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Tytuł:
Najnowsze bułgarskie przekłady Czesława Miłosza
New Bulgarian Translations of Czesław Miłoszs Works
Autorzy:
Bachnewa, Kalina
Powiązania:
https://bibliotekanauki.pl/articles/511311.pdf
Data publikacji:
2013
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz
Bulgarian perception of Miłosz
Opis:
Significant for the history of the reception of the Polish poet in Bulgaria are the book published in the Czesław Miłosz year: It (translated by Silvia Borisova and Kamen Rikev). The volume It is discussed from the point of view of the faithfulness of the translation of the poet’s specific philosophical interests. The translation of Native Realm is also of significance to the Bulgarian perception of Miłosz. The artistic value of the translation (Родната Европа, 2012) done by Margreta Grigorova and Mira Kostova is considered with reference to the various meanings of the notion of what it means to be European.
Źródło:
Postscriptum Polonistyczne; 2013, 2(12); 163-175
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czeladnik i mistrz. Czesława Miłosza spotkania z Oskarem Władysławem Miłoszem
A Journeyman and a Master. (Czesław Miłoszs Encounters with Oskar Władysław Miłosz)
Autorzy:
Bernacki, Marek
Powiązania:
https://bibliotekanauki.pl/articles/511245.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Oskar Miłosz
Czesław Miłosz
Czeladnik
Dobroć
poem
Opis:
The theme of the article is multi¬ facted description of Czesław Miłosz's long lasting fascina-tion by the person and deeds of his distant relative Oskar de Lubicz Miłosz. The two poets met for the first time in Paris in 1931. Ever since then Miłosz being impressed by poetic and dramatical works of his uncle, attempted to popularize them among the readers in Poland and abroad. He wrote essays about him and translated his French poems into English and Polish. The crowning of this process was a poem Czeladnik (A Journeyman) (from a volume Druga przestrzeń, 2004) and a poem Dobroć (Goodness) – according to Agnieszka Kosińska the very last poem completed by Miłosz before his death.
Źródło:
Postscriptum Polonistyczne; 2011, 2(8); 191-206
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poetry as Czesław Miłosz’s Personal Identity
Autorzy:
Bieńkowska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/623929.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Czesław Miłosz
Opis:
The author brings up the problem connected with the intersection (coherence) of „personal rightness” and „poetic rightness” in Czesław Miłosz’s literary output; she endeavours to interpret his poetry as a distinct mark of personal identity. In odrer to do so she refers to such crucial contexts of Miłosz’s writing, the authos of „Ziemia Urlo” as, for instance, Polish romanticism and French writers. The sketch becomes concluded by the necessary – for the poet himself – acceptance by the others.
Źródło:
Colloquia Litteraria; 2017, 1
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Miłosz’s Job
Autorzy:
Szczepan, Anna M.
Powiązania:
https://bibliotekanauki.pl/articles/624285.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Czesław Miłosz
Opis:
Miłosz’s poetry asks numerous questions concerning an idea ofguilt, forgiveness and suffering nevertheless it never provides easy answers, rather multiplies them creating an atmosphere of overwhelming inescapable responsibility. This essay examines the problem of suffering and its implications in relation to figure of biblical Job that appears in Miłosz oeuvre repeatedly and undergoes a kind of thepoet’s interpretation in Miłosz’s translation of the Book of Job. The main thesis of my considerations is that various strategies of approaching the problem of suffering applied by Miłosz culminate in the conviction that the Joban deepest pain is his uniqueness, his being incomparable to anyone else. The only faith that can sustain in the context of WWII is “a faith through thankfulness” despite evil that ruled the world at that time.
Źródło:
Colloquia Litteraria; 2017, 1
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Door to Peace
Autorzy:
Kudyba, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/624289.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Czesław Miłosz
Opis:
Czeslaw Milosz’s poem Późna dojrzałość describes the experience of spiritual breakthrough. His past time hero feels incomplete. Full--time starts for him at the time of “awakening”. However, deep experience of “me” leads eventually beyond ego – towards the relations with others. The protagonist recognizes both a personal value of himself and of the others. It is the dignity of a “child of the King”, it has its source not so much in axiology, as in the ontology. The described spiritual breakthrough does not solve world’s problems, but introduces a new perspective of their understanding. It allows – thanks to a deep experience of hope – to anticipate the future harmony. Internal doors allow the hero to look into something which will become complete at the end of time, yet it now exists in the form of announcement hidden in the structure of reality.
Źródło:
Colloquia Litteraria; 2017, 1
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Poza wierszem i prozą, poza intencją i uzasadnieniem”. O granicach wierszowości w serii przypisów do utworu Zmieniał się język
“Beyond Poem and Prose, beyond Intention and Reason”. At the Limits of Poemness in a Set of Notes on The Changing Language
Autorzy:
Cieślak-Sokołowski, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/942582.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Czesław Miłosz
Opis:
The article attempts to outline such a concept of critical reading which would take into consideration the deconstructive practice of American critics, which could be applied to the interpretation of Polish modern poetry. My aim is to present the concept of continuity, rather than schism, between New Criticism (the meaning of a poem cannot be determined, the meaning is ambiguous, paradoxical and ironic, held together by the “organic” unity of the poem) and deconstruction (indeterminacy in the poem is the function of its structure). The reading of Czeslaw Milosz’s poem Zmieniał się język proves to be a convenient field for the above statements.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2012, 01
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czym jest Miłoszowskie „to”. O ciemnych epifaniach Czesława Miłosza
Autorzy:
Grodzki, Bogusław
Powiązania:
https://bibliotekanauki.pl/articles/2090157.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Czesław Miłosz
Opis:
The article is devoted to probably one of the most important themes in Czesław Miłosz’s poetry: a persistent, untiring effort to express, or at least point to, the poet’s experience of dark epiphanies. They are, in his own words, momentary illuminations bringing to light the ontological core of various horrors of human existence and of nature, red in tooth and claw, as well as the enigmatic presence of metaphysical evil in the laws that make for order in our material world. Some of those epiphanies reveal to the poet his destiny: he is to become a witness of the horrors of the twentieth century. However, not all of those auguries are uniformly grim; there are some that suggest his prospects may well be bright. That ambivalence is refl ected in Miłosz’s own attitude towards those sudden fl ashes of insight and revelation. He certainly does not resolve it in his poetry, where the ambivalence of the epiphanic moments is expressed and concealed by the pronoun ‘it’.
