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Tytuł:
The bow as an insignia of power in the art of ancient Iran
Autorzy:
Skupniewicz, Patryk
Powiązania:
https://bibliotekanauki.pl/articles/2073412.pdf
Data publikacji:
2021-10-22
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
Ancient Iranian art
Iranian royal insignia
Bows
Mesopotamian iconography
Iranian kingship
Opis:
This article presents the iconographic concept of the bow as an insignia in ancient Iran of the imperial era. The primary source of the bow’s association with the depiction of royal power is Mesopotamian iconography, where the bow is shown in the hands of kings without any connection to the act of shooting itself. The model of depicting a ruler with a bow resting on his foot, developed in the Neo-Assyrian period, was entirely adopted by imperial Achaemenid iconography. Another aspect expressing the association of the bow with royal power is the habit of depicting, in the Mesopotamian tradition, shooting kings without quivers. Iranian art of the Parthian and Sasanid periods, on the other hand, adopted the quiver as a sign of status from the nomadic steppe tradition, but one can nevertheless see in Sasanid iconography relics of the functioning of the bow as an insignia in the Mesopotamian sense.
Źródło:
Historia i Świat; 2021, 10; 153-170
2299-2464
Pojawia się w:
Historia i Świat
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Między pamięcią a historią: animowana rewolucja irańska
Between Memory and History: Animated Iranian Revolution
Autorzy:
Wiącek, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/31340619.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Instytut Sztuki PAN
Tematy:
rewolucja irańska
irański film
Iranian revolution
Iranian film
Opis:
Totalna islamizacja, która zapanowała w irańskiej kulturze z początkiem lat 80. XX w., przyniosła zmianę wartości właściwych epoce dynastii Pahlawich lat 1921-1979. Otwartość na idee liberalizmu i modernizacji w duchu zachodnim (amerykańskim) została zastąpiona koncentracją uwagi na szyickim islamie. Na temat rewolucji w Iranie w 1979 r. powstało dziesiątki książek, artykułów i filmów. Wśród nich wyróżnia się Persepolis (2007) – francuski pełnometrażowy film animowany w reżyserowany przez Marjane Satrapi i Vincenta Paronnauda, na podstawie autobiograficznego komiksu o tym samym tytule, którego autorką jest Satrapi. Żaden z fabularnych przekazów audiowizualnych dotyczących rewolucyjnych wydarzeń nie miał takiego rozgłosu i nie stał się tak popularny w świecie Zachodu. Dlaczego to właśnie rysunkowa, bardzo subiektywna wersja historii XX-wiecznego Iranu sprawiła, że wydarzenia z izolowanego od czterech dekad kraju utożsamianego z fanatyzmem i terrorem stały się bliskie wielu widzom na całym świecie?
Total Islamization, which prevailed in Iranian culture at the beginning of the 1980s, brought about a change in the values of the Pahlav dynasty of 1921-1979. Openness to the idea of liberalism and modernization in the Western (American) spirit was replaced with a focus on Shia Islam. Dozens of books, articles and films were created about the Revolution in Iran of 1979. Among them is Persepolis (2007) – a French full-length animated film directed by Marjane Satrapi and Vincent Paronnaud, based on an autobiographical comic book of the same title by Satrapi. No other of the audiovisual feature films about revolutionary events had such publicity and became so popular in the Western world. Why did a cartoon, very subjective version of the history of 20th-century Iran, caused the events of the country isolated for four decades, to be identified with fanaticism and terror and have become close to many viewers around the world?
Źródło:
Kwartalnik Filmowy; 2019, 105-106; 168-187
0452-9502
2719-2725
Pojawia się w:
Kwartalnik Filmowy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Namenkundliches zur skythischen Abstammungssage
ONOMASTICS IN A SCYTHIAN DESCENT LEGEND
Autorzy:
Loma, Aleksandar
Powiązania:
https://bibliotekanauki.pl/articles/699994.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Scythian
Old Iranian
Opis:
The Scythian descent legend in Herodotus IV 5-7 contains four Old Iranian personal names and five tribal names. With the interpretations adopted here, Targítaos comes to mean ‘the father of mankind’, and his three sons become the primeval kings (-xsay-) and the progenitors of historical Scythian tribes. Lipóxais means ‘the ruler of the peninsula’ of Crimean Scythians (Aukhatai), Arpóxais means ‘kinglet’ of the nomad Scythians who live across the river, and Kolaxais means ‘the ruler of all, i.e. the great king’ of the royal Scythians (Paralatai); the last case may be about a throne name, based on the royal horse sacrifice which underlies perhaps the legend of the Scythian pursuit of the Crimmerians.
