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Tytuł:
Poets, doctors and rebels – psychosomatic aspects in their work
Dichter, Ärzte und Rebellen – psychosomatische Aspekte ihres Wirkens
Autorzy:
MASUHR, Karl F.
Powiązania:
https://bibliotekanauki.pl/articles/1033730.pdf
Data publikacji:
2016
Wydawca:
Zakład Opieki Zdrowotnej Ośrodek Umea Shinoda-Kuracejo
Tematy:
" doctor-poets"
"literature"
"psychosomatics"
Opis:
Early traces of Psychosomatics in fiction and particularly in drama can be found in pathbreaking texts by Friedrich Schiller, Georg Büchner, and Arthur Schnitzler. These medical doctors pay close attention to the mind-body problem. They transfer their observations into poetry, creating world literature. As sons of doctors, they rebelled against their fathers as well as some of the dominant concepts of medicine and society. Friedrich Schiller. It were the plays about freedom: „Die Räuber“ (1782) „Don Carlos“ (1787) and „Wilhelm Tell“ (1804) which established Friedrich Schiller’s fame; Schiller, son of a surgeon (Wundarzt), studied medicine at the military academy in Stuttgart. Before the successful premiere of „Die Räuber” in Mannheim, the budding regimental doctor has drawn up three academic studies dealing with philosophic, physiologic, and psychosomatic issues. Georg Büchner. The playwriter and private lecturer Georg Büchner can be considered a precursor of Psychosomatics within scientific medicine. His father was a surgeon and the district doctor of Darmstadt. Georg Büchner’s fierce debates about the issue of the Biedermeier-attitude led him to become a revolutionary. His most important plays are „Dantons Tod“ (1835) and „Woyzeck“ (1836). Arthur Schnitzler. Towards the end of the 19th century, the doctor, dramatist, and storyteller Arthur Schnitzler who was the son of a laryngologist in Vienna linked Literature and Psychoanalysis to represent processes of the inner life. These efforts were based on his works about hypnotic and suggestive therapies of functional (psychogenic) disorders. He developed with Lieutenant Gustl (1900) und Fräulein Else (1924) the narrative form of the „internal monologue” for the German language. The article introduces 33 poets, doctors, rebels, for example, Francois de Rabelais and Johann Christian Günther, John Keats and Justinus Kerner, or Alfred Döblin and Rainald Götz. In the 20th century, poets and doctors like Harriet Straub, Charlotte Wolff and Hertha Nathorff, who were engaged in the women’s movement, joined them. These writers have a unique sensorium to perceive what might be significant for them as doctors and poets, what art and medicine are about, and what effects their lives because it affects them. Whichever observations and adventures they transform into literature: it is the medical work that provides experiences about life and pain.
Źródło:
Medicina Internacia Revuo; 2016, 27, 107; 91-99
0465-5435
Pojawia się w:
Medicina Internacia Revuo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rabindranath Tagore – poszukiwanie prawdy i piękna w teorii i w Szkole Poety
Autorzy:
Zofia, Krawczyk,
Powiązania:
https://bibliotekanauki.pl/articles/892376.pdf
Data publikacji:
2018-02-06
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Poet’s School
dharma
artha
karma
moksza
Opis:
The article is based on the author’s personal and long-year experience gathered while observing and living the life in India. The text addresses the problems and struggles of elites of a society on the crossroads of various civilisations. In addition, it touches upon often contradictory visions of the world and social order, which does not prevent any of them from finding space to perfect specific aspects of spiritual life. In India, we can see very clearly how two planes and two levels of Indian culture – the philosophy of life and the art of life – cross and, at the same time, blend with each other. The most general aspect of these considerations results from the common essence that permeates Indian culture and skills of co-existence. Its contributions to global culture are: a unique view, cognition and evaluation of the world. It also added a more profound interest in mankind than in other cultures, supported by the intellectual effort to explore what conditions its being, and what can decondition that being. As a result of that interest, deepened throughout dozens of centuries, the Indian philosophy proposes a notion of the human being that is wider than in the European tradition. Moreover, it also advances methods and techniques of upbringing of the young generation so that it would manifest a conscious attitude to the tradition and art of life in the broadest meaning of the word, and be able to build a balance between the self – the microworld – and the macroworld in a peaceful and disciplined manner.
