Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "DANTE" wg kryterium: Temat

  Lista filtrów
Wyrównaj
Wyświetlanie 1-15 z 46
Tytuł:
Bezsensowne troski
Senseless cares
Insensata cura
Autorzy:
Anuszkiewicz, Zofia
Powiązania:
https://bibliotekanauki.pl/articles/16729628.pdf
Data publikacji:
2022-05-19
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Dante Alighieri
Divina commedia
Paradiso
canto XI
grazia
felicità
compimento
Divine Commedy
Paradise
grace
happiness
fulfillment
Boska komedia
Raj
pieśń XI
łaska
szczęście
spełnienie
Opis:
Artykuł stanowi interpretację początkowych tercyn XI pieśni Raju z Boskiej komedii Dantego. Odautorska refleksja, niezwiązana bezpośrednio z akcją poematu, jest analizowana jako znajdująca się w określonym kontekście – sfery Słońca, miejsca pobytu zbawionych obdarzonych wybitnym umysłem – a następnie jako samodzielny utwór, choć narzędziem interpretacji będzie przede wszystkim konfrontacja z innymi miejscami poematu. Stawiany przez Dantego, dziś nadal aktualny problem, to poszukiwanie przez ludzi uproszczonych dróg do szczęścia i spełnienia.
L’articolo è interpretazione delle iniziali terzine del canto XI del Paradiso della Divina commedia di Dante. La riflessione d’autore, non collegata direttamente alla vicenda del poema, viene analizzata nel suo contesto particolare – la sfera del Sole, il luogo della permanenza dei salvati dotati di menti eccellenti – e in seguito, come una composizione a sé stante, anche se lo strumento dell’interpretazione sarà innanzittutto confronto con le altre parti del poema. Il problema posto da Dante, sempre valido anche oggi, è quello della ricerca da parte degli uomini delle vie-scorciatoie alla felicità e al compimento.
The article is an interpretation of the first stanzas of the XI canto of Paradise in the Divine Commedy of Dante. The authorial reflexion, which is not connected directly to the events in the poem, is been analysed in its particular context  – the sphere of the Sun, a  place of stay of the saved endowed with distinct minds  – and subsequently, as an independent composition, even if the instrument of the interpretation will be first of all a  confrontation with other fragments of the poem. The problem posed by Dante, still valid nowadays, is that of searching simplified roads to happiness and fulfillment.
Źródło:
Fabrica Litterarum Polono-Italica; 2022, 4; 1-8
2658-185X
Pojawia się w:
Fabrica Litterarum Polono-Italica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Contro la minaccia della cultura locale. Gli aspetti performativi dell’identità culturale in mPalermu e ne La Carnezzeria di Emma Dante
Against the Menace of the Local Culture. Performative Aspects of Cultural Identity in mPalermu and Carnezzeria by Emma Dante
Autorzy:
Bal, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/446662.pdf
Data publikacji:
2019-11-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
localness
cultural identity
dialect theatre
Emma Dante
performativity
località
identità culturale
teatro dialettale
performativo
Opis:
Taking into account important changes that have taken place in the last 20 years in the fields of performance studies and cultural studies (especially de- and post-colonial studies) regarding the way in which local cultures and ethnicity are represented in the theatre and interpreted in the humanities, this article revises the ways of presenting local cultures in the Italian dialect theatre of the last decade. This analysis shows how a hegemonic (at least until recently) dramatic model developed by Eduardo de Filippo and based on producing nostalgia towards an idealised past of a local culture needs to be critically reformulated, especially from the perspective of a young generation of female artists who work in the field of dialect theatre. To this end, in this article, the author analyses the performing strategies of two of Emma Dante’s plays, mPalermu and Carnezzeria, to prove that localness is not an essentially understood characteristic of a certain community, but, rather, it should be seen as a complex performative, repetitive practice that is both bodily and discursive. Conversely, the author points out that these practices should be examined in depth and seen as a kind of cultural oppression that serves as a camouflage of some deeper imprinted relationships based on violence and domination. The examples of Emma Dante’s plays from the beginning of her career allow the author to also cast a critical gaze at an issue of primordialism, raised by Arjun Appadurai and seen as a way of viewing the Other. The latter reflects a voyeuristic pleasure of the Western world, coming from the sense of dominance over allegedly underdeveloped and primitive cultures. Emma Dante’s theatre, according to the author of this article, is an example of de-colonial artistic practice, as it subversively uses the voyeuristic inclinations of the viewer to denounce the violent character of local Sicilian scripts of behaviour that, until now, had usually been left unsaid in public debate.
