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Wyświetlanie 1-15 z 27
Tytuł:
„Samą zemstą dusza nie wyżyje...” Wendetta w Trylogii Henryka Sienkiewicza
“Samą zemstą dusza nie wyżyje...” Vendetta in Henryk Sienkiewicz’s Trilogy
Autorzy:
Zalewski, Cezary
Powiązania:
https://bibliotekanauki.pl/articles/951664.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
emotional revenge
clan revenge
Trilogy
Henryk Sienkiewicz
Opis:
The article concerns the problem of revenge in Henryk Sienkiewicz’s Trilogy. It was distinguished and described two models of it. The first one is spontaneous, irrational, and emotional; the second one – i.e. clan revenge – is conceptual, and perfectly executed. The article examines such problems as: a circulations of violence, kinds of personal engagements in it (as subject, object and victim), and its effects.
Źródło:
Białostockie Studia Literaturoznawcze; 2016, 9
2082-9701
2720-0078
Pojawia się w:
Białostockie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The foremost gift or the impossible ideal to reach? Valorial components of forgiveness among Italian adolescents
Autorzy:
Szcześniak, Małgorzata
Vitali, Martina
Rondón, Gloria
Powiązania:
https://bibliotekanauki.pl/articles/430414.pdf
Data publikacji:
2012
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Forgiveness
Avoidance
Revenge
Basic Human Values
Opis:
The foremost gift or the impossible ideal to reach? Valorial components of forgiveness among Italian adolescents In the year 2006, the American Psychological Association published a series of Research Briefs brochures to make available to the public short outlines on contemporary psychological studies of themes relevant to the United Nations’ mission. One of the items that was listed and given a considerable attention within the psychological fi eld was ‘forgiveness’. That initiative, despite the fact that forgiveness has been considered rather a theological issue, has generated a great interest among psychologists, thus leading them to undertake some projects on forgiveness. In accordance with this concept of forgiveness, we chose in this research to investigate an individual’s ability to forgive as related to a basic human value. The study involved 274 Italian adolescents between 14 and 19 years of age. To measure variables involved in the research we used the following instruments: Transgression-Related Interpersonal Motivations Inventory (TRIM-12), The Marital Offence-Specifi c Forgiveness Scale (MOFS) adapted to the adolescents’ sample, Trait Forgiveness Scale (TFS), and Portrait Values Questionnaire (PVQ). The results obtained in the study show that forgiveness is positively related to selftranscendent and conservation values, and negatively correlated with self-enhancement and openness to change values.
Źródło:
Polish Psychological Bulletin; 2012, 43, 3; 199-209
0079-2993
Pojawia się w:
Polish Psychological Bulletin
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Die Mauer steht noch, oder: Begegnungen an der Grenze. Menschen, Geschichten und Konflikte in Unterleuten (2016) von Juli Zeh
The Wall is still standing, or: encounters on the borderland. People, stories and conflicts in Unterleuten (2016) by Juli Zeh
Autorzy:
Jurzysta, Aneta
Powiązania:
https://bibliotekanauki.pl/articles/2030869.pdf
Data publikacji:
2017-12-16
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
borderland
conflicts
history
revenge
pogranicze
konflikt
historia
zemsta
Opis:
The article is devoted to Juli Zeh’s novel Unterleuten, which explores what happens in a small village outside of Berlin, when an energy company arrives with plans to develop a wind farm. Brutality surfaces in many forms, from harassment and deliberate cruelty to perverse acts of revenge. Two old men, a successful agribusiness man and a displaced comrade from the former GDR farming collective, reengage in past conflicts, and their twenty-year-long feud grows into a prime source of vicious ill feeling. The structure of the novel is like a literary kaleidoscope: Unterleuten is a place between past and present, east and west, city and province, civilisation and tradition, reality and fiction, true and false, winners and losers.
