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    Wyświetlanie 1-9 z 9
    Tytuł:
    Opowieści erotyczno-tanatyczne. O fotografiach Cindy Sherman
    Erotical-thanatical stories: Cindy Sherman’s photography
    Autorzy:
    Siuta, Justyna
    Powiązania:
    https://bibliotekanauki.pl/articles/521164.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
    Tematy:
    Cindy Sherman
    Eros
    Thanatos
    photography theory
    20th century American photography
    identity
    popular culture
    Opis:
    The text covers the coexistence of libido and the death drive in Cindy Sherman’s art. Her photographs show morphing, repulsive bodies. Photography as such is characterised by the two above-mentioned opposite drives: it is a fetish and a trace of the past. The connection between Eros and Thanatos becomes closer in Cindy Sherman’s art.
    Źródło:
    Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura; 2012, 3; 93-102
    2083-7275
    Pojawia się w:
    Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Black heroes and heroines in cinema. Representations of Afro-American identities in the “Blaxploitation” movies
    Autorzy:
    Drozdowicz, Jarema
    Powiązania:
    https://bibliotekanauki.pl/articles/438019.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Blaxploitation
    cinema
    Afro-American identities
    popular culture
    blackness
    Opis:
    The cinematic genre of Blaxploitation is a significant example of how the popular culture influences certain identity patterns. In this case the this relation is being examined on the issue of contemporary Afro-American identities. This paper attempts to answer the question of the mechanism of identity construction in the context of new media, and cinema in particular. Thus the Blaxploitation movies are being regarded here as a phenomenon which is in large extent typical for other identity constructions in the context of a global cultural change occur-ring in the last decades in the West.
    Źródło:
    Journal of Gender and Power; 2014, 2; 59-72
    2391-8187
    Pojawia się w:
    Journal of Gender and Power
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Some preliminary conjunctural thoughts on countercultures
    Autorzy:
    Grossberg, Lawrence
    Powiązania:
    https://bibliotekanauki.pl/articles/438015.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    counterculture
    hegemony
    left
    right
    popular culture
    american modernity
    Opis:
    The article is devoted to analysis of various countercultures aspects. The Author hypothesizes that the forms of contemporary politics are the result of two fundamentally interrelated strategic vectors. First is built upon a politics of ressentiment, setting “ordinary” folks against the socio-cultural elite which constututed to the "new right" movement. Second vector is originated of counterculture of the 1960s. The author states that counterculture exist without a singular identity. It is a space of hybridity and heterogenity. On the other hand counterculture is related to the concept of contemporary ambivalence as well it transforms of affective experience of everyday life. Another feature of counterculture is connected with the conviction that counterculture stands against of dominant culture. Also the author puts counterculture movements against various aspects of new american modernity including reconstruction of the practice of the hegemony, as well as through popular culture and reconstruction of the "left" and "right" idelogy and practice.
    Źródło:
    Journal of Gender and Power; 2014, 1; 13-23
    2391-8187
    Pojawia się w:
    Journal of Gender and Power
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Muzyka soul – geneza, historia, uwarunkowania społeczno-kulturowe oraz rodzaje inspiracji tym stylem w twórczości rodzimej
    Soul music – the origins, history, socio-cultural base and the kinds of soul inspiration in the Polish music
    Autorzy:
    Jaczyński, Michał
    Powiązania:
    https://bibliotekanauki.pl/articles/513904.pdf
    Data publikacji:
    2015-01-01
    Wydawca:
    Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
    Tematy:
    soul music
    popular music
    American culture
    Polish music
    Czesław Niemen
    Opis:
    The theme of this study is a historical reconnaissance of soul music, taking into account the global context, with all the social and historical conditions that accompanied the development of the style. The main aim that the author set himself is to find sources of Polish musicians’ inspirations that can be found in American music from the 60s of the twentieth century. The main section of this paper is an attempt to define soul music and the characteristic of the style in a variety of shots – strictly musical, social, political, historical, racial and the general-culture one. The final chapter undertakes the task of showing the results of analysis of native music in terms of its membership to the style. In this section, a very broad meaning of the term ’soul’ has been assumed, which in this context is merely a reflection of the original phenomenon. The author hopes that this study will contribute to the dissemination of knowledge that soul music – both worldwide and in Poland – is an original and valuable style.
    Źródło:
    Kwartalnik Młodych Muzykologów UJ; 2015, 1(24); 46-69
    2956-4107
    2353-7094
    Pojawia się w:
    Kwartalnik Młodych Muzykologów UJ
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Trading Rationality for Tomatoes: The Consolidation of Anglo-American National Identities in Popular Literary Representations of Italian Culture
    Autorzy:
    Pierini, Francesca
    Powiązania:
    https://bibliotekanauki.pl/articles/888909.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    postcolonial theory
    Italian culture
    Anglo-American popular literature
    Orientalism
    colonial discourse
    Opis:
    In The Rhetoric of Empire (1993), David Spurr analyzes journalistic discourse on the Third World and isolates a nucleus of rhetorical figures around which representations of the colonial and post-colonial other are articulated. In this paper, I will borrow, in particular, three of these rhetorical figures (naturalization, idealization, appropriation) and I will adapt them to the context of contemporary Anglo-American representations of Italian culture in popular literature. I will argue that a substantial number of contemporary works on Italy retains the basic assumption of a world ordered around a dichotomy between modern cultures and pre-modern ones, and makes of this taxonomy the basic spatiotemporal context for its narratives.
    Źródło:
    Anglica. An International Journal of English Studies; 2016, 25/1; 181-197
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Interrogating American Popular Culture
    Autorzy:
    Westerfelhaus, Robert
    Powiązania:
    https://bibliotekanauki.pl/articles/954415.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Warszawski. Katedra Italianistyki. Polskie Towarzystwo Retoryczne
    Tematy:
    American monomyth
    archetypes
    liberal arts
    metaphor
    popular culture
    rhetoric
    YouTube resources
    Opis:
    Rather than relegating the study of rhetoric to the past, and confining it to its traditional analyses of ceremonial, forensic, and political speeches, the author argues that it has much to say to and about contemporary popular culture. Rhetoric enables students to understand how they and their communities are shaped by the economically, culturally, and socially influential products of American popular culture, such as films, television series, and video games. Such knowledge, the author contends, equips students with the media literacy required to make informed decisions when purchasing products, casting a vote, and so on. Some practical advice regarding how to connect rhetorical analyses to American popular culture is provided.
    Źródło:
    Res Rhetorica; 2018, 5, 2; 64-68
    2392-3113
    Pojawia się w:
    Res Rhetorica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    A Tale of Two Americas: The American Dream in Cobra Kai
    Autorzy:
    Ben Mna, Ilias
    Powiązania:
    https://bibliotekanauki.pl/articles/1902793.pdf
    Data publikacji:
    2021
    Wydawca:
    Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
    Tematy:
    success
    American Dream
    merit
    masculinity
    popular culture
    Netflix
    polarization
    meritocracy
    bodies
    Opis:
    Which different conceptions of the so-called “American Dream” are still alive or gaining ground in the increasingly polarized social climate of the United States during the Trump era? I intend to shed light on this question by analyzing the different types of success ethics presented in the highly popular Netflix series Cobra Kai (2018 - present). This will include an investigation into notions of merit and masculinity and how they are intertwined in the principal conflict between the two main characters: the blue-collar Johnny Lawrence and the affluent Daniel LaRusso – both of whom operate their own respective karate schools. I will embed this conflict within a theoretical framework undergirded by Michael Sandel’s observations on contemporary definitions of “meritocracy” and the associated “rhetoric of rising.” In addition, I will lean on George Lakoff’s linguistic concepts of the “strict vs nurturant parent,” and Lauren Berlant’s notion of “cruel optimism.” In doing so, I hope to illuminate the deep-seated workings of competing philosophies on what “it takes to get ahead” in today’s United States. One of my main findings is that Lawrence’s brand of hard-bodied, Reagan-era masculinity is mutually reinforced with LaRusso’s incremental and cosmopolitan approach, thereby perpetuating polarization and antagonism. The fact that both karate teachers are keen to impart their vision on a younger generation is also indicative of how this enmity represents a battle for the “soul of America.” Given ongoing trends toward increasing social, economic, and cultural divides within the U.S., it is of great importance to examine how these developments are negotiated in popular culture. Cobra Kai offers fertile ground for addressing this question.
