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Tytuł:
Drżący głos poetki
The trembling voice of the poet
La voce tremante della poetessa
Autorzy:
Krawczyk, Anna
Powiązania:
https://bibliotekanauki.pl/articles/784394.pdf
Data publikacji:
2019
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Kazimiera Alberti
polish interwar literature
poetry
Franciscanism
Kabbalah
messianic vitalism
polska literatura międzywojenna
poezja
franciszkanizm
kabała
mesjański witalizm
francescanesimo
Opis:
L’articolo si presenta come una polemica contro i testi critico-letterari che definiscono Kazimiera Alberti un’autrice dalle opere “chiare e semplici”. La raccolta di poesie, Godzina Kalinowa, racchiude la ricchezza delle tradizioni, fonti di ispirazioni della poetessa: dal francescanesimo, ai riferimenti biblici, fino alla cabala. Inoltre, una delle caratteristiche dei versi dell’Alberti sono “le fessure e le crepe”, che interpretate nel contesto della filosofia di Kierkegaard, Derrida e di Agata Bielik-Robson, possono mettere in risalto l’originalità della scrittrice. Andare oltre le idee di minoritas e fraternitas, attraverso la metafora della corda, porta il lettore a scoprire interessanti riflessioni sul desiderio e sul vivace atteggiamento di insaziabilità. L’Alberti anticipa la sua epoca sia nella sua creazione letteraria, sia nella propria vita straordinaria e ricca di fascino.
The text is a polemic with critical literary studies that recognize Kazimiera Alberti as a poet creating “light and simple” works. In the volume Kalinowa Hour can be traced wealth of tradition from which the poet drew: from the Franciscan, by biblical references, to the Kabbalah. In addition, the poems of the Alberti contain “crevices and cracks” which, interpreted in the context of Kierkegaard’s philosophy, Derrida and Agata Bielik-Robson’s works, may indicate the originality of poet. Going beyond the ideas of minoritas and fraternitas lead the careful reader to the metaphor of the string and interesting reflections on the desire and animating attitude of insatiability. The intuition that the poet has overtaken her age is not only the poems, but their realization and extension – a rich and extraordinary life.
Źródło:
Fabrica Litterarum Polono-Italica; 2019, 1; 117-134
2658-185X
Pojawia się w:
Fabrica Litterarum Polono-Italica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Korespondencja Julija Benešicia z Polakami. Listy od Marii Kuncewiczowej w zbiorach Chorwackiej Akademii Nauk (HAZU)
Correspondence of Julije Benešić with Poles. Letters from Maria Kuncewiczowa in the Collections of the Croatian Academy of Sciences (HAZU)
Autorzy:
Dyras, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/30148684.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Kuncewiczowa
Polish literature of interwar period
reception
Polish literature in translation
Polish-Croatian relations
Julije Benešić
Opis:
Julije Benešć’s correspondence with Polish scholars, people of culture, writers, and numerous acquaintances and friends began in his school years and lasted until his death. A large collection of letters and postcards sent to him by Poles has been collected in the HAZU library in Zagreb, but unfortunately it has not yet been put in order, and some items have been lost. The materials in the collection were only collected in the form of a list prepared by Ivan Meden in 1978. This text presents letters from Maria Kuncewiczowa, which provide information about the relations of Polish writers with the Croatian popularizer of their works and about the writer’s perception of the Polish literary scene in the years 1920s.
Źródło:
Poznańskie Studia Slawistyczne; 2023, 25; 365-377
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Arystokraci nędzy”, czyli Kazimiery Alberti opowieść o odrzuconych
„The Aristocracy of the Poor”, or Kazimiera Alberti’s narrative about the Rejected
“Signori nella miseria” o il racconto di Kazimiera Alberti riguardo gli emarginati
Autorzy:
Pospiszil, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/784424.pdf
Data publikacji:
2019
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Kazimiera Alberti
Polish interwar literature
the Other
rejection
social issues
cultural hybrids
letteratura polacca tra le due guerre
straniero/altro
rifiuto
problemi sociali
ibrido culturale
odrzucenie
Opis:
L’articolo si concentra sulla descrizione, presente in quasi tutte le opere di Kazimiera Alberti tra le due guerre, dell’analisi letteraria dei problemi sociali. Ciò che è evidente in questo lavoro è la “gerarchia” delle persone che soffrono per le disuguaglianze sociali, economiche, etniche o legate al sesso. Questa “gerarchia” può essere paragonata ai gironi dell’inferno, sebbene in questo caso il livello della sofferenza non dipende dai peccati commessi ma dal grado di rifiuto della società. L’ Alberti colloca gli ibridi culturali ed etnici nel più profondo cerchio dell’inferno – sono visti come stranieri (e spesso non come esseri umani) da entrambe (o più) culture / comunità da cui provengono.