Prendendo in considerazione i cambiamenti avvenuti negli ultimi 20 anni nel campo degli studi sulla performance e sulle rappresentazioni delle culture locali ed etniche e le metodologie elaborate nel campo degli studi de- e post -coloniali, Ewa Bal propone di rivedere le principali strategie di rappresentazione delle culture locali nel teatro dialettale italiano dell’ultimo decennio. Parte dunque dal presupposto che il modello drammaturgico elaborato da Eduardo de Filippo sia rimasto a lungo egemonico nel contesto teatrale italiano: specie nella maniera in cui produceva la nostalgia di un passato idealizzato della cultura dialettale. Questo modello, secondo l’autrice, va invece rivisto mettendo al suo confronto le artiste più recenti del teatro dialettale, che concettualizzano la cultura locale in maniera differente e propongono nuove strategie drammaturgiche. Bal analizza quindi le strategie performative di due opere di Emma Dante mPalermu e Carnezzeria per dimostrare che la cosiddetta identità culturale locale non è affatto una caratteristica essenziale (o “naturale”) di una certa comunità, ma piuttosto un insieme di pratiche discorsivo-corporali ripetibili che a forza di ripetersi diventano “naturali”. Vanno quindi viste piuttosto come una specie di minaccia o stigma culturale, che serve da camuffaggio alle più profonde relazioni di dominazione e violenza tra uomini e donne. Analizzando due esempi di spettacoli di Emma Dante risalenti agli inizi della sua carriera artistica, Bal guarda criticamente alla nozione del “primordialismo” sollevata da Arjun Appadurai e interpretata da lui come uno dei modi di rappresentare l’Altro che soddisfa lo sguardo patriarcale del mondo Occidentale nei confronti delle culture apparentemente meno avanzate o primordiali. Gli spettacoli di Emma Dante sovvertono questo sguardo voyeuristico, usandolo criticamente per denunciare la violenza nascosta sotto gli scenari comportamentali, gestionali e discorsivi della cultura locale siciliana e riportarla alla luce del dibattito pubblico.
Źródło:
Italica Wratislaviensia; 2019, 10.2; 275-288
2084-4514
Pojawia się w:
Italica Wratislaviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dante, l’acqua e l’analisi della coscienza: cosmologia psicosimbolica nella Divina Commedia
Autorzy:
Balducci, Marino Alberto
Powiązania:
https://bibliotekanauki.pl/articles/638263.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Dante, Divine Comedy, cosmology, water, symbolization, psychoanalysis
Opis:
Dante and the Function of Water for an Investigation of the Self. Psychosymbolic Cosmology in the Divine Comedy The famous Epistle to Cangrande written by Dante encourages us to identify the Divine Comedy as an emblematic representation of a psychotherapeutic itinerary. The principal aim of his work is in fact creating a shocking poetic impression for freeing everyone from anxiety and pain, bringing us back to the origin of that eternal joy, which was lost through the Edenic sin, by creating the jail of egoism and the consequential abandon of a global and satisfactory perception of life. Associating itself with the feminine side of the soul and the mystery of the generation of life, the water symbolism in Dante’s poem acquires various meanings and is mainly connected with the malignant or positive rivers, which directly or indirectly indicate the right orientation for going back to the splendid sea of joy: the sea of divine intellect. This last is heaven, and corresponds to a psychic state where we can live together with the vivid memories of all the best we have experienced, learned and discovered during our mortal existence. Hell is a symbol of anguish and despair; here, a psychic emblem of a potential positive transformation is constituted by a little, apparently unimportant brook, which is studied in depth for the first time in this article, revealing the fundamental importance of this emblem, capable of guaranteeing a possible defeat of evil or, more specifically, the transformation of its destructive energy into a positive magic power, which can lead us to the stars. The whole journey of the Divine Comedy appears now more clearly as a symbolic example of ante litteram psychoanalysis.