Źródło:
Kwartalnik Pedagogiczny; 2017, 62(4 (246)); 95-110
0023-5938
Pojawia się w:
Kwartalnik Pedagogiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mowa dziejów, mądrość poezji. Szkice – nowa książka prof. dra hab. Gustawa Ostasza
The wisdom of history, the wisdom of poetry. „Drafts” – a new book by prof. dr hab. Gustaw Ostasz
Autorzy:
Ożóg, Zenon
Powiązania:
https://bibliotekanauki.pl/articles/1206763.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
writers
poets
history,
interpretation of literary works
Opis:
The author of the review presents and evaluates Gustaw Ostasz’s book. He draws attention to the multitude of articles it contains and their diversity: there are sketches, reviews, studies - analyzes and interpretations of poems, as well as reflections on the achievements of selected writers. The author recommends the book to students, teachers and literary researchers.
Źródło:
Dydaktyka Polonistyczna; 2020, 6 (15); 242-246
2451-0939
Pojawia się w:
Dydaktyka Polonistyczna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poeta źle wychowany. Opinia Piotra Chmielowskiego o Mironie i jej konsekwencje
Ill-mannered poet. Piotr Chmielowski’s opinion on Miron and its consequences
Autorzy:
Karpow, Marta
Powiązania:
https://bibliotekanauki.pl/articles/1534369.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Positivist criticism
“accursed poets”
debate on positivist poetry
Opis:
Piotr Chmielowski, one of the most important literary critics and historians of the literature of the Positivist period, had an enormous role in shaping the opinion on the literary output of Aleksander Michaux (pen-name Miron). The critic contributed much to strengthen the negative image of the poet by discrediting his works using unfounded and groundless accusations of their non-original character, or by a selective choice of citations aimed to ridicule the author, among others. The accusations forwarded by Chmielowski, mainly those referring to the alleged anachronism or even Miron’s dislike of progress, were simplyichaux reflected well the universal resentment of Positivist critics towards contemporary poets and testified to a particular understanding of the goals of lyric poetry and the principles governing it. Any literary output that did not fulfill the requirements of utilitarianism was supposed to be shunned and removed beyond the mainstream of the Polish literature of the time. The conviction on low artistic merit of the poetic output of the Positivist period, formed as early as the latter half of the nineteenth century, has lingered among a sizeable number of modern readers of literature.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 19; 97-108
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Дискурсивные контексты образа Одиссея-ностальгика
Discursive Contexts of Image of an Odysseus‑nostalgic
Autorzy:
Фокина, Светлана
Powiązania:
https://bibliotekanauki.pl/articles/2030877.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Odysseus
nostalgia
immigrant
trickster
modern poets
Western culture
Źródło:
Slavia Orientalis; 2021, LXX, 3; 507-521
0037-6744
Pojawia się w:
Slavia Orientalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Hablando de sexo y de placer. Palabra de poetas latinoamericanas
Speaking of sex and pleasure. Words of Latin American women poets
Autorzy:
Fariña Busto, María Jesús
Powiązania:
https://bibliotekanauki.pl/articles/1368369.pdf
Data publikacji:
2021-01-27
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Latin American women poets
sex
pleasure
patriarchal culture
vindication
Opis:
This paper highlights the way in which some Latin American women poets from different decades of the twentieth century, and from different countries, approached the territory of desire and pleasure, at times vindicating it by revealing how patriarchal culture denied them their expression, both in life as in literature, at other times, simply and decisively, proclaiming it without any kind of restriction. To this goal, significant examples of poetic approaches, emphases, and different tones are provided throughout the article.
Źródło:
Romanica Silesiana; 2019, 15, 1; 17-32
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Polubić ten wątły obrys — dwie próbki z Roberta Creeleya
To take a liking to this faint contour (of experience) – two samples from Robert Creeley
Autorzy:
Bartczak, Kacper
Powiązania:
https://bibliotekanauki.pl/articles/1535212.pdf
Data publikacji:
2009-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Black Mountain poets
Robert Creeley
minimalistic style
contingency
modernism
Opis:
The present sketch discusses two poems written by R. Creeley, a poet initially associated with the Black Mountain College group, who later worked out his own idiosyncratic style, often referred to as minimalistic. Focusing on the two poems of the poet, one early poem and the other written towards the end of the poet’s life, the author of the article attempts to show how Creeley’s poetical technique, being remarkably disciplined and innerly organized variety of free verse, became his answer to the problem of contingency. Contingency, i.e. a lack of metaphysical protection, forms now the basic element of the poet in the democratic world. To facilitate this new modern understanding of the relationships between poetry and democracy, the author juxtaposes Creeley with Whitman in an attempt to outline post-religious spirituality close at hand for the poet who has no illusions as to human condition and who, at the same time, retains his creative power and drive that Creeley inherits from Whitman and Emerson.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2009, 16; 191-203
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„An steiler Höh‘, von Felsen eingesäumet“ – die Kirche Wang in literarischen Zeugnissen deutscher Autoren
„An steiler Höh‘, von Felsen eingesäumet…“ – The Wang Church in literary testimonies of German authors
Autorzy:
Południak, Natalia
Powiązania:
https://bibliotekanauki.pl/articles/559918.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
Tematy:
Wang Church
Lower Silesia
Giant Mountains
Karpacz
German poets
Opis:
The Wang Church was transported from the Norwegian village Vang to Berlin, and then do Giant Mountains in 1842. The Norwegian painter Dahl made the king Frederick William IV of Prussia buy the church. Countless Frederica von Reden of Bukowiec convinced him to move it to Giant Mountains, to Karpacz. On 28th July 1844 the church was consecrated. Now it is a very important tourist attraction of the Giant Mountains. It has been an inspiration for writers and poets.
Źródło:
Orbis Linguarum; 2019, 53; 91-112
1426-7241
Pojawia się w:
Orbis Linguarum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
National Poets, the Status of the Epic and the Strange Case of Master William Shakespeare
Autorzy:
Innes, Paul
Powiązania:
https://bibliotekanauki.pl/articles/647981.pdf
Data publikacji:
2016-06-01
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Shakespeare
national poets
comparative literature
romanticism
nationalism
conceptual grid
empire
Opis:
This essay contextualises Shakespeare as product of a field of forces encapsulating national identity and relative cultural status. It begins by historicising the production of national poets in Romantic and Nationalist terms. Lefevere’s conceptual grid is then used to characterise the system that underpins the production of Shakespeare as British national poet, and his place within the canon of world literature. The article defines this context first before moving onto the figure of Shakespeare, by referring to various high status texts such as the Kalevala, the Aeneid, The Faerie Queene and Paradise Lost. The position accorded Shakespeare at the apex is therefore contingent upon a series of prior operations on other texts, and their writers. Shakespeare is not conceived as attaining pre-eminence because of his own innate literary qualities. Rather, a process of elimination occurs by which the common ascription of the position of national poet to a writer of epic is shown to be a cultural impossibility for the British. Instead, via Aristotle’s privileging of tragedy over epic, the rise of Shakespeare is seen as almost a second choice because of the inappropriateness of Spenser and Milton for the position.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2016, 13; 35-50
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
MORZE W MARZENIACH SENNYCH BOHATERA LIRYCZNEGO W WIERSZU LEOPOLDA STAFFA "WYSPA" - ROZWAŻANIA JEZYKOZNAWCY
THE SEA IN THE DREAMS OF THE LYRICAL SUBJECT OF LEOPOLD STAFF’S POEM WYSPA – A LINGUIST’S CONSIDERATIONS
Autorzy:
Białoskórska, Mirosława
Powiązania:
https://bibliotekanauki.pl/articles/776861.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
poet's idiolect
linguistic imagery
figures of speech
poet’s idiolect
Opis:
The article presents linguistic phenomena from the initial stage of the poet’s work when the modernist writing model prevailed. Leopold Staff wrote a reflexive and descriptive triptych in which, by resorting to a juxtaposition to the Young Poland movement poetry, he created paradise landscapes of a deserted island surrounded by sea water, drowned in light and colour. In order to recreate the protagonist’s dreams he resorted to poetic imagery at various levels of text organization. The linguistic phenomena in the realm of syntactic forms refer to the functions of exclamations, hypotaxis and parataxis, the role of arrangements of conjugation rows, the rhythm of verses combined in a hendecasyllable with ABBA rhymes. The following figures of speech were used: antithesis, rhetoric questions, inversions, apostrophes etc. As for semantic transformations, an important role was played by sensual and mental metaphors, semantic poetism, personification and comparisons. The lexical phenomena were related to applying the style-related function of vocabulary that is chronologically diverse (artistic neologisms, neo-semantisms, old-fashioned words); geographically diverse (dialects) and word-formation diverse (derivatives of adpositional phrases in order to condense the text to hendecasyllable verses).
