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    Wyświetlanie 1-13 z 13
    Tytuł:
    'The Holy City of Troy', or On the Utility of Investigating Matters that Seem Well Known
    Autorzy:
    Sucharski, R. A.
    Powiązania:
    https://bibliotekanauki.pl/articles/702751.pdf
    Data publikacji:
    2005
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    SCHLIEMANN H. (HOMERIC ARCHAEOLOGY)
    TROY - ILIAD
    Opis:
    The archeological exhibition 'Troy - Heinrich Schliemann's Dream', now on tour in Poland gives an occasion to reflect on the relevance of findings at the site of Troy to our understanding of the 'Iliad' and to try to separate certain knowledge from hypotheses.
    Źródło:
    Meander; 2005, 60, 4; 452-459
    0025-6285
    Pojawia się w:
    Meander
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Perswazyjna funkcja gestu ujmowania pod kolana w Iliadzie Homera
    Autorzy:
    Chruściak, Ilona
    Powiązania:
    https://bibliotekanauki.pl/articles/1186780.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    Homer
    Iliad
    gesture
    nonverbal communication
    persuasion
    knees
    Opis:
    The aim of this paper is to examine the gesture of clasping someone’s knees in act of supplication, which occurs several times in the Iliad. The singer applies this gesture, which must have been well known to the Homeric public, into the crucial and highly emotional scenes of the epic. The gesture of clasping someone’s knees originates from the battlefield and occurs in a variety of forms within the narrative. The paper traces the multiformity of the gesture and its evolution in oral poetry. It could be considered as a ritual gesture with a forceful persuasive power: one may state that the effective plea of the epic hero ought to incorporate the supplicant’s gesture.
    Źródło:
    Załącznik Kulturoznawczy; 2018, 5; 143-156
    2392-2338
    Pojawia się w:
    Załącznik Kulturoznawczy
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    κοτυλήρυτον ἔρρεεν αἷμα: Homer, Iliada, 23. 34
    κοτυλήρυτον ἔρρεεν αἷμα: Homer, Iliad, 23. 34
    Autorzy:
    Burliga, Bogdan
    Powiązania:
    https://bibliotekanauki.pl/articles/1046643.pdf
    Data publikacji:
    2016-10-27
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Homer
    the Iliad
    religion
    ritual
    sacrifice
    slaughtering
    animals.
    Opis:
    The subject of the article is a short passage in Homer’s Iliad, Book 23. 30–34, depicting Achilles’ slaughteringof the various domestic animals and the dinner that follows (23. 55–58). The controversy focuses on the problemwhether the killing in question was a sacrifice or not.
    Źródło:
    Symbolae Philologorum Posnaniensium Graecae et Latinae; 2016, 26, 1; 5-39
    0302-7384
    Pojawia się w:
    Symbolae Philologorum Posnaniensium Graecae et Latinae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Greek army at Troy and its logistics. Based on the “Catalog of ships” called “Boeotia” from the second book of Homer’s Iliad
    Autorzy:
    Aksamitowski, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/9194667.pdf
    Data publikacji:
    2023-06
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Trojan War
    Iliad
    Odyssey
    Ship Catalog
    Piracy
    Logistics
    Opis:
    The author showed a fragment of the Iliad referred to as the Catalogue of Ships, also called Beotia (Bojotia). The name of this part comes from the Beots, whose troops, arriving at Troy, were listed in the Catalogue as the first. The list contains in-formations about the Greek armed forces, rulers and chiefs of the Greek peoples who took part in the naval expedition and the war against the Trojans. It also determines the number of ships brought by the Greeks to Troy. Eager to go to war, they put themselves in Beocia near the city of Aulis where, on the Strait of Eurypus, a large port was located. It can also be assumed that the Catalogue of Greek troops begins with the army of Beocia because the ports of this land were chosen as the place of concentration of troops for the expedition against Troy. A collection of works called the Trojan Cycle was also characterized, which includes 29 books and from which only small fragments (epitomai) and summaries in the so-called Chrestomatia have survived. Despite such poor literature, they are an important source in reproducing the content of the Trojan cycle. The passage showing the Achaean army at Troy, which is a list of Greek nobility, is often omitted in the editions of the Iliad. However, for those studying the art of war, it is an extremely important record of Europe’s past.
