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Tytuł:
IWASZKIEWICZ „ROZDWOJONY W SOBIE”
Autorzy:
Mitzner, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/624335.pdf
Data publikacji:
2009
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Jarosław Iwaszkiewicz
religijność
Opis:
Artykuł podejmuje problematykę religijności Jarosława Iwaszkiewicza na podstawie jego dzienników i listów.
Źródło:
Colloquia Litteraria; 2009, 6, 1; 101-104
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jarosław Iwaszkiewicz Novelle italiane, traduzione di Dario Prola, 21 Editore, Palermo 2014
Autorzy:
De Carlo, Andrea F.
Powiązania:
https://bibliotekanauki.pl/articles/28409067.pdf
Data publikacji:
2015
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
Jarosław Iwaszkiewicz
Dario Prola
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2015, 6; 209-210
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Wszyscy jesteśmy Azjaci!”, czyli Starego Poety pytania o tożsamość. Perspektywa postkolonialna
“We all are the Asians!” — The Old Poet’s Questions Concerning Identity (in the Context of Postcolonial Studies)
Autorzy:
Kałowska, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/942554.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Jarosław Iwaszkiewicz
poemat "Azjaci"
Opis:
The article aims to analyze Jarosław Iwaszkiewicz’s poem entitled “The Asians”, the first work from his volume “The Weather Map”. The starting point for reflection is the motto of the poem - a conversation of three people in a theater foyer. The subject of this short exchange is the border between Europe and Asia, not the geographical but the cultural one. The dialogue can also be interpreted as an attempt to answer the question of the strength of the impact of the Euro-Asian empire — Russia. The author of the article endeavors to read the poem as the poet’s attempt to interpret his own biography. An important context is a poem by Alexander Blok, “The Scythians” written in 1918.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2012, 01
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czysta myśl, nieczyste słowo (Jarosław Iwaszkiewicz — Paul Valéry)
Pure Thought, Impure Word (Jarosław Iwaszkiewicz — Paul Valéry)
Autorzy:
Wójcik, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/942562.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Jarosław Iwaszkiewicz
Paul Valéry
Opis:
The title of the article is a quote from a poem by Jarosław Iwaszkiewicz, Do Pawła Valéry (To Paul Valéry), set in the context of other works by the Young Poland author. The paper investigates the two writers’ dialogue as regards the concept of “pure poetry”. Interpreting the poem allows for a reading in the context of the confrontation between two cultural paradigms: Polish and French.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2012, 01
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Dumna inność”. Jarosław Iwaszkiewicz wobec własnej tożsamości terytorialnej. Wiersz dedykowany Antoniemu Sobańskiemu
“Dignified Distinctness”. Jarosław Iwaszkiewicz’s Attitude Toward His Own Territorial Identity. Poem Dedicated to Antoni Sobański
Autorzy:
Dubyk, Hałyna
Powiązania:
https://bibliotekanauki.pl/articles/942563.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Jarosław Iwaszkiewicz
Antoni Sobański
Opis:
The article “Dignified Distinctness”. Jarosław Iwaszkiewicz’s attitude toward his own territorial identity is an attempt to interpret the poem dedicated to Antoni Sobański in the light of the author’s Ukrainian identity, the lyrical subject and the work’s addressee. The analysis was based on the analyzed poem as well as other Ukrainian works by Jarosław Iwaszkiewicz, including his post-war works, in which the traces of the Ukrainian territorial identity (rarely found in his earlier texts) were reduced and selfcensored.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2012, 01
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dlaczego? Kilka uwag o wierszu W kościele Jarosława Iwaszkiewicza
Why? Notes on the Poem In a Church
Autorzy:
Czyżak, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/942556.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Jarosław Iwaszkiewicz
wiersz "W kościele"
Opis:
The article presents an interpretation of a poem written by Jarosław Iwaszkiewicz in his old age, titled W kościele (In a Church). The poem was published in 1977 (in the volume Mapa pogody); 25 years later, it was included in an anthology of Iwaszkiewicz’s poetry selected by Czesław Miłosz. The anthology was the final phase of a long-standing dialogue between the two distinguished Polish poets. Aside from selecting texts for the anthology, Miłosz was a translator, and in his old age, he once more took upon himself a duty to comment, to evaluate and — last but not least — to preserve Iwaszkiewicz’s poetry. The poem W kościele is read as a sign of a special new agreement between the Old Masters of Poetry and its inclusion in the anthology titled A Literature Lesson with Czesław Miłosz was an important part of that.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2012, 01
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ku śmierci ze skazą „niegotowości”? — o kilku czytelniczych spojrzeniach na Sérénité Jarosława Iwaszkiewicza
Towards Death with the Flaw of "Immaturity"? — a Reader’s Impressions of Iwaszkiewicz’s Short Story Sérénité
Autorzy:
Berkan-Jabłońska, Maria
Powiązania:
https://bibliotekanauki.pl/articles/942561.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Jarosław Iwaszkiewicz
opowiadanie "Sérénité"
J. Iwaszkiewicz, Ogrody, Warszawa 1974
Opis:
This article proposes to read Iwaszkiewicz’s story titled Sérénité with more suspicion than it has been done in a traditional, usually enthusiastic reception of this prose. Firstly, the text presents typical approaches to interpretation. The main part of the article suggests certain textual qualities which may cause feel “discomfort” in the modern reader. According to the author of the paper, there is something anachronistic in the story. The story was written a long time ago and therefore the style of narration, the elements of camouflage and sophisticated tricks may seem inappropriate for such a serious subject as death. Also, the construction of the narrator and hero who is always passive, unwilling to act and focused on his inner life may today seem irritatingly anachronistic, oldfashioned and incomprehensible. These arguments are used to show that a critical analysis of the novel, due to new readers’ awareness, can surprisingly lead to interesting questions and open new paths of interpretation.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2012, 01
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O Niewygodzie
On Discomfort
Autorzy:
Pietrych, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/942551.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Jarosław Iwaszkiewicz
wiersz Niewygoda
tom Muzyka wieczorem
Opis:
The text provides a detailed interpretation of the poem Niewygoda (Discomfort), written by Iwaszkiewicz at the end of his life, situated among other achievements of his late poetry and confronted with his diary entries. The main issues addressed here concern the meanings that arise at the level of versification, lexis, style and composition of the analyzed work. The poet uses tropes that constitute a departure from his earlier typical poetics characterized by discretion and moderation. This poem becomes a poignant, deeply personal confession filled with a dramatic sense of somatic pain of old age and the intuition of approaching death.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2012, 01
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Arietta Jarosława Iwaszkiewicza
Arietta by Jarosław Iwaszkiewicz
Autorzy:
Wiśniewski, Jerzy
Powiązania:
https://bibliotekanauki.pl/articles/942569.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Jarosław Iwaszkiewicz
tom "Muzyka wieczorem"
wiersz "Arietta"
Opis:
Arietta, written in the final months of Iwaszkiewicz’s life (1894–1980), is one of a cycle of poems Music for a String Quartet from his posthumously published volume of poetry Music in the Evening (1980). Like all the poems from this cycle, it is a short poetic “narration” the central them of which is an image of an old man waiting for death. However, the structure of Arietta distinguishes the poem from other works. Unlike other poems consisting mostly of two four-line rhymed stanzas, Arietta is the only free verse, which is decidedly different from the metrical scheme used by Iwaszkiewicz in this part of the volume. In order to express one of the most crucial experiences in life, the poet crosses the borders of the formerly used model of communication (a poem-song), creating a new unique form of a poem-arietta and imitating the basic structural pattern of a musical arietta — a cavatina. An excerpt from Goethe’s Wanderers Nachtlied, slighly changed when quoted at the end of Arietta (“Warte nun balde / Ruhest du auch”), can be read as an encouragement to experience patient, fear-free waiting for the end of life, but it can also be understood as a kind of “singing” which gives you courage to face death. This final “arioso” in Iwaszkiewicz’s poem is not only a pacifying lullaby but also an expression of heroic waiting for irrevocable death.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2012, 01
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Trzeba to wszystko zniszczyć”. Ostatnia pieśń ze Śpiewnika włoskiego
”All of this must be destroyed”. The Last Song in Italian Songbook
Autorzy:
Mitzner, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/942557.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Jarosław Iwaszkiewicz
Śpiewnik włoski
Trzeba to wszystko zniszczyć
Opis:
This essay discusses a controversial yet not entirely obvious aspect of Jarosław Iwaszkiewicz’s oeuvre, namely his anarchist rebellion against tradition. The line from one of the poet’s late poems quoted in the title above expresses the belief permeating Iwaszkiewicz’s works starting with his early futurist poems and ending with a story “Notre-Dame-La Grande”, which was written on the wave of the student revolt in 1968. The argument is that Iwaszkiewicz should no longer be perceived only as a guardian of tradition.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2012, 01
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Słyszę ich głosy”. Hymnus trium puerorum Jarosława Iwaszkiewicza wobec Dziadów wileńsko-kowieńskich Adama Mickiewicza
„I hear their voices”. Hymnus trium puerorum by Jarosław Iwaszkiewicz in comparison with Dziady by Adam Mickiewicz
Autorzy:
Spólna, Anna
Powiązania:
https://bibliotekanauki.pl/articles/445477.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
hymn
tradition
romanticism
classicism
Jarosław Iwaszkiewicz
Adam Mickiewicz
Dziady
Opis:
The article compares the poem by Jarosław Iwaszkiewicz Hymnus trium puerorum with Dziady by Adam Mickiewicz to show how processed and personalized heritage of romanticism becomes a part of the modern classical attitude and the language of existential experience for a contemporary poet.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica; 2013, 1; 76-88
2353-4583
2449-7401
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dwa Źródła Aretuzy. Semantyka, literackie właściwości i funkcjonowanie aspektów kompozycji Karola Szymanowskiego w sonecie Jarosława Iwaszkiewicza
Two Fountains of Arethusa. Semantics, literary qualities, and functioning of aspects of Karol Szymanowski’s composition in Jarosław Iwaszkiewicz’s sonnet.
Autorzy:
Kraj, Łukasz
Powiązania:
https://bibliotekanauki.pl/articles/514108.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Karol Szymanowski
Jarosław Iwaszkiewicz
semiotics
intertextuality
comparison of arts
Opis:
The purpose of this article is to define the possible meanings and connotations of musical compositions and their conversion into the lingual substance of poetry. Since the issue is varying internally and always needs particular examples, the undertaken analysis concerns two pieces of art: Fountain of Arethusa by a Polish composer Karol Szymanowski and a sonnet of the same title written by his friend and relative, writer Jarosław Iwaszkiewicz. Firstly, the matter of literary title and its associations is compared in both pieces, which leads to conclusion that while the name of composition generates loose and imprecise connotations, literature requires more specification, nonetheless both the composer and the poet understand mythical subject alike and reception of the work of the latter is based on emotional and semantic qualities similar to those included in the composition. Then, the subject of musical genre is depicted, with emphasis placed on literary connotations and their implications in the process of transcription of music into words. As the poet uses sonnet, which apparently has got poor connections to music, the motives of such choice are enumerated, including significance in European culture and interior dichotomy, both of which one can find in Szymanowski’s work. Further, the article describes relations between music character indications in musical score and particular lexemes in the poem. Musical work can exist in literature in many ways, first of which is being a theme of objective or subjective description. Such illustration of music in the poem is analysed. Then the euphonious and rhythmic features of the text are described in order to prove that music exists in the sonnet in its sound as well as being a scheme which is reinterpreted and imitated by the writer. The analysis shows that although one cannot translate musical matter into words, it is impossible to ignore many intersemiotic correlations between music and literature. Every example of such coexistence– either on the ground of semantics or form – must be studied individually.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2016, 4(31); 58-76