Źródło:
Slavia Occidentalis; 2018, 75/1; 7-20
0081-0002
Pojawia się w:
Slavia Occidentalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kraków? Jerozolima? Problemy z przestrzenią, czasem i tożsamością w wierszu Ryszarda Krynickiego "Tak, jestem"
Krakow? Jerusalem? Problems with space, time and identity in Ryszard Krynicki’s poem "Tak, jestem"
Autorzy:
Kozaczewski, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/40615072.pdf
Data publikacji:
2023-12-30
Wydawca:
Uniwersytet Komisji Edukacji Narodowej w Krakowie
Tematy:
Ryszard Krynicki
poets
contemporary poetry
Jews
poeci
poezja współczesna
Żydzi
Opis:
The article is an attempt at analyzing and interpreting one of the latest and most important poems by Ryszard Krynicki Tak, jestem. A special consideration has been given to three problem areas in the poem: time, space and identity. The author concludes that the poem is a kind of summary of the artistic career of the poet, particularly in the context of identity: as a reconciliation with his own poetic vocation and its consequences. He emphasizes the significant role of equalizing the fate of poets with persecuted Jews in this process, which was accomplished by Marina Cwietajewa. He discusses an original and personal approach to this painful topic against the background of European and Polish artists, who are close to Krynicki.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2023, 23; 417-428
2081-1853
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Siła poezji. Huang Lihai – o pewnym człowieku, jego czasopiśmie, nagrodzie, spotkaniu…
Могущество поэзии
Autorzy:
Lan, Wu
Powiązania:
https://bibliotekanauki.pl/articles/1934121.pdf
Data publikacji:
2021-12-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
poetry
Chinese poets
Polish poets
Prize for Poetry
new challenge
new generation
поэзия
китайские поэты
польские поэты
премия в области поэзии
новое поколение
новый вызов
Opis:
The article focuses on the New Wave of Chinese poets who were born in the 1970s and are considered a new generation of poets in China, based on their groundbreaking ideas and activities. The author discusses a wellknown poet, Huang Lihai, whose research touch on various matters from the concept of nationality to the idea of gender and poetics. He also presented a whole new perspective on the world of poetry and education. On the International Prize for Poetry – “Poetry and Man” which goal is to discover and promote poets who have for many years dedicated themselves to creating outstanding and the purest form of poetry. Another aim of the prize is to encourage more people to dive into the spirit of this artistic field. It was another step toward the awakening and enrichment of reflection on the man’s thought and spirit. There is also a strong Polish element connected to the Polish poet Adam Zagajewski, who spent one week in China in March 2014. He had previously visited Taiwan and Hong Kong, but it was the city of Canton that became the most important stage of his journey, because the awards ceremony of the 9th edition of the International Prize for Poetry was held there. Zagajewski won the prize that year. He was acknowledged as an eminent and internationally respected poet, being praised by many important authors such as Miłosz, Brodski, and Susan Sontag. The poet was born in June 1945 in the so-called Eastern Galicia, a region that used to belong to Poland. At that time, it was becoming a part of the Soviet Union and is Ukrainian today. His family returned to Poland. He started occupying himself with work of poet in the 1960s and 1970s, becoming a prominent representative of the “New Wave” generation of Polish poets. As for today, he published many anthologies of poetry and prose essays. Discovering his works has become a new challenge for the new generation of Chinese poets.
Данная статья посвящена новой волне китайских поэтов, которые родились в семидесятых годах и считаются новым поколением поэтов в Китае, учитывая их новаторские идеи и действия. Автор уделяет внимание известному поэту Хуанг Лихай, работы которого затрагивают различные вопросы, начиная с проблемы национальности, заканчивая вопросами половой идентичности и поэтики. Он также представил новую точку зрения на мир поэзии и образования. Целью Международной поэтической премии «Поэзия и человек» является поиск и продвижение поэтов, которые посвятили много лет созданию замечательной поэзии в чистейшей форме. Другой задачей премии было поощрение большего количества людей, чтобы погрузиться в дух этой творческой области. Это был следующий шаг к пробуждению и обогащению размышлении о духе и мысли человека. Надо здесь обратить внимание на польский акцент, связанный с поэтом Адамом Загаевским, который провел одну неделю в Китае в 2014 году. Он раньше посещал Тайвань и Гонг Конг. Но именно город Гуанчжоу стал основным этапом его путешествия из-за церемонии вручения Международной поэтической премии, которая имела место именно там. В этом году Загаевски получил эту премию. Он был признан выдающимся и всемирно уважаемым поэтом, которого хвалили важные писатели такие, как Милош, Бродский и Сьюзан Зонтаг. Поэт родился в июне 1945 года в так называемой Восточной Галиции – регионе, который раньше являлся частью Польши, в данный момент входил в состав Советского Союза, а в настоящее время находится на территории Украины. Его семья вернулась в Польшу. Он начал заниматься поэзией в шестидесятых и семидесятых годах, как выдающийся представитель поколения «новой волны» польских поэтов. На сегодняшний день, в свет вышли различные написанные ним антологии поэзии и и прозаических эссе. Открытие его работ стало вызовом для нового поколения китайских поэтов.