The paper focuses on an undercurrent analysis of social problems present in almost all Kazimiera Alberti’s work written in an interwar period. A kind of “hierarchy” of people suffering from social, economic, ethnic and gender inequality is evident in Alberti’s works. This “hierarchy” could be considered as hell circles, although a gradation of pain and misery depends on a level of social rejection, not on committed sins. Alberti puts cultural and ethnic hybrids in the deepest circle of hell – those people are perceived as others/aliens (and often not as human beings) by both (or more) cultures/communities, they are “made” from.
Źródło:
Fabrica Litterarum Polono-Italica; 2019, 1; 71-95
2658-185X
Pojawia się w:
Fabrica Litterarum Polono-Italica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Działalność Roy Publishers w Nowym Jorku w latach 1941-1960 jako kontynuacja tradycji przedwojennego Towarzystwa Wydawniczego „Rój”
The activities of Roy Publishers in New York during 1941-1960 – a continuation of the pre-war Publishing Society “Rój” tradition
Autorzy:
Krupa, Barbara
Powiązania:
https://bibliotekanauki.pl/articles/947083.pdf
Data publikacji:
2019-12-30
Wydawca:
Uniwersytet Warszawski. Wydział Dziennikarstwa, Informacji i Bibliologii
Tematy:
Towarzystwo Wydawnicze „Rój”
Roy Publishers
polskie oficyny wydawnicze na emigracji
polska literatura międzywojenna
nagrody za przekłady literackie
Marian Kister – Hanna Kister
Publishing House “Rój”
Polish emigre publishing houses
Polish interwar literature
Literary translation awards
Marian Kister
Hanna Kister
Opis:
The article discusses the publishing activities of Roy Publishers in New York from 1940 to the 1960s, particularly its impact on popularizing Polish literature and information about Poland in the U.S. The publishing house continued the tradition of the former house, named “Rój”, which was active during 1924-1940 in Warsaw and established by Melchior Wańkowicz, then managed together with Marian Kister. The article is based on the materials from the publishing house archive, now held at Stanford University Libraries, a valuable research source on the émigré cultural heritage of the 2nd Republic of Poland.
Źródło:
Z Badań nad Książką i Księgozbiorami Historycznymi; 2019, 13; 291-309
1897-0788
2544-8730
Pojawia się w:
Z Badań nad Książką i Księgozbiorami Historycznymi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przecięcia biografii. Muzyczne spotkania Schulza
Intersections of Biographies. Bruno Schulz’s Musical Encounters
Autorzy:
Skrzypczyk, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/2097258.pdf
Data publikacji:
2021-12-16
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
biography
Schulz
Polish literature
music
interwar period
Opis:
The article is devoted to Bruno Schulz’s meetings with musicians. It shows not only a partial biography of the author of The Cinnamon Shops, filtered by these encounters, but also smaller fragments of lives of his friends. These intersected biographies create a story about inter-war contacts and relationships, which resulted in numerous epistolography and post-war memories that focused on Schulz’s life and oeuvre. The author of this text talks about the influence that these contacts might have had on Schulz’s perception of music and musicians. Furthermore, it shows how he translated these experiences into his prose. In the archive of Schulz’s life and work we can find traces of meetings with several music artists. There are also some traces of these meetings in the descriptions of organ grinders at Sanatorium Under The Sign of The Hourglass, Jewish musicians who we will find concerts in the story Spring, as well as in the descriptions of park and cafe musicians, mentioned in both series of stories. However, knowledge of these relationships survived primarily due to the letters. It should be noted that the preserved materials from his meetings with musicians have never been the subject of schulzology research in its entirety. Musicians inspired a few fragments of Schulz’s short stories. Artists whom he met at the beginning of the 20th century were not only performers of pre-war Poland, in particular his hometown of Drohobych, and Lviv, Warsaw, but also of Vienna and Paris. These friendships were important for his musical education, they shaped his thinking about music and his image of musicians. They must have had an impact on the descriptions of sounds in the world depicted in The Cinnamon Shops and his other stories, and finally — after the Holocaust — they let the legacy of Bruno Schulz be saved.
