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    Wyświetlanie 1-11 z 11
    Tytuł:
    Motyw szaleństwa w opowiadaniach Brunona Schulza. Studium psychologiczno-literackie
    Motive of Madenss in Schulz’s Short Stories. A Psychological-Literary Study
    Autorzy:
    Sienkiewicz, Barbara
    Sienkiewicz-Wilowska, Julia
    Powiązania:
    https://bibliotekanauki.pl/articles/1533372.pdf
    Data publikacji:
    2013-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Dionysus
    modernity
    life drive
    premodernity
    organic society
    madness
    Opis:
    Representation of various modes, forms, symptoms and degrees of mental illnesses, frequent in The Street of Crocodiles, are analysed in two perspectives: psychological and literary-cultural. Using the tools of modern psychology, the article interprets the pathological symptoms of Touya, Maria, aunt Agatha, and various other characters, most importantly the advancing illness of father Joseph, who displays symptoms of schizophrenia. Schulz uses a language filled with metaphors, blurring the border between symptoms of illness and metaphors, between the imaginary and the real, and between health and illness, norm and pathology, between the human and the animal. Schulz’s representation of madness opposes the modern understanding, which is dominated by analytical, rationalist identification of an illness, related to a socially determined norm of mental health. It brings back the premodern quality to madness, which becomes a divine phenomenon, related to the pagan rite of fertility, to the “orgy of life” and Dionysian element, and to Freudian life drive. Dionysius and Freud meet in an area independent from the rules of culture and reason: the return to nature, including the nature in a human being. Here, madness becomes a “basic figure” and “the ultimate ur-schema”, as they belong to the unintellectual, basic, ecstatic sphere. This is related to the imperative of penetration of areas that threaten the “balance of the soul”, to address the topic that shows “the scar of removal”, and forces us to ask the question of limits of humanity.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2013, 22; 175-196
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The House of Aion in Nea Paphos: seat of an artistic synodos?
    Autorzy:
    Jastrzębowska, Elżbieta
    Powiązania:
    https://bibliotekanauki.pl/articles/2033315.pdf
    Data publikacji:
    2021-12-31
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    triclinium
    mosaics
    paintings
    Dionysus
    Apollo
    Muses
    theater
    associations
    Opis:
    The article presents some archaeological observations based on recent publications and the author’s survey in situ of the so-called “House of Aion” at Nea Paphos in Cyprus. The archaeological context (coins and pottery) dates the last phase of this building to the 320s, its partial destruction to the earthquake of 332/342, and its final annihilation by another quake to 365. The much-discussed mosaic with mythological decoration in the triclinium and the newly analyzed wall paintings in one of the rooms (No. 7), preserving the figures of Apollo and three of the Muses, are typical decorative elements of late antique Roman elite houses. And yet, the layout of the building, the triclinium located at the entrance to the house, and the presence of two rooms with a wooden floor, laid over an earlier water cistern converted into a cellar, possibly a treasury, suggest that the function of the complex was not residential at all. Indeed, the close proximity of the “Villa of Theseus”, which was rebuilt in the same period and converted into the praetorium of the governor of the island in the first half of the 4th century, suggests that the so-called “House of Aion” could have been the seat of a Roman association, probably a synodos of Dionysiac artists (ex-technitai) who presented themselves in the theater of Paphos. Therefore, it would be better to call this building the Synodeion of Late Roman Cyprus.
    Źródło:
    Polish Archaeology in the Mediterranean; 2021, 30(2); 339-386
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Umiłowanie samego siebie w myśli Fryderyka Nietzschego
    Love of oneself in Friedrich Nietzsche’s thought
    Autorzy:
    Dżugaj, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/945921.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    antropologia filozoficzna
    Nietzsche
    nadczłowiek
    Dionizos
    philosophical anthropology
    Overman
    Dionysus
    Opis:
    The article focuses on the conception of human in Nietzsche’s thought, especially on his category of self-affirmation. Nietzsche believes that after destruction of traditional values it is possibile to love oneself fully and unconditionally. He is trying to reinstate joy of existence to humans and connect individual will with earthly life (wholeness). The figures of free spirit, Overman and child are the ground to achieve this goal.