Źródło:
Ruch Literacki; 2017, 6; 613-627
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The motives of eyes, blindness and light in late poetic works of Czeslaw Milosz
Autorzy:
Dobrzyńska, Teresa
Powiązania:
https://bibliotekanauki.pl/articles/624293.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Czesław Miłosz
Opis:
The subject of the examination here is a late period of Miłosz’sliterary output (volumes: „Druga przestrzeń” and „Wiersze ostatnie”). While discussing the motif of eyes, blindness and light the author brings up a general and serious problem of the poet’s vision in his final poems: he uses this theme in existential and metaphysical contexts. 
Źródło:
Colloquia Litteraria; 2017, 1
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Late Masterpieces of Miłosz
Autorzy:
Kuczera-Chachulska, Bernadetta
Powiązania:
https://bibliotekanauki.pl/articles/624297.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Czesław Miłosz
Opis:
In the last lyric Czesław Miłosz raises the themes somehow similar to those which appear in Mickiewicz’s Lozanne lyric: their characteristic feature is also the similarity between the attitudes and formalsolutions. The aesthetic category of the “Lozanne issue” to a great extent builds an extremely brave shape of Miłosz’s late lyric. 
Źródło:
Colloquia Litteraria; 2017, 1
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Miłosz wobec Brzozowskiego. O Człowieku wśród skorpionów... i nie tylko
Miłosz’s Response to Brzozowski. On Człowiek wśród skorpionów... [Man among Scorpions...] and More
Autorzy:
Panek, Sylwia
Powiązania:
https://bibliotekanauki.pl/articles/1534027.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Czesław Miłosz
Stanisław Brzozowski
Miłosz’s self-creation
Marxism
Russia in Miłosz’s works
Opis:
The aim of the author of the article is to investigate Miłosz’s relation to Stanisław Brzozowski. Proceeding from the interpretation of Miłosz’s Człowiek wśród skorpionów..., and diagnosing his personal motivation for turning to Brzozowski’s works in 1963, the author investigates the avenues of dialogue between Miłosz and Brzozowski, and their unsystematically expresses common points. The article, thus, presents various stages of influence of Brzozowski’s work and ideas on Miłosz: from the 1930s, when Miłosz was inspired by Brzozowski’s left-wing fanaticism, through the common opposition against anti-intellectualism and the Polish identity understood as a set of Romantic symbols and gestures, up to the fascination with Russian culture and Marxism. The deepest affinity of both authors seems to be the attitude of anthropocentrism, identified and exposed by Miłosz himself, and understood as hostility towards nature and belief in nature’s determinism, but also as a formula that gives coherence to the philosophical themes, found in both authors’ work, which are thought to be polarised and incompatible. In the conclusion, the author of the article states that positioning himself with reference to Brzozowski was, for Miłosz, a tool of self-creation, an attempt to control the reception and interpretation of his own work, and to place Miłosz in a separate and exceptional position, akin to the position of Brzozowski, the extraordinary and unrecognized philosopher and critic of Polish early modernism.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 20; 33-52
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A Fox in the Land of Ulro: Miłosz and Beckett
Autorzy:
Kopciński, Jacek
Powiązania:
https://bibliotekanauki.pl/articles/624283.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Czesław Miłosz
Beckett
Opis:
In the sketch I present Beckett as a representative of western civilisation and a dialogue between Beckett and Czesław Miłosz. A characteristic outcome of this confrontation are the instruction for the habitués of the Urlo Land (Ziemia Urlo): cultivation of love for order, exercising the memory against the flow of time, choice of goodness despite the unmitigated evil, faith in what is visible, love for facts and search for meaning.
Źródło:
Colloquia Litteraria; 2017, 1
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czesław Miłosz’ American Experience in Światło dzienne (Daylight)
Autorzy:
Kołodziejczyk, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/648864.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Czesław Miłosz
Daylight
Opis:
Miłosz’s volume Światło dzienne (Daylight, 1953) is conventionally read by critics as the political poetry deeply engaged with history. The article offers a corrective to this traditional reading by interpreting the volume as an interplay of European and American influences. As a European poet, Miłosz had experienced the violent demise of ideals that were the foundation of the Old World. Światło dzienne (Daylight) is, therefore, at one level, an elegiac volume, in which both persons and ideas are mourned. On the other hand, to the extent that for Miłosz America continues the noble ideas abandoned in Europe, he cannot accept what he regards as their misguided or perverse incarnations. This explains the emotional climate of the whole volume, with its dominant mood of disappointment, anger and a refusal of reconciliation. Światło dzienne (Daylight) is American in its outlook on taking seriously America’s status as a superpower and its influence on the future direction of the global history. It is anti-American, however, in identifying America’s perceived failures to live up to the post-war challenge for the human civilization in general, and the consequent dangers. The article intends to assess Miłosz’s debt to English-language poetry in this volume in light of his personal notes from his reading and translation work at the time.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 38, 8
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Interpretacja jako zadomowienie. Kilka myśli o czytaniu (wierszy)
Interpretation As Feeling Settled a Few Thoughts About Reading (Poems)
Autorzy:
Antoniuk, Mateusz
Powiązania:
https://bibliotekanauki.pl/articles/1933608.pdf
Data publikacji:
2011
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
interpretacja
znaczenie
poeta Czesław Miłosz
interpretation
meaning
Czesław Miłosz's poetry
Opis:
The article is a suggestion for an interpretation of Czesław Miłosz's poem Biel (Whiteness) (coming from the volume Miasto bez imienia (A Town Without a Name). The accepted methodology of interpretation tries to find and define the zone of mediation between the ideal of comprehensive reading, striving after integrating and structuralizing the global meaning of the work, and the suggestions coming from post-structuralist philosophy of reading texts. The author's own interpretation of the poem has been taken into consideration; a comparative reading of Biel has been suggested as well as of a Miłosz's later poem Powrót do Krakowa w roku 1880 (Return to Krakow in 1880). This comparison is supposed to serve showing different strategies of creating texts and meanings used by the author of Nieobjęta ziemia (The Unencompassed Earth). At the same time, at the background, a commentary to Miłosz's poem becomes an opportunity to construct a meta-interpretative reflection. Looking at his own reading the author formulates remarks concerning the process of reading and comprehending, he introduces and analyzes the metaphor of “interpretation as feeling settled”.
