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Wyświetlanie 1-10 z 123
Tytuł:
«Petites difficultés » de traduction et la volonté de rester francophone en Amérique du Nord
Petites difficulties of translation and the wish to become a francophone in North America
Autorzy:
Merkle, Denise
Powiązania:
https://bibliotekanauki.pl/articles/1052672.pdf
Data publikacji:
2017-12-02
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Acadian literary history
Francophone
Opis:
This article outlines briefly Acadian literary history in New Brunswick from 1970 to the present and concentrates on four writers: A. Maillet (La Sagouiné), R.G. LeBlanc ("Je suis Acadien"), G. Leblanc (Moncton Mantra) and F. Daigle (Petites difficultés d'existence). Their work is marked by the portrayal of sociolinguistic conflict between minority French and dominant English in Canada. We attempt to determine the consequences of this conflict on the translation of the works into English. Each literary presentation is followed by a short analysis of the respective translated passage taken from La Sagouine (L. de Céspedes), "I am Acadian" (F. Cogswell/J.-A. Elder), Moncton Mantra (J.-A. Elder) and Life's Little Difficulties (R. Majzels).
Źródło:
Studia Romanica Posnaniensia; 2008, 35; 209-225
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Die Kanondebatte – Positionen und Entwicklungen
Autorzy:
Wiesmüller, Wolfgang
Powiązania:
https://bibliotekanauki.pl/articles/700367.pdf
Data publikacji:
2013
Wydawca:
Stowarzyszenie Germanistów Polskich
Tematy:
literary canon, literary studies, teaching methodology, literary history
Opis:
In recent years, a canon of modern German literature has been widely discussed, particularly in the context of educational reforms. The discourse has taken place both in the public sphere of (print) media and within the fields of literary studies as well as teaching mehodology, with obvious interferences. Positions reach from demands to foster and revise a canon to its complete rejection as an educated middle-class phenomenon. While literary studies have developed a nomenclatura of the canon concept and reflected on criteria for its compilation, teaching methodology recommends – in view of competence-oriented literature courses – to focus on the teaching of a basic knowledge of literary history, which seems to make the consideration of a canon indispensible in a certain framework.
Źródło:
Zeitschrift des Verbandes Polnischer Germanisten; 2013, 2, 3
2353-656X
2353-4893
Pojawia się w:
Zeitschrift des Verbandes Polnischer Germanisten
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zdobyć awangardę [rec. Aleksander Wójtowicz: Nowa Sztuka. Początki (i końce). Kraków: Wydawnictwo Uniwersytetu Jagiellońskiego, 2017, ss. 280.]
To Capture the Avant-garde [re: A. Wójtowicz: Nowa Sztuka. Początki (i końce)]
Autorzy:
Baron-Milian, Marta
Powiązania:
https://bibliotekanauki.pl/articles/534598.pdf
Data publikacji:
2017
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
New Art
avant-garde
literary history
literary left
Opis:
The text discusses the most important theses of Aleksander Wójtowicz’s study devoted to the circles of New Art and it subjects them to critical reading. The author focuses primarily on confrontation of various narrative lines, which we encounter outside the mainstream research on the interwar avant-garde. What seems especially interesting is how Wójtowicz captures the history of the literary experiment as a space of oppression and exclusion, and above all, the struggle for discursive domination, in which gradually New Art was superseded by the avant-garde.
Źródło:
Śląskie Studia Polonistyczne; 2017, 10, 2; 273-281
2084-0772
2353-0928
Pojawia się w:
Śląskie Studia Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Muzealna historia literatury
Museum Literary History
Autorzy:
Maj, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/579108.pdf
Data publikacji:
2017
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
literary museum
museum literary history
historiography of literature
Opis:
The article presents theoretical problems connected with museum literary history. It shows how the multimedia and interactive elements of exhibiting space change the so-called traditional communication about literary past. The author deliberates on the construction of literary and historical transmission to so-called variety of responders — not only the experts and academics. As the examples of the phenomenon she analyses Muzeum Pana Tadeusza in Wroclaw and Literaturmuseum der Österreichischen Nationalbibliothek in Vienna.
