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Tytuł:
PSYCHOANALYTIC INTERPRETATION OF THE EDIFICE OF JEWISH MUSEUM IN BERLIN. THE REAL, THE SYMBOLIC AND THE IMAGINARY IN THE URBAN SPACE
Autorzy:
Moćko, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/646687.pdf
Data publikacji:
2012
Wydawca:
Akademia Górniczo-Hutnicza im. Stanisława Staszica w Krakowie
Tematy:
psychoanalysis
deconstruction
architecture
history
Opis:
The aim of the article is the psychoanalytical interpretation of Jewish Museum building in Berlin - the example of deconstractivism in architecture, as well the urban space of Berlin and the history of Germany and the Berlin Jews as manifested in the space of the city. Starting with the notion of anamorphosis, the works by Jacąues Derrida and Peter Eisenman and using Daniel Liebenskind's building of the Jewish Museum as an example, the author of the article shows the connection between deconstructivism and the urban space of Berlin. The em-phasizes the importance of empty spaces, or spaces devoid of something, for both the city space of Berlin, and the Museum's architecture, where the empty space is the space devoid of the Berlin absentees - the Jews. The description refers to formal features of deconstructivist architecture and the features of the museum building while the interpretation is rooted in Lacanian psychoanalysis and his three orders: the Real, the Symbolic and the Imaginary, as well as in his concept of the mirror stage in the development of the human psyche.
Źródło:
Studia Humanistyczne AGH; 2012, 11, 3
2084-3364
Pojawia się w:
Studia Humanistyczne AGH
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wstęp do filozofii Jean-François Lyotarda
Autorzy:
Słomski, Wojciech
Czarnecki, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/2148217.pdf
Data publikacji:
2018
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
Deconstruction
Postmodernism
Post-structuralism
Opis:
There is no doubt that Lyotard’s the most famous achievement is his conception of metanarrative. This concept undermines the credibility of traditional philosophy along with its claim for conceptual clarity, thanks to which we would be able to speak about the world as it “really” appears. Lyotard has pointed out that since the Enlightenment we have lived in an illusion believing in future possibility of coming to fruition of the narrative of the dialectics of Spirit, the emancipation of reason, social progress, etc. While rejecting metanarratives and proposing a limitation to micro-narration instead, Lyotard has established the theoretical foundations of a pluralistic society, seeking solutions of its own problems not by consensus, but by permanent endless disputes. He has presented, in essence, a new image of society as a multiplicity of various subsystems and discourses, none of which can claim to be superior to others. Despite sometimes harsh criticism, there will be only a slight exaggeration in the statement that his concepts have influenced not only the philosophy of the last decades of the 20th century, but indirectly also social reality, since the concept of the pluralistic society is derived directly from the philosophy of modernism. Even if we find that complaints made against Lyotard to be legitimate, we cannot deny that society functioning as Lyotard has desired, would be the society free from the threat of the rebirth of totalitarianism.
Źródło:
Prosopon. Europejskie Studia Społeczno-Humanistyczne; 2018, 4(25); 119-142
1730-0266
Pojawia się w:
Prosopon. Europejskie Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Derrida i Lyotard. Obok siebie
Autorzy:
Słomski, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/2148221.pdf
Data publikacji:
2018
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
Deconstruction
Postmodernism
Post-structuralism
Opis:
The present reflections will be devoted to the philosophies of Jacques Derrida and Jean- François Lyotard. We will attempt here to identify differences and similarities both between these two thinkers, and among the philosophical movements which their deliberations have given rise to. In the beginning, it is obviously necessary to make some terminology standardization, because such terms as “deconstructionism,” “post-structuralism” or “postmodernism” are sometimes used in various meanings, and are often the matter at issue. As a consequence of ambiguity of all these concepts, is the fact that individual authors are included either in post-structuralism or postmodernism, even when they have dissented themselves from belonging precisely to those philosophical currents.