Źródło:
Romanica Cracoviensia; 2012, 12, 2
2084-3917
Pojawia się w:
Romanica Cracoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nobile e ignobile simbolismo islamico nella 'Divina Commedia'
Noble and ignoble Islamic symbolism in The Divine Commedy
Autorzy:
Balducci, Marino Alberto
Powiązania:
https://bibliotekanauki.pl/articles/1036428.pdf
Data publikacji:
2020-12-20
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
Dante
The Divine Comedy
Jihad
Muhammad
Marco Polo
Riccoldo of Montecroce
Trinity
Opis:
Rozpatrując zagadki "Boskiej Komedii", można przyjąć, że kultura muzułmańska była dobrze znana Dantemu, przede wszystkim poprzez dzieła takie jak "Księga Drabiny Mahometa", "Podróże Marco Polo" czy prace Riccolda z Montecroce. Islam jest uznawany za zagrożenie, a jednak podziwiany w wizji Dantego. Miłość jest postrzegana jako kluczowy element chrześcijaństwa, jest to caritas i obejmuje ona każdy aspekt życia człowieka, utrzymując go w harmonii. Według Dantego Mahomet nie rozumiał tej koncepcji, dlatego stworzył nowy rodzaj wiary. Zgodnie z wizją "Boskiej Komedii" Mahomet znalazł się w piekle, z poczuciem winy z powodu oszustwa. Z kolei w "Raju" Dante wskazuje, że zbawienie jest możliwe również w islamie, gdzie Prawda jest tolerancyjna, braterska i całkowita.
Within the mysteries of 'The Divine Comedy', it seems that the culture of Muslims is well known to Dante, above all thanks to the mediation of works such as the 'Book of Muhammad’s Ladder '(Kitāb al‑miʿrāj), the 'Travels of Marco Polo' and various writings of friar Riccoldo of Montecroce. Islam is considered a danger, yet it is also admired in Dante’s vision, for its scientific height reached in the Middle Ages. Love is the essential concept of the whole message of Christianity: it is caritas, a universal embrace that includes every aspect of man and harmonizes it. Muhammad, despite his original Christian spiritual formation, according to Dante, did not understand the concept of caritas. Therefore, he deceived others and himself, founding a new creed and a different faith, which is by no means superfluous from a Dantean point of view. Indeed, it is useless and dangerous as a heresy, due to its same nature that generates schism and, precisely, war. It is natural, in this sense, that Muhammad finds himself in hell in the vision of The Divine Comedy, grotesquely oppressed by his guilt of fraud, because he has shared the circle of love (the all‑encompassing and Trinitarian perfection of Love) with all the hatred of his anger. However, beyond all the Muslim limits of a culture of submission and the doctrine that arises from it, Dante reveals to us in his 'Paradise' a possible salvation also for Islam (apparently damned); and this for a very subtle yet strong way: the mystical way in its perfect sentimental Truth, which is tolerant, fraternal and inclusive.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2020, 20; 3-30
2081-1853
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ripensare a "Cani di bancata" di Emma Dante. I travestimenti androgini di Mammasantissima
Thinking Back to "Cani di bancata" by Emma Dante. Mammasantissima’s Androgynous Costumes
Autorzy:
Barsotti, Anna
Powiązania:
https://bibliotekanauki.pl/articles/446452.pdf
Data publikacji:
2019-11-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Emma Dante
theatre
Cani di bancata
Sicily
world
teatro
Sicilia
mondo
Opis:
The essay reflects on Emma Dante, the unusual and versatile artist (theatre manager, actress-author, film and opera director). Emma Dante’s story condenses different and apparently conflicting experiences and knowledge (the Academy of Dramatic Arts in Rome, the teachings of Vacis in Turin, the laboratories with Cesare Ronconi) before the foundation of the Sud Costa Occidentale group in Palermo, in 1999, with its subsequent transformations continuing until today. The result is an irregular figure of a “matriarch”, in the fruitful vein of new Sicilian dramaturgy, which takes nourishment from the land of origin but with which she feeds a collective and authorial theatre. This theatre is both dramatic (indeed tragi-comic) and post-dramatic, with European depth, and it is not spared of controversy and criticism, as it is awkward and uncomfortable. The analysis of her performance in Cani di bancata (2006) aims to highlight themes and styles connected to a feminism that goes beyond gender in the strict sense but that is able to become a metaphor of a world and a human diversity that involves and disturbs us through an irreverent gaze.