Źródło:
Zagadnienia Rodzajów Literackich; 2021, 64, 2; 65-80
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Nowa muzyczność”? Fonostylistyka awangardowa i jej współczesne kontynuacje
'New musicality'? Avant-Garde sound-texture of Polish poetry and its contemporary continuations
Autorzy:
Śniecikowska, Beata
Powiązania:
https://bibliotekanauki.pl/articles/650157.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
polish literature
interwar period
musicality
sound-texture
poetry
avantgard
Opis:
The article presents detailed analyses of the irregular sound organisation of the two wings of Polish interwar avant-garde poetry: futurism and the constructivist group Awangarda Krakowska. The starting point of the research is the ‘musicality’ of symbolist poetry, expanded and overcome by the avant-gardists. Members of both groups paid special attention to the acoustics of poetry creatively employing devices such as paro-nomasia, onomatopoeia, alliteration, anaphora etc. However, the futurist practice proved more complicated, more diverse and less consistent (sometimes even dada-like). The phonostylistics of Awangarda Krakowska, although still highly innovative, was more ‘disciplined’, logical and focused on motivating the metaphors by sounds. The experi-ments of both groups were revived in the Polish post-war poetry (especially in the cur-rents such as poezja lingwistyczna and the present neolingwizm). It is usually impossible to discriminate between the futurist and constructivist inspirations in the post-war works: sound concepts typical of futurism tend to be used in a more logical, consistent and metaphor-centred way. Hence, the author introduces the term “new musicality” refer-ring to the specific and still vivid poetics of sound, first employed by the Polish avant-gardists.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 15, 1; 121-140
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sprawa Józefa J. Polsko-niemieckie spory o reportaż sceniczny Eleonory Kalkowskiej
The Case of Józef J.: The Polish-German Arguments about Eleonora Kalkowska’s Stage Reportage
Autorzy:
Dżabagina, Anna
Powiązania:
https://bibliotekanauki.pl/articles/889434.pdf
Data publikacji:
2020-02
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
Polish-German literature
Zeittheater
Weimar Republic
interwar period
Eleonora Kalkowska
Opis:
The article discusses the background of Eleonora Kalkowska’s best-known play, Sprawa Jakubowskiego [The Case of Jakubowski], 1929. It is also a reconstruction of the work’s reception in Poland and Germany. The diplomatic materials uncovered in the archives, which shed a new light on the trial of a Polish farm labourer sentenced to death in the Weimar Republic, draw out a broader context and the political tensions surrounding the writer’s stage debut. The author of the article also analyzes the diametrically different modes of reading the drama at Berlin’s Volksbühne and Warsaw’s Ateneum, which led to its becoming the subject of national appropriations, particularly in the case of the play’s Polish reception.
Źródło:
Didaskalia. Gazeta Teatralna; 2020, 155; 1-38
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
SYNOWIE STASIA. FORMY MĘSKOŚCI KOLONIALNEJ W POWIEŚCIACH MŁODZIEŻOWYCH FERDYNANDA ANTONIEGO OSSENDOWSKIEGO
THE SONS OF STAŚ. COLONIAL MASCULINITIES IN FERDYNAND ANTONI OSSENDOWSKI’S YOUTH NOVELS
Autorzy:
Forajter, Wacław
Powiązania:
https://bibliotekanauki.pl/articles/911756.pdf
Data publikacji:
2019-04-03
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Polish youth literature
colonialism
interwar period
male initiation
polska literatura młodzieżowa
kolonializm
dwudziestolecie międzywojenne
męska inicjacja
Opis:
Tekst Synowie Stasia. Męskości kolonialne w powieściach młodzieżowych Ferdynanda Antoniego Ossendowskiego stanowi analizę wątków inicjacyjnych w trzech tekstach narracyjnych popularnego prozaika z czasów dwudziestolecia międzywojennego: powieści W poleskiej dżungli, Mali zwycięzcy i Skarb Wysp Andamańskich. Odwołując się do teorii postkolonialnej oraz analizy dyskursów ideologicznych Drugiej Rzeczpospolitej, autor bada powieściowe reprezentacje odmiennych kultur oraz obowiązujące wówczas w Polsce i za granicą wzorce męskości oraz sposoby ich adaptacji na potrzeby literatury dla dzieci i młodzieży.
