- Tytuł:
-
The Baroque ‘theatrum mundi’: Juliusz Słowacki’s translation of Calderón’s “El príncipe constante”
Barokowy teatr świata w „Księciu niezłomnym” Calderóna/Słowackiego - Autorzy:
- Kryś, Mirella
- Powiązania:
- https://bibliotekanauki.pl/articles/2088375.pdf
- Data publikacji:
- 2018
- Wydawca:
- Polska Akademia Nauk. Czytelnia Czasopism PAN
- Tematy:
-
Polish literature of the 19th century
Romantic poetic drama
heroic tragedy
poetic stylization
perigrinatio vitae
Romanticism and the Baroque
Polish-Spanish literary connections
Pedro Calderón de la Barca (1600–1681)
Juliusz Słowacki (1809–1849)
Calderon de la Barca
filozofia genezyjska
teatr świata
teatr corralowy
tradycja barokowa - Opis:
- This article is a critical reappraisal of Juliusz Słowacki’s translation of Calderón’s El príncipe constant (1843), which acquired a place of its own in Słowacki’s oeuvre and continued to attract a lot of interest throughout the 20th century. Its lasting appeal is due to its extraordinary unity of tone, dramatic construction and stylized language, which in effect, as some critics have said, out-Baroques Calderón’s Baroque original. This article analyzes this contention in detail and tries to answer the question what were the sources and reasons of Słowacki’s fascination with the 17-th century Spanish poet and playwright. The second part of the article deals with two of the 20th-century stage productions of the drama and the adapters’ handling of Słowacki’s text. The summary includes a brief survey of the treatment Calderón’s heirs accorded to his key trope perigrinatio vitae (‘life is pilgrimage’).
- Źródło:
-
Ruch Literacki; 2018, 6; 683-698
0035-9602 - Pojawia się w:
- Ruch Literacki
- Dostawca treści:
- Biblioteka Nauki
Artykuł