Il saggio riflette su Emma Dante, artista polivalente (capocomica e attrice-autrice di teatro, attrice e regista di cinema, regista di opere liriche), che costituisce un’eccezione nel panorama italiano in quanto donna di scena e donna di libro. La sua storia condensa esperienze e competenze diverse, apparentemente contrastanti (Accademia d’Arte drammatica a Roma, magistero di Vacis a Torino, laboratori con Cesare Ronconi) prima della fondazione del gruppo Sud Costa Occidentale a Palermo, nel 1999, con le sue successive trasformazioni fino ad oggi. Ne nasce un’anomala figura di “matriarca”, nel filone fecondo della nuova drammaturgia siciliana, che dalla terra d’origine trae succhi ma con i quali alimenta un teatro al tempo stesso collettivo e autoriale; drammatico (anzi tragi- comico) e postdrammatico, di rispondenza europea, non senza suscitare polemiche e attacchi, essendo teatro scomodo e foriero di rischiose autoanalisi. L’esame del suo spettacolo Cani di bancata (2006) intende mettere in luce temi e stili connessi a un femminile che esula dal gender (in senso stretto) ma capace di farne la metafora di un mondo e di una diversità umana che, attraverso uno sguardo complice e dissacrante, ci coinvolge e ci turba.
Źródło:
Italica Wratislaviensia; 2019, 10.2; 289-305
2084-4514
Pojawia się w:
Italica Wratislaviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The article presents attempt of a lecture of a series of similes selected from the Divine Comedy from the functional perspective. It means that we search the illustrative function of the series with respect to the cognitive passage of the protagonist from
Autorzy:
Bartkowiak-Lerch, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/638205.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
movement conceptualization, the Divine Comedy, Dante Alighieri
Opis:
The article presents attempt of a lecture of a series of similes selected from the Divine Comedy from the functional perspective. It means that we search the illustrative function of the series with respect to the cognitive passage of the protagonist from the mediaeval condition of alienatio through that of peregrinatio towards ordo. The condition change is observable in movement conceptualization in the three dantesque kingdoms. The basis for the observation is offered by similes which seem to form a pattern of meaning. After having drawn some conclusions about this function of the similes, we carry out analysis of two Polish translations of the Divine Comedy in order to identify the same characteristics, detected in the original, in those version of the Poem.
