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Wyszukujesz frazę "Holocaust memory" wg kryterium: Temat


Tytuł:
Israeli Youth Pilgrimages to Poland. Rationale and Polemics
Autorzy:
Soen, Dan
Davidovich, Nitza
Powiązania:
https://bibliotekanauki.pl/articles/919864.pdf
Data publikacji:
2011-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Shoah
pilgrimage
high school
Holocaust memory
Opis:
The article, which was written based on material collected as part of a project evaluating the pilgrimage trips to Poland by Israeli adolescents as part of the Holocaust curriculum, attempted to provide the reader with the background for these trips. In this context, the authors discussed the evolving national agenda in Israel, and the transition from experiencing independence to experiencing the Holocaust. It was explained that this process began with the Eichmann trial in 1961, but became far more intense after the political upheaval in 1977, when the Labor Party, which had been in power since the 1920s, lost the election. The authors of the article stressed that in the wake of the profound social changes that took place in Israeli society, the memory of the Holocaust gained new significance among the country’s national priorities. While a policy known as “the great silence” regarding the Holocaust prevailed among the first generation after statehood, the Holocaust has now become a factor that shaped the national ethos. In 1979, for the first time, the Ministry of Education commissioned two curricula dealing exclusively with the Holocaust. It was this new attitude to the sources of Israeli identity that led to the commencement of trips to Poland by adolescents in the 1980s. Since the trips began, in 1988, over 300,000 adolescents have traveled to Poland. These journeys have become a sort of rite de passage for the relevant age group (high school juniors and seniors). They can be compared to backpacking by young adults who travel abroad to “clear their heads” after completing their army service, on trips lasting anywhere from a few months to two years. The authors noted that nevertheless, only 25-30% of Israeli adolescents actually take part in these journeys. Inter alia, the article reviewed the evolving goals of the trips defined by the MOE, in accordance with the worldview of the minister in office, and noted that, in accordance with the spirit of the times, there were sometimes differences in the main nuances along the particularism-universality axis. The article further stated that apart from the terms in office of ministers Rubinstein and Aloni, the assimilation of the humanistic, moral, universal and anti-totalitarian lessons of the Holocaust during the trips was minor. The article includes a fairly extensive discussion of the dispute on this issue in Israeli discourse. The article noted that the Holocaust and its lessons can be examined from three different perspectives: The first perspective focuses on presenting the universal significance of the Holocaust and perceiving it as parallel to other cases of genocide (such as the murder of the Armenians by the Turks, the genocide in Rwanda and so on). The second perspective focuses on presenting the national significance of the Holocaust as a unique and unparalleled case of the Jewish People. The perception held by this approach is actually “the whole world is against us.” The third perspective is a synthesis of these two approaches. In this article, the authors noted that the longstanding debate in Israeli society over the various methods for instilling the Holocaust and the journeys to Poland by adolescents expresses these three perspectives. The speakers and writers interviewed in the field research each represent one of these perspectives. The article contains many direct quotations from authors, teachers, academics and others, which support the points made by the authors.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2011, 9, 17-18; 5-27
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
NOSTALGICZNY POWRÓT HENRYKA GRYNBERGA DO UTRACONEGO DZIECIŃSTWA
HENRYK GRYNBERG’S NOSTALGIC RETURN TO THE LOST CHILDHOOD
Autorzy:
Balcerzak, Alicja
Powiązania:
https://bibliotekanauki.pl/articles/955741.pdf
Data publikacji:
2019-02-03
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
Holokaust
tożsamość żydowska
nostalgia
pamięć poholokaustowa
Henryk Grynberg
Holocaust
Jewish identity
post-Holocaust memory
Opis:
The work of Henryk Grynberg is an example of the nostalgia of individual experi-ence, which was determined by traumatic war experiences. The author, as an adult man, returns the same way back to his childhood. The past is what Grynberg is constantly struggling with. The writer recreates the past by restoring the image irretrievably lost. In Sielanka Siaj’s story, Grynberg recalls the world of childhood before the war, this is the only text of this author presenting a picture of joyful childhood. In this piece important fragments of stories about the announcement of the catastrophe, which was the holo-caust, are highlighted. The Holocaust, which is the background of the story, is expressed in subtext, and remains almost invisible. The fate of the main character will continue in the novel entitled The Jewish War, but still, in there, a small boy will experience dilemmas of identity. The whole novel deals with the fate of the Jewish family during the German occupation of Poland. The book was divided into two parts, which follow in chronological order according to the events. Why was the story of the fate of one Jewish family divided in such a way? It is because there were two different ways to save yourself from oppression at the time described. The differences in opinions were visible among people close to the narrator: husband and wife, father and mother. The Jewish War is a tragic story, because it shows the difficulty of the choices, the moral dilemmas that take place in the minds of the characters in the novel. The whole life of the characters portrayed was a lie, a mystification. Not only were their words untrue, the greatest fraud was their very existence at that time. The autobiographical text is portraying the paralyzing fear of the past. We have the right to interpret the texts of Grynberg at three possible levels: personal experiences, generalized form of the fate of the Jewish people and existential reflection, which seeks terms for man in general. Both novels belong to the second wave of postwar literature. In this context, the authors attempted to capture the realities of the war in the perspective of the passage of time. Those authors wrote the main topic as a record of the artistic process, not to describe their own experiences, but to formulate deep judgments based on polemic despair caused by the holocaust.