    Źródło:
    Internetowy Magazyn Filozoficzny Hybris; 2018, 43, 4; 32-51
    1689-4286
    Pojawia się w:
    Internetowy Magazyn Filozoficzny Hybris
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    On madness without words: gestures in Homer’s poems as a nonverbal means of depicting madness
    Autorzy:
    Chruściak, Ilona
    Powiązania:
    https://bibliotekanauki.pl/articles/1046820.pdf
    Data publikacji:
    2013-12-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Homer
    gestures
    nonverbal behaviour
    Andromache
    suitors
    maenad
    Dionysus
    laughter
    Opis:
    The paper discusses various ways of depicting madness in Homer’s epics based on the example of a scene from the Iliad, in which Andromache is compared to a maenad, as well as the scene concerning the feast of suitors in book XX of the Odyssey. Depicting madness by means of gestures affects the reception of the described scenes by the external and internal epic audience in a very special way. The gestures that are described invoke in the listeners associations related to their own experiences and appeal to particular emotions, whose presence affects the reception of an epic. The gestures and the nonverbal message allude to the Bacchic trance and this raises the question whether Homer and his audience were familiar with the cult of Dionysus.
    Źródło:
    Symbolae Philologorum Posnaniensium Graecae et Latinae; 2013, 23, 2; 5-16
    0302-7384
    Pojawia się w:
    Symbolae Philologorum Posnaniensium Graecae et Latinae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Nowy Dionizos czy syn Posejdona? De(kon)strukcja obrazu Demetriusza Poliorketesa w świetle nowożytnej historiografii
    The New Dionysus or Son of Poseidon? De(con)structing the image of Demetrius Poliorcetes in modern historiography
    Autorzy:
    Zieliński, Tomasz
    Powiązania:
    https://bibliotekanauki.pl/articles/26917518.pdf
    Data publikacji:
    2021-12-31
    Wydawca:
    Uniwersytet Wrocławski. Wydział Nauk Historycznych i Pedagogicznych. Instytut Historyczny
    Tematy:
    Demetrius
    Dionysus
    Poseidon
    horns (iconography)
    Demetriusz
    Dionizos
    Posejdon
    rogi (ikonografia)
    Opis:
    This article is focused on the research of modern historians concerning the importance of Dionysus and Poseidon in Demetrius Poliorcetes’ self-representation. It draws attention to the change of approach adopted by recent studies and the multiple ambiguous interpretations that have been offered.
    Źródło:
    Studia Antiquitatis et Medii Aevi Incohantis; 2021, 6; 27-57
    2544-4379
    Pojawia się w:
    Studia Antiquitatis et Medii Aevi Incohantis
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Nietzsche o “Dionisos crucificado”: A partir de El hombre y lo divino, de María Zambrano
    Autorzy:
    Rodríguez González, Mariano
    Powiązania:
    https://bibliotekanauki.pl/articles/647407.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
    Tematy:
    intellectual honesty
    sacred
    nihilism
    piety
    Dionysus
    honestidad
    sagrado
    nihilismo
    piedad
    Dionisos
    Opis:
    In this paper we examine the reading that the Spanish philosopher María Zambrano will do of Nietzsche’s work, and in particular his influence on the composition of The Man and the Divine, especially in relation to the issues of “God is dead” and “The superman delirium”. Moreover our article takes stock of Nietzsche’s presence in the earlier work of the thinker, finally exposing her interpretation of the “madness” of Nietzsche from the complex symbolic relations that she establishes between Dionysus and Christ. 
    Se examina en este trabajo la lectura que hace la filósofa española María Zambrano de la obra de Friedrich Nietzsche, y en particular su influjo en la redacción de El hombre y lo divinosobre todo en relación con las cuestiones del “Dios ha muerto” y “El delirio del superhombre”. Por otra parte se pasa revista a la presencia nietzscheana en los trabajos anteriores de la pensadora, para terminar con la exposición de su interpretación de la “locura” de Nietzsche a partir de las complejas relaciones simbólicas que establece entre Dionisos y Cristo.  
    Źródło:
    Annales Universitatis Mariae Curie-Sklodowska, sectio I – Philosophia-Sociologia; 2015, 40, 1
    2300-7540
    0137-2025
    Pojawia się w:
    Annales Universitatis Mariae Curie-Sklodowska, sectio I – Philosophia-Sociologia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Platon i wino
    Plato and wine
    Autorzy:
    Jaworska-Wołoszyn, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/496949.pdf
    Data publikacji:
    2017
    Wydawca:
    Akademia im. Jakuba z Paradyża w Gorzowie Wielkopolskim
    Tematy:
    Platon
    wino
    pijaństwo
    lek
    trucizna
    Dionizos
    Plato
    wine
    drunkenness
    medicine
    poison
    Dionysus
    Opis:
    Since time immemorial symposiums were held in the Hellenic Republic that, just like drinking wine, fostered memories of past times and discussions on moral topics. Therefore, it is not a surprise that oinos was appreciated by many authors and the motive of wine itself played a significant role in the Greek literature. Naturally, Plato also could not refuse the gift given to the people by Dionysus and talked about wine in several of his dialogues. Plato's considerations of oinos cover indications of etymological nature, typology of symposiums, as well as the effect the drink has on the attitude and activeness of a human being. They also owe a lot to traditional images and Hellenic medical concepts that play an important role in the thinker's discussion on the subject and commonly present oinos as φάρμακον. Does the Dionysus' heavenly gift deserve the Plato's encomium? This study will make an attempt to answer this question.
