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Tytuł:
Dynamics of perceiving oneself on femininity and masculinity dimensions in diverse contexts
Autorzy:
Błoch, Bogusława
Serafińska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/430180.pdf
Data publikacji:
2010
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Femininity
Masculinity
Gender
Opis:
The article is about issues related to gender perceived as a result of social context and thus fits in the current, processual gender paradigm. Two studies have been conducted verifying hypotheses about perceiving oneself on the femininity and masculinity dimensions in various types of contexts. Expectations were that generic contexts would make perceiving oneself within the psychological gender dimensions more dynamic. Women were expected to perceive themselves as more feminine and less masculine in contexts matching their gender, i.e. “feminine”, comparing to “masculine”, and men were expected to perceive themselves as more masculine and less feminine in “masculine” contexts comparing to “feminine” contexts. Research results do not confirm the above hypotheses and indicate dynamism in perceiving oneself on femininity and masculinity dimensions. However, the dynamism is perceived only on dimensions inconsistent with biological gender – situation affects women's perceiving of themselves on the masculinity dimension and men's – on femininity dimensions.
Źródło:
Polish Psychological Bulletin; 2010, 41, 4; 155-162
0079-2993
Pojawia się w:
Polish Psychological Bulletin
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kopciuszek: zagubiony szklany pantofelek i metamorfozy kobiecości
Cinderella: lost Glass Slipper and Metamorphosis of Femininity
Autorzy:
Gromkowska-Melosik, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/915714.pdf
Data publikacji:
2020-01-19
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Cinderella
myth
femininity
interpretation
Opis:
The article is devoted to the reconstruction of Cinderella myth in contemporary culture in the relation to the changing concepts of femininity. The Author takes into account several contexts of this issue. First, it can be understood in the terms of life as a lottery thanks to which in one moment a person is famous or rich (e.g. thanks to television success). Also, the author analyses the Cinderella in a light of sociological theory of competitive mobility. Besides sociotherapeutic Cinderella complex is analysed as well as feminist interpretation of Cinderella are reconstructed. The different versions of Cinderella fable are confronted with the various kinds of relations between women and men in contemporary. The Author shows also the examples of using the Cinderella myth in commercial advertising as well as politics and economy (Cinderella industry).
Źródło:
Studia Edukacyjne; 2017, 46; 63-72
1233-6688
Pojawia się w:
Studia Edukacyjne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Reclaiming Adolescent Sexuality: Images of Girlhood in Petra Collins’s Babe
Autorzy:
Kamińska, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/645325.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
girlhood
femininity
feminism
photography
Opis:
Reclaiming Adolescent Sexuality: Images of Girlhood in Petra Collins’s BabeThis paper examines photographs, drawings, collages and other art forms collected in the book Babe, edited by photographer Petra Collins and published by Prestel in 2015. I read the collected artwork as an attempt to present the image of the girl (including her sexuality) from a young woman’s perspective. Babe, which includes works such as photographs of teenagers with visible period blood on the underwear or a to-do list with the goal of never faking another orgasm, asks who a contemporary girl is and how young artists can challenge traditional images of femininity. In my analysis I focus on the excessive use of the color pink in Babe, characterizing the way artists blend innocence with eroticism. I argue that by playing with artifacts of “girlishness,” artists can both expose the absurdity of the image of the girl in popular culture and reclaim symbols of girlhood. I suggest that Collins – despite her ambitions to create an inclusive platform for female artists – does not present a diverse image of girls, who in Babe is still predominantly white and able-bodied. I introduce the potential reading of Babe as a feminist visual manifesto, in reference to the Riot Grrrl movement and the cultural phenomenon of “girl power.” I suggest that the book offers a possibility of exploring the figure of the girl from the perspective of young female artists. Odzyskując młodzieńczą seksualność: wizerunki dziewczyńskości w „Babe” Petry CollinsArtykuł jest analizą fotografii, rysunków, kolaży i innych prac zebranych przez fotografkę Petrę Collins w albumie „Babe", wydanym w 2015 roku przez Prestel. W artykule odczytuję zebrane prace jako szansę zaprezentowania wizerunku dziewczyny (w tym jej seksualności) z perspektywy młodej kobiety. Babe – w której znajdują się zarówno fotografie nastolatek z widoczną krwią menstruacyjną na bieliźnie, jak i zdjęcie listy zadań, na której artystka umieszcza postanowienie, by nigdy więcej nie udawać orgazmu – zadaje pytanie kim dzisiaj jest dziewczyna i w jaki sposób młode artystki mogą kwestionować utarte obrazy kobiecości. Podczas analizy skupiam się na przewadze różu w warstwie wizualnej albumu, ukazując sposób, w jaki artystki łączą pozorną niewinność z erotyzmem. Twierdzę, że poprzez grę z konwencjami „dziewczyńskości” autorki prac mogą zarówno eksponować sztuczność wizerunku młodej kobiety w kulturze popularnej, jak i odzyskiwać symbole dziewczęcości. Sugeruję, że Collins – mimo próby stworzenia inkluzywnej platformy dla artystek – nie oferuje zróżnicowanego obrazu dziewczyny, która w Babe wciąż jest przeważnie biała i pełnosprawna. W odczytaniu Babe jako feministycznego wizualnego manifestu odwołuję się do ruchu Riot Grrrl i fenomenu kulturowego reprezentowanego przez hasło „girl power”. Sugeruję, że album oferuje zgłębienie postaci dziewczyny z punktu widzenia młodych artystek.
