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Tytuł:
Nawrócenie św. Augustyna a jego stosunek do kultury antycznej
Autorzy:
Spychała, Dariusz
Powiązania:
https://bibliotekanauki.pl/articles/631021.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Roman Empire
Christianity
Fathers of the Church
synods
Augustine
classical literature
Manichaeism
magic
astrology
Plato’s philosophy
Plotinus
Porphyry
Ambrose
catechumen
baptism
Church.
Opis:
Augustine of Hippo was the most eminent Church theologian at the close of antiquity. His influence is perceptible until the present day. The path which led him to Christianity was typical for the period of the late Roman Empire, when various religious currents would contend. It seems that the problems of antique culture were of secondary significance in his conversion.  
Źródło:
Studia Europaea Gnesnensia; 2011, 3; 227-243
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
[Rev.:] Mowy kościelne Fabiana Birkowskiego o świętym Jacku / Orationes Ecclesiasticae Fabiani Bircovii Hyacinthinae, przełożyła Beata Gaj, opracowała Maria Rowińska-Szczepaniak, Uniwersytet Opolski, Instytut Filologii Polskiej, Opole 2007, 52 [2] s., il.
The Ecclesiastical Speech of Fabian Birkowski about Saint Hyacinth / Orationes Ecclesiasticae Fabiani Bircovii Hyacinthinae
Autorzy:
Tytko, Marek Mariusz
Powiązania:
https://bibliotekanauki.pl/articles/441068.pdf
Data publikacji:
2013
Wydawca:
Fundacja Naukowa Katolików Eschaton
Tematy:
Fabian Birkowski OP (1566-1635)
St. Hyacinth Odrowaz (1183-1257)
The Roman Catholic Church
sermon
old Polish literature
homiletics
theology
hagiography
history of Roman Catholic Church
Dominicans
św. Jacek Odrowąż (1183-1257)
Kościół Rzymsko-Katolicki
Polska
kazanie
literatura staropolska
homiletyka
teologia
hagiografia
historia Kościoła Rzymskokatolickiego
Dominikanie
Opis:
Książka Mowy kościelne Fabiana Birkowskiego o świętym Jacku (Orationes Ecclesiasticae Fabiani Bircovii Hyacinthiae) w przekładzie z łaciny na język polski dokonanym przez Beatę Gaj oraz w opracowaniu Marii Rowińskiej-Szczepaniak – wprowadza na nowo do kultury polskiej łacińskojęzyczne dzieło kaznodziei królewskiego sprzed czterystu lat. Dominikanin Fabian Birkowski (1566-1636), bakałarz i magister Akademii Krakowskiej, wykładowca literatury greckiej i rzymskiej w tejże Akademii, znany był z mów pogrzebowych z okazji zgonu sławnych osób (np. Jana Zamoyskiego, ks. Piotra Skargi, Jana Karola Chodkiewicza, Bartłomieja Nowodworskiego, króla Zygmunta III Wazy) oraz tzw. ‘mów obozowych’, kierowanych m.in. do rycerstwa w związku z jakąś ważną dla Rzeczypospolitej bitwą. F.Birkowski uczestniczył w wyprawie królewicza Władysława IV pod Chocim ‘na Turka’ oraz wcześniej w jego wyprawie ‘na Moskala’. Żył więc w czasach zajęcia Moskwy przez Polaków na pocz. XVII w., czyli wydarzenia historycznego dotąd bez precedensu. Trzeba przypomnieć, że tylko Polakom w latach 1610-1612 i Napoleonowi Bonapartemu w 1812 r. udało się zająć Moskwę. Fabian Birkowski zwycięstwo chocimskie uczcił kazaniem pt. Panu Bogu podziękowanie za uspokojenie Korony i Wielkiego Księstwa Litewskiego (1621), był autorem Kazania obozowego o Bogarodzicy (1623). Kazania na niedziele i święta (1628) i Orationes Ecclesiasticae (1622) stanowią zbiory jego mów kościelnych. Dzięki tłumaczeniu Beaty Gaj na jezyk polski czytelnik może się po prawie czterystu latach od powstania dzieła – zapoznać się z treścią wyboru Mów kościelnych w polskim języku literackim. W istocie jest to ważne wydarzenie kulturalne i edytorskie. Książka pt. Mowy kościelne Fabiana Birkowskiego o świętym Jacku (2007) składa się z czterech części. W części pierwszej Maria Rowińska-Szczepaniak w studium pt. Święty Jacek – Patron Królestwa Polskiego (s.VII-XXX) analizuje osobę i dzieło tego polskiego świętego także kontekście trzech mów Fabiana Birkowskiego. Studium zawiera skróconą bibliografię przedmiotu. W części drugiej zaprezentowano faksymile (fotoreprodukcje) tekstu łacińskiego z oryginalnego wydania pt. Fabiani Bircovii, Orationes ecclesiasticae z 1622 r. Są to trzy mowy Birkowskiego po łacinie: 1) Hyacinthina prima, sive de votis religiosis S. Hyacinthi (s. [196-211]), 2) Hyacinthina secunda, sive de itineribus aeternitatis (s. [211-225]), 3) Hyacinthina tertia, sive de ornamentis religiosorum (s. [225-234]). W części trzeciej pt. Fabiana Birkowskiego, Mowy kościelne zawarte też same trzy mowy w tłumaczeniu na język polski: 1) Pierwsza mowa ku czci św. Jacka, czyli o zakonnych ślubach św. Jacka (s. 4-19), 2) Druga mowa ku czci św. Jacka, czyli o drogach do wieczności (s. 19-33), 3) Trzecia mowa ku czci św. Jacka, czyli o zbroi zakonnej (s. 33-42). W części czwartej autorstwa Beaty Gaj pt. „Łaciński” święty Jacek Fabiana Birkowskiego, czyli kilka słów od tłumaczki (s. 43-52) zawarto pogłębioną analizę tłumaczonego dzieła łacińskiego, m.in. kontekstu kulturowego i chwytów retorycznych. Artykuł Beaty Gaj z odniesieniami do kultury antycznej i staropolskiej ukazuje we właściwym świetle historycznym pięknie przyswojone polszczyźnie dzieło F.Birkowskiego. Przekład jest zrozumiały, zadbano o uwspółcześnienie językowe tłumaczonego tekstu, co także jest zasługą Beaty Gaj.