Źródło:
Studia Etymologica Cracoviensia; 2011, 16, 1; 75-92
1427-8219
Pojawia się w:
Studia Etymologica Cracoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Relacja z wizyty ministra spraw zagranicznych Mariana Orzechowskiego w Teheranie (2-3 luty 1987)
Report from the Visit of the Minister of Foreign Affairs Marian Orzechowski in Tehran (2-6 February 1978)
Autorzy:
Maj, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/578174.pdf
Data publikacji:
2016
Wydawca:
Polskie Towarzystwo Orientalistyczne
Tematy:
Iran
Iranian Revolution
Minister of Foreign Affairs Marian Orzechowski
Polish–Iranian Relations
Opis:
Iran in 1979 was one of Poland’s most important business partners in the Middle East. After the Iranian Revolution the situation changed dramatically. The available documents allow previously unaudited Polish–Iranian relations to be researched and reveal attempts at the closing of both countries in the 1980s. The climax of these attempts was a visit by the Minister of Foreign Affairs Marian Orzechowski to Tehran in 1987. Showing a complete picture of these contacts required research of documents from the Archives of the Ministry of Foreign Affairs, Newsreel, and the Institute of National Remembrance in Warsaw. Results of the research were compared with information in the Polish press and the interview with Professor Orzechowski as well as with his written memoires. Orzechowski’s visit to Iran was an actual resumption of Polish–Iranian relations, which had ceased as a result of the Iranian Revolution in 1979.
Źródło:
Przegląd Orientalistyczny; 2016, 1-2; 141-153
0033-2283
Pojawia się w:
Przegląd Orientalistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The First Woman Yamī, Her Origin and Her Status in Indo-Iranian Mythology: Demigoddess or Half-human? (Evidence from R̥gveda 10.10, Iranian Parallels and Greek Relatives)
Autorzy:
Kulikov, Leonid
Powiązania:
https://bibliotekanauki.pl/articles/682487.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Yamī
Yama
Indo-Iranian mythology
Rgveda
Opis:
This paper focuses on the mythology of Yamī and her twin-brother Yama (the first humans according to Indo-Iranian mythology), their non-human origin and some aspects of Yamī’s behaviour which presumably betray a number of features of a female half-deity. The relationships between Yamī and Yama are the central topic of the dialogue hymn Rgveda 10.10, where Yamī attempts to seduce her twin to incest in order to produce offspring and thus continue the human race. This offer is refused by Yama, who refers to the inappropriateness of incest. Although Yamī and Yama are humans according to the Vedic tradition, their origin from two half-deities – a Gandharva father and an Apsara mother – remains inexplicable: how could a couple of non-human beings (half-deities or demons) give birth to humans? Obviously, the mythological status of the twins should be reconsidered. I argue that at least one of them, Yamī, retains immortality and some other features of the non-human (semi-divine) nature. On the basis of the analysis of the Yama and Yamī hymn and some related Vedic texts, I argue that this assumption may account for certain peculiarities of Yamī’s behaviour – particularly her hypersexuality (which can be qualified as demonic type of behaviour), as opposed to the much more constrained, human type of conduct displayed by Yama. Given the notoriously lustful character of the Gandharvas, an origin from this semi-divine creature may account for Yamī’s hypersexuality. Although the word gandharvá- does not have Indo-European etymology, we can find possible Indo-European parallels. In particular, the Gandharvas are comparable with the Centaurs, which cannot be etymologically related but possibly originate in the same non-Indo-European source. There are some reasons to assume that both words are borrowed from the Kassite language and mythology, which, in turn, may have been related to the language and culture of the Proto-North-Caucasians. Although we do not find exact equivalents of Yamī outside of the Indo-Iranian pantheon, indirect parallels can be found in other Indo-European traditions. The Apsaras (water nymphs) can be compared to a variety of water deities (nymphs) in Greek mythology, such as the Naiads, or to the Slavic rusalki.