Źródło:
Świat Tekstów. Rocznik Słupski; 2018, 16; 109-118
2083-4721
Pojawia się w:
Świat Tekstów. Rocznik Słupski
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Deconstructing the Topos of Poland as a Jewish Necropolis in Texts by Israeli Authors of the Third Post-Holocaust Generation
Autorzy:
Budzik, Jagoda
Powiązania:
https://bibliotekanauki.pl/articles/594865.pdf
Data publikacji:
2018
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Holocaust memory
Israel
Israeli literature
topos of Poland
topos of cemetery
third generation
Opis:
The paper aims at recognizing and describing the ways of deconstructing the topos of Poland as a Jewish necropolis, a process that in the last decade appears more and more often in the works of Israeli authors of the third generation after the Shoah. The generation concept – as I argue – can serve here as a useful tool for understanding the shift which occurred in the specific national context of Israeli Holocaust discourse and strongly influenced the image of Poland in Israeli literature and culture. Poland depicted as a Jewish necropolis has become one of the central motifs present in Israeli literary as well as the artistic canon of Shoah representations. As the central space where the Shoah occurred, Poland was obviously perceived as a land marked by death and formed exclusively by the experience of the Holocaust. However, in the aftermath of two major shifts that have occurred in the last decades: a meaningful change in the Israeli Holocaust discourse and the new reality of Poland after 1989, and also as a consequence of the growing time distance separating yet another generation from the events themselves, numerous authors born in Israel mostly in the 1970s and in the 1980s began approaching the above-mentioned motif critically. This tendency, one of the few typical for the third generation, is demonstrated either through the motif ’s deconstruction and subversive usage or, more radically, by employing the genre of alternate history and changing the place’s identity (e.g. Tel Aviv by Yair Chasdiel). The topos of Poland as a necropolis has therefore been turned into a part – or even a starting point – of the reflection on collective memory patterns (e.g. Kompot. The Polish-Israeli Comic Book), stereotypes (e.g. Bat Yam by Yael Ronen), and on the authors’ own roots and identity (e.g. The Property by Rutu Modan). By analyzing the abovementioned texts, I will explore the process of constant interaction occurring between collective and the individual memory, between the Israeli national perspective and Polish landscapes, between an author and space and, finally – between the category of the third generation and its representatives themselves.
Źródło:
Polish Political Science Yearbook; 2018, 2 (47); 379-389
0208-7375
Pojawia się w:
Polish Political Science Yearbook
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"The Story of the Kowalski Family" and Quarter L. Memory Messages on the Screen
Autorzy:
Szpulak, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/918084.pdf
Data publikacji:
2014-06-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Arkadiusz Gołębiewski
Stalinism in Poland
memory of the Holocaust
documentary historical film
Opis:
The article is devoted to two films by the independent operator, director and producer Arkadiusz Gołębiewski: The Story of the Kowalski Family (Historia Kowalskich), which raises the subject of the Holocaust, and Quarter L (Kwatera Ł), which deals with Stalin’s crimes in Poland. They are interpreted not as historical works, but as films about memory and - in the case of the latter - memory in statu nascendi. Their involvement in political and historical polemics and their relationship to the vision of history supported by the Polish State are analyzed. 
