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Tytuł:
O „ukrzyżowanym erosie” Ignacego Antiocheńskiego w monografii naukowej Krzysztofa Abucewicza
Autorzy:
Baron, Arkadiusz
Powiązania:
https://bibliotekanauki.pl/articles/29430771.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Papieski Jana Pawła II w Krakowie
Tematy:
Ignatius of Antioch
agape
eros
Opis:
In 2021 was published a unique monograph on the interpretation of the evocation of Ignatius of Antioch, “My Eros”, presenting research from the beginning of Christianity (the letters come from the beginning of the 2nd century) to our times. It is a book by Krzysztof Abucewicz entitled The Crucified “Eros” of Ignatius of Antioch (Katowice 2021, 676 pages). The book is unique due to the wide scope of research and the extremely high competency of its author. The extensive amount of the work put into the research is awe-inspiring. The aim of the article is to show the content and main qualities of the book and to critically analyze of the conclusions drawn by Krzysztof Abucewicz. This article tries to clarify answers to the question about the possibility of establishing unequivocal conclusions, which researchers of history, literature and theology come to, regarding the interpretation of the evocation of Ignatius of Antioch. In this sense, the article is polemical in nature, aimed at encouraging theologians to read the discussed monograph and use it in their own theological research.
Źródło:
Polonia Sacra; 2022, 26, 1; 215-236
1428-5673
Pojawia się w:
Polonia Sacra
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ancient philosophy of lovesickness Plutarch, Cleopatra and Eros
Autorzy:
Kostuch, Lucyna
Powiązania:
https://bibliotekanauki.pl/articles/2157537.pdf
Data publikacji:
2014
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
Plutarch
Philosophy
Eros
Lovesickness
Cleopatra
Opis:
Over the centuries, Cleopatra VII, the famous queen of the Nile, has uttered thousands of amorous sentences in countless dramas, poems, novels, librettos and films. Historians, writers and artists of all periods, selecting the Egyptian monarch as the “hero” of their works, referred, and still continue to do so, primarily to the Life of Antony by a great Greek philosopher and moralist - Plutarch of Chaeronea. It might seem that it was Plutarch who presented Cleopatra a woman overcome with genuine passionate love. But does the queen in the Plutarch’s work really, even for a moment, experience the true agony of love? The problem with this is that if we reject the Shakespearean prism through which we used to view Cleopatra created by Plutarch and we analyse the Life of Antony exclusively in the context of other works of the moralist from Chaeronea, we will not perceive an Egyptian Dido cursing her lover and dying of love. It is a delusion that in the final parts of the Life of Antony, the monarch’s previously feigned or perhaps concealed love for the Roman commander is manifested as true – as is stated by many researchers identifying in Plutarch’s work the specific elements of romance in which the lovers’ feelings are reciprocated.
Źródło:
Społeczeństwo i Edukacja. Międzynarodowe Studia Humanistyczne; 2014, 2(14); 5-14
1898-0171
Pojawia się w:
Społeczeństwo i Edukacja. Międzynarodowe Studia Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ancient philosophy of lovesickness: Plutarch, Cleopatra and Eros
Autorzy:
Kostuch, Lucyna
Powiązania:
https://bibliotekanauki.pl/articles/2158804.pdf
Data publikacji:
2014
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
Plutarch
Philosophy
Eros
Lovesickness
Cleopatra
Opis:
Over the centuries, Cleopatra VII, the famous queen of the Nile, has uttered thousands of amorous sentences in countless dramas, poems, novels, librettos and films. Historians, writers and artists of all periods, selecting the Egyptian monarch as the “hero” of their works, referred, and still continue to do so, primarily to the Life of Antony by a great Greek philosopher and moralist - Plutarch of Chaeronea. It might seem that it was Plutarch who presented Cleopatra a woman overcome with genuine passionate love. But does the queen in the Plutarch’s work really, even for a moment, experience the true agony of love? The problem with this is that if we reject the Shakespearean prism through which we used to view Cleopatra created by Plutarch and we analyse the Life of Antony exclusively in the context of other works of the moralist from Chaeronea, we will not perceive an Egyptian Dido cursing her lover and dying of love. It is a delusion that in the final parts of the Life of Antony, the monarch’s previously feigned or perhaps concealed love for the Roman commander is manifested as true – as is stated by many researchers identifying in Plutarch’s work the specific elements of romance in which the lovers’ feelings are reciprocated.