Źródło:
Roczniki Humanistyczne; 2011, 59, 1; 203-217
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Autobiograficzna mityzacja czasu i przestrzeni w Dolinie Issy Czesława Miłosza
Mythisation of time and space in novel Dolina Issy of Czesław Miłosz
Autorzy:
Cierniak-Nielub, Idalia
Powiązania:
https://bibliotekanauki.pl/articles/1361138.pdf
Data publikacji:
2019
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
czasoprzestrzeń
dzieciństwo
mityzacja
Miłosz
autobiografizm
spacetime
childhood
mythisation
Milosz
autobiographism
Opis:
Dolina Issy to powieść, w której Czesław Miłosz zawarł szereg tropów wiodących do jego własnej biografii. Fascynujące wydaje się podjęcie kwestii, na ile Tomasz, główny bohater utworu, tożsamy jest Miłoszowi, a na ile zaś stanowi literacką kreację. W Dolinie Issy możemy wyróżnić kilka rodzajów autobiografizmów, które znakomicie obrazują relację pomiędzy autorem – narratorem i bohaterem. Spaja ich swoisty mit sielankowego dzieciństwa, jakie noblista wiódł nad brzegiem Niewiaży – pierwowzoru ziem Doliny Issy. Mit ten ściśle łączy się z problematyką czasu i przestrzeni, nad którymi ostatecznie góruje akt doświadczania. W swoim artykule pragnę udowodnić, iż czytanie Doliny Issy w kontekście autobiograficznym jest nie tylko sensowne, ale wręcz stanowi swoisty klucz do zrozumienia samego Czesława Miłosza.
Dolinna Issy is a novel in which Czesław Miłosz has included series of clues leading to his own biography. It seems interesting to take on the question to what extent Tomasz – the main character of composition – is identical to Miłosz and to what extent he is only a literary creation. In Dolina Issy we may distinguish several types of autobiographisms that perfectly illustrate the relationships between of author, narrator and the character in novel. They are joined by specific myth of idyllic childhood, which The Nobel Prize laureate had at the Niewiaża riverside – the prototype of the lands of Issa Valley. This myth is closely connected with the problem of time and space – dimensions dominated by act of experiencing. In my article I want to prove that reading the Dolina Issy in the autobiographical context is not only sensible but it is also the point to understand the essence of Miłosz.
Źródło:
Świat Tekstów. Rocznik Słupski; 2019, 17; 43-54
2083-4721
Pojawia się w:
Świat Tekstów. Rocznik Słupski
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Œconomia divina” Czesława Miłosza jako projekt dystopii
Czesław Miłosz’s „Œconomia divina” as a project of dystopia
Autorzy:
Garbol, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/2013663.pdf
Data publikacji:
2014-06-02
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Miłosz
dystopia
katastrofizm
catastrophism
Opis:
The article is a contextual interpretation of Czesław Miłosz’s poem Œconomia Divina. Connoting other Miłosz’s works published at the time of Œconomia Divina publication allows to present its dystopian character. The dystopian character is self-evident in Miłosz’s unfinished novel The Parnas Mountains. Œconomia Divina appears to be a project of dystopia which was more completely realized in this novel.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2014, 4(7); 383-396
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Antinomies of Mythological Religion; Some Remarks on the Margin of Czesław Miłosz’s “Traktat Teologiczny” (“Treatise on Theology”)
Autorzy:
Koehler, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/623919.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Czesław Miłosz
Traktat teologiczny
Opis:
The Noble Prize winner, Czeslaw Milosz in the last years of his life wrote a religious poem „The theological treatise”. In my paperI try to understand a religious dimension of a person who is the narrator of the poem. This is the voice of an experienced person who tries to find his way between two oppositions: the so called Polish catholicism (which is stereotypised as „mass” catholicism, unreflective, superficial etc) and a religion of a modern intellectual (with his religious hesitations, opposition to the catholic „mob” etc).I try to throw some light on a narrator’s perspective going back to some Molosz’s texts from the past. I hope the paper will be interesting to the scholars and others who are trying to solve the fascinating problem of the religious dimenssion of Czeslaw Milosz’s poetry.
Źródło:
Colloquia Litteraria; 2017, 1
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Późne arcydzieła Miłosza
Autorzy:
Kuczera-Chachulska, Bernadetta
Powiązania:
https://bibliotekanauki.pl/articles/624351.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Czesław Miłosz
wiersze późne
Opis:
In the last lyric Czesław Miłosz raises the themes somehow similar to those which appear in Mickiewicz’s Lozanne lyric: their characteristic feature is also the similarity between the attitudes and formalsolutions. The aesthetic category of the “Lozanne issue” to a great extent builds an extremely brave shape of Miłosz’s late lyric.
Źródło:
Colloquia Litteraria; 2011, 11, 2; 81-90
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Niedziela w Brunnen po latach
Autorzy:
Zieliński, Jan
Powiązania:
https://bibliotekanauki.pl/articles/624353.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Czesław Miłosz
David Ricardo
Opis:
The author compares two visions of Europe, seen from Switzerland: one by the English economist David Ricardo, who was here in 1822, the second one by Czesław Miłosz, visiting this country in 1953. Link between both is Ricardo’s future Polish translator, at the same time brother of Miłosz’s maternal grandfather. Miłosz’s essay is discussed in the frame of the idea of the „liberation of Eastern Europe”, launched by his editor, Jerzy Giedroyc, in the early fifties, and of Arthur Koestler’s call for an European Legion of Liberty. After comparison of the text of Sunday in Brunnen with the iconographic programme of the parochial church in Brunnen the author comes to the conclusion that Miłosz wrote a work of fiction rather than a documentary report on his visit in this small place in Switzerland. Brunnen can be seen as an exemplum.
Źródło:
Colloquia Litteraria; 2011, 11, 2; 91-100
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
CARRYING COALS TO NEWCASTLE COULD ONE SAY IT IN A DIFFERENT MANNER?
Autorzy:
Garbol, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/624423.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Czesław Miłosz
Tadeusz Różewicz
Opis:
The article’s starting point is the necessity to alter the paradigm of Polish poetry, which is declared in the ‘contemporary Polish lyric poetry’ anthology Powiedzieć to inaczej [To say it in a different manner]. The author attempts to assess the chance of the project’s success.
Źródło:
Colloquia Litteraria; 2017, 1
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Drzwi do pokoju
Autorzy:
Kudyba, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/624355.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Czesław Miłosz
liryka
duchowość
Opis:
Czeslaw Milosz’s poem Późna dojrzałość describes the experience of spiritual breakthrough. His past time hero feels incomplete. Full--time starts for him at the time of “awakening”. However, deep experience of “me” leads eventually beyond ego – towards the relations with others. The protagonist recognizes both a personal value of himself and of the others. It is the dignity of a “child of the King”, it has its source not so much in axiology, as in the ontology. The described spiritual breakthrough does not solve world’s problems, but introduces a new perspective of their understanding. It allows – thanks to a deep experience of hope – to anticipate the future harmony. Internal doors allow the hero to look into something which will become complete at the end of time, yet it now exists in the form of announcement hidden in the structure of reality.