Źródło:
Studia Ceranea; 2018, 8; 43-75
2084-140X
2449-8378
Pojawia się w:
Studia Ceranea
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Factors Influencing the Hope Level of Iranian English Major Students
Autorzy:
Ganji, Mansoor
Samani, Farzane Safarzade
Sadeghi, Elahe
Powiązania:
https://bibliotekanauki.pl/articles/2129918.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
academic hope
agent
English-major
hope
Iranian
Opis:
This study aimed to measure the hope level of Iranian English-major students and also to find out if their gender, academic degree, years spent in a program, and GPA were associated with their hope level. To reach these aims, the Integrative Hope Scale developed by Sharpe, McElheran, and Whelton (2017) was modified, checked for validity, and piloted. Then, it was distributed among 206 English-major students doing their BA, MA, and PhD in different universities of Iran, chosen through random and snowball sampling. The analysis of the data through non-parametric tests showed that although undergraduate and postgraduate students enjoyed a higher level of hope, there was no significant difference in the students’ hope level based on their academic degree. Furthermore, no significant relationship was found between students’ levels of hope, on the one hand, and their GPA and the number of years spent in a program, on the other hand. However, there was a significant difference between male and female students, with males having a higher level of hope.
Źródło:
Polish Psychological Bulletin; 2021, 52, 4; 299-310
0079-2993
Pojawia się w:
Polish Psychological Bulletin
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Иранские шлемы «кула-худ» в комплексе защитного вооружения тюркских кочевников Центральной Азии XVII–XIX вв.
Iranian „kula-hud” helmets in the panoply of Turkic nomads of Central Asia in 17-19th centuries.
Autorzy:
BOBROV, Leonid
Powiązania:
https://bibliotekanauki.pl/articles/517541.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
Central Asia
Equipment
Iranian helmets
Turkic nomads
Opis:
The article considers the topic of the evolution of Iranian „kula-hud” helmets, their construction and decorations system in the perspective of their employment by Turkic nomads of Central Asia. Basing on thorough analyze of the sources it was proved that the „kula-hud” helmet type was created on the foundation of the helmets manufactured from one-piece of metal from Near East in high Middle Ages. „Kula-hud” were originally formed by adding a moveable nasal, two sockets at the temples and a sharp spike at the top of hemispherical body. Chain mail aventail was also added. Early variants of the helmets of this type (proto-kula-hud) can be found as early as 16th century and should be linked with the reform of Iranian protective armament by the first Safavids. In 17th century „kula-hud” helmets were spread widely not only in Iran and India but also in Turkic states of Central Asia. An important factor in popularization of „kula-hud” was its relation with other weaponry (archery, sabers) and the tactics of the peoples of the area. The analyze of „kula-hud” helmets from Central Asia allowed to state that the majority of them are the imports from Iran. Part of the helmets was manufactured by the local masters according to Iranian patterns. The modification of some traditional riveted segmented helmets proves high prestige of Iranian armament among Turkic nomads of the area.
Źródło:
Historia i Świat; 2015, 4; 205-219
2299-2464
Pojawia się w:
Historia i Świat
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kinga Paraskiewicz, Irańskie nomina agentis z sufiksem -tar (recenzja)
Kinga Paraskiewicz, Irańskie nomina agentis z sufiksem -tar (review)
Autorzy:
Kanarkowski, Radosław
Powiązania:
https://bibliotekanauki.pl/articles/578189.pdf
Data publikacji:
2016
Wydawca:
Polskie Towarzystwo Orientalistyczne
Tematy:
Iranian linguistics
Persian derivation
nomen agentis in -tar
Opis:
Review of the book: Kinga Paraskiewicz, Irańskie nomina agentis z sufiksem -tar, Księgarnia Akademicka, Kraków 2014.
Źródło:
Przegląd Orientalistyczny; 2016, 3-4; 395-397
0033-2283
Pojawia się w:
Przegląd Orientalistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Caucasian Albanian Warriors in the Armies of pre-Islamic Iran
Autorzy:
FARROKH, Kaveh
SÁNCHEZ-GRACIA, Javier
MAKSYMIUK, Katarzyma
Powiązania:
https://bibliotekanauki.pl/articles/517521.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
Iranian military
Albania
Sasanian Empire
Darband
the Caucasus
Opis:
Albania, an ancient country in the Caucasus, was turned into a Sasanian province by Šāpūr I (c. 253). The Albanians became increasingly integrated into the battle order of the Iranian army (especially cavalry). All along the Caspian coast the Sasanians built powerful defense works, designed to bar the way to invaders from the north. The most celebrated of these fortifications are those of Darband in Caucasian Albania. Albania remained an integral part of the Sasanian Empire until the Arab conquest of Iran.