Źródło:
Romanica Cracoviensia; 2014, 14, 4
2084-3917
Pojawia się w:
Romanica Cracoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Finding a Reasonable Foundation for Peace
Autorzy:
Bayer, Roberta
Powiązania:
https://bibliotekanauki.pl/articles/507240.pdf
Data publikacji:
2017-03-30
Wydawca:
International Étienne Gilson Society
Tematy:
Dante Alighieri
Mortimer Adler
peace
ancient
medieval
Divine Comedy
Monarchy
De Monarchia
Plato
Aristotle
Thomas Aquinas
right
rights
education
reason
metaphysics
freedom
liberty
politics
Opis:
Can world peace come about through a world federation of governments? Is growing agreement and appreciation for, throughout the world, the doctrine of equal human rights inevitable? Such questions are raised by Mortimer Adler in How to Think about War and Peace. Adler argues in this book that both are possible, and in doing so he argues that the insights of liberal contract thinkers, particularly Immanuel Kant, are essentially true. Kant argues that each person has the capacity to discover within himself the foundation for human rights because they are self-evident. It follows that over time inequalities and prejudices will disappear, and people will gain the freedom to advance the cause of peace. About this account of the possibility of world peace I ask the question: is it indeed reasonable? For if it is reasonable, it is not reasonable for the reasons that would have been advanced by Aristotle or Plato or their medieval followers. In older political philosophy it is agreement about the unchanging truth of things that can bring peace. To seek the unchanging truth of things, philosophical speculation about God and things divine, is the highest human activity. It is that end to which life in this world is directed, and upon which human flourishing depends. Freedom depends upon our openness to unchanging eternal truth, even more than self-evident rights; the exercise of speculative reasoning allows for political discourse and an open society.
Źródło:
Studia Gilsoniana; 2017, 6, 1; 7-30
2300-0066
Pojawia się w:
Studia Gilsoniana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wokół sporu papieża i cesarza o władzę — Marsyliusza z Padwy Defensor pacis
Controversy over the Power Between the Papacy and the Empire in the light of Marsilius’ of Padua Defensor pacis
Autorzy:
Białas, Anna
Powiązania:
https://bibliotekanauki.pl/articles/938469.pdf
Data publikacji:
2010
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Marsilius of Padua
Dante
Ockham
mediaeval political philosophy
Opis:
The most famous medieval controversy over the power and the temporal dominion took place between the papacy and the empire. One of the greatest advocates of the imperial domination was Marsilius of Padua, the author of an original work that demonstrated the advantage of acknowledging the emperor’s superiority over the Pope’s. The Defensor pacis, written between 1319 and 1324, was devoted to the dispute on such sovereignty issues as proving that the Pope should be subordinate to the Emperor, and not vice versa. The Defensor pacis takes issue with numerous arguments and views uttered by the papal camp and uses the appropriate quotations from the Bible and Aristotle to show their weakness and inconsistency. The work comprises three parts. The first part is a description of the ideal system, i.e., an elective monarchy, with the specified role of a ruler and a clear indication of the sovereignty of the people. The second and third parts present a challenge to the arguments of the papal camp (including the famous argument of the “power keys”) and analyze the general situation of the Church, suggesting the necessary reforms. Thus, the whole work becomes a compendium of knowledge on appropriate governance.
Źródło:
Peitho. Examina Antiqua; 2010, 1, 1; 145-159
2082-7539
Pojawia się w:
Peitho. Examina Antiqua
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Numa Łepkowski i historia nieznanej dedykacji Norwida
Numa Łepkowski and the history of Norwid’s unknown dedication
Autorzy:
Cedro, Adam
Powiązania:
https://bibliotekanauki.pl/articles/16729447.pdf
Data publikacji:
2020-05-05
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Norwid
Dante
Boska komedia
Stany Zjednoczone
Numa Łepkowski
August Antoni Jakubowski
herb Topór
Divine Comedy
United States
Topór coat of arms
Opis:
In 2010 in the blog nonsolusblog.wordpress.com information appeared about finding in the collection of the Illinois University Library a copy of the Italian edition of Dante's Divine Comedy that had belonged to Cyprian Norwid. Probably Norwid had this copy in the Berlin prison, and on the basis of it he translated fragments of the Italian masterpiece. On the title page, beside the poet's signature, there is the inscription “Florencja 1846” (Florence 1846). The date is a riddle, as in the light of the present knowledge it does not seem likely that Norwid could be in Italy in that year The dedication in the book (“To N. Łepkowski in remembrance of 1854 in America) has made it possible to establish that its addressee, Numa Łepkowski, was born in Volhynia about 1805, he studied at the Warsaw University, and then he fought in the November Uprising. Together with a large group of Polish veterans (234 people) he was deported to the United States, among others with August Antoni Jakubowski. Until his death (28 May 1887) Łepkowski made his living by playing the guitar: he composed music, gave concerts, but first of all he taught playing this instrument in the most famous New York homes. He was also active in organizations of the Polish community in America, and he took part in the social life of the New York elites. It was probably because of his high social status and extensive relations that Norwid met him. The death of the composer and his rank as a musician was noted in obituaries in several American, and even New Zealand newspapers Under Norwid's signature on the title page of the book there is an imprint of a signet-ring, in which elements of the Topór coat of arms, the poet's family sign, can be recognized. This is an additional premise that allows deciding that the book belonged to the poet's library.