Źródło:
Adeptus; 2017, 9
2300-0783
Pojawia się w:
Adeptus
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Grey Zone of Subjectivity. Phenomenology of the feminine body in Emmanuel Lévinass thought
Autorzy:
Adamiak, Marzena
Powiązania:
https://bibliotekanauki.pl/articles/632486.pdf
Data publikacji:
2015
Wydawca:
Projekt Avant
Tematy:
ontology
subject
femininity
woman
other
Opis:
The concept of a "woman figure" by Emmanuel Lévinas, is an example, inwhich the notions of "masculinity" and "femininity" serve to determine the character of a certain proposition of a Subject. Lévinas introduced sexualcharacteristics into the neutral subject, yet he is incon-sistent in his treatment of the idea of a Woman and, moreover, he assigned subjectivity to a single gender: the masculine. Nonetheless, the criticism of Lévinas’s model of femi-ninity from a feminist viewpoint is neither simple nor clear. Lévinas continu- ally evades such criticism. He re-established the body and sensuality as key aspects of meeting with the Other. And also, he criticizes the Western ontolog- ical tradition as a theoretical source of violence against the Other, since – as he claims – on a high level of abstraction it appears that thematisation itself is a violence. At the same time, Lévinas proposes ontology of a "woman". In rela-tion to this, one needs to ask the question: why does Lévinas, whilst stating theneed to be freed from ontology, at the same time create an ontological wom- an? And additionally, what are the philo-sophical and ethical consequences of the phenomenology of femininity that are presented by Lévinas?
Źródło:
Avant; 2015, 6, 1
2082-6710
Pojawia się w:
Avant
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Emotions of Women and Men – Similarities – Differences – Development
Autorzy:
Mandal, Eugenia
Powiązania:
https://bibliotekanauki.pl/articles/29520415.pdf
Data publikacji:
2007-06-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
emotions
masculinity
femininity
gender psychology
Opis:
The article presents a survey of empirical studies and meta-analyses on the similarities and differences in the emotionality of women and men. Women’s and men’s emotions are analyzed in terms of their experiencing and expression. Special attention is paid to emotions connected with caring and aggression. Differences and similarities are presented in different age groups.
Źródło:
The New Educational Review; 2007, 12; 169-183
1732-6729
Pojawia się w:
The New Educational Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wariatka i zakonnica? Anusia Marii Konopnickiej jako przypowieść antropologiczna o dorastaniu
The Mad Woman and the Nun? Anusia by Maria Konopnicka as an Anthropological Allegory of Growing Up
Autorzy:
Chyła, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/459973.pdf
Data publikacji:
2019
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
kobiecość
peryferyjność
inicjacja
femininity
marginality
initiation
Opis:
Cel badań. Celem badania było przeanalizowanie, w jaki sposób Maria Konopnicka wykorzystała w swej noweli Anusia, po części o charakterze wspomnieniowym, motyw inicjacji, zwłaszcza w kobiecość. Metodologia. Dociekania oparłam na ustaleniach Mircei Eliadego, Brunona Bettelheima czy Mary Douglas. Powstało dzięki temu szerokie tło, uwzględniające perspektywę religioznawczą, antropologiczną i psychiatryczną, na którym dobrze widać wielkie zalety ujęcia literackiego, całą jego subtelność i sugestywność. Czerpałam również z rozpoznań feministycznych, z tekstów Sandry M. Gilbert i Susan Gubar, Nancy K. Miller czy Krystyny Kłosińskiej, aby podkreślić wyraźną u Konopnickiej persewerację motywów często obecnych w literaturze kobiet: szaleństwo, przebywanie na marginesie, szycie, żałoba. Wyniki. W literaturze XIX wieku i nieco młodszej spotykamy nieraz obrazy domów, w których część kobiet mieszka za kulisami, w miejscach, gdzie życie toczy się intensywniej niż to odmienne, poddane pełnej kontroli życie salonów, często przedstawianych jako bezduszne, a u Konopnickiej wręcz nieobecnych. Ta inna przestrzeń staje się też przestrzenią innej kultury. By to pokazać, przywołuję przykłady baśni i ballad, a także modlitw, legend, pieśni nabożnych, w kulturach tradycyjnych wykonywanych przez kobiety dla kobiet, również dla dzieci. W taką właśnie kulturę włącza Anusia troje swych wychowanków. Następnie za pośrednictwem wariatki Kani, niegdyś ladacznicy i gorszycielki, przez wszystkich odpychanej i pogardzanej, której Anusia udziela swojej opieki, wkracza w ich życie seksualność i śmierć. Wnioski. W Anusi, przypowieści inicjacyjnej, spełnia się potrójne wtajemniczenie zasugerowane przez Eliadego: wedle tego badacza, człowiek wstępuje w dorosłość za sprawą sacrum, Erosa i Tanatosa – z chwilą, kiedy pozna te trzy obszary, nie jest już dzieckiem.