The article The Sons of Staś. Colonial Masculinities in Ferdynand Antoni Ossendowski’s Youth Novels analyses the motif of male initiation in three narrative texts of the Polish popular writer from the interwar period: W poleskiej dżungli [In the Polesian Jungle], Mali zwycięzcy [Little Winners] and Skarb Wysp Andamańskich [The Treasure of the Andaman Islands]. Referring to postcolonial theory and the analysis of ideological discourses of the Second Polish Republic, the author examines novels with the aim to show representations of different cultures, masculinity models that existed in Poland and abroad in that period, and methods of their adaptation for the needs of children’s and youth literature.
Źródło:
Porównania; 2018, 23, 2; 279-295
1733-165X
Pojawia się w:
Porównania
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sztuka Tajemnicy. „Metafantastyka” albo teoria literatury fantastycznej Stefana Grabińskiego
The Art of Mystery. “Metafantastic” on Stefan Grabiński’s theory of fantastic literature
Autorzy:
Knap, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/32054202.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Stefan Grabiński
Polish theory of fantastic literature
literary criticism
aesthetics
interwar period
polska teoria literatury fantastycznej
krytyka literacka
estetyka
okres międzywojenny
Opis:
The subject of the article is a pioneering in Poland critical conception of the fantastic developed by highly esteemed prewar author of the fantastic literature, Stefan Grabiński. The crucial, remarkable comments referring to fantastic literature were comprised by Grabiński in his extensive essay entitled On fantastic literature. The dissertation in question was never published in whole, however, to find its issue while his life in merely two short parts of it in press edition. In the first part of the article the archival documents were used (mainly the letters) which enabled the reconstruction of puzzling history of the manuscript of said essay now probably lost forever. In the second part, basing on the published parts of the essay, as well as other critical statements of the Polish writer, the main aspects of Grabiński’s theory were discussed. Upon the profound analyses made therefrom it appeares that Grabiński perceived and gave the fantastic genre a unique meaning and value, notably owing to its specific privileged language exposing metaphysical expression of the Mystery. The writer managed to depict in accurate, innovative and convincing way the character of fantastic literature, both in terms of historical and anthropological origin of this kind of literary creativity, and its aesthetics, social and philosophical attributes what makes these researchers innovative and even anticipativewith reference to the corresponding studies of postwar literature theoreticians of fantastic genre (e.g. L. Vax, R. Caillois, T. Todorov). Discursive statements on the issue of fantastic literature of Grabiński are further related to much wider phenomenon which was focused on developing critical analysis of fantastic literature in Poland in the first decades of the twentieth century.
Źródło:
Przestrzenie Teorii; 2022, 38; 233-252
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Emancypacje Heleny Rumiszewskiej w powieści Kazimiery Alberti Ci, którzy przyjdą a fenomen Nowej Kobiety
The emancipation of Helena Rumiszewska from Kazimiera Albertis novel Ci, którzy przyjdą ( Those Who Will Come) and the figure of the New Woman
Autorzy:
Banot, Aleksandra E.
Powiązania:
https://bibliotekanauki.pl/articles/2172228.pdf
Data publikacji:
2022
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
the interwar period
women's literature
emancipation
the bourgeois
the New Woman
Kazimiera Alberti (1898–1962)
Polish literature of the 20 th century
Kazimiera Alberti
literatura polska dwudziestolecia międzywojennego
mieszczaństwo
emancypacja
Nowa Kobieta
Opis:
Current research into the life and work of Kazimiera Alberti, a poet and writer popular in the interwar period, connected from 1930 with Biała Krakowska, owes a great deal to Jacek Proszyk, who in 2009 staged a spectacle based on her biography at the Teatr Polski in Bielsko Biała called The Literary Salon of Kazimiera Alberti. It was followed by a spate of publications which, at this point, form a body of work ready for reassessment. This article deals with one of them, written by Karolina Pospiszil, where it is claimed that the heroine of Ci, którzy przyjdą (Those Who Will Come, 1934), Helena Rumiszewska, is both a stereotyped, idealized female character. Focusing on the episodes which belie that description and show a character of considerable complexity driven by an emancipatory desire. She is not free from doubt when faced with various dilemmas, yet does she represent the ideal of the New Woman? This article addresses this question and discusses the issue of emancipation in the broader context of bourgeois culture and class, i.e. the social milieu o which Helena belongs.
Źródło:
Ruch Literacki; 2022, 1; 33-55
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
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