Źródło:
Prosopon. Europejskie Studia Społeczno-Humanistyczne; 2014, 3(9); 5-14
1730-0266
Pojawia się w:
Prosopon. Europejskie Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
On the Epistemic Value of Eros. The Relationship Between Socrates and Alcibiades
Autorzy:
Candiotto, Laura
Powiązania:
https://bibliotekanauki.pl/articles/633618.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Eros
education
Socrates
Alcibiades
Plato
Opis:
Several key lines concerning the relationship between Socrates and Alcibiades, extracted from the Symposium and the Alcibiades 1, are discussed for the purpose of detecting the epistemic value that Plato attributed to eros in his new model of education. As result of this analysis, I argue for the philosophical significance of the relationship between Socrates and Alcibiades as a clear example – even when failed – of the epistemic role of eros in the dialogically extended knowledge.
Źródło:
Peitho. Examina Antiqua; 2017, 8, 1; 225-236
2082-7539
Pojawia się w:
Peitho. Examina Antiqua
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kleopatra i eros w Żywocie Antoniusza. O nadinterpretacji dzieła Plutarcha
Autorzy:
Kostuch, Lucyna
Powiązania:
https://bibliotekanauki.pl/articles/944906.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
Plutarch
Cleopatra
Life of Antony
eros
Opis:
Cleopatra and Eros in Plutarch’s Antonius. On overinterpretation of Plutarch’s work Historians, writers and artists who wanted to pay homage to Cleopatra once again, referred to and still refer to Plutarch’s Life of Antony, first and foremost. It can seem that this main, if not the only ancient work, being quite a compact story about the Egyptian queen, has been ultimately interpreted in numerous review editions and biographies of Cleopatra. However, Plutarch’s Cleopatra has not been analysed as a separate work - excerpts from Life of Antony have always been combined with other sources in order to obtain a single picture. And in belles-lettres, the work of this ancient moralist have been exploited for centuries in such a way that it is no longer Plutarch’s property. Literary works from different epochs, in the form of interpretations, with Shakespeare’s Antony and Cleopatra at the head of the list, have distorted the ancient moralist’s message. It turns out that when we reject Shakespeare’s prism that we usually use when examining Plutarch’s Cleopatra and we start to analyse Antony’s biography only in the context of other works written by the moralist of Chaeronea, considering them to be a peculiar comment on Life of Antony, we are able to see a completely different picture to the one we are used to. Divine powers, present on the pages of the ancient work and implicating gods and people in love and desire do not have access to the queen. However, everything suggests that in the case of “the romance of all time” we can see in the moralist’s work something he did not write at all. We refer to Life of Antony and we envisage the character of Cleopatra described by Shakespeare and his successors.
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2017, 7, 2; 259-270
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Éros énergumène de Denis Roche, une écriture de l’agapè à rebours de l’orgie thanatique
Denis Roche’s Éros énergumène, a Writing of Agape Against the Thanatic orgy
Autorzy:
Ouattara, Gouhé
Powiązania:
https://bibliotekanauki.pl/articles/2034892.pdf
Data publikacji:
2021-12-20
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
agape
poetic writing
eros
poetic language
freedom
spirituality
agapè
écriture poétique
éros
langage poétique
liberté
spiritualité
Opis:
Évoquer l’écriture poétique consiste, le plus souvent, à faire resurgir à la mémoire une somme de conventions artistiques établies d’âge en âge à travers les genres, les courants et les conceptions de la poésie. Malgré les révolutions et les bouleversements intervenus, l’art poétique se départit difficilement des cloisons génériques et théoriques pour le moins étanches. Cependant, l’actualité de la littérature française révèle que certains textes de la seconde moitié du XXe siècle semblent accorder une sorte de « vacance » à la poésie afin qu’il lui soit loisible de s’investir davantage dans l’autonomie langagière. Éros énergumène de Denis Roche illustre fondamentalement cette aptitude de l’écriture poétique à « se voir » comme telle et à se dématérialiser dans une perspective, somme toute, spiritualiste. Le poème de Roche s’appréhende, de ce fait, comme une voie d’accès à une forme de jeu intellectuel où le lecteur averti se retrouve englouti finalement dans les tourbillons d’un langage qui n’a d’autre enjeu que la liberté absolument « libérée ».
