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Wyszukujesz frazę "Kunstkammer" wg kryterium: Temat


Wyświetlanie 1-4 z 4
Tytuł:
Jan Švankmajer’s Kunstkammer: Every thing means everything
Autorzy:
Brzezińska, Anna Maria
Powiązania:
https://bibliotekanauki.pl/articles/628128.pdf
Data publikacji:
2020
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
Jan Švankmajer
kunstkammer
surrealism
Krzysztof Pomian
semiophores
cabinet of curiosities
Opis:
Thesis. Jan Švankmajer’s Kunstkammer is a project with a complex constellation of meaning that defies clear-cut categorization in the context of Pomian’s theory of semiophores.  Discussed concepts. The paper describes the kunstkammer art project created by Jan Švankmajer, a Czech surrealist, in the context of Pomian’s theory of semiophores and compares it to traditional and historical equivalents, using the concepts of micro- and macrocosm, the world as a stage (Theatrum Mundi), hermeticism, and alchemy.  Results and conclusion. Jana Švankmajer’s Kunstkammer should be analyzed primarily in the individual and subjective context, rather than in the social one.   Originality/cognitive value of the approach. Pomian has described many examples of traditional kunstkammers, but there are also several modern collections that have not yet been described in the literature.  
Źródło:
Journal of Education Culture and Society; 2020, 11, 2; 343-352
2081-1640
Pojawia się w:
Journal of Education Culture and Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Vom Berliner Schloss zum Humboldt Forum: ein Paradigma Deutscher Konfliktgeschichte
Autorzy:
Bredekamp, Horst
Powiązania:
https://bibliotekanauki.pl/articles/909498.pdf
Data publikacji:
2019-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Berlin
Humboldt Forum
residential architecture
architecture and power
kunstkammer
Opis:
The lecture concerns the Berlin Palace (Stadtschloss) and presents a view of its long history, starting with its construction in the Baroque style by an artist of the Polish origin, Andreas Schlüter, up to its contemporary reconstruction with a new institutional function (Humboldt Forum). The ten sections of the text not only present architectural and artistic history of this residence but also pivotal historical events and contexts which affected the dimensions and meaning of its functioning. The Palace, entangled into German history but also reflecting it, especially as regards the 19th and 20th centuries, becomes both a starting point for an evaluation of this history and posing questions about the future. Along with the ferociously debated, present-day reconstruction and its museum function, it also seems to be a psychogram of diverse stages of the condition of German spirit.
Źródło:
Artium Quaestiones; 2019, 30; 279-304
0239-202X
Pojawia się w:
Artium Quaestiones
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Od Zamku Berlińskiego do Forum Humboldtów: paradygmat konfliktu w niemieckiej historii
Autorzy:
Bredekamp, Horst
Powiązania:
https://bibliotekanauki.pl/articles/909500.pdf
Data publikacji:
2019-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Berlin
Humboldt Forum
residential architecture
architecture and power
kunstkammer
university
Opis:
The lecture concerns the Berlin Palace (Stadtschloss) and presents a view of its long history, starting with its construction in the Baroque style by an artist of the Polish origin, Andreas Schlüter, up to its contemporary reconstruction with a new institutional function (Humboldt Forum). The ten sections of the text not only present architectural and artistic history of this residence but also pivotal historical events and contexts which affected the dimensions and meaning of its functioning. The palace, entangled into German history but also reflecting it, especially as regards the 19th and 20th centuries, becomes both a starting point for an evaluation of this history and posing questions about the future. Along with the ferociously debated, present-day reconstruction and its museum function, it also seems to be a psychogram of diverse stages of the condition of German spirit.
Źródło:
Artium Quaestiones; 2019, 30; 437-461
0239-202X
Pojawia się w:
Artium Quaestiones
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Prince, the Noblemen and the Painter: Collections of Works of Art in Copenhagen Between 1800 and 1848
Autorzy:
Christensen, Charlotte
Powiązania:
https://bibliotekanauki.pl/articles/32353623.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Copenhagen
collections in the first half of the 19th century
Kunstkammer
ing Christian VIII
Dutch paintings in Denmark
artists’ art collections
Christian Albrecht Jensen
Opis:
The history of collecting in Denmark and Norway in the 19th century is intimately connected with the history of the painters and sculptors active during that period. Only in Copenhagen were the Royal and private collections accessible to the artists, for whom copying paintings by Old Masters formed an important part of their curriculum. Major collectors of the Age were Prince Christian Frederik (later King Christian VIII of Denmark), who mainly acquired paintings and sculptures by contemporary artists, and the portrait painter Christian Albrecht Jensen, whose preference was to buy and sell the works of Old Masters. In Copenhagen, the collections of the Counts Moltke, which mainly consisted of works by Dutch painters, was open to the public, while the Royal Collection (today a part of Statens Museum for Kunst) could only be visited from 1827 onwards. None of the three collections dealt with in the present article have survived until today, while the works of art and the antiques belonging to the sculptor Bertel Thorvaldsen are at present housed in the museum bearing his name.
Źródło:
Artium Quaestiones; 2023, 34; 81-109
0239-202X
Pojawia się w:
Artium Quaestiones
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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