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    Wyświetlanie 1-3 z 3
    Tytuł:
    Terminy nīras, nirastā w opowiadaniach Agjeja. Ślady sanskryckiej teorii estetyki rasa we współczesnej literaturze hindi
    The Terms nīras, nirastā in Ajñeya’s Short-Stories: Tracing the rasa Theory of Aesthetics in Contemporary Hindi Literature
    Autorzy:
    Miążek, Teresa
    Powiązania:
    https://bibliotekanauki.pl/articles/504758.pdf
    Data publikacji:
    2014
    Wydawca:
    Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
    Tematy:
    Hindi literature
    Hindi short-stories
    Ajñeya
    Sanskrit aesthetics
    rasa theory
    Nātyaśāstra
    Opis:
    The main focus of this paper is to admit a possibility of interpreting some ideas present in modern Hindi literature in terms of the Sanskrit theory of aesthetics, originally conceived for stage performing arts. The author is aiming at presenting a symbolic context of rasa and its validity for usage in literature. Examples from Ajñeya’s short-stories point towards the possible connotations of the term nīras with the terminology of Sanskrit aesthetics rasa. The contribution of Saccidānand Hīrānand Vātsyayān known as Ajñeya in Hindi literature is presented in short. Some meanings of rasa known from Nāṭyaśāstra, especially the symbolic meaning of colors, are depicted as employed in modern literary criticism. Hindi terms: nīras “without sap,” “without taste” and nirastā – “dullness,” “emptiness” are discussed in relation to the Sanskrit term rasa “juice,” “taste,” “aesthetic experience,” “aesthetic category” and to its symbolic colors. The results of this discussion could serve as proof for an unbroken flow of Indian literary tradition since 500 BC till nowadays. Moreover, they acknowledge Ajñeya’s affirmative attitude towards the Sanskrit tradition.
    Źródło:
    Academic Journal of Modern Philology; 2014, 3; 43-54
    2299-7164
    2353-3218
    Pojawia się w:
    Academic Journal of Modern Philology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The vīthī, lāsya and nāṭikā, and the daśarūpa List in the Nāṭyaśāstra
    Autorzy:
    Tieken, Herman
    Powiązania:
    https://bibliotekanauki.pl/articles/35059849.pdf
    Data publikacji:
    2023
    Wydawca:
    Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
    Tematy:
    Daśarūpa
    vīthī
    lāsya
    uparūpaka
    nātikā
    Nātyaśāstra
    Daśarūpaka
    Śr̥ ṅgāraprakāśa
    Opis:
    This article aims to show that the term vīthī, the tenth in the daśarūpa list of plays found in the early dramatic treatises, does not refer to a play but to a number of small-scale dramatic scenes. As such, the vīthī is an exception in the list, which otherwise is made up of fully-fledged plays. However, as a collection of scenes, it does form a group with numbers 8 and 9, the prahasana and bhāṇa, each of which has two lives, namely as complete plays and as scenes within plays. The vīthī plays we have are all late reconstructions based on the general characteristics mentioned in the dramatic treatises. In some of the treatises the daśarūpa list is extended by the lāsya, another term designating a number of minor dramatic scenes which involve singing and dancing. It will be argued that the lāsya – as well as another set of minor dramatic types, the uparūpakas – came to be included into the dramatic theory through its occurrence within the nāṭikā, a type of play that is presented as a mixture of the nāṭaka and prakaraṇa, numbers 1 and 2 in the daśarūpa list, and was consequently not counted separately. It will furthermore be shown that the daśarūpa list consists of three clearly distinct groups, namely of 1–2 (nāṭaka, prakaraṇa and supernumerary nāṭikā) and 8–10 (prahasana, bhāṇa and vīthī), separated by a group of five types of play (3–7) dealing with battle and its aftermath. Of the latter five no early, classical examples have come down to us; apparently their topics have fallen outside the sphere of interest of the kāvya literary tradition.
    Źródło:
    Acta Asiatica Varsoviensia; 2023, 36; 265-297
    0860-6102
    2449-8653
    Pojawia się w:
    Acta Asiatica Varsoviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Złożenie sukh-duḥkh w utworach Agjeja – zastosowanie terminu we współczesnej literaturze hindi i w staroindyjskim traktacie Nāṭyaśāstra
    The term sukh-duḥkh in the works by Ajñeya – its usage in modern Hindi literature and in the old-Indian treatise Nāṭyaśāstra
    Autorzy:
    Miążek, Teresa
    Powiązania:
    https://bibliotekanauki.pl/articles/52929794.pdf
    Data publikacji:
    2021-09-02
    Wydawca:
    Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
    Tematy:
    Ajñeya
    Nāṭyaśāstra
    hindi literature
    old-Indian aesthetic
    theory of rasa
    literatura hindi
    estetyka staroindyjska
    teoria rasa
    Opis:
    The analysis of passages selected from Ajñeya’s works in Hindi: poems, short stories, and a drama, aims to show the context, in which the writer uses the sukh-duḥkh compound, known from the Natyashastra (Nāṭyaśāstra, 5 B. C. – 5 A. D.), an old-Indian compendium on dance and theatre written in Sanskrit, where it occurs in the meaning of “the nature of the world”. Therefore the contexts in which this very compound has been used in the Natyashastra have been analyzed. The most important one refers to the nature and process of an aesthetic experience rasa. It also occurs in passages providing characteristics of persons recollecting past events or in the state of numbness. The results of the analysis of selected Ajñeya’s works prove that he uses the sukh-duḥkh compound in convergent contexts in his works as in the Natyashastra, what has been illustrated by the quoted passages. The writer seems to be an advocate of preserving and modifying the achievements of Sanskrit poetics, including the idea of rasa, to which the term sukh-duḥkh refers as “happiness and unhappiness”, being the nature of the world, subjected to the proces of universalization in theater and in a literary work.
    Źródło:
    Orbis Linguarum; 2021, 55; 51-73
    1426-7241
    2657-4845
    Pojawia się w:
    Orbis Linguarum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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