To evoke poetic writing is, more often than not, to bring to memory a sum of artistic conventions established from age to age through genres, currents and conceptions of poetry. Thus, in spite of the revolutions and upheavals that have taken place, the poetic art is difficult to separate from generic and theoretical partitions, at the very least, watertight. However, the topicality of French literature reveals that some texts of the second half of the 20th century seem to grant a sort of ‟vacancy” to poetry, so that it may be more active in language autonomy. Denis Roche’s Éros énergumène illustrates fundamentally this aptitude of poetic writing to ‟see oneself” as such and to dematerialize oneself in a perspective altogether spiritualist. Roche’s poem can be understood as a way of accessing a form of intellectual play where the informed reader is finally engulfed in the whirlwinds of a language that has no other stake than an absolutely ‟liberated” freedom.
Źródło:
e-Scripta Romanica; 2021, 9; 76-86
2392-0718
Pojawia się w:
e-Scripta Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Mysticism of Love in De Virginitate of St. Gregory of Nyssa
Mistycyzm miłości w De virginitate św. Grzegorza z Nyssy
Autorzy:
Wyrąbkiewicz, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/2037651.pdf
Data publikacji:
2017
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
love; eros; virginity; mystic; assimilation to God
Opis:
Primeval East Church was very careful in the use of classical greek's terms specyfying love. The article presents conception breaking above tendency − the idea of ecstatic, ardent eros in St. Gregory's of Nyssa first written tractate − De virginitate, and is intended to submit variety of types of love and role of love in virginal life. The bishop of Nyssa, seeing main purpose of all human efforts in assimilation to God, emphasizes the virtue of chastity, which increases with love. Owing to this virtue, soul-bride reflects in itself intertrinitarian relations. Through love man rises his nature, assuming triad assigned to nature of God: holiness, impeccability and chastity, and becoming completely and entirely open to experience of spiritual marriage with God.
Źródło:
Roczniki Teologiczne; 2017, 64, 4 English Online Version; 21-31
2353-7272
Pojawia się w:
Roczniki Teologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La poesie erotique et metaphysique. Lieu de rencontre entre Oscar Milosz et Czeslaw Milosz
Woman: an erotic and metaphysical instrument
Autorzy:
Lubelska-Renouf, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/690267.pdf
Data publikacji:
2015
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
kobieta
Eros
piękno
Bóg
Woman
Beauty
Divine
Opis:
In “Amorous Initiation”, Oscar Milosz tells the story of the love of Mr. Pinamonte for Clarice-Annalena. A chance meeting with a woman who is, among other things, easy and fickle, perhaps even a prostitute, becomes a mystical meeting with the divine. Annalena is ambivalent : An ordinary woman, a bewitching Circe, a Great Whore of Babylon, a sign of the beauty of creation, a symbol of God. Above all she is the way to Transcendence. Annalena reappears years later in the poem of Czesław Miłosz, and, in turn, invites the poet on a great voyage. This is a voyage through the woman to the other side of the looking glass, towards God. When I say “through the woman” it is to be taken literally: “I loved your velvet yoni, Annalena, the long voyages in the delta of your legs”. The woman in the poetry of C. Miłosz is as ambivalent as her prototype in “Amorous Initiation”. She is the incarnation of nature — a crushing, sucking, chewing, digesting thing, she is the fragile creature who arouses deep compassion, a travel companion, an incarnation of Beauty, and finally a symbol of the divine. We are now going to retrace this voyage through women in the poems of C. Miłosz.