Introduction. In this article, the aim of the author is to analyze how Maria Konopnicka uses the motive of initiation in her early novella called Anusia, bearing a clear resemblance to the author’s past. Methods. Drawing from sources which could be associated with psychiatry, anthropology or feminist critique, by among others Bruno Bettelheim, Mary Douglas, Mircea Eliade, Sandra M. Gilbert, Susan Gubar, Nancy K. Miller or Krystyna Kłosińska, the author has created a background of perspectives which allow Konopnicka show the advantages of a suggestive, subtle and meaningful literary approach. Results. In nineteenth century literature we often meet a special class of women living in the backstage of the house, where life throbs more intensively than in the parlor, so frequently portrayed as stiff and soulless, a parlor which in the story by Konopnicka is significantly never mentioned. Instead we are invited into a small wardrobe, Anusia’s kingdom and center of the children’s world. Here, undisturbed, freely and wildly, blossoms a kind of culture that is partly oral and partly written, and may be easily described as semi-folk. That places Konopnicka in a rich context which the author Illustrates using examples of fairytales, prayers, legends, ballads, and religious songs, traditionally connected with female audience, and the art of interpretation cherished by them. The other crucial question in the children’s lives is their sudden encounter with a despised outcast and scandalizer, a mad woman known by the entire town and notorious for having formerly been a city harlot. Anusia, a respectable, modest old maid, pities her and nurses her when she falls sick, thereby exposing her pupils to the mystery of erotism and death. Conclusion. Konopnicka’s novella seems to be consciously shaped after Eliade’s scholarly work, where the initiation process is divided clearly into three parts: sacrum, death and sexuality.
Źródło:
Ogrody Nauk i Sztuk; 2019, 9; 479-490
2084-1426
Pojawia się w:
Ogrody Nauk i Sztuk
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Image of Femininity and Masculinity as a Result of the Socialization Process in Contemporary World
Obraz kobiecości i męskości jako rezultat procesów socjalizacji we współczesnym świecie].
Autorzy:
Ławiak, Alicja
Powiązania:
https://bibliotekanauki.pl/articles/923273.pdf
Data publikacji:
2018-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
femininity
masculinity gender stereotypes
contemporary culture
Opis:
The main purpose of this paper are gender stereotypes, which determine an image of femininity and masculinity in contemporary culture. The paper considers the consequences of compartmentalization. The author presents her own research about the stereotypes which create an image of femininity and masculinity in contemporary culture. The text concerns the problem of specific developmental limitations, which are hidden behind the aforementioned compartmentalization. The author based her research and theoretical inspiration on social psychology and social pedagogy (interconnected via socialization).
Źródło:
Studia Edukacyjne; 2018, 50; 425-440
1233-6688
Pojawia się w:
Studia Edukacyjne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A Pioneer of Women’s Liberation
Autorzy:
Cvikl, Jerca Legan
Powiązania:
https://bibliotekanauki.pl/articles/1968646.pdf
Data publikacji:
2021-07-01
Wydawca:
Academicus. International Scientific Journal publishing house
Tematy:
emancipation
femininity
sophistication
practicality
freedom
empowerement
Opis:
Gabrielle Bonheur “Coco”Chanel” is a creative icon who has freed the‘new’woman from the millennium of dictated dress codes, stereotypical behaviors and clichéd sexual and status simplification. The little black dress has become synonymous of sophistication, to the femininity she gave the character flavor of relaxation and empowered women with timeless clothing pieces andequipped them with inspiring pieces of jewelry,distinctive decorative accessories and bold fragrances.Since then, with the Chanel fashion women were able to step sovereignly and freely aside of male. Coco resisted the reservation of clothing and decorative pieces and fabrics as exclusively masculine in order to help revolutionary women on their journey to a more a more useful elegance and a more noticeable fatality. Without any doubt she succeeded. She gave the new woman what she could not have before: practicality, youthfulness, timelessness and freedom, which was often scandalous at the time of her creation. But it has paid off with a revolution in the clothing industry and, more importantly,with a historic step in liberating the modern woman.
