Mity jako „kolektywne doświadczenia” w Niemieckiej Republice Demokratycznej – na przykładzie wybranych utworów Heinera Müllera

The writers of the German Democratic Republic often reached for myths to convey forbidden issues in an oblique way and to deceive the censors. In an interview Heiner Müller admits that this was an attempt to raise crucial questions about socialism: I want neither to write ancient plays today nor to adapt ancient topics.In the early 1960s plays about Stalinism were forbidden. It was necessary to invent such a model to raise really important issues.So that people would recognize them at once. On the basis of the works Philoctetes and The Horatian the reception of two ancient myths will be followed in plays by Heiner Müller. The German playwright employs an interesting strategy: he adopts myths in varied, condensed forms, however, the plot is set in mythical circumstances.Müller does not make an attempt to modernize his dramas by transferring their content into a new setting of space and time, but he draws parallels between past and present. Müller’s plays are in Norbert Otto Eke’s opinion, both historical and contemporary. Interestingly, according to Brecht’s idea and his „alienation effect” the spectator should not identify with the events on stage, but only follow and analyse them. For this reason, the works by Müller can be qualified as didactic.

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