Źródło:
Tematy i Konteksty; 2017, 12, 7; 386-401
2299-8365
Pojawia się w:
Tematy i Konteksty
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“The way up is the way down”: Curzio Malaparte’s “Il Cristo Proibito” and Krzysztof Kieślowski’s “Three Colours: Red”
Autorzy:
Coates, Paul
Powiązania:
https://bibliotekanauki.pl/articles/923218.pdf
Data publikacji:
2019-03-25
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
doubling
judgment
fraternité
Christianity
revenge
descent into Hell
Opis:
The statement ‘the way up is the way down’ may imply that the spiritual way to perfection lies through humility. It may however also apply to the physical world that is the source of such spiritual metaphors, and within which the actions play out of fictional characters who themselves serve as metaphors for real ones. I will argue that both meanings apply to both of these films, with a comparison between the two films enabling one to employ Malaparte’s explicit prohibition of a Christ-like position to make apparent a similar prohibition that is only implicit in Kieślowski’s film. Such physical movements provide an appropriate topography for the concern with judgment, knowledge, revenge, isolation and humiliation embodied in the male protagonists of the two films. In each case, the protagonists’ eventual divestment from programmes of judgment and revenge may be related to the prohibition Malaparte formulates explicitly: that upon human re-enactment of the Christ-like position that is the one of judgment. Here a destructive and self-destructive movement downwards, in the sense of dehumanization and extreme isolation, is countered eventually by a downward one that, in fact, leads upwards through an embrace of the humiliation of inaction. The paper examines various ways in which the object of both texts is to rediscover a ‘we’ that is rather one of solidarity than complicity.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 24, 33; 47-59
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Образы мстителей в Безотцовщине А. П. Чехова. Герой в ситуации возмездия
Images of avengers in Anton Chekhov`s Fatherlessness. The hero in the situation of a revenge
Autorzy:
Szymańska, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/22610393.pdf
Data publikacji:
2010
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Anton Chekhov
Fatherlessnes
Commander
the situation of the revenge
Opis:
The aim of this article is to analyze the images of the two heroes of Chekhov`s early drama – the horse-thief Osip and Sophia Voynitseva, as characters that are similar to Commander, one of the heroes of the Don Juan story. A rtesponse to the Commander in Fatherlessness allows us to interpret Chekhov`s play in an ironic way and contributes to new value of this drama.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2010, 3; 52-59
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Uwagi na temat wiersza „Don Juan i Dońa Anna” Marii Pawlikowskiej -Jasnorzewskiej
Remarks on „Don Juan and Dońa Anna”, a poem by Maria Pawlikowska-Jasnorzewska
Autorzy:
Jęcz, Jadwiga
Powiązania:
https://bibliotekanauki.pl/articles/631260.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Maria Pawlikowska-Jasnorzewska
don Juan
dońa Anna
death
love
revenge
Opis:
The paper aims to offer an interpretation of “Don Juan and Dońa Anna”, a poem by Maria Pawlikowska-Jasnorzewska in the light of one of the most famed European myths. Relying on the abundant studies devoted to the oeuvre of the poet, it is also worthwhile to analyze how the poem was influenced by the social and cultural trends of its times.
Źródło:
Studia Europaea Gnesnensia; 2016, 14; 51-67
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Karnoprawne regulacje krwawej zemsty w Związku Radzieckim
Penal Regulations Concerning “Bloody Revenge” in the Soviet Union
Autorzy:
Laskowska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/621684.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
prawo karne, Związek Radziecki, krwawa zemsta
penal law, Soviet Union, bloody revenge
Opis:
In her study, K. Laskowska has presented the essence of the so called “bloody revenge” custom, peculiar to many USSR nations. She has shown a legal response to this ‘relic of local customs’ provided for in the Soviet criminal codes. She has endeavoured to demonstrate that neither the Soviet nor the modern state has managed to eliminate it from the lives of some societies, since their deep-rooted devotion to family tradition, sense of honour and justice has proven stronger than the statutory law. She stresses that it remains alive in many nations of the North Caucasus.
Źródło:
Miscellanea Historico-Iuridica; 2015, 14, 1; 325-336
1732-9132
2719-9991
Pojawia się w:
Miscellanea Historico-Iuridica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Spaghetti Shakespeare: „Johnny Hamlet” and the Italian Western
Autorzy:
Ciraulo, Darlena
Powiązania:
https://bibliotekanauki.pl/articles/647940.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Johnny Hamlet
Shakespeare
Hamlet
Italian Western
Spaghetti Western
Castellari
Corbucci
Django
western
revenge
Opis:
The Italian Western, Johnny Hamlet (1968), directed by Enzo G. Castellari, draws on the revenge story of Shakespeare’s tragedy Hamlet for plot and characterization. While international distributors of the film downplayed its connection to highbrow Shakespeare, they emphasized the movie’s violent content and actionpacked revenge narrative, which was typical of the western all’italiana. Johnny Hamlet shares similarities with the brutally violent Django (1966), directed by Sergio Corbucci, whose avenging angel protagonist epitomizes the Spaghetti Western antihero. Although the filmmakers of Johnny Hamlet characterized Johnny as a vindicator, they also sought to develop the “broody” aspect of this gunfighter, one based on Shakespeare’s famously ruminating hero. Using innovative film techniques, Johnny Hamlet shows Johnny as a contemplative pistolero.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2017, 15, 30; 105-119
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Strategia radzenia sobie z krzywdzicielem – polska walidacja kwestionariusza TIRM-18
Strategies of Coping with Transgressor - Polish Validation of TIRM-18 Questionnaire
Autorzy:
Kossakowska, Marlena M.