Źródło:
Academicus International Scientific Journal; 2021, 12, 24; 174-183
2079-3715
2309-1088
Pojawia się w:
Academicus International Scientific Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wojna. Kobiece spojrzenie.
War. Female Gaze
Autorzy:
Bojarska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/32084473.pdf
Data publikacji:
2023
Wydawca:
Polska Akademia Nauk. Instytut Sztuki PAN
Tematy:
kobiecość
spojrzenie
fotografia
femininity
gaze
photography
Opis:
Autorka bada wątek kobiecego spojrzenia w relacji do fotografii, zwłaszcza wojennej. W tym celu sięga po Trzy gwinee Virginii Woolf i analizuje użycie fotografii w antywojennej narracji pisarki.
In her article the author theorizes female gaze in relations to atrocity photography, especially war photography. In order to do so he revisits Virginia Woolf’s Three Guineas and discusses the use of photography in Woolf’s anti-war narrative.
Źródło:
Konteksty. Polska Sztuka Ludowa; 2023, 343, 4; 192-198
1230-6142
2956-9214
Pojawia się w:
Konteksty. Polska Sztuka Ludowa
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The elusiveness of progressive masculinity: Gender differences in conceptualizations of nontraditional gender roles
Autorzy:
Calton, Jenna M.
Heesacker, Martin
Perrin, Paul B.
Powiązania:
https://bibliotekanauki.pl/articles/438029.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
masculinity
femininity
progressive
nontraditional
gender roles
Opis:
Traditional masculinity has been thoroughly explored in psychological research, but its counterpart, progressive masculinity, has undergone relatively little scientific investigation. To determine whether this lack of attention to or understanding of progressive masculinity is mirrored more largely in mainstream culture, we examined how men and women conceptualize and experience gender roles in their everyday lives. Participants were randomly assigned to describe a time in which they had behaved either traditionally or progressively with regard to their gender. Over 80% of men and women in the traditional condition and women in the progressive condition provided condition-appropriate examples. However, men in the progressive condition only provided progressive examples 17% of the time, suggesting that many men may not have an understanding of progressive masculinity. Additional themes, implications, and directions for research on progressive masculinity are discussed.
Źródło:
Journal of Gender and Power; 2014, 2; 37-58
2391-8187
Pojawia się w:
Journal of Gender and Power
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Construction of Feminity and Masculinity in the Discourse to Popularize a Science. The Analysis of Discursive Strategies
Autorzy:
Leszczyńska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/27311608.pdf
Data publikacji:
2012-12-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
gender
gender beliefs
media
discourse
femininity
masculinity
Opis:
The purpose of this paper is to present the analyses of the discursive strategies of constructing gender difference in the articles published in the Science in Poland bulletin. This bulletin is an important platform for the popularization of Polish and world science. It is funded by the Ministry of Science and Higher Education in Poland. In the article, I assume that gender is a socially constructed structure (including discursive) level, about the difference between men and women, especially anatomically. Starting from the assumptions of the theory of discourse, which is understood as the process of producing and reproducing social meaning, the analysis includes articles published on the website between 2005 and 2010. In the first part of the paper, I introduce the definition of gender and gender beliefs, which are an important context for the analysis. Then, the content and the method of research (the analysis of discourse) are characterized. In the last part of the paper, the results of research characterizing the main discursive strategies reproducing gender in polarized, homogeneous, and universal categories are presented.
