and I have heard tell of the Long-tail (κερκώπη) and the Shriller (ἀχέτας) and the Prickly one (ἀκάνθιος). Well, these are all the kinds of Cicada of which I remember having heard the names, but if anyone has got to know more than those that I have mentioned, he must tell them” (translated by Scholfield 1959: 339–341). It is necessary to follow Aelian’s suggestion and explain all the mentioned cicadas’ names from the point of view of the Greek etymology and word-formation.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2017, 27, 2; 41-53
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Portret idealnej królowej w antycznej powieści greckiej – w stronę modelu
An Image of the Ideal Queen in the Ancient Greek Novel – Model Approaching
Autorzy:
Cieśluk, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1806891.pdf
Data publikacji:
2021-10-12
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
ancient Greek novel
the ideal queen
Chariton
Heliodorus
Opis:
This article line of reasoning follows the assumption that in the period in which the ancient Greek novel was developing there already existed fixed cultural norms which thus provided for the frames of the then literary presentations of women in power. In Callirhoe by Chariton or Aethiopica by Heliodorus the reader comes across three images of queens and can consequently ponder over the most significant elements of the model of an ideal female ruler. The comparative analysis of the three heroines in question as well as the juxtaposition of their images with the remaining female characters of Greek novels thus constitutes the core of the article.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2021, 31, 1; 43-61
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rola intelektualistów w polis. Rozważania o Hieronie Ksenofonta
Autorzy:
Wonicki, Rafał
Powiązania:
https://bibliotekanauki.pl/articles/2188284.pdf
Data publikacji:
2022-10-24
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
ancient Greek philosophy
political philosophy
Leo Strauss
intellectuals
tyranny
Opis:
The role of intellectuals in polis. Reflections on Xenophon’s Hiéron: It is well known, although the 20th century has showed it probably in the most visible way, that intellectuals would often like to make a moral influence on politicians and politics. Their eternal dream of enlightened government turns them to the delusion of their own agency in influencing politicians. Following such an illusion as Mark Lilla shows leads them in many cases to support a tyrannical regime. The problem of intellectual engagement and interaction with the authorities is not of course new. We could also observe and analyze it just going back to the Greek roots. In the article I would like to outline the relationship between Xenophon’s life and his reflections as a philosopher on power that he included in Hieron. I also refer these considerations to the present day in reference to Leo Strauss’ interpretation of Xenophon’s ideas about tyranny. Such comparison could be still today instructive for us how problematic is the role of those who, communing with the ideas of beauty, good and justice, want to transfer them to the sphere of the political community. It is this junction of ethics and politics that I would like to address in my considerations, trying to compare Plato with Xenophon and indicate several possible interpretations of the philosopher’s relationship to politics and power.
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2022, 12, 1; 27-40
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Naïve Justice in the Ancient Greek Novel
Autorzy:
MacQueen, Bruce D.
Powiązania:
https://bibliotekanauki.pl/articles/781183.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
justice
moral ambiguity
ancient Greek novel
fictional jurisprudence
popular fiction
Opis:
This article discusses three trial scenes from three different ancient Greek novels (by Chariton, Achilles Tatius, and Longus), in which naïve justice seems to be deliberately subverted. The titular concept of “naïve justice” is defined here in terms borrowed from Aristotle’s Poetics, where the term “double resolution” is used, disparagingly, of plots in which the good characters are all rewarded and the bad characters all punished. The argument is made that the trial scenes under discussion should raise doubts in the reader’s mind as to which of the parties is truly guilty, and which is truly innocent. This can be seen as a reflection of unexpectedly mature ethical sensibilities on the part of these often-underestimated writers, who seem to have grasped that the “double resolution” may make the reader feel good, but has little to do with the real world.
Źródło:
Ethics in Progress; 2016, 7, 2; 14-30
2084-9257
Pojawia się w:
Ethics in Progress
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Naming of Food and Drink in the Ladder of John Climacus
Autorzy:
Popova, Tatiana G.
Powiązania:
https://bibliotekanauki.pl/articles/2027728.pdf
Data publikacji:
2021-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Ladder of John Climacus
Food
Egyptian monasticism
Byzantine literature
Ancient Greek
Ancient Manuscripts
Opis:
The article is devoted to the analysis of the names of food and drink in the Ladder of John Climacus. The material for analysis is the published text of the work (Patrologia Graeca, vol. LXXXVIII) and three unpublished ancient Greek manuscripts of the Ladder. In total, 21 words were found in the work, included in the lexical-semantic group “Food”, and 6 words included in the lexical-semantic group “Drink”. In many cases, lexemes are used in pairs (salt and oil, milk and honey, bread and water, bread and mustard). This use is obviously due to the biblical tradition, on the basis of which the author of the Ladder built his book. For the general designation of food, nouns such as βρῶμα, τροφή, τρυφή, βρῶσις, ἔδεσμα, ἑστίασις, ὄψον, τράπεζα, ἐδώδιμον are used. In a collective sense, the lexemes καρπός and ὀπώρα are used to designate fruits. For the names of vegetables (herbs) in the Ladder, lexemes such as πικρίς and λάχανον are used. Of the specific types of food in the Ladder, there are names of baked goods (ἄρτος ‘bread’ and ἄζυμον ‘unleavened bread’), grapes (βότρυς and ῥάγας), spices (ἔλαιον ‘olive oil’ and ἅλας ‘salt’), honey (μέλι) and cheese (τυρός). To designate drink, in general, in the Ladder there are the lexemes πόμα, νάμα and ποτόν. Specific drinks are called ὕδωρ ‘water’, οἶνος ‘wine’ and γάλα ‘milk’. In the lexical-semantic groups “Food” and “Drink” hyperonyms clearly prevail over hyponyms. The small amount of specific vocabulary is explained by the fact that for a monk, as he moves up the ladder of virtues, it is less and less important what food he consumes. Monks who have reached the highest degrees of spiritual life (ἰσάγγελοι, equal to the angels) no longer feel the taste of food and forget to take it; for them the most important thing is spiritual food. In the lexico-semantic groups “Food” and “Drink” in the Ladder, as in the texts of the Holy Scriptures, direct (physical) and figurative (spiritual) meanings are masterfully connected. Almost all examples of the use of these words can be viewed both in the direct and in the symbolic sense. In the highest metaphorical meaning, all lexemes included in the thematic field “Nutrition” represent a symbol of participation in God’s salvation in Christ.