    Źródło:
    Reality of Politics; 2023, 24; 7-27
    2082-3959
    Pojawia się w:
    Reality of Politics
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Обучение делу и речи: седой возница-наставник в девятой песне "Илиады"
    Autorzy:
    Безрогов, Виталий
    Powiązania:
    https://bibliotekanauki.pl/articles/1826611.pdf
    Data publikacji:
    2020-02-06
    Wydawca:
    Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
    Tematy:
    Old age
    youth
    Iliad
    Achilleus
    Phoenix
    teacher
    pupil
    fosterage
    Opis:
    The author investigates an image of the old mentor Phoenix, the tutor of Achilles, formed by Homer in the ninth song of the "Iliad". The textual analysis shows the key areas of learning young people by older soldiers recommended by Homer through the image of the teacher of Achilles. The question of the role of the Phoenix in shaping the paradigm of a wise old teacher in the subsequent history of education and culture is discussed.
    Źródło:
    Conversatoria Litteraria; 2017, 11; 473-484
    1897-1423
    Pojawia się w:
    Conversatoria Litteraria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    A New Voice for an Ancient Story: Speaking from the Margins of Homer’s Iliad in Madeline Miller’s The Song of Achilles
    Autorzy:
    Struzziero, Maria Antonietta
    Powiązania:
    https://bibliotekanauki.pl/articles/2049073.pdf
    Data publikacji:
    2021-10-06
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Madeline Miller
    Achilles
    Patroclus
    Homer
    hypertextuality
    Iliad
    re-writing
    trauma
    love
    death
    Opis:
    Madeline Miller’s The Song of Achilles (2011) is an imaginative rewriting of Homer’s Iliad. The writer uses the strategy of transfocalization and enters the text from the point of view of Patroclus. His fresh look offers a new critical perspective both on the moral world of the epic and on Achilles, the great Greek hero whose complex personality and tragic hubris Patroclus observes with emotional understanding. Miller transforms the Homeric sparing narrative of the friendship between Patroclus and Achilles into a touch- ing love story built on their mutual devotion, and locates this narrative at the heart of a world of ruthless violence. This paper will consider the writer’s use of hypertextual adap- tation in the novel from the perspective of the change in the narrative focus of the source, and discuss her objectives and methodology.
    Źródło:
    Anglica. An International Journal of English Studies; 2021, 30(1); 133-152
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    O naruszaniu podstawowych zasad postępowania naukowego. “Wzgórze przeznaczenia archeologii” górą skandalu
    Autorzy:
    Kolb, Frank
    Mrozewicz, Leszek
    Powiązania:
    https://bibliotekanauki.pl/articles/630847.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    TROY
    ARCHAEOLOGY
    HOMER
    ILIAD
    TROJAN WAR
    MYTH OF TROY
    MEDIA
    POLITICS
    ECONOMY
    MANIPULATION
    Opis:
    The article discusses ethical aspects and thoroughness of scientific research on the example of German excavations in Troy, conducted in 1988 by a team from Tübingen University. The author demonstrates how archaeologists became entangled in various relationships with polictical and economic circles, which subsequently yielded an interpretation of findings which ensured financial and media support. The text is an emphatic call for independence and objectivity of scientific investigations that should remain free of any pressure. Although the paper relies on an example from the milieu of archaeologists. historians and classical philologists, the appeal of the authors is a universal one. 
    Źródło:
    Studia Europaea Gnesnensia; 2014, 9; 219-243
    2082-5951
    Pojawia się w:
    Studia Europaea Gnesnensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Charakter i funkcje snu Agamemnona w II księdze Iliady
    The Character and Functions of Agamemnon’s Dream in Book II of The Iliad
    Autorzy:
    Gomułka, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/1953791.pdf
    Data publikacji:
    2005
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Agamemnon
    sen
    marzenie senne
    Onejros
    Zeus
    Troja
    Homer
    Iliada
    epika
    epos
    poemat
    dream
    Oneiros
    Troy
    The Iliad
    epic
    poem
    Opis:
    In Book II of The Iliad Zeus sends Oneiros, the god of dreams, to the sleeping Agamemnon, to give the Achaean leader a god’s command. He wants to cheat him in this way and to carry out Thetis’ request – to honor her insulted son. The naïve Agamemnon believes the forecast that he is going to immediately capture the Trojan town. He tries the morale of his warriors ordering them to return to their native country, and then he sends them to the deciding battle that costs the life of many of them. This is the result of the dream that Homer calls “fatal”. During the night visit the sleeping Agamemnon is completely passive; there is no dialog between him and the god sent to him, that is Oneiros. The dream is factual, objective, and it does not require interpretation. It has a divine character, and Olympic Zeus is its author – it is he that the visit of the apparition depends on. It is the only deceptive dream in The Iliad and The Odyssey, sent in order to deceive the dreaming one, to bring him to ruin. This is its basic function.
