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    Wyświetlanie 1-7 z 7
    Tytuł:
    Le mani di Jacek Woszczerowicz, attore “di composizione”
    An actor of composition. Jacek Woszczerowicz’s hands
    Autorzy:
    Randone, Giulia
    Powiązania:
    https://bibliotekanauki.pl/articles/28409082.pdf
    Data publikacji:
    2015
    Wydawca:
    Associazione Italiana Polonisti (AIP)
    Tematy:
    Jacek Woszczerowicz
    Jan Kott
    Acting
    Gesture
    Jerzy Grotowski
    Opis:
    The article aims to draw attention back to the art of Jacek Woszczerowicz, once a well-known and beloved Polish actor. It focuses on his peculiar acting style by analyzing two adaptations of stage dramas and a documentary of a theatrical masterpiece Richard III (1960). In particular, the author highlights Woszczerowicz’s work on gesture and the role played by hands in building characters. This brief survey will lead us to re-discover the deep process of cognition and experience realized dramatically by the artist and to understand why Jan Kott considered him “the first contemporary Shakespeare”, while Jerzy Grotowski praised him as the greatest “actor of composition”.
    Źródło:
    pl.it / rassegna italiana di argomenti polacchi; 2015, 6; 141-154
    2384-9266
    Pojawia się w:
    pl.it / rassegna italiana di argomenti polacchi
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Jan Kott is Dead, Long Live to the ˂“Hybrid”˃ Critic
    Autorzy:
    Fedorova, Elizaveta Tsirina
    Saiz Molina, Jose
    Haba Osca, Julia
    Powiązania:
    https://bibliotekanauki.pl/articles/2048115.pdf
    Data publikacji:
    2021-12-30
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Jan Kott
    William Shakespeare
    translation
    globalization
    Shakespearean criticism
    dramaturgy
    hybrid teaching
    Opis:
    This article is a little tribute that a drama teacher, an editor and translator and a lecturer in English Literature would like to contribute to this Special Issue in Honour of Professor Dr Jan Kott, the most influential non-English speaking Shakespearean Critic in the second half of the 20th Century and early 21st Century. In the initial part of the essay we will overview Kott’s influence in the development of current Shakespearean tradition(s) in Spain from the early 1970s to the present day. In fact, his writings and critical views on William Shakespeare’s Works have been a decisive point in the development of new approaches to this playwright in some University Departments and Drama Schools in this country. The whole discussion will take the notion of hybrid and hybridization as the point of departure and we will draw some conclusions for discussing new critical thinking in Art (Science,) and Humanities.
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2021, 24, 39; 169-190
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Horrible Imaginings: Jan Kott, the Grotesque, and “Macbeth, Macbeth”
    Autorzy:
    Tink, James
    Powiązania:
    https://bibliotekanauki.pl/articles/2048126.pdf
    Data publikacji:
    2021-12-30
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Jan Kott
    grotesque
    absurd
    Macbeth
    adaptation and appropriation
    Macbeth, Macbeth
    Ewan Fernie
    the posthuman
    Opis:
    Throughout Jan Kott’s Shakespeare Our Contemporary, a keyword for the combination of philosophical, aesthetic and modern qualities in Shakespearean drama is “grotesque.” This term is also relevant to other influential studies of early-modern drama, notably Mikhail Bakhtin’s idea of the carnivalesque, as well as Wolfgang Kayser’s psychoanalytic criticism. Yet if this tradition of the Shakespearean grotesque has problematized an idea of the human and of humanist values in literature, can this also be understood in posthuman terms? This paper proposes a reading of Kott’s criticism of the grotesque to suggest where it indicates a potential interrogation of the human and posthuman in Shakespeare, especially at points where the ideas of the grotesque or absurdity indicate other ideas of causation, agency or affect, such as the “grand mechanism” It will then argue for the continuing relevance of Kott’s work by examining a recent work of Shakespearean adaptation as appropriation, the 2016 novel Macbeth, Macbeth by Ewan Fernie and Simon Palfrey which attempts a provocative and transgressive retelling of Macbeth that imagines a ‘sequel’ to the play that emphasises ideas of violence and ethics. The paper argues that this creative intervention should be best understood as a continuation of Kott’s idea of the grotesque in Shakespeare, but from the vantage point of the twenty-first century in which the grotesque can be understood as the modification or even disappearance of the human. Overall, it is intended to show how the reconsideration of the grotesque may elaborate questions of being and subjectivity in our contemporary moment just as Kott’s study reflected his position in the Cold War.