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 15, 24; 99-106
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
‘Historical Memory’: Challenges of Contemporary Studies over Holocaust in Poland
Autorzy:
Trojanowska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/1178924.pdf
Data publikacji:
2017
Wydawca:
Przedsiębiorstwo Wydawnictw Naukowych Darwin / Scientific Publishing House DARWIN
Tematy:
Holocaust
Shoa
collective memory
historical memory
memory
Opis:
The article presents the problems connected with modern Holocaust research in Poland with regard to ‘historical memory’, bearing in mind that it has become an event, it has transformed the framework of culture, the way of thinking and social memory. What is the impact of collective memory on the problem of subjectivization, taking into account that the memory of the Holocaust is also interpreted from the point of view of the living generation? The difficulty that comes with the fact that memory includes both remembering and forgetting, it leads us to the question: How much do we remember? Despite its undeniable value, treating individual memory as the only true type of memory may be a cause of conflicts.
Źródło:
World Scientific News; 2017, 89; 231-236
2392-2192
Pojawia się w:
World Scientific News
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Postpamięć czy pamięć indywidualna? Doświadczenie Zagłady zobrazowane w reportażu Agaty Tuszyńskiej pt. "Bagaż osobisty po marcu"
From Post-memory to Individual Memory? The Experience of the Holocaust Illustrated in Agata Tuszyńska’s Reportage "Personal Luggage. After March"
Autorzy:
Chłosta-Zielonka, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1070563.pdf
Data publikacji:
2020-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
post-memory
individual memory
generational memory
Holocaust
March events
Opis:
The aim of this article is to analyze the latest reportage by Agata Tuszyńska entitled Personal luggage. After March [2018]. The author deals with the shared experience of the generation of young Jews, the children of those who survived the Holocaust, living in the Polish People’s Republic. The category of post-memory, defined in 1997 by Marianne Hirsch, is assigned to this experience reported in the text. The interpretation of the protagonists’ statements, however, demonstrates that it does not work in their case. Their memories are of a genuine generational character, but they consist of a variety of individual memories, in which the Holocaust is on the margin of experience.
Źródło:
Acta Neophilologica; 2020, XXII/2; 123-136
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Inteligencja i Zagłada. Rozpraszanie obrazu [The intelligentsia and the Holocaust. Dispersing the image]
Autorzy:
Chmielewska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/643717.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
Holocaust
politics of memory
intelligentsia
Opis:
The intelligentsia and the Holocaust. Dispersing the imageThis paper in the field of cultural memory studies addresses the workings of memory, or more precisely – a politics of memory whereby the image of the intelligentsia and its role in the Holocaust vanishes from the collective consciousness. The relative visibility of peasants denouncing Jews, murdering them and plundering their property is accompanied by an invisibility of the intelligentsia and its essential role in reinforcing the exclusion and antisemitic patterns of behavior before the Holocaust which facilitated direct involvement in these events, as well as an invisibility of the intelligentsia’s own participation in the events of the Holocaust. Inteligencja i Zagłada. Rozpraszanie obrazuTekst z zakresu badań nad pamięcią kulturową dotyczy pracy pamięci, a właściwie polityki pamięci, w której ramach ze społecznej świadomości znika obraz inteligencji i jej roli podczas Zagłady. Względnej widzialności chłopskiego wydawania Żydów, ich mordowania i grabienia towarzyszy niewidzialność inteligencji i jej kluczowej roli w reprodukowaniu wykluczenia i wzorów antysemickich poprzedzających Zagładę i umożliwiających bezpośrednie zaangażowanie w wydarzenia, a także jej własnego udziału w Zagładzie.
Źródło:
Studia Litteraria et Historica; 2018, 7
2299-7571
Pojawia się w:
Studia Litteraria et Historica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Auschwitz in the Perception of Contemporary Poles
Autorzy:
Kucia, Marek
Powiązania:
https://bibliotekanauki.pl/articles/1810900.pdf
Data publikacji:
2015-06-30
Wydawca:
Polskie Towarzystwo Socjologiczne
Tematy:
Auschwitz
Holocaust
Polska
memory
surveys
Opis:
Based upon survey research and drawing upon literature by historians and social scientists, this article discusses what Auschwitz means to Poles and how perceptions of it have changed since the 1990s. The article shows that Auschwitz means to nearly all Poles genocide, the Polish martyrdom, and the Jewish Holocaust at the same time. It also identifies and analyzes the processes thereby the number of Poles perceiving Auschwitz as primarily Jewish has increased from minimal to a relative majority and the number of those perceiving Auschwitz as primarily Polish, once being a relative majority, has decreased, albeit still remains fairly high. The article argues that the perception of Auschwitz in Poland has considerably become “Judaized,” “de-Polonized,” “de-nationalized,” and “de-Catholized.” It also draws conclusions from the case study of the changing perceptions of Auschwitz for social memory studies.