Źródło:
Studia Norwidiana; 2011, 29; 135-156
0860-0562
Pojawia się w:
Studia Norwidiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cerberus and the others. Monsters from the Divine Comedy
Cerber i inni. Potwory w Boskiej komedii
Cerbero e gli altri. I mostri nella Divina Commedia
Autorzy:
Ciseri, Lorenzo Montemagno
Powiązania:
https://bibliotekanauki.pl/articles/27322380.pdf
Data publikacji:
2023-04-24
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
teratology
Dante
monsters in literature
detal w literaturze
lektura detalu
potworność w literaturze
Opis:
W tekście zaprezentowano metodę detalicznej lektury poematu Dantego, czytanego poprzez analizę teratologiczną. Namysł nad opisanymi w dziele wybitnego Włocha potwornościami i potworami pozwala przywrócić Boską komedię współczesności. Czytelnik zauważa znaczenie detalu w procesie poznawania i rozumienia tekstu, co propedeutycznie stanowi doskonały wstęp do poematu, a także uczy określonego sposobu lektury dostrzegającej literackie imponderabilia i poddającej je analizie.
Lorenzo Montemagno Ciseri jest autorem dwóch książek o Dantem, w których analizuje potwory zamieszkujące dantejskie światy. Są to: Mostri: la storia e la storie, (Roma: Carocci editore, 2018) oraz Cerbero e gli altri. I mostri nella Divina Commedia (Roma: Carocci editore, 2021). Przetłumaczone fragmenty pochodzą z książki drugiej, są to odpowiednio: Wprowadzenie (s. 9–15) oraz obszerne partie (od Trzech bestii do Meduzy) piekielnego rozdziału trzeciego: I mostri della Commedia: Inferno (s. 47–61). Całość rozdziału przedstawia się następująco: Trzy bestie, Charon, Minos, Cerber, Erynie (Furie) i Meduza, Minotaur, Centaury, Harpie, Gerion, Skazańcy, Diabły Malebranche’a, Węże i Kakus, Giganci, Lucyfer (s. 47–89). Dantejskie prace Ciseriego nie były dotąd tłumaczone na język polski (prawdopodobnie jest to pierwsza w ogóle translacja tekstu włoskiego badacza).
Źródło:
Forum Poetyki; 2022, 30; 54-73 (eng); 52-73 (pol)
2451-1404
Pojawia się w:
Forum Poetyki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
‘Honor the great poet’. The Józef Ignacy Kraszewski’s contribution to the development of Polish Dante studies
„Uczcijcie nąjwiększego poetę”. Wkład Józefa Ignacego Kraszewskiego w rozwój polskiej dantologii
Autorzy:
De Carlo, Andrea F.
Powiązania:
https://bibliotekanauki.pl/articles/1042007.pdf
Data publikacji:
2019-12-31
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Polska dantologia
Józef Ignacy Kraszewski
Dante Alighieri
Studja nad Komedją Boską
Polish Dante’s studies
Studies on The Divine Comedy
Opis:
The article analyses the Józef Ignacy Kraszewski’s contribution to the development of Dante studies in Poland. It was thanks to his lectures on Dante, held in Krakow and Lviv in 1867, and later published under the title Studies on The Divine Comedy, 1869. The article presents other opinions of Dante scholars of the time and more or less critical reviews of the results of Kraszewski’s research.