    Źródło:
    New Horizons in English Studies; 2021, 6; 219-235
    2543-8980
    Pojawia się w:
    New Horizons in English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dildoshops, Gritty, and Bernie’s Mittens: The Framing of American Politics Through Pop Cultural Memes
    Autorzy:
    Wurst, Christina
    Powiązania:
    https://bibliotekanauki.pl/articles/1902821.pdf
    Data publikacji:
    2021
    Wydawca:
    Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
    Tematy:
    memes
    Twitter
    popular culture
    fandom
    American politics
    elections
    Opis:
    An unprecedented number of memes emerged in response to the 2020 U.S. presidential elections. This article offers a thematic analysis of a corpus of memes published on Twitter between November 3, 2020 and January 20 2021 in relation to the U.S. presidential election. By further employing a qualitative discourse analysis and close readings of selected examples, this article explores the stances and intertextual references expressed in the memetic discourse. I illustrate which events users engage with, how they frame them using the elements of American pop culture, and the different functions such memes served for different publics. Central events – such as Donald Trump’s press conference in a Four Seasons Total Landscaping parking lot, Joe Biden’s victory and rumors about the Russian president Putin resigning – were commented upon both with broad references to widely popular franchises such as Star Wars and with multi-layered intertextual references to iconography of meme culture such as the Hockey mascot Gritty. Memes exaggerated events for comedic purposes, providing relief after a long time of tension, as well as possibly trivializing and distorting public perception of events.  While meme activity peaked on November 6th and 7th, a singular viral meme of Bernie Sanders emerged after Joe Biden’s inauguration, illustrating a different genre of meme as a response to a different political situation in which the political figure serves a wide variety of purposes in commenting upon popular culture. Such memes served to establish a sense of community, agency, and catharsis after the anxieties many Democratic voters experienced prior to the election. These findings present the growing role of popular and fan culture to political discourse on mainstream social media platforms and their varied and highly flexible expression.
    Źródło:
    New Horizons in English Studies; 2021, 6; 111-129
    2543-8980
    Pojawia się w:
    New Horizons in English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dressed for Work: The Sartorial Representations of Working Women in Early 21st-Century American Primetime Dramas
    Autorzy:
    Nodżak, Emilia
    Powiązania:
    https://bibliotekanauki.pl/articles/1911999.pdf
    Data publikacji:
    2021
    Wydawca:
    Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
    Tematy:
    working women
    women's clothing
    occupational identity
    primetime drama
    American popular culture
    Opis:
    The present study is theoretically located in the field of critical feminist studies of the representation of women in the mass media. It discusses the ways in which working women characters construct and express their occupational identity in selected American primetime TV dramas of the early 21st century. The observed strategies, which range from highly restricted self-expression to unbridled sartorial liberty, appear to be heavily correlated with the prestige of the presented occupations and their levels of masculinization/feminization. Moreover, the self-limiting sartorial choices of high-achieving professional women, frequently containing their femininity, result from the competitive nature of prestigious yet traditionally male-gendered occupations. However, it is also pointed out that working women are generally depicted as determined to accentuate the physical aspects of their femininity regardless of the established dress code or traditional gendering of their occupations. Thus, the sartorial choices made by the female characters at the workplace serve in the analyzed TV shows as symbolic manifestations of women’s growing confidence as players on the job market in their own right.
    Źródło:
    New Horizons in English Studies; 2021, 6; 130-145
    2543-8980
    Pojawia się w:
    New Horizons in English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-9 z 9

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