Źródło:
Kultura i Edukacja; 2012, 6(92); 183-211
1230-266X
Pojawia się w:
Kultura i Edukacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Women “beyond control”? – androcentric discourses in Victorian painting (towards reconstructing meanings)
Autorzy:
Gromkowska-Melosik, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/438021.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Victorian Painting
femininity
androcentrism
femme fatale
hysteria
Opis:
From the perspective of feminist analysis, the painting is considered to be androcentric. It is believed that artworks were created by men, for men and from their point of view. One can even say that, men spoker through the bodies and identities of heroine images in the painting. From this point of view, painting has been accused not only of the lack of women as authors of works of art, but also of the lack of representations of the female experience. Logically, from this perspective, images of women on the canvas are often not simple reflection of reality, but they crystallize dreams, anxieties and feelings of their male artists. There is no doubt that theye are also imbued with ideologies concerning gender. Three images that will be examined in this paper were created in the Victorian era (the dates of their creation are: 1887, 1890, 1896). They all reflect anxieties about womanhood in the late nineteenth century, primarily manifested in the creation of a new image of a woman - the femme fatale. On the other hand the women as objects of the painting are treated as a sexual object for male creator and viewer. Every woman in the paintings could be described as "being out of control". There is a paradox here: the woman is simultanesly out of control and controlled by men. There is a worth to add that every painting has extremely sugestive impact on the viewer and amazing articstic value.
Źródło:
Journal of Gender and Power; 2015, 3, 1; 89-101
2391-8187
Pojawia się w:
Journal of Gender and Power
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Pokazać, że jesteś kobietą”. Konflikty o wygląd partnerki w małżeństwach polsko-rosyjskich
“Show that You Are a Woman”. Conflicts Connected with a Female-Partner’s Appearance in Polish-Russian Marriag
Autorzy:
Busygina-Wojtas, Tatiana
Powiązania:
https://bibliotekanauki.pl/articles/635399.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Russia
Polska
mixed marriage
femininity
identity
clothes
Opis:
Partners in Polish-Russian couples have different opinions concerning women’s appearence. Stressing femininity and paying much attention to attractiveness of a female-partner seems to be very important to Russian partners of both sexes. In this paper, this phenomenon is analyzed from two perspectives. The gender perspective pays special attention to the diversities in the evolution of partiarchal model in Poland and Russia. The analysis from the perspective of cultural anthropology leads to the conclusion about manifestation of Russian identity in Polish-Russian relations. Concidering “femininity” an important category and laying a metaphysical emphasis on it seems to be one of the ways of the “being Russian” manifestation.
Źródło:
Poznańskie Studia Slawistyczne; 2016, 11; 201-217
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Królewna Śnieżka i płeć kulturowa (Lustereczko powiedz przecie, kto jest najpiękniejszy w świecie?)
Snow White and Gender (Mirror, Mirror on the Wall, Who is the Fairest of Them All?)
Autorzy:
Gromkowska-Melosik, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/923390.pdf
Data publikacji:
2020-11-18
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Snow White
fairy tales
femininity
interpretation
identity
Opis:
The article is devoted to the reconstruction of Snow White myth in contemporary culture in the relation to the changing concepts of femininity and masculinity. The Author takes into account several contexts of this issue. First, it can be understood in the terms of patriarchal power over women’s identity and body. Also, the author analyses the Snow White in a light of girl’s socialization into passive roles. In the article feminist interpretation of Snow White are also reconstructed. The different versions of Snow White fable are confronted with the various kinds of relations between women and men in contemporary society.
Źródło:
Studia Edukacyjne; 2018, 47; 69-79
1233-6688
Pojawia się w:
Studia Edukacyjne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Reflections on appearance and attractiveness in the opinions of elderly women and men
Autorzy:
Czernecka, Julita
Kramkowska, Emilia
Powiązania:
https://bibliotekanauki.pl/articles/22792496.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Łódzki. Wydział Ekonomiczno-Socjologiczny
Tematy:
attractiveness
aging body
femininity
masculinity
elderly people
Opis:
An observable feature of post-modernity is the social pressure that forces women and men, regardless of age, to accept the criteria for classifying and valuing the body in the context of a strongly rooted cult of attractiveness, with a youthful appearance at its center, and which is promoted by the mass media. While it is more realistic for younger people to meet these expectations, there can be many difficulties for those who experience progressive body aging. This article presents an analysis of statements made by elderly women and men, in which they share their definitions of attractiveness in general, as well as their opinions on the attractiveness of their appearance and how they evaluate it. The point of reference for these reflections is Catherine Hakim’s concept of erotic capital, in which the attractiveness of an individual is understood in a multidimensional way – including physical appearance, biogenic features, personality traits, and the demographic and social conditions of someone’s image. We are also based on the gendered age approach, i.e. femininity and masculinity are analyzed in the context of the desired appearance in relation to age (here, an old woman and an old man). The collected material leads to the conclusion that, to some extent, seniors have internalized social expectations concerning the appearance of the body of contemporary man, including the appearance of their aging bodies. However, the age of the respondents makes them pay attention to many more elements of human attractiveness than just physicality. Their gender also differentiated their views.
Źródło:
Władza sądzenia; 2019, 17; 103-124
2300-1690
Pojawia się w:
Władza sądzenia
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 113

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