Artykuł przedstawia wkład Józefa Ignacego Kraszewskiego w rozwój polskiej dantologii. Działo się to za sprawą lekcji, które Kraszewski prowadził na temat Dantego w Krakowie i Lwowie w 1867 roku, które następnie, w roku 1869, ukazały się drukiem pod tytułem: Studja nad Komedją Boską. W artykule zaprezentowano inne ówczesne opinie badaczy-dantystów oraz mniej lub bardziej krytyczne recenzje wyników badań Kraszewskiego.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2019, 55, 4; 363-381
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dante Alighieri, Vita nuova. Życie nowe, przekład Atanazy Siekierski, opracowanie Anna Pifko, redakcja Wacław Walecki, Collegium Columbinum, Kraków 2017, pp. 228
Autorzy:
De Carlo, Andrea F.
Powiązania:
https://bibliotekanauki.pl/articles/28409324.pdf
Data publikacji:
2017
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
Dante Alighieri
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2017, 8; 269-272
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Il dantismo di Józef Ignacy Kraszewski
Józef Ignacy Kraszewski’s Dantism
Dantyzm Józefa Ignacego Kraszewskiego
Autorzy:
de Carlo, Andrea F.
Powiązania:
https://bibliotekanauki.pl/articles/13133904.pdf
Data publikacji:
2023-01-05
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Kraszewski
Dante
polski dantyzm
dantejskie wątki w literaturze polskiej XIX wieku
Polish Dantism
Dantean threads in the Polish literature of the 19th century
Opis:
Postać i twórczość Dantego Alighieri bardzo wcześnie wzbudziły w Józefie Ignacym Kraszewskim (1812–1887) niesłabnące zainteresowanie oraz wielką pasję, ożywioną głębokim i pełnym czci podziwem. Twórczość Kraszewskiego żywi się motywami dantejskimi zaczerpniętymi z XIX-wiecznej kultury, która była nimi przesiąknięta. Wiek XIX rządzony jest przez wybitną postać Dantego i charakteryzuje się prawdziwym kultem nie tylko dzieła, lecz także osoby poety, często ujmowanej w kluczu politycznym. W narracyjnym i lirycznym dorobku polskiego pisarza silnie wyczuwalna jest pamięć Boskiej Komedii – niewyczerpanego źródła inspiracji, z którym autor prowadzi nieustanny dialog poprzez odniesienia, cytaty, sugestie, przepracowywanie tematów i motywów. Po przyjrzeniu się reminiscencjom Boskiej Komedii rozpoznawalnym w twórczości Kraszewskiego artykuł skupia się na echach pochodzących z pierwszej księgi, w szczególności z pieśni V, i ich relacji ze źródłem. W związku z tym w świetle niezwykłego losu epizodu Paola i Franceski analizowana i kontekstualizowana jest powieść poetycka Paolo. Powieść wenecka (1843) oraz powieść Pod włoskim niebem (1845) Kraszewskiego.
Both, Dante Alighieri’s ouevre and him as a person, ignited a grand, incessant passion and unflinching interest of Józef Ignacy Kraszewski (1812–1887), which was fueled by a deep sense of awe. Kraszewski’s works thrive on Dantean motifs mediated by the 19th-century culture that was saturated with the latter. Dante’s towering persona reigned over the 19th century, the era during which not only his ouevre but also his person were idolised, often by applying a political key to him. The Polish writer’s narrative and lyrical output bears a palpable residuum of the Divine Comedy – an inexhaustible source of inspiration he continually aluded to by references, quotes, suggestions, and reworking of topics and motifs. After scrutinising literary reminescences of the Divine Comedy recognised in Kraszewski’s works, the article proceeds to focus on reverbarations and echoes traced back to the masterpiece’s part one, in particular Inferno V (the fifth song) and their relationship with the source text. The astounding fate that befell Paolo and Francesca creates a context for the analysis of a narrative poem Paolo. Powieść wenecka (‘Paolo. A Venetian Tale’; 1843) and a novel Pod włoskim niebem (‘Under the Sky of Italy’; 1845).