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Love as a somatic experience: Two poems by Jarosław Iwaszkiewicz
Miłość jako doświadczenie somatyczne. Dwa wiersze Jarosława Iwaszkiewicza
Autorzy:
Kraj, Łukasz
Powiązania:
https://bibliotekanauki.pl/articles/2090011.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
love poetry
the body
somatic approach
liminality
Jarosław Iwaszkiewicz (1894–1980)
Jarosław Iwaszkiewicz
krytyka somatyczna
Opis:
This article takes up Adam Dziadek’s somatic approach to literature to explore the theme of erotic experience in two poems by Jarosław Iwaszkiewicz, ‘L’amour Cosaque’ and ‘Amore profane’. With the help of inputs from gender studies and the contemporary theories of the subject it has been possible to profi le the ‘I’ of the poems as a deeply fragmented and sexually ambiguous subject, and, upon the evidence of the elusive autobiographical details woven into the text, as a subject suspended in a liminal space, between the real and the fi ctive world. After analyzing the body represented in the text, both perfect and decrepit, as well as traces of the poet’s carnality that interfere with the text and the reader’s sense of his own soma the article arrives at the following conclusion: in Jarosław Iwaszkiewicz’s lyrics the body seems to project its impressions and experiences onto reality, thus blurring the border between the inside and the outside.
Źródło:
Ruch Literacki; 2018, 4; 429-440
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Польский компонент в поэтике Иосифа Бродского
Polish component in Joseph Brodsky’s poetics
Autorzy:
Barasz, Olga
Powiązania:
https://bibliotekanauki.pl/articles/481070.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Joseph Brodsky
Polish influence
text levels
Marek Hlasko
Jaroslaw Iwaszkiewicz
Opis:
The article deals with the influence of Polish literature on the creative work of Joseph Brodsky. The relation of Brodsky’s poetry to Polish sources is shown on different text levels: phonetic, lexical, metrical and intertextual. It is maintained that some elements of Brodsky’s poetic technique are rooted in the works by M. Pawlikowska-Jasnorzewska, L. Pasternak, J. Iwaszkiewicz and M. Hlasko.
Źródło:
Acta Polono-Ruthenica; 2015, 1, XX; 147-155
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A Tribute to „Barocco”: The Figurativeness of Maria Morska
Autorzy:
Szulc-Woźniak, Agata
Powiązania:
https://bibliotekanauki.pl/articles/1032232.pdf
Data publikacji:
2019-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Maria Morska
Anna Iwaszkiewicz
Jarosław Iwaszkiewicz
Antoni Słonimski
Skamander
Skamander’s muse
poetry
Opis:
The paper focuses on the figure of Maria Morska, a reciter dubbed “Skamander muse”, who had a versatile and multifaceted impact on the literary circles of her day. I am conducting the quest for the artist (elusive today in the face of scarce biographical sources) through interpreting the poems for which she was a magnet and a centre (i.e. Inwokacja by Antoni Słonimski and Groteska by Jarosław Iwaszkiewicz). The image of Morska emerging from them presents a very original figure: one that was admired and received intensely. The poetic inscriptions of the impression which the Skamander muse made often bring to mind the reception of works of art. Morska refines commonness into a metaphor. Her literary image is a testimony to a moment of delight, dazzle, and – perhaps more importantly – spontaneous, artistic co-participation. She inspires one to look for pseudonyms and roles which would be capable of expressing the impression that accompanied her – one of changeability, glimmer, being different, never being the same.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2019, 8; 187-198
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł

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