Temat: Revenge - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: „Samą zemstą dusza nie wyżyje...” Wendetta w Trylogii Henryka Sienkiewicza
“Samą zemstą dusza nie wyżyje...” Vendetta in Henryk Sienkiewicz’s Trilogy
Autorzy:: Zalewski, Cezary
Powiązania:: https://bibliotekanauki.pl/articles/951664.pdf
Data publikacji:: 2016
Wydawca:: Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:: emotional revenge
clan revenge
Trilogy
Henryk Sienkiewicz
Opis:: The article concerns the problem of revenge in Henryk Sienkiewicz’s Trilogy. It was distinguished and described two models of it. The first one is spontaneous, irrational, and emotional; the second one – i.e. clan revenge – is conceptual, and perfectly executed. The article examines such problems as: a circulations of violence, kinds of personal engagements in it (as subject, object and victim), and its effects.
Źródło:: Białostockie Studia Literaturoznawcze; 2016, 9
2082-9701
2720-0078
Pojawia się w:: Białostockie Studia Literaturoznawcze
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: The foremost gift or the impossible ideal to reach? Valorial components of forgiveness among Italian adolescents
Autorzy:: Szcześniak, Małgorzata
Vitali, Martina
Rondón, Gloria
Powiązania:: https://bibliotekanauki.pl/articles/430414.pdf
Data publikacji:: 2012
Wydawca:: Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:: Forgiveness
Avoidance
Revenge
Basic Human Values
Opis:: The foremost gift or the impossible ideal to reach? Valorial components of forgiveness among Italian adolescents In the year 2006, the American Psychological Association published a series of Research Briefs brochures to make available to the public short outlines on contemporary psychological studies of themes relevant to the United Nations’ mission. One of the items that was listed and given a considerable attention within the psychological fi eld was ‘forgiveness’. That initiative, despite the fact that forgiveness has been considered rather a theological issue, has generated a great interest among psychologists, thus leading them to undertake some projects on forgiveness. In accordance with this concept of forgiveness, we chose in this research to investigate an individual’s ability to forgive as related to a basic human value. The study involved 274 Italian adolescents between 14 and 19 years of age. To measure variables involved in the research we used the following instruments: Transgression-Related Interpersonal Motivations Inventory (TRIM-12), The Marital Offence-Specifi c Forgiveness Scale (MOFS) adapted to the adolescents’ sample, Trait Forgiveness Scale (TFS), and Portrait Values Questionnaire (PVQ). The results obtained in the study show that forgiveness is positively related to selftranscendent and conservation values, and negatively correlated with self-enhancement and openness to change values.
Źródło:: Polish Psychological Bulletin; 2012, 43, 3; 199-209
0079-2993
Pojawia się w:: Polish Psychological Bulletin
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: The new sexual offences in the light of digitalisation
Autorzy:: Ambrus, István
Powiązania:: https://bibliotekanauki.pl/articles/48899286.pdf
Data publikacji:: 2023-01-23
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: criminal law
cyberflashing
deepfake
revenge porn
upskirting
Opis:: Digitalisation has given rise to many new types of offences against sexual autonomy that previously either did not exist or at least were not so easily and quickly perpetrated. The first of these is the category of deepfakes. The term “deep” refers to the deep learning, AI-based technology; “fake” denotes a manipulation, which, in summary, is the use of algorithms to manipulate images or video footage to make it possible to mount someone’s face in a lifelike form on the footage – typically pornographic footage – that does not initially depict them. In practice, however, deepfakes are used not only in connection with pornographic content but often also to discredit political or business opponents. Revenge porn usually involves publishing pornographic images of the victim by the former partner out of jealousy or revenge for the break-up of a relationship. Such images or videos may be of the (typically nude) victim himself or herself, a sexual act between the perpetrator and the victim, or may be manipulated images rather than real ones, where revenge pornography is combined with deepfakes. Upskirting literally means “photographing under a skirt”, which typically involves taking unauthorised pictures or videos of female victims’ crotches. Of course, cameras existed before the advent of digitalisation, but it is only in the last decade or so that large numbers of people have a smartphone with the ability to take high-quality pictures of virtually every passer-by. Unfortunately, technological progress in this area has had a criminogenic effect, since it is easy to take such pictures or videos of an unsuspecting victim quickly and often unnoticed using a mobile phone. Cyberflashing is the phenomenon of sending a picture or video of the offender’s genitalia to the victim via a digital device without prior consent or agreement.
Źródło:: Studia Iuridica; 2022, 93; 7-19
0137-4346
Pojawia się w:: Studia Iuridica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Die Mauer steht noch, oder: Begegnungen an der Grenze. Menschen, Geschichten und Konflikte in Unterleuten (2016) von Juli Zeh
The Wall is still standing, or: encounters on the borderland. People, stories and conflicts in Unterleuten (2016) by Juli Zeh
Autorzy:: Jurzysta, Aneta
Powiązania:: https://bibliotekanauki.pl/articles/2030869.pdf
Data publikacji:: 2017-12-16
Wydawca:: Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:: borderland
conflicts
history
revenge
pogranicze
konflikt
historia
zemsta
Opis:: The article is devoted to Juli Zeh’s novel Unterleuten, which explores what happens in a small village outside of Berlin, when an energy company arrives with plans to develop a wind farm. Brutality surfaces in many forms, from harassment and deliberate cruelty to perverse acts of revenge. Two old men, a successful agribusiness man and a displaced comrade from the former GDR farming collective, reengage in past conflicts, and their twenty-year-long feud grows into a prime source of vicious ill feeling. The structure of the novel is like a literary kaleidoscope: Unterleuten is a place between past and present, east and west, city and province, civilisation and tradition, reality and fiction, true and false, winners and losers.
Źródło:: Tematy i Konteksty; 2017, 12, 7; 386-401
2299-8365
Pojawia się w:: Tematy i Konteksty
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: “The way up is the way down”: Curzio Malaparte’s “Il Cristo Proibito” and Krzysztof Kieślowski’s “Three Colours: Red”
Autorzy:: Coates, Paul
Powiązania:: https://bibliotekanauki.pl/articles/923218.pdf
Data publikacji:: 2019-03-25
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: doubling
judgment
fraternité
Christianity
revenge
descent into Hell
Opis:: The statement ‘the way up is the way down’ may imply that the spiritual way to perfection lies through humility. It may however also apply to the physical world that is the source of such spiritual metaphors, and within which the actions play out of fictional characters who themselves serve as metaphors for real ones. I will argue that both meanings apply to both of these films, with a comparison between the two films enabling one to employ Malaparte’s explicit prohibition of a Christ-like position to make apparent a similar prohibition that is only implicit in Kieślowski’s film. Such physical movements provide an appropriate topography for the concern with judgment, knowledge, revenge, isolation and humiliation embodied in the male protagonists of the two films. In each case, the protagonists’ eventual divestment from programmes of judgment and revenge may be related to the prohibition Malaparte formulates explicitly: that upon human re-enactment of the Christ-like position that is the one of judgment. Here a destructive and self-destructive movement downwards, in the sense of dehumanization and extreme isolation, is countered eventually by a downward one that, in fact, leads upwards through an embrace of the humiliation of inaction. The paper examines various ways in which the object of both texts is to rediscover a ‘we’ that is rather one of solidarity than complicity.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 24, 33; 47-59
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 6.

Tytuł:: Образы мстителей в Безотцовщине А. П. Чехова. Герой в ситуации возмездия
Images of avengers in Anton Chekhov`s Fatherlessness. The hero in the situation of a revenge
Autorzy:: Szymańska, Aleksandra
Powiązania:: https://bibliotekanauki.pl/articles/22610393.pdf
Data publikacji:: 2010
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: Anton Chekhov
Fatherlessnes
Commander
the situation of the revenge
Opis:: The aim of this article is to analyze the images of the two heroes of Chekhov`s early drama – the horse-thief Osip and Sophia Voynitseva, as characters that are similar to Commander, one of the heroes of the Don Juan story. A rtesponse to the Commander in Fatherlessness allows us to interpret Chekhov`s play in an ironic way and contributes to new value of this drama.
Źródło:: Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2010, 3; 52-59
1427-9681
2353-4834
Pojawia się w:: Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 7.

Tytuł:: Uwagi na temat wiersza „Don Juan i Dońa Anna” Marii Pawlikowskiej -Jasnorzewskiej
Remarks on „Don Juan and Dońa Anna”, a poem by Maria Pawlikowska-Jasnorzewska
Autorzy:: Jęcz, Jadwiga
Powiązania:: https://bibliotekanauki.pl/articles/631260.pdf
Data publikacji:: 2016
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Maria Pawlikowska-Jasnorzewska
don Juan
dońa Anna
death
love
revenge
Opis:: The paper aims to offer an interpretation of “Don Juan and Dońa Anna”, a poem by Maria Pawlikowska-Jasnorzewska in the light of one of the most famed European myths. Relying on the abundant studies devoted to the oeuvre of the poet, it is also worthwhile to analyze how the poem was influenced by the social and cultural trends of its times.
Źródło:: Studia Europaea Gnesnensia; 2016, 14; 51-67
2082-5951
Pojawia się w:: Studia Europaea Gnesnensia
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 8.