    Źródło:
    Język. Religia. Tożsamość; 2017, 1(15); 35-45
    2083-8964
    2544-1701
    Pojawia się w:
    Język. Religia. Tożsamość
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Recepcja mitu o córkach Minyasa w powieści "Frenzy" Percivala Everetta
    Reception of the Myth of Minyas’ Daughters in the Novel “Frenzy” by Percival Everett
    Autorzy:
    Wesołowska, Monika
    Powiązania:
    https://bibliotekanauki.pl/articles/2231022.pdf
    Data publikacji:
    2021-12-28
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    córki Minyasa
    recepcja
    mit
    Dionizos
    Percival Everett
    Minyas’ daughters
    reception
    myth
    Dionysus
    Opis:
    This paper deals with the myth of Minyas’ daughters in the novel Frenzy by Percival Everett, a Distinguished Professor of English at the University of Southern California. He has brought forward a new interpretation of that myth in his book. The main theme is the story of god Dionysus based on Euripides’ Bacchae to which the author adds other mythes. References to Ovid, Aelian and Antoninus Liberalis can also be found.
    Źródło:
    Collectanea Philologica; 2021, 24; 197-202
    1733-0319
    2353-0901
    Pojawia się w:
    Collectanea Philologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wyspa doktora Moreau Herberta George’a Wellsa – rewizja tropów mitologicznych
    H. G. Wellss ‘The Island of Doctor Moreau’ – A Reappraisal of its Mythological Tropes
    Autorzy:
    Ligęza, Adrian
    Powiązania:
    https://bibliotekanauki.pl/articles/27309723.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
    Tematy:
    Herbert George Wells
    The Island of Doctor Moreau
    Daedalus
    Dionysus
    mythopoeia
    Wyspa doktora Moreau
    Dedal
    Dionizos
    mitopeiczność
    Opis:
    Artykuł jest reinterpretacją obecności tropów mitologicznych w Wyspie doktora Moreau H. G. Wellsa. Autor rozpoczyna od przedstawienia spostrzeżeń o dotychczasowych interpretacjach powieści Wellsa. Po zaprezentowaniu kontekstów, w jakich zazwyczaj odczytuje się tę powieść, uwaga skierowana zostaje na omówienie stanowisk badaczy (m.in. Bergonziego, Bowena oraz Haynes), którzy poszukują związków pomiędzy interesującym autora artykułu utworem a mitami. Wśród przywoływanych stanowisk znajdziemy odniesienie m.in. do Kirke, Komosa i Prometeusza. Autor, posiłkując się metodami badawczymi Johna White’a oraz Marie Miguet-Ollagnier – wskazuje miejsca, w których najczęściej występują odniesienia do mitu o Dedalu i Dionizosie. Tym samym poszerza dotychczasowy stan badań o nowe wątki mitologiczne. W konkluzjach autor artykułu zwraca uwagę na potrzebę odczytania utworu Wellsa w kontekście funkcjonowania zauważonych przez niego odniesień mitologicznych w świecie przedstawionym powieści.  
    This article puts forward a reinterpretation of the presence of mythological tropes in H. G. Wells's, “The Island of Doctor Moreau.” Once the various contexts within which the novel tends to be read have been presented, attention is drawn to the interpretative approaches adopted by literary critics, such as Bergonzi, Bowen, Hayes, to name but a few, who search for connections between the author's chosen text and myths. Among the cited interpretations, we will find references to, among others, Circe, Comus and Prometheus.  Availing himself of the research methodology adopted by John White and Marie Miguet-Ollagnier, the author identifies the sections where allusions to the myths pertaining to Daedalus and Dionysus are to be most frequently encountered. At the same time, the author expands on the findings of previous research by highlighting newly-found mythological motifs. In his conclusion, the author of this article highlights the need for Wells's work to be now read against the background of the mythological allusions which he has identified as being present in the world of this novel.