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2021, 24, 39; 71-85
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Politics, Shakespeare, East-Central Europe: Theatrical Border Crossings
    Autorzy:
    Almási, Zsolt
    Kujawińska Courtney, Krystyna
    Nicolaescu, Mădălina
    Škrobánková, Klára
    Vyroubalova, Ema
    Zaharia, Oana-Alis
    Powiązania:
    https://bibliotekanauki.pl/articles/39776472.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    race
    racism
    political theater
    William Shakespeare
    Jan Kott
    adaptation
    cultural mobility
    cultural transmission
    microhistories
    translation
    Opis:
    This essay discusses how productions of Shakespeare’s plays that transcend various geographical, national, and linguistic boundaries have influenced the theatrical-political discourse in East-Central Europe in the twenty-first century. It focuses primarily on the work of four internationally-established directors: Andrei Şerban (Romania), Jan Klata (Poland), David Jařab (Czech Republic), and Matei Vișniec (Romania), whose works have facilitated interregional cultural exchange, promoting artistic innovation and experimentation in the region and beyond. Among the boundary-crossing productions analysed in detail are Vișniec’s Richard III will not Take Place, Jařab’s Macbeth – Too Much Blood, Klata’s Measure for Measure, and Serban’s Richard III. The essay also notes that while there has been a relative scarcity of Shakespearean productions in this region engaging closely with gender and race inequalities, productions such as Klata’s African Tales or Vladimír Morávek’s Othello manage to work with these politically charged topics in subtler but still productive ways. The essay concludes that the region’s shared historical experience of totalitarian regimes followed by the struggles of nascent democracies, provides a fertile ground for a diverse and internationally ambitious Shakespearean theatre.  
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2023, 28, 43; 45-68
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Czy Jan Kott stworzył mit? Jeszcze raz o "Hamlecie" ‘56 Romana Zawistowskiego
    Did Jan Kot create the myth? Once again about 'Hamlet' '56 by Roman Zawistowski
    Autorzy:
    Świątkowska, Wanda
    Powiązania:
    https://bibliotekanauki.pl/articles/938222.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
    Tematy:
    'Hamlet'
    William Szekspir
    Jan Kott
    Roman Zawistowski
    polityka
    odwilż gomułkowska
    William Shakespeare
    Gomułka's thaw
    Opis:
    The article presents the origins of Hamlet directed by Roman Zawistowski at the Stary Theatre in Krakow (1956) and is an attempt at answering the question: to what extent the famous Jan Kott’s review influenced its reception. The author analyzes the translation of the tragedy, the script of the play, acting, scenography and the historical context. By comparing the reviews with Kott’s interpretation, it is possible to indicate the areas where critics disagree, and at which point Kott’s review becomes opinion-oriented and establishes the reception of Zawistowski’s Hamlet – actually to this day.
    Źródło:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2019, 19; 178-193
    2081-1853
    Pojawia się w:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Political Hamlet According to Jan Kott and Jerzy Grotowski
    Autorzy:
    Świątkowska, Wanda
    Powiązania:
    https://bibliotekanauki.pl/articles/648050.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    William Shakespeare
    Stanisław Wyspiański
    Jerzy Grotowski
    Jan Kott
    Hamlet
    Hamlet Study
    Polish Thaw of 1956
    March 1968
    politics
    Opis:
    The article presents political interpretations of Hamlet in Poland in the turbulent period of politcal changes between the mid-1950s and mid-1960s. The author discusses the relationships between Shakespeare’s tragedy and Polish political context as well as the influence of audience expectations in the specific interpretations. The selected performances are: Hamlet by Roman Zawistowski (at the Old Theatre in Cracow 1956) and Hamlet Study by Jerzy Grotowski (at the Laboratory Theatre of 13 Rows in Opole 1964). They both were hugely influenced by major commentators of Hamlet, i.e. Stanisław Wyspiański and Jan Kott. The author argues that up-to-date readings of Hamlet, which started with Wyspiański’s study in 1905, flourished in the mid-1950s and mid-1960s when concerning specific political events: the Polish Thaw of 1956 and March 1968, when the Jews were expelled from Poland. Thus Hamlet of that time was updated and must be seen through the prism of political events.
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2018, 17, 32; 61-68
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Literaci a sprawa katyńska -- 1945
    Autorzy:
    Jankowski, Stanisław Maria (1945-2022).
    Kotarba, Ryszard.
    Współwytwórcy:
    Urbanowski, Maciej (1965- ). Recenzja
    Masłoń, Krzysztof (1953- ). Recenzja
    Wieliczko, Mieczysław. Recenzja
    Data publikacji:
    2003
    Wydawca:
    Kraków : Wydawnictwo Towarzystwa Naukowego "Societas Vistulana"
    Tematy:
    Kott, Jan
    Egzekucja polskich oficerów w Katyniu śledztwo i dochodzenie Polska 1945 r. recenzja
    Procesy polityczne Polska 1945 r. recenzja
    Sprawa katyńska Polska 1945 r. recenzja
    Opis:
    S. 239, Jan Kott : protokół przesłuchania świadka.
    Bibliogr., Indeks.
    Dostawca treści:
    Bibliografia CBW
    Książka
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