Źródło:
Colloquia Litteraria; 2011, 11, 2; 57-67
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Lis na ziemi Ulro. Miłosz i Beckett
Autorzy:
Kopciński, Jacek
Powiązania:
https://bibliotekanauki.pl/articles/624361.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Miłosz
Beckett
Ziemia Ulro
Opis:
In the sketch I present Beckett as a representative of western civilisation and a dialogue between Beckett and Czesław Miłosz. A characteristic outcome of this confrontation are the instruction for the habitués of the Urlo Land (Ziemia Urlo): cultivation of love for order, exercising the memory against the flow of time, choice of goodness despite the unmitigated evil, faith in what is visible, love for facts and search for meaning.
Źródło:
Colloquia Litteraria; 2011, 11, 2; 31-41
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Antynomie religii mitologicznej. Kilka uwag na marginesie Traktatu teologicznego Czesława Miłosza
Autorzy:
Koehler, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/624369.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Czesław Miłosz
Traktat teologiczny
Opis:
The Noble Prize winner, Czeslaw Milosz in the last years of his life wrote a religious poem „The theological treatise”. In my paperI try to understand a religious dimension of a person who is the narrator of the poem. This is the voice of an experienced person who tries to find his way between two oppositions: the so called Polish catholicism (which is stereotypised as „mass” catholicism, unreflective, superficial etc) and a religion of a modern intellectual (with his religious hesitations, opposition to the catholic „mob” etc).I try to throw some light on a narrator’s perspective going back to some Molosz’s texts from the past. I hope the paper will be interesting to the scholars and others who are trying to solve the fascinating problem of the religious dimenssion of Czeslaw Milosz’s poetry.
Źródło:
Colloquia Litteraria; 2011, 11, 2; 15-30
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dystopia miejska w twórczości Czesława Miłosza
Urban dystopia in the works of Czesław Miłosz
Autorzy:
Jędrzejewski, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/2013672.pdf
Data publikacji:
2014-06-02
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
dystopia
miasto
Miłosz
city
Opis:
The article discusses the problem of urban dystopia in Czesław Miłosz’s works. In his many essays, memoirs as well as poems various cities are shown as the examples of cite ´ infernal, land of Ulro or at least as an oppressive space in which traditional human relationship is disordered. Warsaw always seems to be an “unreal city” destroyed by the history. Miłosz describes the capital of Poland in the shadow of the World War II. The ruins of Warsaw in the 1940’s give the impression of a city that never existed. Modern Paris is portrayed as the capital of the World, but on the other hand, for Miłosz, it is an example of corrupted Western civilization, in which human life is always determined by the money and social status. The American cities are considered by Miłosz as temporary camps, not related neither to history, nor to nature. All these symptoms of urban dystopia are contrasted in Miłosz’s works with the myth of province (identified especially with Lithuania).
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2014, 4(7); 291-304
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wobec nicości. Miłosz – dysydent
Confronting Nothingness. Miłosz – Dissident
Autorzy:
Masłowski, Michał
Powiązania:
https://bibliotekanauki.pl/articles/510995.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czeław Miłosz,
biography,
ideology
Opis:
Worldwide known poet, Czesław Miłosz, was he a dissident? The idea of ‘dissidency’ usual-ly excludes appreciation. Yet Miłosz, being always in opposition to dominant tendencies, was always acknowledged. The article presents three periods of his life: in Vilnius, in Paris and in America. In catholic and conservative Vilnius he represented a “left¬ wing” orienta-tion. Afterwords when he worked in Polish radio, it caused his transfer to Warsaw. His leftist beliefs explain his work in diplomacy for a new regime. This continued till 1950 when Miłosz, terrified with Stalinism, chose asylum in Paris. He was being fiercely attacked both by conservative emigration and leftist French intellectuals. He was accepted, however, by Parisian Kultura circle – the most creative centre of political reflection. In The Captive Mind – soon acknowledged as the most important book in this matter – Miłosz masterfully diagno-ses “a new faith”. In 1960 Miłosz became a professor in the Department of Slavic Lan-guages and Literatures in Berkeley. It was there that important works analyzing nihilistic crisis of Western civilization and consumerism connected with Americanization were writ-ten: The Land of Ulro (1977), Emperor of the Earth (1977) and especially A View of San Francisco Bay (1988). His reflections concentrate also on ontological crisis and working on new reli-gious imagination. Czesław Miłosz was never a politician or oppositionist in a traditional sense of these terms. Nevertheless, he kept searching for the essence and roots of ideology, the style of life and faith, regarding the fundamental values he fiercely criticized Communism, Ameri-canization and the usurpation of faith by Polish nationalism. He was appreciated, but pro-tests against his burial at Skałka confirm how sharp and influential his observations were.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 29-46
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Antologia Miłosza
Anthology of Czesław Miłosz’s Poetry
Autorzy:
Olejniczak, Józef
Powiązania:
https://bibliotekanauki.pl/articles/511756.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
poetry,
anthology
Opis:
The author of the article offers insights into the process of preparing an anthology of Czesław Miłosz’s poetry by composing a list of major challenges that either a scholar or a critic undertaking such task must face. Paradoxically, the author stresses the fact that either a mere synthesis or a complete anthology of Miłosz’s oeuvre is rendered impossible by its sheer magnitude, plurality of poetic voices, generic diversity and thematic richness. In con-clusion, the author enumerates the most important features of Miłosz’s poetry, such as its unrelenting subjectivity (as in the case of the strong, subjective poetic voice, always rooted in poet’s autobiography) and numerous and persistent dichotomies: intuitive seer versus labouring artisan; mystic versus hard working rationalist; Darwinist versus naturalist; roman-tic versus anti-romantic; detached historian versus a subject of history musing over its meaning, and last but not least, an erudite poet versus a naive, spontaneous one.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 201-209
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Recepcja twórczości Czesława Miłosza na Białorusi
Reception of Czesław Miłosz’s Works in Belarus
Autorzy:
Kazłouskaya, Maryna
Pushkina, Maria
Powiązania:
https://bibliotekanauki.pl/articles/511758.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
Belarus,
reception
Opis:
The article is dedicated mainly to the reception of Czesław Miłosz’s works in Belarus. Analyzed here is the history of Belarussian translations and some strategies of translation determining the selection of certain poems and essays. The article also aims to elucidate the specificity of readers response to Czesław Miłosz’s poetry and prose as well as to describe Belarussian literary research on the works of the Polish writer.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 285-290
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Świadectwa lektury św. Tomasza z Akwinu w twórczości Czesława Miłosza
St. Thomas Aquinas in the works of Czesław Miłosz
Autorzy:
Bałdyga, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/2057902.pdf
Data publikacji:
2021-12-30
Wydawca:
Naukowe Towarzystwo Tomistyczne
Tematy:
Miłosz
św. Tomasz z Akwinu
filozofia i literatura
estetyka Miłosza
Milosz
Thomas Aquinas
philosophy and literature
Milosz’s aesthetic
Opis:
The article concerns the connection between the work of Czesław Miłosz and the philosophy of Thomas Aquinas. The aim is not only to expand the state of knowledge with another point of reference, but to emphasize the impact that reading the writings of a medieval philosopher could have had on the overall shape of Czesław Miłosz's work - e.g. on specific aesthetic choices or views on the condition of the modern world. In Miłosz's poetry and essays, attention is drawn to the recurring presence of the thoughts and figures of Saint Thomas Aquinas. It turns out to be important to indicate the sources of thinking about the connection between the medieval philosopher and the writings of the Nobel Prize winner - to show where Miłosz referred directly to this philosophy and to refer to biographical contexts (which are obviously auxiliary). I mainly present points in Miłosz;’s works which testify to the fact that the writings of Thomas Aquinas were read and commented on by Miłosz over the years of his literary activity.