Źródło:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education; 2013, 3(3); 151-152
2299-9922
Pojawia się w:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
[Rev.:] Richard Griffith, The Pen and the Cross : Catholicism and English Literature, 1850-2000, London ; New York : Continuum, 2010. xii, 260 p.
Autorzy:
Słyszewska, Aleksandra
Zgierska, Roksana
Powiązania:
https://bibliotekanauki.pl/articles/441072.pdf
Data publikacji:
2013
Wydawca:
Fundacja Naukowa Katolików Eschaton
Tematy:
English literature
religion
the Roman Catholic Church
christianity
catholicism
literature
Christian literature
Opis:
It is beyond any doubt that Richard Griffiths’ The Pen and the Cross is an interestingly written and a rather fascinating book, which certainly is a valuable addition to the study of Catholic writing. It provides a very basic insight into the development of Catholicism and Catholic literature in England between 1850 and 2000, which includes many notable, yet still forgotten novelists and poets. An attempt to discuss such a vast number of writers was very ambitious and certainly involved artistic as well as critical skill, and yet Mr. Griffiths manages to provide the reader with a quite clear and comprehensible description of Catholic writing. The main focus of the study seems to be the influence of Roman Catholicism on the writers (recusants, converts and even, in some cases, nonbelievers) and their works. It attempts to examine the importance of religious experience in shaping the intellectual vision conveyed in texts of most notable English writers including, among others, Hopkins, Greene, Waugh, Sparks or Lodge. Mr. Griffiths acknowledges the fact that quite frequently Catholic committed literature is on the verge of propaganda, but when it is done well, as in case of the aforementioned authors, it may provide an extremely profound outlook not only on religion but also modern culture, human behavior and original literary themes and techniques. He also raises the question whether the understanding of Catholic novels and poems is at all possible without specific knowledge connected with religion. There are, however, elements of Mr. Griffiths’ work that need some explanation. One of them is the title. More often than not authors of various critical works, including those which deal mainly or exclusively with Catholic writers, try to convey in the title as much as they can about the subject of their inquiry or the attitude taken by them. The results of this are, among many others, Some Catholic Writers by Ralph McInerny, Literary Giants, Literary Catholics by Joseph Pearce, The Catholic Revival in English Literature by Ian Ker, or Catholic Literature: An Introduction by Margaret Sum-mitt. It seems, however, that Mr. Griffiths decided to go against this tendency. He chose not to provide (at least not in a straightforward way) any specific information on the scope of literature that he is interested in nor in the attitude taken by him in his investigation. Mr. Griffiths himself must have considered his title as not very informative, as he supplemented it. Only through the second part of the title is the reader informed that the work is concerned with Catholicism and English literature in the period 1850-2000. Still, it does not say much about the content. Catholicism in English Literature would be more suggestive, not mentioning other obvious options such as English Catholic Literature, Catholic Literature in England or, what seems also applicable, English Catholic Writers. All these suggestions address the issue straightforwardly and provide a sound frame of reference. Meanwhile, Mr. Griffiths refuses to include a term crucial to his work, and one that he otherwise uses quite frequently and discusses openly in the first section as the basis for further investigation; that is, “Catholic literature”. It is understandable that he avoids the term “Catholic writers” as some of the authors renounce it and consider it inappropriate. It is also understandable that he does not want to limit his investigation to English writings alone, as a substantial part of his comments involve French literature and he successfully presents the two as closely related and, at times, even inseparable. It is confusing, however, that he avoids calling his subject what it actually is, considering that his arguments supporting the validity of the term “Catholic literature” are very convincing. One reason for this eva-sion may be, of course, the marketing. “The Pen and the Cross” surely stands out among many other titles of works devoted to similar issues and may be considered appealing to the reading public. It is also possible that Mr. Griffiths does not want to impose anything on his readers but only suggests certain tendencies, leaving much space for speculation on the subject of the relationship between Catholicism and English literature in the period given. Also, he might have considered this title the only possible way of encapsulating all the social, historical and cultural elements which influenced what can be (and by Griffiths is) called the English Catholic literature. There is one interesting implication of the combination of “the Pen” with “the Cross” which maybe did not immediately occur to some of Mr. Griffiths’ readers. “The Pen” as a symbol of poetry and prose (specifically novels of a different kind) is combined with “the Cross” which indicates a specific religious commitment. However, bearing in mind Griffiths’ comments on the turbulent history of Catholicism in England, cultural and social difficulties that Catholic believers, and above all Catholic writers must have overcome, and finally the “pitfalls” of writing Catholic literature without falling into sentimentality, it becomes apparent that producing Catholic works involved many sacrifices and may indeed be seen in terms of bearing ones’ Cross. Thus, the title can be a general statement as to the situation of English Catholic literature throughout the ages. What is also very unusual about Mr. Griffiths work is the fact that his presentation of the Catholic writers seems to be strongly influenced by his personal views and likings which are clearly visible through the tone of his descriptions. Even though he recognizes the importance and influence of all the writers he examines, it is apparent that he is fonder of some of them over others. He directs his attention especially to three outstanding figures: Graham Greene, Evelyn Waugh and David Jones. His admiration for them is convincingly argued and certainly well-deserved. However, while Greene is described as “a pivotal figure in the history of the Catholic novel in Britain” and Jones is treated as a highly original and forward-looking poet, Waugh is presented primarily as a re-constructor of the already existing patterns, “entrenched in a last ditch defense of traditional values” and his works, in spite of their great value, are seen as “a dead-end”. The last statement, although preceded by words of praise, seems unjust. Mr. Griffiths refers primarily and quite understandably to Brideshead Revisited as Waughs’ best work. He indicates a number of interesting ways in which traditional Catholic themes are arranged and constitute a substantial part of fictional reality. However, he seems not to notice a whole range of new, original and often surprising elements which, if carefully analyzed, may indicate new paths for the development of Catholic literature. First of all, the extensive use of satire, characteristic of Waugh’s early works, in Brideshead Revisited gains new meaning. It seems that for the first time the satire is aimed at the secular, modern way of life and religious elements alike. The reader smiles at political discussions of Rex Mottram and his friends, the adventures of homosexual Anthony Blanche as well as at Cordelia’s novenas for pigs and her collection of little black Cordelias somewhere in Africa. Bursting with laughter may occur especially at the account of Cordelia making fun of Rex about the rules of Catholic faith which supposedly include sleeping with one’s feet pointing east, sending people to hell for just a pound or keeping sacred monkeys in Vatican. All this is presented to stress how different and confusing Catholic faith is for the non-believers, and yet Waugh seems to be the first to exaggerate and distort religious truths for this purpose. He is also the first to create Catholic characters who are simply unlikeable. It seems a part of a convention to present Catholic way of life as full of difficulties and unattractive to the modern man, as it is with the Riversdales in Mrs. Wilfrid Ward’s One Poor Scruple. However, in Brideshead Revisited the reader feels no sympathy for Bridey or Lady Marchmain, the two most pious members of the family, not so much due to their sacrifice or ascetic life but their personality traits and their attitude towards other people. The potential saints are, quite surprisingly, short-sighted and egoistic. This is a strange novelty, and yet Waugh has a purpose in it. The two characters, especially when compared to other members of the Flyte family, make the reader understand that piety, devotion and knowledge of religious truths are nothing when compared to the sincere desire to act according to God’s will, however mysterious it may be. Also, Waugh reveals here his fascination with the act of conversion which he clearly values very highly. This, however, the readers may find in earlier works by G.K.Chesterton, Charles Péguy or François Mauriac. More thorough investigation would reveal a number of other innovative elements involving the creation of characters and spaces within which they function. This review, however, is not concerned with Waugh exclu-sively. The purpose, therefore, is just to signal that some important aspects of Waugh’s novels, Brideshead Revisited in particular, may not have been recognized by Mr. Griffiths. Otherwise, however, his remarks are very interesting and insightful. In his defense it should be admitted that the creative potential of Waugh’s works has not yet been fully explored by other writers. However engaging The Pen and the Cross is, it should be treated most of all as a good starting point for more careful research, since for some readers the overall character of the work may not present a sufficient examination of the topic. One simply cannot pass over in silence the very peculiar omission of such highly important figures as J.R.R. Tolkien, Rumer Godden, Geoffrey Hill and some others. Their absence at least demands an explanation as it does not allow for a fully comprehensive picture of the topic. Nevertheless, The Pen and the Cross, due to its briefness, may actually succeed in encouraging some of the readers to conduct their own examination of presented novels, poems and their creators.
Źródło:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education; 2013, 2(2); 171-174
2299-9922
Pojawia się w:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Genethliakόn – a Religious and Humanistic Poem-Song in Commemoration of Life or Rhetorical Approbation of Poetry?
Autorzy:
Gaj, Beata Maria
Powiązania:
https://bibliotekanauki.pl/articles/440993.pdf
Data publikacji:
2014
Wydawca:
Fundacja Naukowa Katolików Eschaton
Tematy:
genethliakόn
Greek and Roman occasional literature
Silesian literature in Latin at the beginning of modernity
history and theory of rhetoric
Opis:
The main idea of this article is to present the genre called genethliakón from its origins in Antiquity to the modern times. The paper contains an analysis of several works in ancient Greek and Latin, which shows how widespread this literary genre was at that that time. This analysis contradicts the views of some scholars who claim that genethliakón evolved only in the Renaissance and the Baroque period. The motifs of birthday works are repeatedly used through the centuries, and the most important one seems to connect the birth of poetry with the tutelary deity. Modern genethliakón refers to different traditions: the Christian and the Greek of the Hellenistic era.
Źródło:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education; 2014, 1(5); 45-60
2299-9922
Pojawia się w:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„In Wirklichkeit war es so…“. Analyse der Erzählinstanz in Robert Neumanns Roman "Struensee. Doktor, Diktator, Favorit und armer Sünder"
Autorzy:
Jachimowicz, Aneta
Powiązania:
https://bibliotekanauki.pl/articles/1032476.pdf
Data publikacji:
2015-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Robert Neumann
literatura austriacka
literatura emigracyjna
narrator niewiarygodny
powieść historyczna
Austrian literature
Exile literature
unreliable narrator
historical fiction
österreichische Literatur
Exilliteratur
unzuverlässiger Erzähler
historischer Roman
Opis:
Der im Exil von Robert Neumann geschriebene Struensee-Roman aus dem Jahr 1935 wird von der Forschung wegen seiner zahlreichen inhaltlichen und historischen Fehler nicht besonders hoch angesehen. Das Ziel dieser analytischen Untersuchung ist weniger, gegen diesen legitimen Vorwurf zu kämpfen, als vielmehr die Funktion der auf den ersten Blick nicht konsequenten und variablen Erzählweise des Romans zu zeigen, um ihn weiterhin in bestimmte Themen der Zeit zu situieren. Ausgehend von der These, dass man es in Struensee mit einem ‚unzuverlässigen Erzähler‘ zu tun hat, führt die Autorin eine tiefgehende Analyse der Narration durch und zeigt, dass der Eindruck der Unzuverlässigkeit gezielt vom impliziten Autor erzeugt wird. Dadurch gehört der Roman in ästhetische, literarische oder philosophische Diskurse der Zwischenkriegszeit.
Robert Neumann’s Struensee novel, written in exile in 1935, does not enjoy special recognition among researchers due to numerous content and historical errors. The aim of this analytical article is not to defend the novel against justified charges of literary scholars but to examine the function of the narrative which, at first glance, is the result of Neumann’s careless and hasty writing. Beginning with the thesis proposing that the novel features as unreliable narrator, the author of the paper carried out an in-depth analysis of the narrative trying to answer the question to what extent this type of narrative is part of the aesthetic, literary and philosophical discourses of the interwar period.
Powieść Roberta Neumanna pt. Struensee, napisana na emigracji w roku 1935, nie cieszy się ze względu na liczne błędy treściowe i historyczne szczególnym uznaniem wśród badaczy. Celem tego analitycznego artykułu nie jest bronienie powieści przed słusznymi zarzutami literaturoznawców, ile zbadanie funkcji narracji w powieści, która na pierwszy rzut oka jest wynikiem niestarannego i pospiesznego pisarstwa Neumanna. Wychodząc od tezy zakładającej, że w powieści mamy do czynienia z narratorem ‘nie godnym zaufania’ (unreliable narrator), autorka artykułu przeprowadza dogłębną analizę narracji i stwierdza, że jest ona zamierzoną strategią autora implikowanego. W ten sposób powieść wpisuje się w estetyczne, literackie i filozoficzne dyskursy okresu międzywojennego.
Źródło:
Convivium. Germanistisches Jahrbuch Polen; 2015; 191-215
2196-8403
Pojawia się w:
Convivium. Germanistisches Jahrbuch Polen
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ojcowie i synowie w deklamacji rzymskiej
Roman Declamations on Fathers and Sons
Autorzy:
Sapota, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/1046686.pdf
Data publikacji:
2015-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Roman literature
rhetoric
declamation
Roman family
Roman education
Roman ideology
Opis:
The text outlines how the concept of pietas understood as unreserved reverence of sons towards their fathers was incorporated into the repertory of school declamations that in the Roman education system made the main means of modelling the social attitudes of younger generations.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2015, 25, 1; 71-80
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Recepcja twórczości Ricardy Huch w Polsce
Die Rezeption des Werks von Ricarda Huch in Polen
Reception of the work of Ricarda Huch in Poland
Autorzy:
Jelitto-Piechulik, Gabriela
Powiązania:
https://bibliotekanauki.pl/articles/784352.pdf
Data publikacji:
2016-11
Wydawca:
Uniwersytet Humanistyczno-Przyrodniczy im. Jana Długosza w Częstochowie. Wydawnictwo Uczelniane
Tematy:
Ricarda Huch
Ludolf Ursleu
novel
reception of German literature
Roman
Rezeption der deutschen Literatur
Ludolf Ursleu,
powieść
recepcja literatury niemieckiej
Opis:
The following article presents the state of research on the reception of the work of the Ger-man female writer Ricarda Huch in Poland. The reception of her work in our country can be examined while analysing: the articles published in the form of a book, biograms printed in lexicons and encyclopaedias, presentation of Hutch’s literary work in studies concerning the history of German literature, translations of her poems, the translation of the novel Erinnerungen von Ludolf Ursleu, dem Jüngeren [Memories of Ludolf Ursleu Junior], the award of the prize of Ricarda Huch of Darmstadt town to the Polish writer Hanna Krall, and also the project of the students of German Studies at the University of Opole which propagates the work of R. Huch. Insofar as Ricarda Huch’s output was noted by the Polish researchers of the German literature what is evidenced by the papers dedicated to her literary legacy, still there is no reliable scientific study both on the German and Polish publishing market which wouldembrace comprehensively very diverse Huch’s output and base it in the aesthetic-literary, historical, social and political context.
Niniejszy artykuł przedstawia stan badań nad recepcją twórczości niemieckiej pisarki Ricardy Huch w Polsce. Recepcję jej twórczości w naszym kraju można rozpatrywać, analizując artykuły opublikowane w dziełach zwartych, biogramy zamieszczone w leksykonach i encyklopediach, przedstawienia dokonań literackich Huch w studiach dotyczących historii niemieckiej literatury, tłumaczenia jej wierszy, tłumaczenie powieści Erinnerungen von Ludolf Ursleu, dem Jüngeren [Wspomnienia Ludolfa Ursleu Juniora], przyznanie Nagrody im. Ricardy Huch Miasta Darmstadt polskiej pisarce Hannie Krall, a także projekt studentów opolskiej germanistyki propagujący twórczość R. Huch. O ile twórczość Ricardy Huch została odnotowana przez polskich badaczy literatury niemieckiej, o czym świadczą opracowania poświęcone jej spuściźnie literackiej, o tyle brak jest w dalszym ciągu rzetelnego opracowania naukowego zarówno na niemieckim, jak i polskim rynku wydawniczym, które ujęłoby całościowo bardzo zróżnicowaną twórczość Huch i osadziło ją w kontekście estetyczno-literackim, historycznym, społecznym i politycznym.
Der folgende Beitrag bespricht den Forschungsstand der Rezeptionsgeschichte des Werkes von Ricarda Huch in Polen. Die Rezeption Huchs Werke in Polen kann man unter folgenden Themenschwerpunkten analysieren: in geschlossenen Ausgaben veröffentliche Aufsätze, Biogramme in Lexika und Enzyklopädien, Besprechung von literarischen Werken von Huch in Studien über die deutsche Literaturgeschichte, die Übersetzung des Romans Erinnerungen von Ludolf Ursleu, dem Jüngeren ins Polnische, die Verleihung des Ricarda Huch Preises der Stadt Darmstadt an die polnische Schriftstellerin Hanna Krall sowie das Projekt der Oppelner Germanistikstudenten, welches sich auf die Popularisierung des Werkes von R. Huch bezog. Sofern das Werk von Ricarda Huch von polnischen Forschern der deutschen Literatur vernommen wurde, wovon die Besprechungen von Huchs literarischem Nachlass zeugen, fehlt bis heute sowohl auf dem polnischen wie auch auf dem deutschen Buchmarkt eine Bearbeitung, welche die sehr unterschiedliche Dichtkunst von Huch ganzheitlich umfassen und welche diese in einen ästhetisch-literarischen, historischen, sozialen und politischen Kontext einbetten würde.
Źródło:
Transfer. Reception studies; 2016, 1; 31-49
2451-3334
Pojawia się w:
Transfer. Reception studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tyberiusz według Jacka Bocheńskiego
Tyberius According to Jacek Bocheński
Autorzy:
Morawiec, Arkadiusz
Powiązania:
https://bibliotekanauki.pl/articles/579083.pdf
Data publikacji:
2016
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
Jacek Bocheński
Polish literature
historical novel
the Emperor Tiberius
Roman Empire
Opis:
The article contains the interpretation of Jacek Bocheński’s Tyberiusz Cezar (2009). This historical novel, which is a polemic with the “black legend” of the Emperor Tiberius, created by Roman historians, especially Tacitus and Suetonius, takes the issue of the historical truth, entanglement in political power, as well as the state of contemporary culture.
Źródło:
Zagadnienia Rodzajów Literackich; 2016, 59/119 z. 3; 31-39
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zwei Fragmente frühbyzantinischer Rechtsliteratur aus Hermupolis Magna. Neuedition von P. Berol. Inv. Nr. 16976 und 16977. Teil 1. Einleitung zu beiden Papyri. Neuedition von P. 16977 aus einer griechischen Index-Vorlesung zu den diokletianischen Kodizes
Autorzy:
Thüngen, Lothar
Powiązania:
https://bibliotekanauki.pl/articles/1195337.pdf
Data publikacji:
2016
Wydawca:
Fundacja im. Rafała Taubenschlaga
Tematy:
juristic papyrology
legal literature
teaching Roman law in Greek index lesson
Codex Gregorianus
Codex Hermogenianus
exceptio non numeratae pecuniae Hermopolis Magna
Opis:
In 1945 Wilhelm Schubart published two papyri in the Festschrift for Leopold Wenger. In the the present paper (in two subsequen parts) I wish to offer their re-edition and a new commentary to both of them. Among other things, their new dating has been established to ad 450–500. Because they deal with completely different subjects, it is assumed here that they belonged to two different codices, contrary to Schubart’s opinion, who believed that they are part of one and the same manuscript. P. 16977, edited in the first part of the paper, originates from Eastern Roman leagal teaching practice. It is a fragment of a Greek index lecture about two Diocletianic codes. Greek indices were concise sum- maries of Latin legal texts, intended especially for law students who did not know Latin. The present fragment deals with nine constitutions about non numerata pecunia, ‘the lack of payment for a credit’. One constitution is taken from the Hermogenian Code, the remaining ones from the Gregorian Code. Four of them are completely or partly preserved in the Justinianic Code (CI. 4, 30, 4–7). Keywords: juristic papyrology, legal literature, teaching Roman law in Greek, index lesson, Codex Gregorianus, Codex Hermogenianus, exceptio non numeratae pecuniae, Hermopolis Magna.
Źródło:
The Journal of Juristic Papyrology; 2016, 46; 47-146
0075-4277
Pojawia się w:
The Journal of Juristic Papyrology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Obraz Achillesa i Hektora w poezji rzymskiej. Prolegomena
The Image of Achilles and Hector in Roman Poetry. Prolegomena
Autorzy:
Hendzel, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/648611.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Hector
Achilles
Roman literature
Opis:
In this article the author tries to present the images of two great heroes of The Iliad, Achilles and Hector, that emerges from the Roman poetry and compare them with those present in the Greek tradition. In this analysis, focus is primarily put on The Aeneid of Virgil and on Ovid’s works, with minor remarks to the works of other authors. The article concludes that in the case of Achilles there is a huge difference between the image of this character in the Greek tradition and in Roman poetry. Achilles, who for Greeks was an object of universal esteem, in the eyes of Romans has become a synonym of a criminal, a ruthless murderer and the personification of the destroyer of Troy. The image of Hector in Roman literature is also different from the Greek perspective, since Roman authors idealized the prince of Troy to such an extent that they saw him as the greatest hero of the Trojan War.
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Źródło:
Collectanea Philologica; 2017, 20; 63-79
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Portrayal of Seneca in the Octavia and in Tacitus’ Annals
Autorzy:
Pigoń, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/1045976.pdf
Data publikacji:
2017-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Seneca the Younger
Octavia Praetexta
Tacitus
Nero
characterisation in literature
Roman literature (1st and 2nd cent. AD)
Roman Empire
Opis:
The paper examines the representation of Seneca in two literary works of the late 1st and early 2nd centuries AD, the anonymous tragedy Octavia and the Annals by Tacitus. In the Octavia Seneca appears as the emperor Nero’s upright but unhappy teacher trying in vain to inculcate salutary advice to his master. There is no question of his being responsible for the crimes of Nero; the picture of him drawn in the play is wholly favourable. The portrayal of Seneca in Tacitus’ Annals is more complex and nuanced, and only seldom does the historian give his own views about Nero’s advisor. However, it would be wrong to suppose that Seneca is harshly criticised by Tacitus.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2017, 27, 3; 169-187
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bułgarski car Piotr i jego żona Maria Lekapena w Latopisie Helleńskim i Rzymskim drugiej edycji
Autorzy:
Brzozowska, Zofia A.
Powiązania:
https://bibliotekanauki.pl/articles/1038147.pdf
Data publikacji:
2018-06-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Old Russian literature
Hellenic and Roman Chronicle
Peter
Maria Lekapene
Byzantine- Bulgarian relations
Opis:
The sequence concerning the reign of Peter and Maria Lekapene as well as the Byzantine-Bulgarian relations between 927 and 969 can be found in the second version of the Hellenic and Roman Chronicle. It is a vast historiographical work, whose authors attempted to demonstrate the history of medieval Rus against the broad background of universal history, drawing on the sources of Byzantine provenance known in Slavonic translation (mainly the chronicles of John Malalas and George Hamartolus). Given the fact that the Hellenic and Roman Chronicle does not contain information about the capture of Constantinople by the Ottoman Turks, the year 1453 is considered the terminus ante quem for the second version of the said chronicle, which is of interest to us here. Its oldest preserved copies come from the mid-fifteenth century. The passages about Maria and Peter are extensive. They include about six columns of text written in semi-uncial in the most representative copy of the second version of the Hellenic and Roman Chronicle, i.e. manuscript БАН, 33.8.13, which is dated to the last quarter of the fifteenth century. Reading them allows one to ascertain that they constitute only a reworded version of the Slavic translation of the relevant passages of the B-version of the Georgius Monachus Continuatus. The content of the Byzantine source is quoted here in full without any abbreviations or author’s additions. The differences between the text of БАН, 33.8.13 and the text of РГБ, собр. Ундольского [Ф. 310], № 1289 – constituting the basis for editing the translation of the Georgius Monachus Continuatus of the B-version – are limited only to the stylistic and editorial level, except for the changes resulting most probably from the copyist misunderstanding the meaning of the original.