Źródło:
Postscriptum Polonistyczne; 2022, 30, 2; 1-10
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Il regno dei cieli in terra: ispirazioni e motivi del Paradiso dantesco nelle opere dei romantici polacchi
Autorzy:
de Carlo, Andrea F.
Powiązania:
https://bibliotekanauki.pl/articles/2120346.pdf
Data publikacji:
2022
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Dante Alighieri
The Divine Comedy
Polish Romanticism
apocalyptic and millenarian motifs
Paradise
Boska komedia
polski romantyzm
apokaliptyczne i millenarystyczne motywy
Raj
Opis:
Despite the tormented national reality, the faith in the future redemption of Poland and the idea of change and purification gave birth in the works of the Polish romantics to the hope of salvation, of the advent of the divine kingdom on Earth. Undoubtedly an idea contributed to the birth of this optimistic vision, that was the conception of a Poland like the “Christ of the nations”, which took hold in the new mystical atmosphere of the early nineteenth century and which was combined with Christian eschatologism, revolutionary aspirations and hopes for the future redemption of history. The apocalyptic and millenarian motifs present in the Divine Comedy undeniably played a part in strengthening the messianic ideas of the romantics: the present from a fertile ground for evil and chaos, through suffering and destruction, became the privileged moment of expiation that prepared the advent of the city of God. The paper aims to analyze some motifs from Dante’s Paradise which inspired some of the most stunning pages of Polish romantic literature.
Mimo udręczonej rzeczywistości narodowej, wiara w przyszłe odkupienie Polski oraz idea przemiany i oczyszczenia zrodziła w dziełach polskich romantyków nadzieję zbawienia, nadejścia Bożego królestwa na ziemię. Niewątpliwie przyczyniła się do narodzin tej optymistycznej wizji, która zadomowiła się w nowej, mistycznej atmosferze początku XIX wieku, Polski jak „Chrystus narodów”, która łączyła się z chrześcijańskim eschatologizmem, rewolucyjnymi dążeniami i nadziejami na przyszłe odkupienie historii. Apokaliptyczne i millenarystyczne motywy obecne w Boskiej Komedii niewątpliwie przyczyniły się do umocnienia mesjańskich idei romantyków: teraźniejszość jako teren zła i chaosu, poprzez cierpienie i zniszczenie, stała się uprzywilejowanym momentem ekspiacji, przygotowującym nadejście miasta Boga. Artykuł ten ma na celu analizę niektórych motywów z Raju Dantego, które zainspirowały niektóre z piękniejszych stron polskiej literatury romantycznej.
Źródło:
Kwartalnik Neofilologiczny; 2022, 1; 33-44
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le lezioni sulla Divina Commedia di Józef Ignacy Kraszewski e gli inizi della dantistica polacca (1820-1870) 1.
Studies on The Divine Comedy by Józef Ignacy Kraszewski and the Beginnings of Polish Dante Studies (1820–1870)
Autorzy:
De Carlo, Andrea F.
Powiązania:
https://bibliotekanauki.pl/articles/1040474.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Polish Dante studies
Józef Ignacy Kraszewski
Dante Alighieri
Studies on The Divine Comedy
Opis:
The article analyses Józef Ignacy Kraszewski’s contribution to the development of Polish Dante studies – thanks to his lectures on Dante held in Krakow and Lviv in 1867 and later published under the title Studies on The Divine Comedy, 1869. The article presents other opinions of Dante scholars of the time and more or less critical reviews of the results of Kraszewski’s research.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2020, 39; 139-166
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 46

Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies