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Wyszukujesz frazę "Horatian" wg kryterium: Temat

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    Wyświetlanie 1-3 z 3
    Tytuł:
    Mity jako „kolektywne doświadczenia” w Niemieckiej Republice Demokratycznej – na przykładzie wybranych utworów Heinera Müllera
    Myths as „Collective Experiences” in the German Democratic Republic – exemplified in selected works by Heiner Müller
    Autorzy:
    Wilk, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/679745.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Heiner Müller
    myth in the literature
    Philoctetes
    Horatian
    Opis:
    The writers of the German Democratic Republic often reached for myths to convey forbidden issues in an oblique way and to deceive the censors. In an interview Heiner Müller admits that this was an attempt to raise crucial questions about socialism: I want neither to write ancient plays today nor to adapt ancient topics.In the early 1960s plays about Stalinism were forbidden. It was necessary to invent such a model to raise really important issues.So that people would recognize them at once. On the basis of the works Philoctetes and The Horatian the reception of two ancient myths will be followed in plays by Heiner Müller. The German playwright employs an interesting strategy: he adopts myths in varied, condensed forms, however, the plot is set in mythical circumstances.Müller does not make an attempt to modernize his dramas by transferring their content into a new setting of space and time, but he draws parallels between past and present. Müller’s plays are in Norbert Otto Eke’s opinion, both historical and contemporary. Interestingly, according to Brecht’s idea and his „alienation effect” the spectator should not identify with the events on stage, but only follow and analyse them. For this reason, the works by Müller can be qualified as didactic.
    –
    Źródło:
    Acta Universitatis Lodziensis. Folia Germanica; 2017, 13; 101-111
    2449-6820
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Germanica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Imitacja horacjańska w łacińskiej twórczości Jana Kochanowskiego
    Autorzy:
    Buszewicz, Elwira
    Powiązania:
    https://bibliotekanauki.pl/articles/636433.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    Neo-Latin poetry, Horatian imitation, Jan Kochanowski’s poetry
    Opis:
    Horatian Imitation in Jan Kochanowski’s Latin PoetryThe aim of this study is to show how Kochanowski imitated Horace in various ways and at different levels of his poetry. As to this moment, the matter has been discussed, mainly in regard to the Lyricorum libellus, by Zofia Głombiowska and Józef Budzyński. In this paper, the author briefly summarises their statements and comments upon them expressing her own view. She also mentions some other publications dealing with the Horatianism of the Polish poet to a lesser degree. The text is divided into four sections. In the first one, the author makes a brief comparison between Kochanowski and Petrarca in the context of their mental kinship with Horace that resulted in poetry which is “Horatian” not only in terms of the verba but also some ideas. The second section is devoted to the Horatianism of Kochanowski’s collection of odes (Lyricorum libellus). The author begins with a brief summary of the previously mentioned scholars’ views. She also demonstrates that some of these views may oversimplify the question of Horatian imitation in case of at least several of Kochanowski’s poems. To illustrate this, she presents an analysis of ode XI (In equum) in the context of its Horatian models; the conclusion is that in this poem, as well as in the entire collection, Kochanowski imitates Horace in a sophisticated and polyphonic way. The third part of the text, after a brief mention of the “loci Horatiani” in Kochanowski’s elegies, shows the interplay of ideas between Horatian poetry and Kochanowski’s Elegy III 1. The author puts emphasis on the fact that Kochanowski adapted some of the elegiac themes to the Horatian rhetoric. Concluding her disquisition, the author argues that Kochanowski’s Horatian imitation is neither superficial nor confined to the imitation verborum, but reaches deep in the structures of Horace’s poetry.
    Źródło:
    Terminus; 2014, 16, 2(31)
    2084-3844
    Pojawia się w:
    Terminus
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Forma gatunkowa ody w łacińskiej poezji Jana Kochanowskiego (Lyricorum libellus)
    Autorzy:
    Buszewicz, Elwira
    Powiązania:
    https://bibliotekanauki.pl/articles/636389.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    neo-Latin poetry, works of Jan Kochanowski, Horatian imitation, poetic genres, ode and its variations
    Opis:
    The ode as a genre in the Latin poetry of Jan Kochanowski (Lyricorum libellus)The aim of this study is to establish the place of Jan Kochanowski’s Lyricorum libellus (1580) in the history of Polish Renaissance Neo-Latin ode presented against a wider European background. The development of this genre in this historico-literary period in Poland has received only fragmentary reporting, e.g. in relation to Horatianism in literature or as a background for the vernacular ode. Yet, as Carol Maddison argues in her Apollo and the Nine, the Neo-Latin ode is, in a sense, a new genre revived and newly “devised” by Renaissance humanists. In her fundamental work, Maddison also presents the development of the ode and its variations in Italy and France. According to ancient patterns used by poets, Horatian odes (including Kochanowski’s odes) can be divided into the “pindaric” and the “anacreontic-sapphic.” To some extent this division coincides with the classification of odes as “political” or “private.” Similar categorisation criteria adopted by various researchers (Zofia Głombiowska, Jacqueline Glomski, Józef Budzyński) may result in individual odes being assigned to several different categories. The first part of the paper, therefore, emphasises the identity of the Neo-Latin ode and its status as a new genre strongly related to Renaissance Humanism. In the second part, the author attempts to assign particular poems from Lyricorum libellus to patterns indicated by Maddison, and deals with previous attempts at classification based on differentiating between political and private odes. She also underlines that Kochanowski frequently imitated both pindaric and anacreontic patterns through Horace. In the third part, the author analyses the strophic organisation of individual odes and their metre as well as their logical-rhetorical structure. The odes are here classified with regard to these criteria and interpreted in accordance with their historical context. The author pays close attention to the genre’s borderline between ode and hymn, stylistic “nobilitation” of lyrical poems and the outright Horationism of the collection. Lastly, she presents conclusions concerning the role of Lyricorum libellus in the development of the ode. Before Kochanowski, a significant role in the evolution of the genre was played by the so-called “university ode,” which was popular in Silesian and German poetic circles, as well as in odes by Paweł z Krosna. Kochanowski’s odes, however, bear little resemblance to this stage of the development of the genre in Poland. Imitating Horace in the spirit of such poets as Michal Marullus or Giovanni Pontano, Kochanowski demonstrates a mature awareness of the Neo-Latin ode, formed at the meeting-point of ode and hymn and constituting an element of a cycle organised in accordance with a certain idea.
    Źródło:
    Terminus; 2014, 16, 1(30)
    2084-3844
    Pojawia się w:
    Terminus
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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