    Źródło:
    Tematy i Konteksty; 2022, 17, 12; 330-348
    2299-8365
    Pojawia się w:
    Tematy i Konteksty
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Chrześcijański Dionizos” – kult św. Tryfona w Kawadarci
    „The Christian Dionysus” – a cult of Saint Tryphon in Kavadarci
    Autorzy:
    Mikołajczak, Aleksander Wojciech
    Dymczyk, Rafał
    Powiązania:
    https://bibliotekanauki.pl/articles/497029.pdf
    Data publikacji:
    2017
    Wydawca:
    Akademia im. Jakuba z Paradyża w Gorzowie Wielkopolskim
    Tematy:
    św. Tryfon
    lenaje
    Dionizos
    Kavadarci
    Macedonia
    Bułgaria
    ludyczność
    prawosławie
    Saint Tryphon
    Lenaia
    Dionysus
    Bulgaria
    the ludic
    Orthodox
    Opis:
    The article deals with the Orthodox cult of Saint Tryphon in the Balkans, focusing mainly on the liturgical and ritual holiday held in Bulgaria on the 1st, and in Macedonia on the 14th of February. The analysis of these cases has been carried out on the basis of the field study conducted in 2016 in Kavadarci and Negotino towns, belonging to the winery region of Tikves. The environment for that research was set by the Greek tradition of celebrating the Dionysus holidays, particularly the Lenaia. All the documentation collected by the authors include the following manifestations of the cult: 1. Liturgy and Orthodox Church rituals, 2. Rituals conducted in the winaries, 3. Ludic forms of Saint Tryphon’s cult. On the basis of this material, it has been attempted to reconstruct the course of the ceremony in the historical, religious and ethnographical aspect. The conclusions drawn from this study make it possible to understand that many Christian elements of the celebration in honor of Dionysus refer to the pagan traditions adjusted to the Orthodox or ritual needs. It proves the longevity of ancient tradition in the contemporary Balkan folklore and also makes it applicable in the comparative research concerning cultural sciences in their broadest scope.
    Źródło:
    Język. Religia. Tożsamość; 2017, 1(15); 175-183
    2083-8964
    2544-1701
    Pojawia się w:
    Język. Religia. Tożsamość
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Reference to the realm of nature in the theoretical reflections and the music of Ludomir Michał Rogowski
    Autorzy:
    Wójtowicz, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/780321.pdf
    Data publikacji:
    2009
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Polish composer
    20th century music
    tonal crisis
    theory of scales
    musical form
    national music
    programme music
    Dionysus
    Dubrovnik
    Opis:
    Besides an abundant musical output, the rich legacy of Ludomir Michał Rogowski (1881-1954) also contains numerous writings, a special place among which is held by Muzyka przyszłości [The music of the future], written in 1919 and published three years later. In this work Rogowski asserted that the possibilities for composing music on the basis of the major, minor and chromatic scales were exhausted. He went on to propose an expansion of the repertoire of scales, giving two criteria for the choice of scales: ‘naturalness’ and ‘rhythmicity’. A ‘natural’ scale is one which can be read from the sequence of fifth steps of the twelve-note chromatic scale in equal temperament. The simplest example is the anhemitonic pentatonic scale. The concept of the renewal of tonal material is central to Muzyka przyszłości, but its author formulates an idea about the rhythmic essence of musical form as well. In his considerations on this subject, he proceeds from the nature-related phenomenon of symmetry. He treats the simplest symmetrical pattern, the ternary form ABA, as an elementary manifestation of rhythm expanded into form. References to nature also occur in Rogowski’s texts on national music. In this context, folk music represents such values connected with nature as simplicity, honesty and freshness; it is devoid of all artificiality or posture, free from all convention. In Rogowski’s musical output, a fascination with nature became a powerful source of inspiration, from which many symphonic works of a programmatic character emerged. The connection with nature and joy of life - the crucial values of Mediterranean culture - are conveyed by the music of Cortege de Dionysos and by the whole of composer’s oeuvre. Rogowski confirmed his belonging to the culture of the South not only with his music. When, in 1926, he left Warsaw for Dubrovnik, he confirmed it also with his life.
    Źródło:
    Interdisciplinary Studies in Musicology; 2009, 8; 81-92
    1734-2406
    Pojawia się w:
    Interdisciplinary Studies in Musicology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-11 z 11

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