Źródło:
Studia Orientalne; 2021, 2(20); 110-138
2299-1999
Pojawia się w:
Studia Orientalne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Obraz kaukaskich rzek w poezji Tadeusza Łady-Zabłockiego
Autorzy:
Tarnowska, Beata
Powiązania:
https://bibliotekanauki.pl/articles/2089971.pdf
Data publikacji:
2021-09-25
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
“Polish Caucasian Poets”
the poetry of Tadeusz Łada-Zabłocki
Caucasian rivers
Opis:
This paper presents the image of Caucasian rivers in the poetry of Tadeusz Łada-Zabłocki (1811–1847), a tsarist exile to the Caucasus. Zabłocki’s poetic vision of the rivers that flow through the Caucasus Mountains (the Alazani, the Kura, the Samur, the Kodori, the Aragvi and the Terek) is clearly ambivalent. Unlike his domestic, Belarusian rivers – a symbol for familiarity and idyllic harmony with nature – they are perceived as rapid, wild and dangerous entities. Yet, they stand for both the dominion of death and the unbridled power of life.
Źródło:
Acta Neophilologica; 2021, 2, XXIII; 147-162
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Occulted Woman in Russian Silver Age Decadent Poetry
Autorzy:
Forrester, Sibelan E.S.
Powiązania:
https://bibliotekanauki.pl/articles/635600.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Russian Silver Age poetry
Women poets
decadent
feminist
gender
literary scholarship
Opis:
The article outlines the cultural context of Russian women who contributed to the development of decadent poetry in the late 19th and early 20th centuries, most now forgotten or “occulted” (eclipsed, crowded out). Given the importance of gender theories and “feminine” discursive space in the Silver Age, this phenomenon must be examined; it is not just a typical example of women written out of literary history. The article suggests reasons why decadence may have appealed to women as well as why Russian women who adopted a specifically decadent position might not have been taken seriously. It ends by suggesting why more famous Russian poets (especially Axmatova and Cvetaeva, whose reputations have lasted and grown) achieved more lasting influence thanks to their occulted female predecessors.
Źródło:
Poznańskie Studia Slawistyczne; 2016, 11; 97-111
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kobiety piszą po kaszubsku – autorki i tematy. Szkic interpretacyjny
Autorzy:
Kuik-Kalinowska, Adela
Powiązania:
https://bibliotekanauki.pl/articles/777205.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
tatczëzna
Kashubian language
Kashubian culture
Kashubian literature
female poets
female writers
Opis:
The article is dedicated to literature written by women in the Kashubian language. Notably, in Kashubian literature, recent decades have witnessed a revival in women’s writing, resulting in numerous literary works. There are several reasons for this, all determined predominantly by the cultural tradition of Kashubia. The revival in the literary world of female writers and poets most certainly results from numerous complex social and cultural processes, including the growing emancipation, the need for education and opening up to the world. Women writing in Kashubian express themselves in poetry, drama and prose. The works of women writing in Kashubian can be attributed to two stages originating in the 1980s. Among the first poets and writers were Rozalia Narloch (referred to as the “Kashubian Cinderella”), Teodora Kropidłowska, writing under the pseudonym “Deotyma” and Agnieszka Browarczyk. They were followed by the novels and plays by Anna Łajming. The most prominent female authors writing in Kashubian include Maria Boszke, Krystyna Muza, Jaromira Labuda, Ida Czaja, Hanna Makurat, Wanda Kiedrowska, Ewa Warmowska, Elżbieta Bugajna, Bożena Ugowska, Lucyna Sorn, Dorota Wilczewska and Gracjana Potrykus.
Źródło:
Slavia Occidentalis; 2017, 74/2; 97-110
0081-0002
Pojawia się w:
Slavia Occidentalis
Dostawca treści:
Biblioteka Nauki
Artykuł

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