Źródło:
Slavia Antiqua: rocznik poświęcony starożytnościom słowiańskim; 2017, 58; 25-40
0080-9993
Pojawia się w:
Slavia Antiqua: rocznik poświęcony starożytnościom słowiańskim
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Semantyka inskrypcji nagrobnych nekropolii rzymskokatolickich na przykładzie cmentarzy parafialnych we Włostowie i w Obrazowie
Autorzy:
Jędrycha, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1047352.pdf
Data publikacji:
2018
Wydawca:
Instytut Teologiczno-Pastoralny im. św. bpa Józefa Sebastiana Pelczara
Tematy:
inskrypcja nagrobna
komunikacja językowa
nekropolie rzymskokatolickie
literatura cmentarna
gravestone inscription
language communication
cemetery literature
roman catholic necropolises
Opis:
The article presents the conclusions of the study of gravestone inscriptions (3644) carried out on two Roman Catholic cemeteries in the Świętokrzyskie province. The collected material dates back to the 1720s, giving an opportunity to observe socio-historical changes, and to answer the question of how, in the optional elements of the gravestone, the community’s value system is reflected. In addition, what information about the inscription was conveyed the gravestone, how its functions function as a gravestone and what is the origin of the inscription.
Źródło:
Resovia Sacra : Studia Teologiczno-Filozoficzne Diecezji Rzeszowskiej; 2018, 25; 153-174
1234-8880
Pojawia się w:
Resovia Sacra : Studia Teologiczno-Filozoficzne Diecezji Rzeszowskiej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Walls that Bridge; or, What We Can Learn from the Roman Walls
Autorzy:
Mariani, Giorgio
Powiązania:
https://bibliotekanauki.pl/articles/626322.pdf
Data publikacji:
2018
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Roman walls
walls as rhetoric
US literature
walls as bridges
walls as dividers
Opis:
Giorgio MarianiUniversity of Rome “La Sapienza” ItalyWalls that Bridge; or, What We Can Learn from the Roman Walls Abstract: When, during the latest US electoral campaign, Pope Francis criticized Trump’s idea of building a wall between Mexico and the US, reiterating his favorite  point that “we do not need to build walls, but bridges,” the Trump camp retorted that the Pope lives in a city state surrounded by walls, in a city itself surrounded by other walls dating back to ancient Roman times. Why wasn't he concerned with those walls? As one can see, even though Roman walls have completely lost their original function and survive mainly as tourist sites, they also remain powerful political and cultural symbols. The scope of this essay is to offer, from the perspective of an Americanist who was born and raised in Rome, some comparative reflections on  what we can learn today from the history of Roman walls, as well as from their symbolic afterlives.Keywords: Roman walls, walls as rhetoric, US literature, walls as bridges, walls as dividers
Źródło:
Review of International American Studies; 2018, 11, 1
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
« Le fondement d’une affreuse existence », ou ce que boivent les princes des ténèbres
Autorzy:
Szkopiński, Łukasz
Powiązania:
https://bibliotekanauki.pl/articles/1041537.pdf
Data publikacji:
2019-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
littérature française
Lamothe-Langon
vampire
roman gothique
sang
French literature
gothic novel
blood
Opis:
La Vampire, ou la vierge de Hongrie (1825) d’Étienne-Léon de Lamothe-Langon (1786-1864) fait partie d’un groupe fort hétérogène de romans gothiques, genre particulièrement fécond à la fin du XVIIIe et au début du XIXe siècle. Le but principal de la présente étude est d’analyser le rôle joué par le sang dans l’ouvrage en question. Afin de mieux développer cet aspect du roman, nous esquisserons d’abord l’avènement du concept de vampire en Europe occidentale au XVIIIe siècle, en mettant particulièrement l’accent sur le rôle de Dom Augustin Calmet (1672-1757) et de son Traité sur les apparitions des esprits et sur les vampires (1751) dans ce processus. Par la suite, nous nous pencherons sur la manière dont Lamothe-Langon explore les traits typiquement vampiriques en construisant le personnage principal de son ouvrage, la démoniaque Alinska.
La Vampire, ou la vierge de Hongrie [The Vampire, or the Hungarian Virgin] (1825) by Étienne- Léon de Lamothe-Langon (1786-1864) belongs to a very heterogeneous field of Gothic fiction, a genre which was particularly popular in the late 18th and the early 19th centuries. The main purpose of the present study is to examine the role played by blood in the analysed work. In order to demonstrate this aspect of the novel more successfully, it will be preceded by a general overview of the gradual popularisation of the vampire as a concept in the 18th-century Western Europe, with a particular emphasis placed on the role of Dom Augustin Calmet (1672- 1757) and his Traité sur les apparitions des esprits et sur les vampires [Treatise on the Apparitions of Spirits and on Vampires] (1751) in this process. Thereafter, a more detailed consideration will be given to the way in which Lamothe-Langon explores the typical vampiric traits while portraying the main character of his book, namely the demonic Alinska.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Romanica; 2019, 14; 139-147
1505-9065
2449-8831
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł
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