Źródło:
Rocznik Tomistyczny; 2021, 10; 163-180
2300-1976
Pojawia się w:
Rocznik Tomistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dialogiczny proces rekonstrukcji. Polifonia Czesława Miłosza jako krok w stronę poetyckiej apokatastazy
The Dialogic Process of Restoration: Czeslaw Milosz’s Polyphony as Movement toward Poetic Apokatastasis
Autorzy:
Jastremski, Kim
Powiązania:
https://bibliotekanauki.pl/articles/510841.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
polyphony,
apokatastasis,
dialogue
Opis:
In “The Dialogic Process of Restoration: Czeslaw Milosz’s Polyphony as Movement toward Poetic Apokatastasis,” Kim Jastremski explores Milosz’s use of polyphonic poetry as a defense against nihilism in its connection of Self and Other, which has the potential to develop into poetic apokatastasis. She argues that what is typically referred to as Milosz’s polyphony is not interchangeable with the term “internal dialogue.” She typologizes Milosz’s polyphony in three sub¬ groups: 1) poems of internal dialogue; 2) poems of external dialogue; and 3) alter ego poems.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 99-118
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Recepcja twórczości Czesława Miłosza na Litwie
Reception of Czesław Miłosz’s Works in Lithuania
Autorzy:
Dalecka, Teresa
Powiązania:
https://bibliotekanauki.pl/articles/511019.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
reception,
Lithuania, translation
Opis:
Research on Czesław Miłosz’s works conducted in Lithuania, although not very intense, is mainly focused on the Lithuanian issues. One major trend prevails among Lithuanian re-searchers – an attempt to treat a substantial part of Miłosz’s works as autobiographical. Lithuanian translations of the works of Czesław Miłosz were explored in the article. The author poses the question whether works of the Nobel Laureate in any way shape and develop self-awareness of the inhabitants of Lithuania and if they help them to comprehend the diversity of the country as well as its complicated history, multiculturalism and multilingualism.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 277-284
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ameryka widziana oczyma Czesława Miłosza
America Seen through the Eyes of Czesław Miłosz
Autorzy:
Geambaşu, Constantin
Powiązania:
https://bibliotekanauki.pl/articles/511563.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
essay,
America, imagology
Opis:
The article discusses several “curiosities of American spirit” on the basis of the volume of essays A View of San Francisco Bay: the duality of Americans (based on hesitation between success and despair), nihilism noticed especially among the representatives of the younger generation, arrangement of spatial hierarchy, tearing America into two hostile camps (pure, noble minds and simple people’s minds), arrogance of one’s own “I” (being the fundamental cause of great achievements in technology and science), dissonance between biblical spirit and technological progress etc. Besides their cognitive value, Miłosz’s essays are also a great lesson of imagology on America perceived by the comparatist’s eyes.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 47-52
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Hiob Miłosza
Autorzy:
Szczepan-Wojnarska, Anna M.
Powiązania:
https://bibliotekanauki.pl/articles/624363.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Czesław Miłosz
Hiob
Księga Hioba
Opis:
Miłosz’s poetry asks numerous questions concerning an idea ofguilt, forgiveness and suffering nevertheless it never provides easy answers, rather multiplies them creating an atmosphere of overwhelming inescapable responsibility. This essay examines the problem of suffering and its implications in relation to figure of biblical Job that appears in Miłosz oeuvre repeatedly and undergoes a kind of thepoet’s interpretation in Miłosz’s translation of the Book of Job. The main thesis of my considerations is that various strategies of approaching the problem of suffering applied by Miłosz culminate in the conviction that the Joban deepest pain is his uniqueness, his being incomparable to anyone else. The only faith that can sustain in the context of WWII is “a faith through thankfulness” despite evil that ruled the world at that time.