    Źródło:
    Roczniki Humanistyczne; 2005, 53, 3; 73-88
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Mit obrazem współczesności, czy współczesność odbiciem mitu? Homer, Iliada Alessandro Baricco
    Myth as the Image of Contemporaneity or Modern Times as the Reflection of the Myth? Homer, Iliad by Alessandro Baricco
    Autorzy:
    Krauze-Kołodziej, Aleksandra
    Powiązania:
    https://bibliotekanauki.pl/articles/1798763.pdf
    Data publikacji:
    2019-10-24
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Alessandro Baricco; Iliada; Homer; współczesna literatura włoska; recepcja antyku
    Alessandro Baricco; Iliad; Homer; modern Italian literature; reception of Antiquity
    Opis:
    Celem artykułu jest analiza i interpretacja autorskiej wersji Iliady Homera napisanej w 2004 roku przez współczesnego włoskiego pisarza Alessandro Baricco. Oparł się on na tłumaczeniu Iliady autorstwa Marii Grazii Ciani. Reinterpretacja starożytnego poematu Homerowego stanowi, jak się wydaje, interesujący przykład próby uwspółcześnienia starożytnego dzieła literackiego. W artykule autorka analizuje oraz interpretuje treść i konstrukcję współczesnej wersji poematu, porównując ją z jej pierwowzorem oraz tłumaczeniem na język włoski Iliady, na którym bazował Baricco.
    The aim of the article is to analyze and interpret the new version of the Iliad written in 2004 by the contemporary Italian writer Alessandro Baricco. He based his version of the text on the Italian translation of Iliad by Maria Grazia Ciani. The reinterpretation and reconstruction of the ancient poem of Homer by Alessandro Baricco seems to be an interesting example of an attempt to modernize an ancient literary work. In the article, the author analyzes and interprets the content and the structure of the contemporary version of the poem, comparing it to the original text of the Iliad and its Italian translation on which Baricco was basing.
    Źródło:
    Roczniki Humanistyczne; 2019, 67, 3; 45-66
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Eucharystia u Homera?
    The Eucharist in Homer?
    Autorzy:
    Piasecki, Dariusz
    Powiązania:
    https://bibliotekanauki.pl/articles/612094.pdf
    Data publikacji:
    2018
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II
    Tematy:
    Centony Homeryckie
    Homer
    Iliada
    Odyseja
    Eucharystia
    Ostatnia Wieczerza
    Homeric Centos
    the Iliad
    the Odyssey
    the Eucharist
    the Last Supper
    Opis:
    The article attempts to answer the question: is it possible to represent the Last Supper of Jesus and His Apostles by means of verses selected from Homer’s Iliad and the Odyssey. The Homeric Cento no. 40, which emphasizes the community of Christ’s table with His disciples, has been a subject of my analysis. The specific selection of Homeric verses, with some minor modifications, allowed the centonist to construct a new text with a completely different context and content, reflecting both the reality of the Upper Room and the establishment of the Eucharist by Jesus.
    Źródło:
    Vox Patrum; 2018, 69; 561-572
    0860-9411
    2719-3586
    Pojawia się w:
    Vox Patrum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    WHAT IS AN ORAL HEROIC EPIC POETRY? – OVERCOMING THE LIMIT OF THE ILIAD
    CZYM JEST USTNY POEMAT HEROICZNY? – PRZEKRACZAJĄC GRANICE ILIADY
    Autorzy:
    PARK, Jong-Seong
    Powiązania:
    https://bibliotekanauki.pl/articles/1040180.pdf
    Data publikacji:
    2020-02-28
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Heroic Epic of Oral Tradition
    Iliad
    Hero’s Biography
    Manas
    Jangar
    Gesar
    Mwindo
    Poemat Heroiczny w Przekazie Ustnym
    Iliada
    Biografia Herosa
    Opis:
    The ancient Greek epic Iliad, including the oral epic and the written epic, has enjoyed a solid status as a ‘heroic epic’ (or ‘narrative poetry’) of European literature. But if a reader takes look at the general aspects of the heroic epic of oral tradition, it turns out that Iliad is not a typical work of a typical epic, but rather an individual one. Because the birth, trials, performance, and ending of a hero’s life are divided relatively evenly, and the general pattern of transferring the hero’s life to the heroic epic of oral tradition can be found in such cases as Manas, Jangar, Gesar and Mwindo.