Źródło:
Prosopon. Europejskie Studia Społeczno-Humanistyczne; 2018, 4(25); 147-155
1730-0266
Pojawia się w:
Prosopon. Europejskie Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Derrida. Dekonstrukcja i jej konsekwencje
Autorzy:
Słomski, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/2148223.pdf
Data publikacji:
2018
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
Deconstruction
Postmodernism
Post-structuralism
Opis:
The purpose of deconstruction is not an understanding of the content of the text in the ordinary sense of the word, but to get to the bottom of everything that the text does not speak about explicitly, and thanks to it, it can lay claim to the truth. While speaking of signs which are rooted in metaphysics, Derrida, in fact, means precisely that the accepted tacit assumption that the text tells us something about the world, and that our task while reading the text is to bring out all there is in it that is directly related to real objects. That assumption can be accepted, and it may determine the way of reading the text only while going through a series of rhetorical procedures including the use of hierarchical conceptual oppositions, often possessing the evaluative character, or ignoring certain contents. Remaining outside the discourse and viewing it as a historical product, deconstruction should determine what and why has been relegated in that discourse to the margins and doomed to oblivion. The deconstructed text turns out to be another myth, moreover, the internally contradictory myth because in its innermost layer, which has just been revealed by deconstruction, denying it what it is trying to express itself.
Źródło:
Prosopon. Europejskie Studia Społeczno-Humanistyczne; 2018, 4(25); 175-187
1730-0266
Pojawia się w:
Prosopon. Europejskie Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wstęp do estetyki Derridy i Lyotarda
Autorzy:
Słomski, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/2148218.pdf
Data publikacji:
2018
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
Deconstruction
Postmodernism
Post-structuralism
Opis:
There have been outlined serious discrepancies between philosophies of Derrida and Lyotard on the grounds of deliberations concerning art. Lyotard questions the notion of beauty, demanding a replacement of it with a notion of the sublime, thanks to which artistic creation could also get rid of its constraints. Lyotard argues that beauty is possible thanks to the mimesis of nature, but the mimesis requires observance of the rules. Rejecting the idea of beauty, as a supreme value in art, we reject the necessity of subordinating art to rules, or, in Lyotard’s words, we sacrifice it for the freedom of practical reason.
Źródło:
Prosopon. Europejskie Studia Społeczno-Humanistyczne; 2018, 4(25); 143-145
1730-0266
Pojawia się w:
Prosopon. Europejskie Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Systemy filozoficzne Derridy i Lyotarda
Autorzy:
Słomski, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/2148222.pdf
Data publikacji:
2018
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
Postmodernism
Post-structuralism
Deconstruction
Opis:
Jacques Derrida and Jean-François Lyotard are the creators of a philosophical and cultural movement called postmodernism (Lyotard has also contributed to the popularization of the term “postmodernism”), but it should be remembered that currently the term “postmodernism” refers to the entire spectrum of various ideas, the ideas and texts from various fields, therefore, it is impossible to identify the philosophy of Derrida or the philosophy of Lyotard with the movement in philosophy or, more importantly, the humanities and social sciences, which we now call postmodernism. From today’s perspective, both Derrida and Lyotard belong to a large group of authors whose work constitutes broadly understood postmodernism, but it would be unwarranted to claim that this movement stems directly from their achievements. These philosophers have begun a new way of practicing philosophy and proposed a new point of view, but they did not create concepts that would be widely accepted by philosophers who describe themselves as postmodernists. They also did not raise any disciples or successors who would attempt to develop the concepts outlined by them, although undoubtedly some of their concepts have had a significant impact on both the development of philosophy and the humanities, and social sciences. The concept of Derrida’s deconstruction proved to be the most influential (by that, however, it is necessary to understand the general method of reading texts, but not the collection of Derrida’s views, sometimes referred to as “deconstruction”), and Lyotard’s thesis concerning the end of Grand Narratives. The detailed theses on aesthetic, social, semantic and, finally, political issues are, as it seems, known primarily to philosophy experts.
Źródło:
Prosopon. Europejskie Studia Społeczno-Humanistyczne; 2018, 4(25); 157-173
1730-0266
Pojawia się w:
Prosopon. Europejskie Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O dekonstrukcji
Autorzy:
Słomski, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/2148232.pdf
Data publikacji:
2018
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
Deconstruction
Postmodernism
Post-structuralism
Opis:
From general assumptions concerning the method of reading the text, a series of detailed implications, important both for philosophy and for social, and political reality are drawn by Derrida. One of the binary oppositions, which Derrida submits to deconstruction, is the opposition between literalism and a metaphor. Also, that opposition, according to the French thinker, after a closer examination turns out to be a myth. According to popular belief, the literal meaning of the expression takes precedence over all metaphorical use in the sense that it is the foundation upon which the metaphorical use is built. From this point of view, a metaphor is supposed to be at most an addition and an ornament, and if it is supposed to be used in philosophy, it is only in exceptional circumstances, and to facilitate the understanding of the content that the philosopher tries to explain in any way possible in a language devoid of metaphors. In accordance with the assumptions of deconstruction, Derrida reverses this order and the concept, traditionally considered subservient to its opposition, puts in the first place. First of all, he notices that a metaphor does not belong to the language of philosophy, but to the colloquial language. We could expect that in order to understand the meaning of a metaphor in a philosophical text, we should translate it into a natural language in which we will be able to discover its literal meaning. Derrida believes that the process of reaching that literality we can admittedly begin, i.e., for any philosophical metaphor we can indicate some other term that comes off as literal, however, the term, after a closer analysis, also turns out to be a metaphor for which we need to find another expression that comes off as literal, etc. The difference between a philosophical metaphor and a natural expression comes down to the superficial impression of literalness, while, as a matter of fact, the natural expressions turn out to be old, “worn-out”, as Derrida expresses, metaphors.
Źródło:
Prosopon. Europejskie Studia Społeczno-Humanistyczne; 2018, 4(25); 261-268
1730-0266
Pojawia się w:
Prosopon. Europejskie Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Contexts of phraseological deconstruction
Autorzy:
Ben Amor, Thouraya
Powiązania:
https://bibliotekanauki.pl/articles/606257.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
cotext/context, phraseological deconstruction, referentiality, indexicality
cotexte/contexte
déconstruction phraséologique
référentialité, indexicalité.
Opis:
Das Volume enthält keine Abstracts in deutscher Sprache.
Nous nous proposons d’interroger le rôle du cotexte et/ou du contexte en phraséologie notamment dans le cadre de la déconstruction syntaxique et sémantique. L’interprétation de ces phraséologismes déconstruits révèle la part des facteurs du cotexte et ceux du contexte qui interagissent avec l’unité phraséologique modifiée pour faire sens.
Том не содержит аннотаций на русском языке.
We propose to question the role of the cotext and/or the context in phraseology, especially in the context of syntactic and semantic deconstruction. The interpretation of these deconstructed phraseologisms reveals the part of the cotext factors and those of the context that interact with the modified phraseological unit to make sense.
Źródło:
Lublin Studies in Modern Languages and Literature; 2018, 42, 4
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zwi(ch)nięte koło radykalnohermeneutyczne
Twisted radical-hermeneutic circle
Autorzy:
Szaj, Patryk
Powiązania:
https://bibliotekanauki.pl/articles/1039518.pdf
Data publikacji:
2019-04-16
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
radical hermeneutics
deconstruction
hermeneutic circle
Opis:
The article is an interpretation of the traditional figure of the hermeneutic circle made from the perspective of John D. Caputo’s radical hermeneutics. It begins with a recapitulation of the most important modern positions on the hermeneutic circle, which postmodern hermeneutics radicalizes, noting the impossibility of its closure or fulfillment. Movement in the postmodern hermeneutic circle takes place not between the parts and the whole, but only between the different parts. Thus, one might say that this circle is twisted, and this has a dual meaning. It evokes Jacques Derrida’s interpretation of a phrase from Hamlet, “time is out of joint”, but it also plays with the meaning of the twist, which can be understood as a Verwindung: the impossibility of the transgression beyond modern hermeneutics.
Źródło:
Przestrzenie Teorii; 2018, 30; 231-245
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Hospitalidade pela parusia segundo Derrida
Hospitality for parusia according to Derrida
Autorzy:
Meneses, Ramiro délio Borges de
Głaczyński, Michał
Powiązania:
https://bibliotekanauki.pl/articles/2051060.pdf
Data publikacji:
2020
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
Derrida
Deconstruction
Ethics
Hospitality
parusia
Opis:
The deconstruction is a hearing, a decision and a recitation of the Word. Thus, deconstruction is “opening the word.” We may also assert that deconstruction is a kind of “maieutica “ given that there is a “birth” of the Word. Finally, we describe the “deconstruction” as the host of the host as well as the hospitality of hospitality. It is the “host pure.” Deconstruction is the sovereignty of the Word, is the power of the Word and thus assumed as “hearing the word.” This hearing is the “best part”, as found in the hospitality of Bethany. Thus, deconstruction is “to-come”. Deconstruction is the way of the “to-come” of the Therefore the deconstruction is hospitality and the hospitality is deconstruction, and is founded by the “parusia”.
Źródło:
Humanum. Międzynarodowe Studia Społeczno-Humanistyczne; 2020, 3(38); 47-57
1898-8431
Pojawia się w:
Humanum. Międzynarodowe Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Study of Early Modern Literature (and Insects). A Comment to the Polemics
Autorzy:
Hanusiewicz-Lavallee, Mirosława
Powiązania:
https://bibliotekanauki.pl/articles/1807101.pdf
Data publikacji:
2019-10-23
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
old Polish literature, philology, deconstruction
Opis:
The Polish version of the article was published in “Roczniki Humanistyczne,” vol. 59 (2011), issue 1. The article is the editor-in-chief’s comment to the discussion between Agnieszka Czechowicz and Paweł Bohuszewicz as presented in the current issue of the journal. The author defends philological methods in studying early modern literary texts and expresses her scepticism concerning any methods questioning and negating the fundamental epistemological difference between what is being studied and a researcher himself.
Źródło:
Roczniki Humanistyczne; 2018, 66, 1 Selected Papers in English; 127-131
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Intertekstualna „encyklopedia” Wiktora Jerofiejewa jako refleksja nad istotą rosyjskości
Reflecting on the Essence of Russianness in Intertextual “Encyclopaedia” of Wiktor Jerofiejew
Autorzy:
Biegluk-Leś, Weronika
Powiązania:
https://bibliotekanauki.pl/articles/951601.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
Russian postmodernism
deconstruction
intertextuality
Russianness
Opis:
In his "Encyklopedia duszy rosyjskiej" Wiktor Jerofiejew performs a brutal vivisection of his nation’s cultural memory. The key concepts of history, power, nation, and fatherland gain a new erudite interpretation. Consistent in uncovering totalitarian discourse, Jerofiejew demythologizes opinions and prejudices, deconstructs ideas, concepts and attitudes. While bringing to life the portrait of Russian mentality and their national character, he proposes hierarchy but never accepts taboos. Consequently, "Encyklopedia" does not appeal to popular tastes. It is a multifaceted “miniature gallery”, a bitter diagnosis of the essence of Russianness and the condition of Russian culture.
Źródło:
Białostockie Studia Literaturoznawcze; 2015, 7
2082-9701
2720-0078
Pojawia się w:
Białostockie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O pojęciu „muzycznego postmodernizmu”
On the notion of “musical postmodernism”
Autorzy:
Krajewski, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/521918.pdf
Data publikacji:
2017
Wydawca:
Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku
Tematy:
postmodernism
musical work
definition
deconstruction
Opis:
The usual way of characterising the notion of “musical postmodernism” is set out by the following claims: (1) a postmodern musical work corresponds to the postmodern worldview; the notion in question is closely connected with the etymology of its name (“postmodern” means, in any case, “of an era after a modern one”); (3) the characterisation of the postmodern worldview (and, thus, of a postmodern piece of music) ought to conform to the beliefs of the classics of the postmodern thought; (4) the postmodern repertoire includes mainly the works created after about 1970; (5) the most important features of these compositions are euphony, aleatoric indetermination, polistylistics, and repetitiveness. The notion governed by the claims (1) – (5) is highly unclear and provides little help for understanding musical phenomena. In order to make it more precise, the basis of its definition should be modified and the three following claims accepted: (A) a postmodern musical work is a musical representation of the postmodern worldview; (B) the existing musical repertoire contains some postmodern works; (C) a correct definition of musical postmodernism should enable to qualify at least some of the given composi-tions as postmodern or not. The conditions (A ) – (C) and the analysis of the postmodern worldview seem to suggest that a postmodern musical work is such of a precariously integrated structure. A postmodern work represents the undermining (“deconstruction”) of the crucial idea of the com-posing practice: the piece of music arises from the integration of sounds, not of a simple aggregation of them. The musical “deconstruction” can emerge when some of the important portions a work or certain aspects of it exhibit larger degree of integration than the work as a whole. It seems that some compositions by Ives and the final movement of Chopin’s Sonata in B minor Op. 35 are postmodern in the sense pointed above.
Źródło:
Aspekty Muzyki; 2017, 7; 15-32
2082-6044
Pojawia się w:
Aspekty Muzyki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gunkel’s Deconstruction: Between the Fetish and the Need for a Dialectical Renewal
Autorzy:
Chankowski, Stanisław
Powiązania:
https://bibliotekanauki.pl/articles/22769626.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
deconstruction
dialectics
fetish
subject
reflection
Opis:
The purpose of the essay is to critically analyze the influence of J. Derrida’s deconstruction on David J. Gunkel’s book Deconstruction (MIT Press 2021). Gunkel’s handbook is aimed at making deconstruction a tool of critical thinking accessible to non-professionals. It turns out that accomplishing this task comes at the expense of precisely the critical potential of deconstruction itself. Gunkel is well aware that his arguments are sometimes superficial and overlook deeper problems that should be addressed. Such a failure takes the form of a fetishistic denial, which in psychoanalysis is summarized by the formula “I know well, but all the same.” In turn, deconstruction itself, insofar as it is separated from Kant’s transcendental philosophy and Hegel’s dialectics, becomes an academic ideology. Restoring its proper subversive potential can only be done by returning to a philosophy of reflection, in which the thinker himself must ultimately consider his own position as an author and bring it under criticism. This is the path that Gunkel avoids, because he could then no longer be the author of a handbook on deconstruction, rather than someone who practices deconstruction.
Źródło:
Studia Philosophiae Christianae; 2022, 58, 2; 109-128
0585-5470
Pojawia się w:
Studia Philosophiae Christianae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Postmodernistyczne metamorfozy baśni w Polsce
Postmodern Metamorphoses of a Fable in Poland
Autorzy:
Szymborska, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/534935.pdf
Data publikacji:
2018
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
postmodern fable
children studies
deconstruction
intertextuality
Opis:
The author provides reflections upon the influence of postmodern literary tendencies on a fable. Contemporary metamorphoses of a fable are characterised by an attempt at deconstructing the genre, connected with various strategies of intertextual play with literary tradition (autoreflection, metaliterature, metatextuality, intertextuality, astiche, collage, parody etc.). This process is demonstrated on the example of the chosen postmodern fables written by Grzegorz Kasdepke, Marta Guśniowska, Agnieszka Suchowierska.
Źródło:
Śląskie Studia Polonistyczne; 2018, 11, 1; 247-261
2084-0772
2353-0928
Pojawia się w:
Śląskie Studia Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Luther’s ‘Metaphysics’ in Heidegger’s Beiträge
Autorzy:
Armitage, Duane
Powiązania:
https://bibliotekanauki.pl/articles/560027.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Papieski Jana Pawła II w Krakowie
Tematy:
Heidegger
Luther
St. Paul
ontotheology
deconstruction
Opis:
This essay argues that Luther’s “metaphysics” is present in Heidegger’s Beiträge zur Philosophie (Contributions to Philosophy), a text many consider to be Heidegger’s second magnum opus. I argue that Luther’s “metaphysics” is present in Heidegger’s Contributions in primarily two ways: (1) there is a Lutheran structure (of existential categories) that Heidegger appropriated not only in Being and Time, but also much earlier in his lectures on St. Paul from the 1920s, of responding to a call and converting in anxious anticipation toward a futural not-yet (what Heidegger calls “the last god”); and (2) Contributions’ project concerns overcoming metaphysics, which involves first thinking through to metaphysics’ conditions for possibility, which means recognizing the “ironic nature” of beyng via what Heidegger calls “thinking concealment,” the logic of which originates in Luther’s attacks on not only Greek metaphysics, but upon Judaism and the Mosaic law as well.
Źródło:
Theological Research. A Journal of Systematic Theology; 2017, 5
2300-3588
Pojawia się w:
Theological Research. A Journal of Systematic Theology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Zmyślnie wykoncypowana, postmodernistyczna zabawka”. Muzyka Pawła Mykietyna wobec kategorii postmodernizmu i konstruktywizmu na przykładzie III Symfonii na alt i orkiestrę1
“Cleverly Devised, Postmodern Toy”: Paweł Mykietyn’s Music in the Category of Postmodernism and Constructivism on the Example of III Symphony for Alto and Orchestra
Autorzy:
Daniec, Zuzanna
Powiązania:
https://bibliotekanauki.pl/articles/513938.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Paweł Mykietyn
postmodernism
constructivism
deconstruction
intertextuality
Opis:
Works of Paweł Mykietyn belong to the most characteristic trends of Polish contemporary music. His compositional attitude was individualised in the first decade of the 21st century, and today he is recognised as one of the most original Polish composers of the 20th and 21st centuries. Andrzej Chłopecki, when characterizing Mykietyn’s music after the premiere of the composer’s II Symphony, compared this work to a “cleverly devised, postmodern toy”. Also Mykietyn’s next, III Symphony (2011), can be considered in the context of the categories of postmodernism and constructivism. This work manifests the postmodern attitude, but it is also marked by strict, “cleverly devised”, constructivist thinking. Its musical language contains intertextual references to hip-hop and rap music; on the other hand, it includes such typical for Mykietyn measures as “(de)gradation form”, “accelerando form”, “permanent accelerando” and dodecaphony, which can be found while analysing the work. III Symphony can be also interpreted in relation to techniques of deconstruction, including both concept and structure of the composition.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2018, 4(39); 55-78
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Cleverly Devised, Postmodern Toy”: Paweł Mykietyn’s Music in the Category of Postmodernism and Constructivism on the Example of III Symphony for Alto and Orchestra1
Autorzy:
Daniec, Zuzanna
Powiązania:
https://bibliotekanauki.pl/articles/1203411.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Paweł Mykietyn
postmodernism
constructivism
deconstruction
intertextuality
Opis:
Works of Paweł Mykietyn belong to the most characteristic trends of Polish contemporary music. His compositional attitude was individualised in the first decade of the 21st century, and today he is recognised as one of the most original Polish composers of the 20th and 21st centuries. Andrzej Chłopecki, when characterising Mykietyn’s music after the premiere of the composer’s II Symphony, compared this work to a “cleverly devised, postmodern toy”. Also Mykietyn’s next, III Symphony (2011), can be considered in the context of the categories of postmodernism and constructivism. This work manifests the postmodern attitude, but it is also marked by strict, “cleverly devised”, constructivist thinking. Its musical language contains intertextual references to hip-hop and rap music; on the other hand, it includes such typical for Mykietyn measures as “(de)gradation form”, “accelerando form”, “permanent accelerando” and dodecaphony, which can be found while analysing the work. III Symphony can be also interpreted in relation to techniques of deconstruction, including both concept and structure of the composition.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2018, 4(39) Eng; 59-85
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Hospitalidade como desconstrução pela parusia segundo Jacques Derrida
Autorzy:
Borges de Meneses, Ramiro Délio
Powiązania:
https://bibliotekanauki.pl/articles/2151207.pdf
Data publikacji:
2018
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
Derrida
Deconstruction
Ethics
Hospitality
and “parusia”
Opis:
The deconstruction is a hearing, a decision and a recitation of the Word. Thus, deconstruction is “opening the word.” We may also assert that deconstruction is a kind of “maieutica “ given that there is a “birth” of the Word. Finally, we describe the “deconstruction” as the host of the host as well as the hospitality of hospitality. It is the “host pure.” Deconstruction is the sovereignty of the Word, is the power of the Word and thus assumed as “hearing the word.” This hearing is the “best part”, as found in the hospitality of Bethany. Thus, deconstruction is “to-come”. Deconstruction is the way of the “to-come” of the Therefore the deconstruction is hospitality and the hospitality is deconstruction, and is founded by the “parusia”.
Źródło:
Prosopon. Europejskie Studia Społeczno-Humanistyczne; 2018, 2(23); 35-45
1730-0266
Pojawia się w:
Prosopon. Europejskie Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dangerous Liaisons, Necessary Liaisons on the “Alternative” Ways of Reading Old Polish Texts
Autorzy:
Bohuszewicz, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/1807094.pdf
Data publikacji:
2019-10-23
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
interpretation, philology, Deconstruction, hermeneutics, text, osmosis
Opis:
The Polish version of the article was published in “Roczniki Humanistyczne,” vol. 59 (2011), issue 1. The article Dangerous liaisons, necessary liaisons. On the “alternative” ways of reading Old Polish texts is a polemic with Agnieszka Czechowicz’s text Uwagi o przymusach metodologicznych w badaniach literatury staropolskiej (Remarks on methodological compulsion in studies of Old Polish literature), in which so-called “alternative” methods (Deconstruction, gender, etc.) of reading Old Polish texts are criticized on the basis of the assumption that they deform their true image. The present polemic uses a completely different assumption: there is nothing wrong in using methods coming from outside the context of the studied texts, for the works do not have a certain meaning in itself, but only an “osmotic” meaning. Textual “osmosis” is the almost infinite, but also limited by the semantic potential, openness of the text—not only to the contexts that the author foresaw, but also to the contexts that come from the commentator’s culture, and to whose existence the “alternative methods” may draw our attention.
Źródło:
Roczniki Humanistyczne; 2018, 66, 1 Selected Papers in English; 105-125
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A matemática e a desconstrução: segundo Derrida
Autorzy:
Borges de Meneses, Ramiro Délio
Powiązania:
https://bibliotekanauki.pl/articles/2151239.pdf
Data publikacji:
2017
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
Jacques Derrida
deconstruction
Mathematics
method
foundation
Opis:
The deconstruction is present in the field of Mathematics, from Arithmetic to Geometry. Naturally arises as a method and as a foundation. The deconstruction; affects the whole Mathematics as science of abstract quantity. One of the fundamentals of formal mathematics can reside in deconstruction.
Źródło:
Prosopon. Europejskie Studia Społeczno-Humanistyczne; 2017, 4(21); 5-29
1730-0266
Pojawia się w:
Prosopon. Europejskie Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kategorie czasu i formy muzycznej w II Koncercie na wiolonczelę i orkiestrę symfoniczną Pawła Mykietyna
The Categories of Time and Musical Form in Paweł Mykietyn’s Concerto No. 2 for Cello and Symphony Orchestra Lviv
Autorzy:
Kaszubska, Natalia
Powiązania:
https://bibliotekanauki.pl/articles/2189501.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Paweł Mykietyn
Postmodernism
permanent accelerando
deconstruction
Opis:
The paper supplements the research on the latest Paweł Mykietyn's work. It broadens the spectrum of problems related to the technique of deconstruction in his works and allows for a better understanding of the structure of the Concerto No. 2 for cello and symphony orchestra. The main research method is descriptive analysis, bringing Paweł Mykietyn's musical language closer to the harmonic material, textural systems, agogic-metric structures, and the concept of form. The analysis is based on the score of the 2nd Concerto for Cello and Symphony Orchestra, published in 2019 by the PWM Edition in Kraków. The structure of the paper includes: introduction, three paragraphs and a summary. The characteristics of Paweł Mykietyn’s work contained in the introduction will allow the reader to become familiar with stylistic tendencies at various stages of the composer's work. The section devoted to the genesis and reception aims to present the history of the creation of the analysed work, as well as its contexts and resonance. The analytical sketch in the context of the issues of time and form will allow to present selected aspects of the compositional technique.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2022, 3(54); 19-41
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Can the Interdisciplinarity of Cognitive Science Be Saved Through Deconstruction?
Autorzy:
Nowakowski, Przemysław R.
Powiązania:
https://bibliotekanauki.pl/articles/22768857.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
deconstruction
interdisciplinarity
cognitive science
integration
symmetry
Opis:
This paper discusses the resources for deconstruction offered by cognitive science, drawing inspiration from David Gunkel’s work on the topic (Deconstruction, MIT Press 2021). The gesture of deconstruction is seen as having a positive impact on the development of this interdisciplinary field by challenging misleading dichotomies and examining its underlying assumptions, such as the symmetry of integration.
Źródło:
Studia Philosophiae Christianae; 2022, 58, 2; 137-144
0585-5470
Pojawia się w:
Studia Philosophiae Christianae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wdzięczność w przestrzeni znaków. Dialog z dialogiem Bubera i Levinasa
Gratitude Amidst of Signs. Dialogue With the Dialogue of Buber and Levinas
Autorzy:
Szypowski, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/1621980.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego
Tematy:
gratitude
responsibility
dialogue
affirmation
Buber
Levinas
deconstruction
Opis:
I stand for a philosophical writing engaged in an ethical relation with discussed authors. The relation despite its obvious immeasurable value is based on a concrete context of the encounter, performed by a signifier. Gratitude is the phenomenon, which describes properly the ethical relation, for it at once opens the absolute dimension of an unique other and expresses some onthical content of gestures, gifts and signs, which Myself receives from the others. The article criticises Buber’s theory, due to its ignorance of difference, corporeality, linguistic sign, passivity, etc. For that reason I use Derridian concepts, that enhance (but consequently deconstruct) Levinasian principles.
Źródło:
Analiza i Egzystencja; 2017, 37; 61-77
1734-9923
2300-7621
Pojawia się w:
Analiza i Egzystencja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
European borders and identity from the new materialist approach
Autorzy:
Nikiforova, Basia
Powiązania:
https://bibliotekanauki.pl/articles/597771.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
border
deconstruction
identity
immigration
hospitality
new materialism
Opis:
The article deals with the concept of “new materialism“ and tries to explain “how discourses come to matter” and “how matter comes to discourses” [Barad 2003, 2007]. Borders and border regions are particularly revealing places for social research, especially in the present era of growing globalization, growth of the EU and mass immigration. Two opposite, reciprocal processes are open for investigation on the European territory: disappearance and strengthening of borders. Analyses of the Derridian concept of “unconditional hospitality” and the new materialism discourse will provide a possibility to describe identity deconstruction. Jacques Derrida analyzed the limits of the contemporary socialpolitical concepts that have challenged European existence in the recent years. His political philosophy concentrates on what happens when people, excluded from any system of politics or law, present themselves and ask for refuge or justice. After the long years of “deterritorialization”, today we observe such tendency as the process of re-territorialization. The author examines the public European discourse on religion, civilization and race belonging as a mark of European identity deconstruction.
Źródło:
Pogranicze. Studia Społeczne; 2016, 27 cz. 1
1230-2392
Pojawia się w:
Pogranicze. Studia Społeczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-25 z 141

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