Źródło:
Colloquia Litteraria; 2011, 11, 2; 43-55
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Miłosz: Self-Reflection as the Topic of a Poetic Description
Autorzy:
Stelmaszczyk, Barbara
Powiązania:
https://bibliotekanauki.pl/articles/648860.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Czesław Miłosz
Three Winters
poetry
Opis:
Czesław Miłosz’s poetry displays two reverberating topics which may be defined as contradictory existence and world experiences. One of those is the admiration for the beauty of the world and awe consequent upon capturing the simultaneous existence of individual entities (Amazement), whilst the other is the topic of the lack of fulfilment, torment, the feeling of lack of authenticity, blame, and shame (This).Miłosz depicted his “I” (represented by various personae), the split between individual consciousness, a strong sense of individuality, distinct from the commune of ordinary people (a strand salient in the pre-war volume Three Winters), at the same time nurturing a feeling of strong bonds with the society.The poet’s self-reflection holds for both topics, while the autobiographic discourse is orientated to the questions about the functions of the poetic language and about the status and sense of poetry, thereby addressing the self-topicality.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2016, 38, 8
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Leśne tropy Czesława Miłosza
Czesław Miłosz’s Forest Traces
Autorzy:
Szawerna-Dyrszka, Anna
Powiązania:
https://bibliotekanauki.pl/articles/511213.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
forest traces,
biography
Opis:
The theme of this article has been suggested by Miłosz himself, who published in his Sub-jects to Let (the second part of Road¬ side Dog) the short essay Las [The Forest]. Author plaits the net of associations connected with the forest, which leads to reflection that this apparently obvious and exploited by generations of poets topic can still produce various contexts: geographical, natural, economic, political, cultural and literary ones as well as those of sym-bolic, mythical, historical and biographical character. This last context leads back to Miłosz, as a consequence of the reflection that the forest serves as a kind of symbolical frame for many plots present in his life and creativity. From a biographical and literary point of view, the poet leaves the forest. However, in 1997 (when Road¬ side Dog was published), toward the end of his long life, Miłosz returns to the forest in his poetry. He writes a separate text about it. There is a wide range of forest traces (literal, metaphorical, symbolical) between those two moments. They can be noticed in other books by Miłosz.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 53-62
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Miejsca traumy w Świecie Miłosza
The Spots of Trauma in The World by Czesław Miłosz
Autorzy:
Kłosiński, Michał
Powiązania:
https://bibliotekanauki.pl/articles/511233.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
The World,
interpretation
Opis:
The author is searching for the spots or cracks through which concealed trauma reveals itself in The World by Miłosz, a text which most of the interpreters described as idyllic. Close reading of Miłosz’s text shows that it is driven by unconscious repression that works to conceal the symptoms of traumatic experience by covering them with a simulation of a house¬ sanctuary. Author is trying to re¬ read The World, paying close attention to these spots and the fact that the date closing the book – April 1943 – is not just an ironic point, but a mark of experience that could not be erased or repressed from memory. The author also points to the intertextual relation between The World and other Miłosz’s texts, and shows how by comparing different types of poetic imagery related to the same memory, one can depict the work of unconscious repression.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 139-154
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Kłopoty z opisem rzeczy” , czyli (nie)możliwość mimesis w epoce relatywizacji podmiotu
“Problems with Depicting Things”. The Impossibility of Mimesis in the Epoch of the Relativization of the Subject
Autorzy:
Nieukerken van, Arent
Powiązania:
https://bibliotekanauki.pl/articles/511283.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
essay,
America,
imagology
Opis:
At first sight it appears that Miłosz’s poetry shares many features with modernist and post-modernist poetics. One of its main themes is the impossibility of verifying the veracity of man’s sensual impressions (i.e. their referring to an ‘external’ world), which seems to un-dermine the traditional concept of literature as ‘mimesis’. However, Miłosz expressly reject-ed the postmodernist point of view that literature as ‘mimesis’ is merely a textual effect. Even when the speakers in his poems expressly deny the possibility of recreating the exter-nal world of man’s sense-impressions by means of language, they seem to achieve the very thing they wanted to deny. One of Miłosz’s favourite devices in the poetry of his middle period was the so-called ‘irony of self-betrayal’. But this negative way of affirming the cove-nant between the self and the world did not satisfy him in the long run. Wishing to over-come the antinomies of mimesis he attempted to work out a poetical strategy allowing him to describe the astonishing richness of being more directly. This strategy required a meta-physical justification. The veracity of man’s sensual and intellectual involvement with the world turned out to be rooted in the religious perspective of ‘apokatastasis’. ‘Time past’ and ‘time present’ are one in a process that both redeems and transcends time, without annihilat-ing the moments of which it consists. Miłosz’s long poems of the sixties and seventies should therefore not be simply understood as ‘literature’ or independent ‘works of art’ (poésie pure) that could be separated from other forms of being. In fact they are part of a process of redemption that occurs ‘here and now’, although it remains unclear when it will be completed. For that reason Miłosz’s longer poems should be read as ‘open texts’ or – but in a sense opposite to the postmodernist idea of ‘unfinishedness’ – ‘work in progress’. They purport to present the manifold phenomena of a man’s existential autobiography simultaneously.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 65-98
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Słów kilka o mistrzu pokonanej rozpaczy
A Few Words about the Master Who Conquered Despair
Autorzy:
Sabo, Roman
Powiązania:
https://bibliotekanauki.pl/articles/511441.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
function of poetry
Opis:
Why does Miłosz so often suggest in his poetry that he has concealed something essential from his readers? What is the intended meaning of the frequent phrase of Miłosz’s: if only I told you all about myself? Why this persistent reference to some unnamed feature, truth, wisdom, revelation? Is this, as some critics tend to believe, a part of a creative strategy, some sort of a subversive play with the reader? Is this a strategy employed in order to create a dark counter¬ argument to luminous poetry of grateful existence? Or is it, as the author of the article suggests, a deliberate strategy to entice the reader to undertake a meticulous contemplation of Miłosz’s attitude towards the social function of poetry? Sabo suggests that Miłosz, who due to historical and social reasons, put so much stress on the utility aspect of the poetic vocation, was actually a poet who was most interested in a pure poetry unyoked from any specific cause, except the cause of relentless expression of gratitude.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 155-164
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czesław Miłosz na Ukrainie
Czesław Miłosz in Ukraine
Autorzy:
Nachlik, Ołesia
Powiązania:
https://bibliotekanauki.pl/articles/511604.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
reception,
translation,
reader
Opis:
The article is dedicated to the reception of Czesław Miłosz’s works in Ukraine at the beginning of democratic transformations and today. The author concentrates attention mostly on two aspects: translations and critical and journalistic discourse. This enables her to indicate the specificity of the way the Polish thinker and writer’s works have been received by Ukrainian readers. Having analyzed the above mentioned issues in diachronic perspective, the author is able to present changes and main tendencies in Ukrainian reception of Czesław Miłosz’s works over time.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 291-313