    Starożytna grecka epopeja Iliada, zarówno w wersji pisanej jak i ustnej jako poemat heroiczny (lub jako poemat narracyjny) zajmuje poczesne miejsce w literaturze europejskiej. Jeśli jednak przyjrzeć się ogólnym aspektom ustnych poematów heroicznych, okazuje się, że Iliada nie jest ich typowym przykładem i wykazuje pewne cechy charakterystyczne. Świadczą o tym m.in. równe rozłożenie etapów życia herosa, tj. narodziny, próby, działalność oraz śmierć. Ogólny wzorzec przenoszenia życia herosa do poematu heroicznego w przekazie ustnym może być także zaobserwowany w takich dziełach jak Manas, Jangar, Gesar czy Mwindo.
    Źródło:
    International Journal of Korean Humanities and Social Sciences; 2019, 5; 57-65
    2449-7444
    Pojawia się w:
    International Journal of Korean Humanities and Social Sciences
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Mityczny Diomedes a biblijny Jakub. Motyw „walki człowieka z bóstwem” w kulturze helleńskiej oraz w tekstach biblijnych
    Mythical Diomedes and Biblical Jacob. The Motif of “a Human Being’s Struggle with Deity” in Hellenic Culture and in Biblical Texts
    Autorzy:
    Baran, Grzegorz M.
    Powiązania:
    https://bibliotekanauki.pl/articles/1807443.pdf
    Data publikacji:
    2020-01-02
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Iliada
    Biblia
    Diomedes
    Jakub
    kultura helleńska
    kultura biblijna
    walka człowieka z bóstwem
    Iliad
    Bible
    Jacob
    Hellenic culture
    biblical culture
    human being’s struggle with deity
    Opis:
    Analysing the rich treasury of literary works from the different cultural areas one can point out that in these opuses there are sometimes various kinds of motifs, which are characterized by a certain similarity or contain in themselves some common elements. This phenomenon becomes all the more interesting when some motif, which shows parallelism, originates from two distinct cultures – in many cases independent of themselves. An example of this can be the motif of “a human being’s struggle with deity”, which occurs – inter alia – in the fifth book of Homer’s Iliad and in 32nd  chapter of Genesis. In the first case the man struggling with deity is Diomedes, who in battle with the Trojans wounded first Aphrodite then attacked Apollo and subsequently in direct struggle wounded Ares. In the biblical narrative there is a description of an all-night struggle with Jacob and a mysterious “someone”, which is identified either directly with God Himself or with a person of “angel of the Lord”. The analysis of Iliad’s and Genesis’s texts allows to notice that – in despite of similarities – presented motifs differ in details. It causes, that each of them possess their own specific differences. On the grounds of the presented study one can be postulated that essential quality, which distinguishes both descriptions containing the motif of “a human being’s struggle with deity”, is the spiritual nature given to Jacob’s struggle. It – on the contrary to Diomedes’s case – is expressed by the interior transformation of patriarch Jacob and by the obtainment of blessing from God at the end of the struggle. Therefore the description of Jacob’s struggle with God possesses a much more deep message.
    Źródło:
    Roczniki Kulturoznawcze; 2011, 2; 5-30
    2082-8578
    Pojawia się w:
    Roczniki Kulturoznawcze
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Il ruolo del sacerdote in Omero
    The Role of the Priest in Homer
    Autorzy:
    Bologna, Orazio Antonio
    Powiązania:
    https://bibliotekanauki.pl/articles/1929073.pdf
    Data publikacji:
    2012
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    rola kapłana
    Chryzes – kapłan Apollina
    Chryze – sanktuarium Apollina
    wojna trojańska
    Homer
    Iliada
    Odyseja
    the role of the priest
    Chryses – priest of Apollo
    Chryse – the sanctuary of Apollo
    the Trojan War
    Iliad
    Odyssey
    Opis:
    In this short work we mention the different roles played by the priest and by the king in the religious and political fields. At the time of Homer these two figures were distinct, but, not infrequently, were in violent opposition, as we read in the first canto of Iliad. In ancient times, however, the religious duties, along with political ones, were concentrated in the hand of one man, as we deduce from passages of Homeric poems, from hints to the places of Hesiod and from vestige of the ancient East world. In the course of time, however, the King is interested, exclusively, in politics and the priest in religion, so that, with the passing time, they become two separate entities, each in its specific role. But often the priest, strong of his influence on the masses and on the same king, centralizing the powers in his person, passes his limits, and to reach one’s aims, invokes the curse and the revenge of the gods on his antagonist, until to humiliate him in front of his subjects.
    Źródło:
    Roczniki Humanistyczne; 2012, 60, 3; 5-20
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-13 z 13

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