Powiązania:
https://bibliotekanauki.pl/articles/494948.pdf
Data publikacji:
2017-11-30
Wydawca:
Towarzystwo Naukowe Franciszka Salezego
Tematy:
przebaczenie
TIRM-18
życzliwość
odwet
unikanie
psychologia pozytywna
Forgiveness
TRIM-18
benevolence
revenge
avoidance
positive psychology
Opis:
Celem artykułu jest przedstawienie wyników polskiej walidacji kwestionariusza mierzącego strategie radzenia sobie z krzywdzicielem, które odpowiedzialne są za zjawisko przebaczania (TRIM-18; Transgression – Related Interpersonal Motivations; McCullough, Root and Cohen 2006). Artykuł zawiera opis procedury dotyczącej tłumaczenia z języka angielskiego na polski, wyniki analizy czynnikowej, analizy dyskryminacyjnej oraz trafności zewnętrznej. W poniższych badaniach wzięło udział 530 osób w wieku od 18 do 84 lat (345 kobiet i 185 mężczyzn). Do oceny trafności teoretycznej testu użyto jedenastu kwestionariuszy. Badanie potwierdza, że struktura polskiej wersji kwestionariusza TRIM-18 jest zgodna ze strukturą wersji anglojęzycznej. Kwestionariusz TRIM-18 w wersji polskiej okazał się jest również bardzo rzetelnym narzędziem. Może być z powodzeniem stosowany w warunkach polskich.
The aim of this paper is to present the results of Polish validation of Transgression – Related Interpersonal Motivations questionnaire (TRIM-18) by McCullough, Root, and Cohen (2006) which measures the phenomena of forgiveness. The article contains a description of the procedure of Polish translation, the results of the test reliability, discriminant and confirmatory validity. The study was conducted among 530 participants aged between 18 and 84 (345 females and 185 males). Eleven questionnaires were used for assessing the validity of the measurement. This study confirms that the structure of Polish TRIM-18 is relevant to the English language version. Polish TRIM-18 is also a very reliable tool. It can be successfully used in Polish conditions.
Źródło:
Seminare. Poszukiwania naukowe; 2017, 38, 4; 69-82
1232-8766
Pojawia się w:
Seminare. Poszukiwania naukowe
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Исторические перепитии сквозь призму украинского университетского романа
Autorzy:
Блашкив, Оксана
Powiązania:
https://bibliotekanauki.pl/articles/1826639.pdf
Data publikacji:
2018-10-08
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
the academic novel
history
The Revenge of the Printer
Stanislav Rosovetskyj
Iwan Fedorowicz (Ivan Fedorov) the Printer
Opis:
The article focuses on the literary interpretation of historical events from early1990s taking place in Ukraine. The turbulent 1991 appears in Stanislav Rosovetsky’snovel The Revenge of the Printer (Помста Першодрукаря, 2009) as theidentity crossroads for the Ukrainian nation, paralleled by the similar situation inlate 16th century. Although the novel may be perceived as the historical adventurenovel, the author views it through the prism of the academic novel. Initiallyset in the research division of the Ivan Fedorov Museum in 1991 and in the timesof Ivan Fedovor in the 1590s, the novel addresses contentious questions, like therole of intellectuals in the times of political change, the notions of national andacademic identity throughout time and geopolitical space.
Źródło:
Conversatoria Litteraria; 2018, 12; 135-149
1897-1423
Pojawia się w:
Conversatoria Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Die Bedeutung von Kuno von Klebelsberg als Minister für Kultur und Bildung (1922–1931) in der ungarischen Kulturpolitik
The importance of Kuno von Klebersberg as Minister of Culture and Education (1922–1931) in Hungarian cultural policy
Autorzy:
Huszar, Zoltan
Klein, Agnes
Powiązania:
https://bibliotekanauki.pl/articles/27312181.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Komisji Edukacji Narodowej w Krakowie
Tematy:
cultural and educational policy
Hungarian education
revenge
structure of the
school system
structure of the school system
Opis:
The Government of Hungary’s view of the transformed economic and political situation in the new country can be vividly presented through the main features of Hungary’s cultural and educational policy in the 1920s. The government tried to find a way out of the national shock caused by the Treaty of Trianon by focusing on and promoting the quality and quantity of education, culture, and training, although revenge was still at the front of their minds. This bipolar process of swing ‑ ing between past and future was led by Klebelsberg, who, as Minister of Education, headed the Ministry of Religion and Education from June 16, 1922, to August 14, 1931. Through his work and speeches, we can learn much about the spirit of the time, the main currents in politics and humanities, people’s thoughts about the Treaty of Trianon, and the ways it was dealt with – and it should also be emphasized that his work and the spirit of the time can still be felt today. Our most important research method is the processing of historical sources and, of course, the use of relevant specialist literature.