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dialog Miłosza z Mickiewiczem
Dialogue between Miłosz and Mickiewicz
Autorzy:
Delaperrière, Maria
Powiązania:
https://bibliotekanauki.pl/articles/511622.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
Adam Mickiewicz,
dialogue,
intertextuality
Opis:
The author asserts that a dialogue between Miłosz and Mickiewicz sheds light not only on the great Polish Romantic, and even Polish Romanticism as such, but also on the personality of the author of The Land of Ulro. It is a difficult and full of contradictions dialogue, that used to be interpreted in relation to the uneasy history of the 20th century. The author of the article does not attempt to weaken the role of historical events in Miłosz’s spiritual evolution; she underlines, however, such aspects of his dialogue with Mickiewicz that reveal the deepest similarities and are not subjected to changeable interests. That is how Miłosz’s hesitations can be understood, as his disputes with Mickiewicz are time-bound, but both poets meet also in timeless sphere.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 233-246
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czesław Miłosz i Walt Whitman: przekład jako prawdziwa obecność
Czesław Miłosz and Walt Whitman: translation as an authentic presence
Autorzy:
Van Nieukerken, Arent
Powiązania:
https://bibliotekanauki.pl/articles/1533706.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Czesław Miłosz
Walt Whitman
modernism
postmodernism
Opis:
Miłosz’s later poetry attempts to overcome the (post)modernist gap between the author as a textual effect and the subject of autobiography. An important stage on this road was his poetry book (in fact, a long poem in its own right) Nieobjęta ziemia [Unattainable Earth]. Its form is clearly dialogical. The collection mixes authorial poems with various examples of “heteroglossia”. Particularly striking is the prominent presence of Walt Whitman’s poetry. Whitmanian poetics assume that fully experiencing reality presupposes the existence of a community. The task of poetry consists in conceiving artistic structures that, when they are “concretized”, allow the reader to participate in such a community. Nieobjęta ziemia tries to come to terms with the Whitmanian challenge. The poetical subject in this somewhat modified example of the modern “sylva rerum” experiences its link with the “other” by an individual reception of artifacts that point to the communal essence of humanity. Nieobjęta ziemia , realizing community in the field of poetics “performatively”, incorporates these artifacts into the text. Particularly important seems to be the role played by poems translated by Miłosz himself (they are explicitly labeled as translations), and that represent the human condition called by Whitman “en masse”.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 20; 217-231
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Czerwcowy sen o śniegu, śladzie, twarzy”. Wiersz Czesława Miłosza –próba czytania
“A June Dream about Snow, a Trace, a Face”. A Poem by Czesław Miłosz – an Attempt to Read It
Autorzy:
Antoniuk, Mateusz
Powiązania:
https://bibliotekanauki.pl/articles/1389778.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
poetry by Czesław Miłosz
representation
versology
Opis:
The article is an attempt at a close reading of the poem 17 czerwca (“17 June”) by Czesław Miłosz. The author starts with a versological analysis, supposed to indicate in what way the poet achieved the tonal effects in the text. The interpretation that has been conducted makes visible a semantic unsolvability, which—according to the author—is born in the poem and, once discerned, cannot be easily neutralized.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2014, 24; 229-242
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Interpretation as Feeling Settled. A few Thoughts about Reading (Poems)
Autorzy:
Antoniuk, Mateusz
Powiązania:
https://bibliotekanauki.pl/articles/1807102.pdf
Data publikacji:
2019-10-23
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
interpretation, meaning, Czesław Miłosz’s poetry
Opis:
The Polish version of the article was published in “Roczniki Humanistyczne”, vol. 59 (2011), issue 1. The article is a suggestion for an interpretation of Czesław Miłosz’s poem Biel (Whiteness) (from the volume Miasto bez imienia (City Without a Name). The accepted methodology of interpretation tries to find and define the zone of mediation between the ideal of comprehensive reading, striving after integrating and structuralizing the global meaning of the work, and the suggestions coming from post-structuralist philosophy of reading texts. The author’s own interpretation of the poem has been taken into consideration; a comparative reading of Biel has been suggested as well as of a Miłosz’s later poem Powrót do Krakowa w roku 1880 (Return to Krakow in 1880). This comparison is supposed to serve showing different strategies of creating texts and meanings used by the author of Nieobjęta ziemia (Unattainable Earth). At the same time, at the background, a commentary to Miłosz’s poem becomes an opportunity to construct a meta-interpretative reflection. Looking at his own reading the author formulates remarks concerning the process of reading and comprehending, he introduces and analyzes the metaphor of “interpretation as feeling settled.”
Źródło:
Roczniki Humanistyczne; 2018, 66, 1 Selected Papers in English; 133-149
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Ale pachniały zioła…”. Kilka uwag o Orfeuszu i Eurydyce Czesława Miłosza
“Ale pachniały zioła…”. A Few Comments on Orpheus and Eurydice by Czesław Miłosz
Autorzy:
Brzozowski, Jacek
Powiązania:
https://bibliotekanauki.pl/articles/942585.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Czesław Miłosz
wiersz "Orfeusz i Eurydyka"
Opis:
The text is an attempt to prove that the descent to the underworld that the poem depicts (written after Carol’s death) led the Old Poet-Orpheus to absolute, completely objective and maximally interiorized knowledge of loss. The knowledge is of certain weight to the author, who only a few years earlier wrote a dramatic poem entitled ‘It’ (‘To’) and made it the first text of his poetic book under the same title. Unlike the case of the ancient Orpheus, or other later Orpheuses, that knowledge is not, however, the character’s final destination. The ending of the poem allows the reader to assume that — typically of Miłosz — it is an opening to the grand epiphany of existence.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2012, 01
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tomistyczne źródła poetyckiej estetyki Czesława Miłosza
Autorzy:
Bałdyga, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/623903.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
czesław miłosz
tomasz z akwinu
estetyka
Opis:
Thomist Sources of Czesław Miłosz’s Poetic Aesthetics The article shows the essays and poetry of Czeslaw Milosz in the context of Aquinas expressions about beauty. The fondness of the concrete, visibility, the realistic world and giving justice to these parts in the poetry and art hadto lead to rejection of the poetry of a pure form and abstraction. Milosz – as a hunter grasping the reality – protects the word which is connected with reality. He put the existence in the centre of his poetical world. The realistic and objective existence was a basic experience for him. This experience was noted down in his work. Thus, the inspiration by saint Thomas Aquinas affected his artistic choices. In the work of the poet, it is visible that the texts of Aquinas had been his set books for many years. This tasting of the philosopher’s work can be best seen in the comparison of the writing practice of Miłosz with the particular matters coming from Summa Theologiaeor Art and Wisdom of Maritain (the contemporary Thomist read by Miłosz).
Źródło:
Colloquia Litteraria; 2018, 25, 2; 57-111
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Motywy oczu, ślepoty i światła w późnej twórczości Czesława Miłosza
Autorzy:
Dobrzyńska, Teresa
Powiązania:
https://bibliotekanauki.pl/articles/624357.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Czesław Miłosz
motyw oczu
motyw ślepoty
Opis:
The subject of the examination here is a late period of Miłosz’sliterary output (volumes: „Druga przestrzeń” and „Wiersze ostatnie”). While discussing the motif of eyes, blindness and light the author brings up a general and serious problem of the poet’s vision in his final poems: he uses this theme in existential and metaphysical contexts.