Źródło:
Prace Polonistyczne; 2015, LXX; 177-197
0079-4791
Pojawia się w:
Prace Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Necessary, Kenotically-donated, & Self-giving Love
Autorzy:
McCall, Bradford
Powiązania:
https://bibliotekanauki.pl/articles/512295.pdf
Data publikacji:
2019-06-30
Wydawca:
Wydawnictwo Diecezjalne Adalbertinum
Tematy:
agape
philia
eros
kenosis
necessity
Thomas Jay Oord
Opis:
For the God of self-giving, kenotically-donated love, the decision to express love at all times comes first. In my conception, “full-Oorded” love would encompass what is ordinarily contained within the definition of agape love, but it would also include “eros love”, for the latter is the love of co-laborment. In my appropriation has of this terminology of eros love, it would be the type of love that the desires to, e.g., expand one’s territory or one’s domain, which makes it applicable to the modern theory of evolution by natural selection. Evolution – i.e., “descent with modification”, to invoke a Darwinian phrase – then, recognizes self-giving love, and the goodness thereof, in that species regularly undergo commensalist symbiotic relationships in nature, whereby one is aided by the other, while the “other” is neither “aided” nor “harmed”. This is self-giving love in its entirety, and a proper demonstration of it. My understanding of necessarily-expressed, “full-Oorded” love also includes dimensions of philia love. Philia could be akin to the symbiotic relationship known as mutualism in biology, especially since philia love has historically been associated with friendship or the interrelatedness of the natural world. Notably, Aristotle indicates that even nonhuman animals can express philia love . The relationships marked by philia, then, could be identified by mutuality, reciprocity, and cooperation , which fits the above biological connotation well. While agape or eros might benefit from cooperation, reciprocity, and mutuality, those two forms of love do not require any of those three nouns. Philia does. I contend, in fact, that the kenosis of the Spirit into creation amounts to self-giving, betrothed love through self-donation. The union, then of agape, eros, and philia love could be expressed as mutual aid, or full-orbed, or even as I like to say, “full-Oorded” love. Flourishing lives – be they human or some other mammal – I aver, consistently and necessarily express “full-Oorded” love. Oord suggests that Process philosophy can aid one to see that full-orbed love – that which I have designated “full-Oorded” love – plays an important part in the work to increase the common good of society as a whole. Indeed, “full-Oorded” love would repay evil with good as agape would; such a “full-Oorded” love would additionally welcome the intrinsic value and beauty in others, just like eros love does; and “full-Oorded” love would also recognize the import of friendship and mutuality as does philia love. Following Oord and Wojtyla again, since God commands that we show necessarily “self-giving”, “self-donating” love, we therefore indeed have the ability to love others as kenotically-donating entities, just as the creating Spirit does. When we act as a genuine conduit and amplifier of the creating Spirit’s self-donating and self-giving love, we can truly and entirely and infinitely love others, just as God does. Of course, we cannot expect that we humans will always love alike unto how God does because we do not have an eternal and unchanging nature that is necessarily inclined toward love , but we are at least always able to do it.
Źródło:
Studia Ełckie; 2019, 21, 2; 231-241
1896-6896
2353-1274
Pojawia się w:
Studia Ełckie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Psyche zrzuca kajdany: Teatr łódzki w listopadzie 1918
Psyche Casts Her Shackles Away: The Theatre in Łódź in November 1918
Autorzy:
Kuligowska-Korzeniewska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/30025402.pdf
Data publikacji:
2018-10-01
Wydawca:
Polska Akademia Nauk. Instytut Sztuki PAN
Tematy:
Eros i Psyche
Jerzy Żuławski
rewolucja 1905
Łódź
historia teatru polskiego
Eros and Psyche
revolution of 1905
Polish theatre history
Opis:
Nowy sezon 1918/1919 Teatr Polski w Łodzi pod dyrekcją Franciszka Rychłowskiego otworzył 9 listopada sztuką Jerzego Żuławskiego Eros i Psyche. Napisana w 1903, a w Łodzi grana uprzednio w dniach antyrosyjskiej i socjalistycznej rewolucji 1905, teraz, w chwili narodzin Polski niepodległej brzmiała wyjątkowo aktualnie. Metafora Psyche – królewny, uwięzionej przez złego króla, którego pokonuje i zabija, własną wolą i mocą uwalniając się z kajdan i więzienia – okazała się nośna i dla publiczności, i dla krytyka, piszącego o przebudzeniu „do nowego, wolnego życia”.
The Polski Theatre in Łódź headed by Franciszek Rychłowski opened the new 1918/1919 season with a production of ’Eros i Psyche’ (Eros and Psyche) by Jerzy Żuławski. The play, written in 1903 and performed in Łódź during the anti-Russian socialist revolution of 1905, took on new relevance as Poland regained independence. The metaphor of Psyche, a princess imprisoned by an evil king whom she then defeated and killed, freeing herself from her shackles thanks to her steadfastness and willpower, resonated with both the audience and one of the critics, who wrote about waking up “to a new, free life.”
Źródło:
Pamiętnik Teatralny; 2018, 67, 3; 137-145
0031-0522
2658-2899
Pojawia się w:
Pamiętnik Teatralny
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-10 z 36

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