Źródło:
Studia Ceranea; 2021, 11; 371-386
2084-140X
2449-8378
Pojawia się w:
Studia Ceranea
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Scientific Realism and the Objects of Medicine in the Hippocratic Treatise On the Art
Autorzy:
Cales, Kevin Ray
Powiązania:
https://bibliotekanauki.pl/articles/2057140.pdf
Data publikacji:
2022-03-30
Wydawca:
International Étienne Gilson Society
Tematy:
scientific realism
medicine
ancient Greek philosophy
sophism
abstract objects
ontology
Opis:
On the Art is a polemical treatise in the Hippocratic corpus that has been dated to 450–400 Bce. As a polemical work, the author defends the existence of medicine against detractors. i argue that the author employs two arguments for scientific realism in defense of medicine that are among the earliest known. First, i situate the work in the context of the sophistic movement and the nomos vs. physis debate. Second, i analyze the two arguments in On the Art ii, and i argue by contraposing spatiotemporalist, constructivist, and realist interpretations of the passage that the author grapples with the semantic stretch of the word εἶδος. thereafter, i propose the arguments are best understood as indispensability arguments in which medical realism is defended in order to explain clinical practice.
Źródło:
Studia Gilsoniana; 2022, 11, 2; 229-248
2300-0066
Pojawia się w:
Studia Gilsoniana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La nozione di ‘materia’ nella Grecia arcaica, 1: il Khaos/Aèr di Esiodo
The Concept of ‘Matter’ in Archaic Greece, 1: Khaos/Aèr in Hesiod’s Theogony
Autorzy:
Cerri, Giovanni
Powiązania:
https://bibliotekanauki.pl/articles/938507.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Classical Philology
Ancient Greek Physics
Presocratics
Chaos
Hesiod
Cosmogony and Cosmology
Opis:
The essay considers synthetically the passages of Hesiod’s Theogony concerning Khaos, Gaia, Uranòs, and Tàrtaros as describing the cosmic structure at its very beginning and at its present state. The final result of the cosmogenetic process consists of three solid parallel disks of equal size separated from one another by the space of Khaos/Aèr. The whole structure is conceived of as an ideal cylinder (ideal because it has no real lateral walls), whose superior base is Uranòs (the Sky), the inferior one is Tàrtaros (the Hell) and the median section is Gaia (the Earth), dividing the whole cylinder into two high semicylinders full of Khaos/Aèr. From this Khaos/Aèr, the primal Four Elements (earth, water, misty air and fire) derive, as plants do from their roots, from which all other substances of the universe originate in turn. Thus, Khaos is arkhè (the ‘beginning’) not only in the chronological-historical sense, but also in the sense of an eternal generative substance of all things. We may conclude that the Hesiodic word khaos is a lexical ancestor of the later physical and philosophical term hyle because it conveys the primeval notion of ‘matter’.
Źródło:
Peitho. Examina Antiqua; 2017, 8, 1; 53-80
2082-7539
Pojawia się w:
Peitho. Examina Antiqua
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nature, Man and Logos: An Outline of the Anthropology of the Sophists
Autorzy:
Nerczuk, Zbigniew
Powiązania:
https://bibliotekanauki.pl/articles/2010381.pdf
Data publikacji:
2016-06-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
ancient Greek philosophy
Presocratics
the sophists
anthropology
theory of cognition
rhetoric
Opis:
The paper aims at reconstructing the fundamentals of the sophistic anthropology. Contrary to the recognized view of the humanistic shift which took place in the sophistic thought, there is evidence that the sophists were continuously concerned with the problems of philosophy of nature. The difference between the sophists and their Presocratic predecessors was that their criticism of the philosophical tradition and the transformative answers given to the old questions were the basis and the starting point of the “ethical” and “rhetorical” part of their intellectual activity. This naturalistic perspective is reflected in their research in the field of medicine and biology, in the discussion about “the human nature”, and in their interest in the individual physiological and mental conditions, which determine the state of the human body and the behaviour of a man. The sophists pioneered in linguistic, rhetorical, and philological studies. To enhance the power of persuasion, they investigated how various mental conditions influenced cognitive processes and physiological reactions. Thus they started a thorough examination of the human psyche, initiating the field of psychology. Although the originality of the sophists in each of the aforementioned aspects is undeniable, a complete picture of the sophists can only be achieved by examining the sources of their thought: the Presocratic philosophical tradition, Hippocratic medicine, and earlier literary tradition.
Źródło:
Kultura i Edukacja; 2016, 2(112); 43-52
1230-266X
Pojawia się w:
Kultura i Edukacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Podział kanonu
Autorzy:
Laskowska, Anna Maria
Powiązania:
https://bibliotekanauki.pl/articles/2076787.pdf
Data publikacji:
2021-12-24
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
ancient Greek theory of music
Euclid
proportion
interval
sound
consonance
impact
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2021, 11, 2; 527-541
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
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