Źródło:
Colloquia Litteraria; 2011, 11, 2; 69-80
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
SCREENING MIŁOSZ'S PHILOSOPHY: THE MULTILAYERED CONSTRUCTION OF TADEUSZ KONWICKI'S ADAPTATION OF THE ISSA YALLEY
Autorzy:
Duda, Paulina
Powiązania:
https://bibliotekanauki.pl/articles/647055.pdf
Data publikacji:
2013
Wydawca:
Akademia Górniczo-Hutnicza im. Stanisława Staszica w Krakowie
Tematy:
Miłosz, Konwicki, adaptation, paradigmatic structure, Lithuania
Opis:
Tadeusz Konwicki's adaptation of Czesław Miłosz's novel The Issa Valley is an adaptation of the latter's philosophy. Through a series of deliberately structured cinematic techniąues, Konwicki creates a film that is a platform where two outstanding individuals meet, rather than a battlefield where each tries to surpass the other. By drawing on the paradigmatic structure approach created by Herbert Eagle, I demonstrate that The Issa Valley's meaning is created not on the level of the storyline but rather through the repeated cinematic segments that build a second "narrative" linę within the film. Miłosz employs a similar strategy in his novel, which brings together both artistic styles, that of Miłosz and that of Konwicki. Furthermore, the similarities between the artists' biographies (childhood in Lithuania, life as refugees, a shared Romantic tradition) brings an additional layer to the adaptation. As a result, The Issa Yalley film is a multilayered work that manifests not only Konwicki's artistic independence but also Miłosz's artistic philosophy and even the afterlife of his art.
Źródło:
Studia Humanistyczne AGH; 2013, 12, 1
2084-3364
Pojawia się w:
Studia Humanistyczne AGH
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przekroczyć dualizm. Dialog gnostycyzmu i buddyzmu zen w twórczości Czesława Miłosza na przykładzie Dalszych okolic
Beyond Dualism. Dialogue of Gnosticism and Buddhism Zen in Czesław Miłosz’s poetry illustrated through the example of Dalsze okolice
Autorzy:
Brenskott, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/971235.pdf
Data publikacji:
2018
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
Zen
Gnosticism
Czesław Miłosz
internal dialogicality
Opis:
This work is dedicated to the dialogue of two religious traditions in the work of Czesław Miłosz. It is an attempt to answer the question of relations between Gnosticism and Zen, and their role in Dalsze okolice, but also throughout Miłosz’s poetry. These two different types of spiritual experience, both reaching beyond the Christian view, are united in the work of Czesław Miłosz under the category of “internal dialogicality”, and — central to each — the issue of duality of subject and object of cognition. Milosz’s conflict between Gnosticism highlighting the problem of alienation in the world of nature and the Zen mind which is trying to cross this alienation, turns out to be an interesting example of dialogue between Western and Eastern philosophy. The dichotomous strucutre of this work allows the author to elaborate on the theoretical model of these relations, and then with the help of it, interpret the poetry of Czesław Miłosz.
Źródło:
Zagadnienia Rodzajów Literackich; 2018, 61, 1(125); 53-66
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zniewolony umysł – zmiana biegunów recepcji
The Captive Mind – the Change in the Modes of Reception
Autorzy:
Pawelec, Dariusz
Powiązania:
https://bibliotekanauki.pl/articles/510849.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Czesław Miłosz,
The Captive Mind,
reception
Opis:
This article presents the changes through history in the reception of The Captive Mind by Czesław Miłosz. The book was published in 1953, first of all for the foreign readers. There were editions in English, French, German, Italian, Spanish, Swedish. However, it mainly evoked emotions of Poles at home and on emigration. After the 1989, with the first legal mass edition, we observed a decrease of interest in Poland for the Miłosz’s text. It has become a classical work, it kept up didactic function. On the other hand, the world response argues, through universal interpretations and new translations in 21th century (a Belorussian, Russian, Turkish, Catalan, Serbian), that the Miłosz’s propositions are current and attractive outside Poland, in other geopolitical conditions.
Źródło:
Postscriptum Polonistyczne; 2011, 1(7); 183-190
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Litwa i tożsamość. Miłosz i Miłosz o potrzebie „określonego miejsca na ziemi”
Lithuania and Identity. Miłosz and Miłosz About the Need of “a Defined Place on Earth”
Autorzy:
Stankowska, Agata
Powiązania:
https://bibliotekanauki.pl/articles/1182990.pdf
Data publikacji:
2013-12-02
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Oskar Władysław Miłosz
Czesław Miłosz
questioned identity
private motherland myth
Lithuania
zakwestionowana tożsamość
mit ojczyzny prywatnej
Litwa
Opis:
Szkic poświęcony jest problematyce tożsamości, zakwestionowanej przez historię i nowoczesną myśl filozoficzną oraz próbom jej potwierdzania i odbudowywania w myśli dwu poetów i eseistów ubiegłego stulecia: Czesława Miłosza i jego starszego kuzyna, francuskiego liryka – Oskara Władysława Miłosza. Zarówno autor Confession de Lumuel, jak i twórca Ziemi Ulro budują paralelę między filozoficznym planem utraty tożsamości i historycznym rozpadem„ojczyzny prywatnej”. Obaj twórcy pierwszą stratę przedstawiają jako wynik wyparcia z dwudziestowiecznych dyskursów tradycyjnych pojęć metafizycznych i wyobraźni mitycznej. Drugą, poświadczaną w ich konkretnych biografiach losem emigracyjnych wygnańców, „podróżnych świata”, postrzegają jako analogon owej pierwotnej, filozoficznie ujmowanej alienacji człowieka w czasie i przestrzeni. Zarówno francuski symbolista, jak i polski poeta próbują poddać swe wykorzenienie, eo ipso zakwestionowaną tożsamość, terapii, odwołując się do wspólnej obu„ojczyzny prywatnej” – doliny Niewiaży. Pierwszy swą „nagle odnalezioną »litewskość«” potwierdza czynem. Drugi rozwija w pisanych przez siebie wierszach i eseistycznych komentarzach mit „mistycznej Litwy”.
The draft concerns the problem of identity questioned by history and the modern philosophical view, as well as an attempt to confirm it and rebuild it in accordance with the idea of two poets and essayists of the last century: Czesław Miłosz and his older cousin, a French lyric poet – Oskar Władysław Miłosz. Both the author of Confession de Lumuel, and the author of The Land of Ulro build a parallel between a philosophical plan of the loss of identity and a historical breakdown of “private motherland”. Both authors present the first loss as the result of expulsion of traditional metaphysical concepts and mythological imagination from the discourses of the 20th century. The other one, confirmed in their own biographies by the fate of the emigrants, “the travelers of the world”, is perceived as the analogue of the primary, expressed in a philosophical manner, alienation of a human being in time and space. Both the French symbolist and the Polish poet make an attempt to subject their eradication, eo ipso questioned identity, to therapy, referring to “private motherland” – Niewiaża valley. The first one confirms his “suddenly found »lithuanianism«” with action. The other one elaborates on the myth of “mystical Lithuania” in his poems and essays. 
Źródło:
Porównania; 2013, 12; 43-53
1733-165X
Pojawia się w:
Porównania
Dostawca treści:
Biblioteka Nauki
Artykuł
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