Źródło:
Zagadnienia Rodzajów Literackich; 2017, 60, 3 (123); 53-66
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The image of the poet Mihai Eminescu in the literary dictionaries
Autorzy:
Tcacenco, Petra Denisa
Powiązania:
https://bibliotekanauki.pl/articles/628642.pdf
Data publikacji:
2015
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
national poet, literary history, Mihai Eminescu, romanticism, literary dictionaries
Opis:
Mihai Eminescu is known as the Romanian national poet, the most important writer of the XIXͭʰ century in Romanian literature, whose writings have been intensely interpreted since his poetic debut. Therefore, this paper proposes a study of the way the literary dictionaries build the image of “the national poet”. This identity construct is significant to our investigation because it influences the interpretation of the poet figure through history. In order to have a wider view of the problem, we consulted a series of literary dictionaries and, also, dictionaries for students use to see how the figure of Eminescu is taught in schools.  Moreover, we did not put aside foreign dictionaries, which bring a more objective perspective to the issue. The majority of Romanian dictionaries alter the poet’s portrait in favor of a “national construct”, created partly by the use of rhetoric figures. Another way of composing him a deformed image is accomplished by writing subjective and opaque interpretation of his poems. Consequently, such hermeneutics focuses on developing a myth that reflects mainly the way Romanians as nation want to be recognized and remembered.
Źródło:
Journal of Education Culture and Society; 2015, 6, 2; 296-304
2081-1640
Pojawia się w:
Journal of Education Culture and Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Literacka historia ołowiu. Rekonesans
The Literary History of Lead: A Preliminary Survey
Autorzy:
Tomczok, Marta
Powiązania:
https://bibliotekanauki.pl/articles/1367512.pdf
Data publikacji:
2021-06-21
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
lead
saturnism
literary history
metallurgy
industry
Szopienice
Opis:
This article offers an overview and preliminary arrangements of literary texts, chosen paintings and films (most of them from the past three centuries) which feature the motif of lead. The presence of lead as a symbol has been detected in poetry which treated the problem of war and peace; occasionally this use of lead has occurred in relation to printing, typesetting, and – less frequently – children’s toys. Much more often the motif of lead has been used in literary works to introduce the topic of melancholia and to express artists’ interest in alchemy. An analysis of literary prose at the turn of the 20th century related to zinc and lead metallurgy shows that lead did not occur in the context of mining, chemistry, and medicine until the 19th century. On the basis of studies of the press, historical literature, and contemporary reportage, the article shows the toxic nature of lead and its harmful effect on people and the environment, about which artists and authors try to warn the public at the turn of the 21st century. The article shows that the parallel between melancholia and saturnism is a well-documented phenomenon.
Źródło:
Narracje o Zagładzie; 2021, specjalny; 109-146
2450-4424
Pojawia się w:
Narracje o Zagładzie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Conceptualizing Literary History: A Survey of Poetics in Czech Fiction 1860–1910 (Part One)
Autorzy:
Charypar, Michal
Powiązania:
https://bibliotekanauki.pl/articles/50684887.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Czech literature
fiction
realism
modernism
poetics
literary history
Opis:
The article provides an innovative model of poetics (or isms, styles, etc.) in Czech prose in the latter half of the long 19th century. It gives an overview of seven individualized and mutually distinct poetics, including ideal, analytical, and psychological realisms, Parnassism, naturalism, impressionism, and decadence. The individual poetics do not represent periods, but exist in parallel, allowing confrontations and intersections either within the author's work or in a specific text, as in the model of Czech literature developed by Dalibor Tureček in the past decade. They are always set in the context of European literature and supported by many illustrative examples. The model is not only typological, but also assumes a diachronic perspective, which can be developed in future scholarly work on the history of Czech literature. The aim is to create a system that can potentially be applied not only to Czech fiction, but possibly also to poetry or drama, in other periods and literatures. Part One of the article concentrates on a general overview and on ideal and analytical realisms.
Źródło:
Bohemistyka; 2023, 23, 3; 394-408
1642-9893
Pojawia się w:
Bohemistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Conceptualizing Literary History: A Survey of Poetics in Czech Fiction 1860–1910. Part Two
Autorzy:
Charypar, Michal
Powiązania:
https://bibliotekanauki.pl/articles/50710714.pdf
Data publikacji:
2024
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Czech literature
fiction
realism
modernism
poetics
literary history
Opis:
The article provides an innovative model of poetics (or isms, styles, etc.) in Czech prose in the latter half of the long 19th century. It gives an overview of seven individualized and mutually distinct poetics, including ideal, analytical, and psychological realisms, Parnassism, naturalism, impressionism, and decadence. The individual poetics do not represent periods, but exist in parallel, allowing confrontations and intersections either within the author’s work or in a specific text, as in the model of Czech literature developed by Dalibor Tureček in the past decade. They are always set in the context of European literature and supported by many illustrative examples. The model is not only typological, but also assumes a diachronic perspective, which can be developed in future scholarly work on the history of Czech literature. The aim is to create a system that can potentially be applied not only to Czech fiction, but possibly also to poetry or drama, in other periods and literatures. Part Two of the article concentrates on psychological realism, Parnassism, naturalism, impressio- nism, and decadence.
Źródło:
Bohemistyka; 2024, 24, 2; 154-173
1642-9893
Pojawia się w:
Bohemistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The place of a woman on the literary scene. The strategies of legal validation
Autorzy:
Barthelmebs-Raguin, Hélène
Powiązania:
https://bibliotekanauki.pl/articles/606109.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
women in literature, literary history, feminine writing, writing startegies, terminology
Women in literature, Literary History, Feminine writing, Writing startegies, Terminology.
Opis:
Der Artikel enthält Zusammenfassungen nur in Englisch und Französisch.
In the line of recent studies (Reid, 2010; Planté, 2003), this contribution deals with the place of the feminine authors in the French literary canon and with the status of author. This political question also raises questions about the corpus’ construction of the classics of the literature which are taught and serve as references in literary studies. If women represent approximately 50 % of the world’s population, they are far from proportionally representing in literature. Thus, the scarcity of women in Literary History will be at the center of our preoccupation, and we will endeavor to show how societies have influenced the representation of women in literature, and how feminine authors have denunced the image of inequalities between men and women in their works.
L'article ne contient que des résumés en anglais.
Źródło:
Lublin Studies in Modern Languages and Literature; 2019, 43, 1
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Os dereitos das mulleres no teatro (de homes) das Irmandades da Fala
Autorzy:
Tato Fontaíña, Laura
Powiązania:
https://bibliotekanauki.pl/articles/2079161.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Warszawski. Wydział Neofilologii
Tematy:
Galician theatre
gender studies
feminism
critical analysis
literary history
Opis:
Para contextualizar o tema, este artigo comeza expoñendo a situación das mulleres no teatro galego das primeiras décadas do século XX, atendendo á súa participación nas actividades dramáticas como escritoras, tradutoras, actrices e tamén, desde a perspectiva da temática, como protagonistas das obras da época, as do teatro social ou teatro de tese. Móstrase a escasa presenza de escritoras, así como os prexuízos sociais que tiñan que superar para traballar como actrices; canto ao tratamento que recibían no teatro de tese, proba que as mulleres das clases populares aparecían como vítimas propiciatorias dos poderosos. Entre 1920 e 1936, fronte a unha única dramaturga, Herminia Fariña Cobián (1904-1966), cuxa obra non chegou até a actualidade, houbo catro dramaturgos galegos que escribiron, e estrearon, algunha peza destinada a defender a igualdade de dereitos para as mulleres, tres deles do grupo xeracional das Irmandades da Fala e o cuarto, da Xeración das Vangardas: Donosiña (1920), de Xaime Quintanilla (; Entre dous abismos (1920), de Antón Vilar Ponte Ponte (1881-1936); A tola de Sobrán (1920), Francisco Porto Rey (1876-1941); María Rosa (1921), de Gonzalo López Abente (1878-1963) e Branca (1934), de Luís Manteiga ((1903-1949). O corpo do artigo está constituído pola análise destas obras e a reacción que provocaron nos sectores máis conservadores.
Źródło:
Itinerarios; 2014, 20; 71-88
1507-7241
Pojawia się w:
Itinerarios
Dostawca treści:
Biblioteka Nauki
Artykuł
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