Źródło:
Polish Sociological Review; 2015, 190, 2; 191-206
1231-1413
2657-4276
Pojawia się w:
Polish Sociological Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Korzenie pamięci. O Mirabelce Cezarego Harasimowicza
The Roots of Memory. On Mirabelle by Cezary Harasimowicz
Autorzy:
Kwiatkowska, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/784503.pdf
Data publikacji:
2020
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
hauntology
memory
postmemory
Holocaust
Jewish culture
Opis:
The article attempts to interpret the novel Mirabelle in the light of hauntology, taken from Jacques Derrida’s works, existing in the Polish literary studies first and foremost thanks to the works of Jakub Momro and Andrzej Marzec. Harasimowicz’s novel recounts the history of Warsaw from the 1920s until the present-day period. The mirabelle plum tree growing on one of the backyards in Warsaw tells the story of the following generations of the city dwellers who fade away and fall into oblivion. The Holocaust, depicted in the beginning of the novel, does not, however, become the past. The recollection of the genocide is inscribed in contemporary Warsaw, in the city space and the consciousness of its inhabitants. The phantoms of the former dwellers of Nalewki, the Jewish district in Warsaw, visit their homes, little stores, and workshops, trying to end unfinished businesses and engaging with the representatives of the present-day citizens. The gesture of remembrance, which is the replanting and redeveloping a new mirabelle tree in the place of the damaged one, gives people hope for the restoration of balance and strengthens the bonds between the living and the dead.
Źródło:
Paidia i Literatura; 2020, 2; 67-76
2719-4167
Pojawia się w:
Paidia i Literatura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Europeanization of Holocaust and World War II Memory in Poland – General Remarks
Autorzy:
Wassermann, Elisabeth
Powiązania:
https://bibliotekanauki.pl/articles/557944.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Warszawski. Centrum Europejskie
Tematy:
Europeanization;
Heritage;
Memory;
War Museums;
Holocaust;
Opis:
The article presents a summary of the refl ections and research of the author (and the wider research team) on the Europeanization of heritage and memory in Holocaust and World War II museums, exhibitions and educational projects in Poland and gives a theoretical overview on the issue. In how far does the Polish way of commemoration reflect the postulates of academic research in this field? Currently in Europe, the trend in historical museums shifts from the sheer presentation of the past towards a more open format, including references to human rights, tolerance and non-discrimination. Furthermore, European museology develops towards being a platform of democratic discussion and the negotiation of meanings. What can be the potential role of Polish Holocaust and World War II museums? And how are these postulates in practice realized in cultural institutions and museums dealing with one of the greatest disasters in modern history? The research sample included the Auschwitz-Birkenau State Museum, the State Museum at Majdanek, the Home Army Museum in Kraków, the Ulma Family Museum of Poles Saving Jews in World War II in Markowa and a number of other institutions in Poland.
Źródło:
Studia Europejskie - Studies in European Affairs; 2019, 2; 9-25
1428-149X
2719-3780
Pojawia się w:
Studia Europejskie - Studies in European Affairs
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The oak tree
Autorzy:
Kaźmierczak, Marek
Powiązania:
https://bibliotekanauki.pl/articles/919845.pdf
Data publikacji:
2011-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
memory
true
story
abusing
humanity
Holocaust
Opis:
The text titled The Oak Tree is a true story told by Kazimiera, a woman who in 1941 saw the bodies of murdered Jews being dumped into a common grave in a forest in Western Poland. This text refers to the work of memory and to the work of narration in the context of representation of the Holocaust. This text opens a question about the limits of commemorating and abusing of the past hidden in words and in silence.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2011, 9, 17-18; 107-111
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wytwarzanie „winy obojętności” oraz kategorii „obojętnego świadka” na przykładzie artykułu Jana Błońskiego „Biedni Polacy patrzą na getto”
Autorzy:
Żukowski, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/643715.pdf
Data publikacji:
2013
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
Holocaust
memory
public discourse in Poland
Opis:
Producing the 'guilt of indifference' and the category of "indifferent witness". A case study of Jan Błoński’s 'Biedni Polacy patrzą na getto'Błoński’s article Biedni Polacy patrzą na getto (1987) is regarded as a milestone for the Polish awareness of the Holocaust. Błoński tried to tackle the issue of the Polish complicity, and his narration updated an important model in the Polish culture. It contained some facts about the wartime reality, but at the same time it overturned much of the knowledge about those times and rendered it mostly transparent. The analysis of Błoński’s article allowed me to elucidate the relation between the catharsis effect and the denial, which appeared as the effect of the article. The paper attempts at answering some important questions: What is the Polish complicity according to Błoński? What are the different perceptions of the relations between Poles and Jews? What is the perception of the majority? How the different opinions on the Polish complicity in the Holocaust are legitimised by the majority? How are they removed and delegitimised at the same time?[The article was prepared with financial support of the NPRH.] Wytwarzanie „winy obojętności” oraz kategorii „obojętnego świadka” na przykładzie artykułu Jana Błońskiego „Biedni Polacy patrzą na getto”Tekst Jana Błońskiego Biedni Polacy patrzą na getto (1987) uznaje się za przełomowy dla polskiej świadomości zbiorowej dotyczącej Zagłady. Błoński stawia w nim problem polskiej współwiny. Jego narracja aktualizuje ważny wzór polskiej kultury. Zawiera elementy wiedzy o wojennych realiach, a jednocześnie ją unieważnia i czyni w dużym stopniu niewidoczną. Analiza tekstu Błońskiego pozwala uchwycić związek między efektem przełomu i jednoczesnym wyparciem. Autor pyta, w jaki sposób Błoński stawia kwestię polskiej winy, jakie wyobrażenia relacji polsko-żydowskich jej towarzyszą, jaki jest obraz polskiej większości, wreszcie – jak głosy na temat polskiej roli w eksterminacji Żydów zyskują prawo istnienia w zbiorowej świadomości, stając się prawomocnymi narracjami o historii i jak są z niej – niemal jednocześnie – usuwane i delegitymizowane.[Artykuł powstał w ramach projektu Wobec Zagłady – w stronę demitologizacji kategorii opisu. Kategoria „obojętni świadkowie” finansowanego przez NPRH.]
Źródło:
Studia Litteraria et Historica; 2013, 2
2299-7571
Pojawia się w:
Studia Litteraria et Historica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tektoniczne napięcia, rowy, wypiętrzenia: materialność pamięci w „Festung Warschau” Elżbiety Janickiej
Tectonic tensions, trenches, piles: materiality of memory in “Festung Warschau” by Elżbieta Janicka
Autorzy:
Korczyńska-Partyka, Dobrosława
Powiązania:
https://bibliotekanauki.pl/articles/545542.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Gdański. Wydział Filologiczny
Tematy:
politics of memory
Holocaust
conflicts of memory
urban space
Opis:
The presented text is an analysis of materiality of memory in Elżbieta Janicka's book Festung Warschau. The text presents two approaches of defying the relation between space and memory. The first approach is related to searching for past signs, while the second approach uncovers past traces. In the studied book each approach is bonded to a different narration style. Furthermore, the presented text conceptualizes the city space of Warsaw, created by Janicka, as a space of memory (S. Kapralski's term).
Źródło:
Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2015, 3; 51-68
2353-4699
Pojawia się w:
Jednak Książki. Gdańskie Czasopismo Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Into That Darkness – Nostalgia for a Lost World
Autorzy:
Pluta, Karol
Powiązania:
https://bibliotekanauki.pl/articles/545491.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Gdański. Wydział Filologiczny
Tematy:
Holocaust
Franz Stangl
nostalgia
memory
narration
Opis:
The subject of the Holocaust is an extremely sensitive issue today. This applies especially to such controversial figures as Franz Stangl. The aim of the article is to show the unusual personality of Franz Stangl through an interpretation of historical facts. The main research material is the book by Gitta Sereny, Into That Darkness: From Mercy Killing to Mass Murder. The method used by the author was a series of interviews, which were given by Stangl at II trial of Treblinka in 1971. The basis for the analysis is a kind of melancholy returns to the past of the camp, by Stangl, which created a sentimental image of the lost world different from what is described in archival materials. Everything he was talking about was in part a product of his imagination, and in part, an attempt to treat these events rationally. He somehow deliberately used means that are specific to a nostalgic coverage of past events, such as colourful metaphors or peculiar descriptions of personal experiences. Stangl manipulated the events in order to justify his own behaviour or escape from the responsibility.
Źródło:
Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2018, 9; 21-32
2353-4699
Pojawia się w:
Jednak Książki. Gdańskie Czasopismo Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł

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