Źródło:
Historia i Świat; 2019, 8; 21-36
2299-2464
Pojawia się w:
Historia i Świat
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Turcja wobec irańskiego programu nuklearnego. Wyzwania i szanse
Turkey and the Iranian Nuclear Program. Challenges and Opportunities
Autorzy:
Fiedler, Radosław
Powiązania:
https://bibliotekanauki.pl/articles/642214.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Turkey
Iranian nuclear program
Turcja
Irański program nuklearny
Opis:
In the article was analyzed Turkish policy to Iran. In the last decade Turkey established regular relations with increasing trade exchange volume. In 2010 Turkey and Brazil proposed a plan for solution Iran’s nuclear deadlock. Although, a plan was not accepted by the Western powers at present in dealing with Iranian nuclear crisis Turkish role as a reliable mediator should be greater.
W artykule przeanalizowano turecką politykę wobec Iranu. W ostatniej dekadzie relacje irańsko-tureckie dynamicznie rozwijają się. W 2010 r. Turcja wraz z Brazylią zaproponowały plan rozwiązania irańskiego kryzysu nuklearnego. Mimo, że plan z różnych względów nie powiódł się, stanowił jednak przykład, że Turcja może odegrać jeszcze istotną rolę w negocjacjach z Iranem.
Źródło:
Przegląd Strategiczny; 2014, 7; 281-292
2084-6991
Pojawia się w:
Przegląd Strategiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Isolation and partial purification of anticoagulant fractions from the venom of the Iranian snake Echis carinatus
Autorzy:
Babaie, Mahdi
Zolfagharian, Hossein
Salmanizadeh, Hossein
Mirakabadi, Abbas
Alizadeh, Hafezeh
Powiązania:
https://bibliotekanauki.pl/articles/1039597.pdf
Data publikacji:
2013
Wydawca:
Polskie Towarzystwo Biochemiczne
Tematy:
anticoagulant factor
snake venom
Iranian Echis carinatus
chromatography
Opis:
Many snake venoms comprise different factors, which can either promote or inhibit the blood coagulation pathway. Coagulation disorders and hemorrhage belong to the most prominent features of bites of the many vipers. A number of these factors interact with components of the human blood coagulation. This study is focused on the effect of Echis carinatus snake venom on blood coagulation pathway. Anticoagulant factors were purified from the Iranian Echis carinatus venom by two steps: gel filtration (Sephadex G-75) and ion-exchange (DEAE-Sephadex) chromatography, in order to study the anticoagulant effect of crude venom and their fractions. The prothrombin time was estimated on human plasma for each fraction. Our results showed that protrombin time value was increase from 13.4 s to 170 s for F2C and to 280 s for F2D. Our study showed that these fractions of the venom delay the prothrombine time and thus can be considered as anticoagulant factors. They were shown to exhibit proteolytic activity. The molecular weights of these anticoagulants (F2C, F2D) were estimated by SDS/PAGE electrophoresis. F2C comprises two protein bands with molecular weights of 50 and 79 kDa and F2D a single band with a molecular weight of 42 kDa.
Źródło:
Acta Biochimica Polonica; 2013, 60, 1; 17-20
0001-527X
Pojawia się w:
Acta Biochimica Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Transnational Dimensions of Iranian Cinema: “accented films” by Mohsen Makhmalbaf
Autorzy:
Wiącek, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/580397.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
IRANIAN CINEMA
ISLAM
CENSORSHIP
MIGRATION
COSMOPOLITAN
TRANSNATIONAL
ACCENTED CINEMA
Opis:
Iranian film director Mohsen Makhmalbaf left Iran in 2005 shortly after the election of Mahmoud Ahmadinejad. The artist underwent a multiphase evolution away from the supporter of Islamic regime in the early 1980s to cosmopolitan internationally acclaimed auteur. Finally, he became not only a dissident filmmaker but also a political dissident in the aftermath of 2009 presidential election. As exile wears on, Makhmalbaf became postnational filmmaker, making a variety of “accented films”. Not all the consequences of internationalization are positive – to be successful in transnational environment he has to face much larger competition and the capitalist market. Having in mind the categories of displaced Iranian directors distinguished by Hamid Naficy – exilic, diasporic, émigré, ethnic, cosmopolitan – I would like to find out which one of them applies to Mohsen Makhmalbaf’s life and work. I also will focus on the following questions: To what extent the censorship of Makhmalbaf’s artistic activity was a reason for his migration? how are migratory experiences expressed in his movies? What features of “the accented cinema” his movies are manifesting? I would argue that the experience of migration and the transnationality was the characteristic feature of Makhmalbaf’s his work long before leaving the home country. It can be said that regardless this stylistic diversity, all of Makhmalbaf’s movies made abroad can be described as the example of “accented cinema” which comprises different types of cinema made by exilic and diasporic filmmakers who live and work in countries other than their country of origin.