Źródło:
Res Gestae. Czasopismo Historyczne; 2023, 15; 105-119
2450-4475
Pojawia się w:
Res Gestae. Czasopismo Historyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dwie lub trzy Kasandry i co o nich wiem. Kilka uwag
Two or three Cassandras and what I know about them. Some observations
Autorzy:
Wesołowska, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/2013686.pdf
Data publikacji:
2014-06-02
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Homer
Ajschylos
Eurypides
Seneka
wieszczenie
wykluczenie
niedowierzanie
motyw zemsty
Aeschylos
Euripides
Seneca
foretelling
isolation
disbelief
motif of revenge
Opis:
Cassandra is a peculiar female character in ancient mythology and literature. She appears as early as Homer’s epic, and then incidentally in Aeneid. A would-be lover of Apollo, seer, doomed to disbelief, concubine of Agamemnon, and killed with him on their arrival to Mycenae, she is tragic and it is the tragedy, where she is presented most fully, i.e. in plays by Aeschylus, Euripidesand Seneca. However, her personality traits are so poorly determined that it leaves room for the authors’ actions organising her profile anew. Andso, in Aeschyluss he is a prophetess of her impending death, but she does not try to defend herself. In Seneca, she relates what is covered from spectators’ eyes. She happens to be the symbol of reconciliation, but in Euripides’ Helen she personifies the element of revenge. She is Apollo’s medium, and at the same time she apparently discredits his prophetic power since she was able to cheat him on some occasions. Her attitude towards Agamemnon is vague, because she bemoans his death the same way Helen, whom she hates, mourns Hector’s death. Only the Greek Troades provides an opinion on the beauty of the prophetess. Afterall, Helenand Cassandra’s fatesare mysteriously intertwined. We have the right to suppose that Clytaemestra’s calling Cassandraa female swan is not accidental, although it formally seems to refer to her stage “muteness”.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2014, 4(7); 35-46
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Utrata twarzy, czyli o upokorzeniu w aspekcie społecznym i jednostkowym
Loss of face, or humiliation in social and individual terms
Autorzy:
Pachowicz, Matylda
Powiązania:
https://bibliotekanauki.pl/articles/962604.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet w Białymstoku. Wydział Pedagogiki i Psychologii
Tematy:
“loss of face”
humiliation
contempt
shame
dehumanization
social engineering
total institutions
hate and revenge
human dignity and forgiveness
Opis:
Humiliating situations can occur both at the macro level (when dealing with specific social groups) and the micro level (when they appear in the relations of the individual with social environment). Humiliation always brings negative consequences, and is a source of suffering and shame. It also robs a man of dignity and violates his internal integrity. Ruthlessness of dehumanization mechanisms is present in thinking and action of a person who uses humiliation as a tool of influence and the way of achieving his own benefits. The victim of dependency and social inequality may take different strategies to cope with humiliation. This text is an attempt to search for the answers to the question about the causes and consequences of humiliation in interpersonal relations, both in a social ad individual context.
Źródło:
Parezja. Czasopismo Forum Młodych Pedagogów przy Komitecie Nauk Pedagogicznych PAN; 2014, 2
2353-7914
Pojawia się w:
Parezja. Czasopismo Forum Młodych Pedagogów przy Komitecie Nauk Pedagogicznych PAN
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Homo malus. Zło jako zasada świata w myśli Emila Ciorana
Autorzy:
Sławomir, Piechaczek,
Powiązania:
https://bibliotekanauki.pl/articles/897294.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
existentialism
pessimism
good
evil
envy
hatred
resentment
revenge
God
evil demiurge
egzystencjalizm
pesymizm
dobro
zło
zazdrość
nienawiść
uraza
zemsta
Bóg
zły demiurg
Opis:
The article, referring to Emil Cioran’s thought, focuses on the philosophical analysis of the phenomenon of evil and the role it plays in human life. According to Cioran, a man does not incline to good, but as a slave of own individuality, wants to affirm his existence, thus human relationships are a chain of envy, hatred, resentment and revenge. Despite the fact that life in society founded on these feelings is unbearable, a man deliberately chooses the way of being based on them, as they are the only ones which add strength, drive his actions and the whole history. This, in turn, leads Cioran to the conclusion that only evil has substance and really exists, and its ubiquity and the role of the principle of movement indicate that the world could not be created by a good god, but an evil demiurge. Imperfection of a demiurge led him to create the world, which took over all his qualities. This is the bungled world, where everything gets destroyed, and in which everybody must cope with his destructibleness and passing on his own.
Źródło:
Przegląd Humanistyczny; 2016, 60(2 (453)); 57-69
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
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