Tytuł:: Karnoprawne regulacje krwawej zemsty w Związku Radzieckim
Penal Regulations Concerning “Bloody Revenge” in the Soviet Union
Autorzy:: Laskowska, Katarzyna
Powiązania:: https://bibliotekanauki.pl/articles/621684.pdf
Data publikacji:: 2015
Wydawca:: Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:: prawo karne, Związek Radziecki, krwawa zemsta
penal law, Soviet Union, bloody revenge
Opis:: In her study, K. Laskowska has presented the essence of the so called “bloody revenge” custom, peculiar to many USSR nations. She has shown a legal response to this ‘relic of local customs’ provided for in the Soviet criminal codes. She has endeavoured to demonstrate that neither the Soviet nor the modern state has managed to eliminate it from the lives of some societies, since their deep-rooted devotion to family tradition, sense of honour and justice has proven stronger than the statutory law. She stresses that it remains alive in many nations of the North Caucasus.
Źródło:: Miscellanea Historico-Iuridica; 2015, 14, 1; 325-336
1732-9132
2719-9991
Pojawia się w:: Miscellanea Historico-Iuridica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 9.

Tytuł:: Spaghetti Shakespeare: „Johnny Hamlet” and the Italian Western
Autorzy:: Ciraulo, Darlena
Powiązania:: https://bibliotekanauki.pl/articles/647940.pdf
Data publikacji:: 2017
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: Johnny Hamlet
Shakespeare
Hamlet
Italian Western
Spaghetti Western
Castellari
Corbucci
Django
western
revenge
Opis:: The Italian Western, Johnny Hamlet (1968), directed by Enzo G. Castellari, draws on the revenge story of Shakespeare’s tragedy Hamlet for plot and characterization. While international distributors of the film downplayed its connection to highbrow Shakespeare, they emphasized the movie’s violent content and actionpacked revenge narrative, which was typical of the western all’italiana. Johnny Hamlet shares similarities with the brutally violent Django (1966), directed by Sergio Corbucci, whose avenging angel protagonist epitomizes the Spaghetti Western antihero. Although the filmmakers of Johnny Hamlet characterized Johnny as a vindicator, they also sought to develop the “broody” aspect of this gunfighter, one based on Shakespeare’s famously ruminating hero. Using innovative film techniques, Johnny Hamlet shows Johnny as a contemplative pistolero.
Źródło:: Multicultural Shakespeare: Translation, Appropriation and Performance; 2017, 15, 30; 105-119
2083-8530
2300-7605
Pojawia się w:: Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 10.

Tytuł:: Dwie «Zemsty» Bohdana Korzeniewskiego
Bohdan Korzeniewski’s Two «Revenges»
Autorzy:: Makaruk, Maria
Powiązania:: https://bibliotekanauki.pl/articles/47224403.pdf
Data publikacji:: 2021
Wydawca:: Polska Akademia Nauk. Instytut Sztuki PAN
Tematy:: Bohdan Korzeniewski
«Zemsta»
Aleksander Fredro
Teatr Polski
Teatr Narodowy
stalinizm
wallenrodyzm
«Revenge» [«Zemsta»]
Stalinism
Wallenrodism
Opis:: Artykuł przypomina pracę Bohdana Korzeniewskiego nad Zemstą Aleksandra Fredry w Teatrze Polskim w Warszawie na przełomie 1951 i 1952 roku. Kiedy reżyser objął dyrekcję Teatru Narodowego, próby przerwano. Autorka dokumentuje ślady po niezrealizowanym przedstawieniu, by skonfrontować je z Zemstą, którą Korzeniewski wystawił w Teatrze Narodowym w 1953. Celem nie jest rekonstrukcja niewystawionej premiery, lecz zadanie pytań o tę drugą Zemstę i podejście artysty do komedii Fredry. Perspektywa poetyki kulturowej (kulturowej historii teatru) przybliża strategie i gry Korzeniewskiego i – szerzej – praktyki funkcjonowania artystów w polskim teatrze w latach stalinizmu. Uruchomienie historii potencjalnej pozwala spojrzeć na biografię Korzeniewskiego w sposób zniuansowany.
This article discusses the history of Bohdan Korzeniewski’s work on Aleksander Fredro’s Revenge [Zemsta] at Teatr Polski in Warsaw from 1951 into 1952. When the theater director took over the management of Teatr Narodowy, rehearsals were halted. The author documents the traces of the unrealized production in order to juxtapose it with Korzeniewski’s 1953 staging of Revenge at Teatr Narodowy – not with the aim of reconstructing the former, but to investigate the latter and Korzeniowski’s approach to Fredro’s comedy. The perspective of cultural poetics (cultural history of theater) reveals Korzeniewski’s strategies and games, and, more generally, the functioning of Polish theater artists under Stalinism. Engaging with speculative history enables a nuanced look at Korzeniewski’s biography.
Źródło:: Pamiętnik Teatralny; 2021, 70, 1; 73-94
0031-0522
2658-2899
Pojawia się w:: Pamiętnik Teatralny
Dostawca treści:: Biblioteka Nauki

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