Źródło:
Studia Migracyjne - Przegląd Polonijny; 2020, 46, 3 (177); 61-84
2081-4488
2544-4972
Pojawia się w:
Studia Migracyjne - Przegląd Polonijny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Etymology of Latin nimbus (and its Iranian Cognates)
L‘étymologie du latin nimbus (et ses cognacs iraniens)
Autorzy:
Cohen, Paul S.
Powiązania:
https://bibliotekanauki.pl/articles/1041409.pdf
Data publikacji:
2020-12-18
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Latin nimbus
Iranien *nambV-
réduplication
instrument
Iranian *nambV-
reduplication
Opis:
After a brief review of prior etymological attempts found in the literature, a complete, rule-governed etymology of Latin nimbus ‘rain cloud, sudden downpour, etc.’ – including a precise explanation of the medial nasal – is propounded. It is based on the Indo-European reduplication process that produces nouns, as delineated by Cohen (2014; 2015; 2017), and on Latin sound laws given and exemplified by Weiss (2009).
Aprés une récapitulation brève des essais étymologiques antécédents, qui sont trouvés dans la littérature, une étymologie de latin nimbus ‘nuage de pluie, forte averse soudaine, etc’ complète et d’accord avec règle – en comprenant une explication précise de la nasale médiale – est proposée. Elle est basée sur le processus indo-européen de réduplication qui genère les noms, comme décrit par Cohen (2014; 2015; 2017), et sur des lois phonologiques latines donneés et exemplifiés par Weiss (2009).
Źródło:
Collectanea Philologica; 2020, 23; 5-8
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Entering Iranian Homes: Privacy Borders and Hospitality in Iranian Movies
Autorzy:
Mohammadi, Foroogh
van den Scott, Lisa-Jo K.
Powiązania:
https://bibliotekanauki.pl/articles/32222599.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Frontstage
Backstage
Privacy
Space and Place
Iranian Cinema
Hospitality
Opis:
The architecture of homes in Iran has changed significantly over the past four decades since the 1979 Iranian revolution. We ask how these architectural changes shift neighborhood relationships and how they transform the Iranians’ hospitality rituals and practices. We conducted a qualitative content analysis of eighteen Iranian movies filmed after the 1979 revolution. They allowed us to make comparisons among various dwelling patterns and neighborhood relationships. We argue that the representations of neighborhood relationships reflect these changes, demonstrating the impact of architecture on interactions. Our focus in this article is on borders of privacy, power dynamics in the neighborhoods and among families, and communication forms to better understand the impact of changing architecture on hospitality through the lens of cinema. Additionally, we engage with Goffman’s (1956) concepts of frontstage and backstage, demonstrating that these are not dichotomous, although they are opposites, and there can be a thinning of frontstage along with a thickening of backstage. Entrances to homes are often gradual, and visitors may gradually penetrate through layers of the frontstage as they become closer (emotionally and in space) to the heart of the home’s (and its occupants’) backstage.
Źródło:
Qualitative Sociology Review; 2023, 19, 2; 50-73
1733-8077
Pojawia się w:
Qualitative Sociology Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Our Daily Bread Is At Risk: The Term rōzīq/g as Vorlage for ἐπιούσιος in Lord’s Prayer
Autorzy:
Shapira, Dan
Powiązania:
https://bibliotekanauki.pl/articles/2158368.pdf
Data publikacji:
2022-12-21
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
Lord’s Prayer
Pater Noster
Aramaic
Iranian loan words in Semitic
Middle Iranian
Middle Persian
Arabic
Swahili
risk
daily bread
Lord's Prayer
Opis:
This note proposes a new hypothesis that ἐπιούσιος of the Lord's Prayer in Matthew 6:11 and Luke 11:3 was an attempt to translate adequately rōzīq/g, the Middle Iranian loan word in Jesus' Hebrew / Aramaic, whose meaning was ‘nourishment provided by God's mercy day to day’, and not merely ‘daily [bread], needed for the day/for today’.
Źródło:
Verbum Vitae; 2022, 40, 4; 1097-1101
1644-8561
2451-280X
Pojawia się w:
Verbum Vitae
Dostawca treści:
Biblioteka Nauki
Artykuł
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