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    Wyświetlanie 1-6 z 6
    Tytuł:
    Pragmatystyczne napięcie w amerykańskiej poezji modernistycznej: przypadek Willliamsa
    Pragmatist Tension in American Modernist Poetry
    Autorzy:
    Bartczak, Kacper
    Powiązania:
    https://bibliotekanauki.pl/articles/1389817.pdf
    Data publikacji:
    2014-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    pragmatism
    modernism
    American modernist poetry
    William Carlos Williams
    pragmatist aesthetics
    John Dewey
    Opis:
    The author of the article focuses on the selected short lyrics by William Carlos Williams and simultaneously draws readers attention the tension, existing in the American modernist poetry, between a modernist postulate of the autonomy of an aesthetic object and the pursuit—resulting from the tradition of American pragmatism—to treat this object as an intelligent commentary to customary activities in the environment of human communities. The author’s point of departure is the thesis by Marjorie Perloff. It claims that for modernist writing absolutely “pivotal” is the separation of the realities of the work from the event taking place in real life. Next, he demonstrates why this division cannot be maintained by such poets as Williams and Stevens. This inability is the result of a complex, non-European, pragmatistic admixture feeding the poetics of both poets. The main focus in the article, however, is placed on Williams.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2014, 24; 43-53
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Gender (według) Georgii O’Keeffe: (cudzy) obraz a (własne) słowo artystki
    Autorzy:
    Frelik, Edyta
    Powiązania:
    https://bibliotekanauki.pl/articles/579201.pdf
    Data publikacji:
    2018
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    Georgia O’Keeffe
    American modernism
    gender stereotypes
    gendered reading
    Opis:
    Gender According to Georgia O’Keeffe: (Others’) Image Against (her) Word
    Źródło:
    Zagadnienia Rodzajów Literackich; 2018, 61, 2(126); 51-62
    0084-4446
    Pojawia się w:
    Zagadnienia Rodzajów Literackich
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Between Suspicion and Love. Reality, Postcritique, and Euro-American Modernization (An Introduction to the Debate)
    Autorzy:
    Mitrano, Mena
    Powiązania:
    https://bibliotekanauki.pl/articles/1008992.pdf
    Data publikacji:
    2020-12-31
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Critique and Postcritique
    Italian Theory
    Modernism
    Modernity
    European-American Relations
    Opis:
    The essay introduces major tenets in the current debate on postcritique, focusing especially on the widespread rejection of symptomatic reading in literary studies and on the rejection of rupture as both a modernist and theoretical model for the conception of the new. Further, it presents theory as a phase of Euro-American modernization. Finally, it outlines a wider, more dynamic concept of critique, understood as a movement of intellectual—and geographical—displacements.
    Źródło:
    Review of International American Studies; 2020, 13, 2; 185-208
    1991-2773
    Pojawia się w:
    Review of International American Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Legacies of Resistance. Emerson, Buddhism, and Richard Wright’s Pragmatist Poetics
    Autorzy:
    Patterson, Anita
    Powiązania:
    https://bibliotekanauki.pl/articles/35192504.pdf
    Data publikacji:
    2023
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    transpacific
    pragmatism
    haiku
    Buddhism
    Richard Wright
    Ralph Waldo Emerson
    modernism
    African American literature
    John Dewey
    T. S. Eliot
    Opis:
    Emerson’s affinity with Buddhism has been the source of much controversy, and his adaptation of the doctrine translated as Buddhist “indifference” has been construed as stifling resistance to social injustice. I will revisit this topic, explaining why Emerson figures so prominently in discussions of Buddhism by the philosopher D. T. Suzuki and the British scholar R. H. Blyth, in order to develop a context for analyzing modes of resistance in Richard Wright’s late haiku-inspired poetry. A central question raised in critical debates is whether or not Wright turns away in these poems from the social and political concerns of his earlier works. I will show that their significance and force as protest poetry is considerably stronger when regarded in light of Wright’s “tough-souled pragmatism” and an Emersonian pragmatist tradition elaborated by scholars such as Cornel West, James Albrecht, and Douglas Anderson, a tradition characterized by East-West intercultural exchange that includes John Dewey and Ralph Ellison. Contextualized and enriched by this tradition, the poem Wright selected out of the 4000 to open his collection, “I am nobody,” can be read as alluding to Ellison’s allusion to Emerson in Invisible Man, protesting what Dr. Martin Luther King Jr. would some years later memorably describe as “a degenerating sense of ‘nobodiness’” in his celebrated “Letter from Birmingham City Jail.” I will conclude with a brief consideration of how Wright’s creative engagement with Buddhism in the work of T. S. Eliot illuminates Emerson’s vastly neglected contribution to the development of high modernism.
    Źródło:
    Review of International American Studies; 2023, 16, 2; 159-176
    1991-2773
    Pojawia się w:
    Review of International American Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Burial Grounds and Dead Lovers: Places of Interment in the Gothic Modernism of the American South
    Autorzy:
    Redding, Arthur
    Powiązania:
    https://bibliotekanauki.pl/articles/632627.pdf
    Data publikacji:
    2017
    Wydawca:
    Projekt Avant
    Tematy:
    Southern Gothic
    corpse bride
    modernism
    American literature
    William Faulkner
    Frances Newman.
    Opis:
    In Cities of the Dead, Joseph Roach speculates that “Modernity itself might be understood as a new way of handling (and thinking about) the dead” (1996: 48). Roach (following Foucault) argues that a whole array of rationalized spatial practices emerged during the Enlightenment designed to enforce policies of segregation and hygiene, demarcating the social and metaphysical lines that were necessary to distinguish black from white, civilization from nature, citizen from foreigner, past from present, reason from supernatural or folk forms of knowing, and-ultimately-living from dead. In this sense, “gothic” romanticism represented the development of a sort of unnatural chiaroscuro effect, whereby such boundaries and lines of distinction became blurred, where dead flesh becomes re-animated, where corpses risen from graves come to contaminate the spaces of the living. In contradistinction to formations that “view the dead as hermetically sealed off from contemporaneous life, quarantined into the past,” gothic cultural productions, as Eric Anderson et al. have argued recently in Undead Souths, reveal “how the dead contain cultural vibrancy in the present” (2015: 2). This essay, rethinking traditional understandings of “Southern Gothic” by emphasizing the world-making power of the dead, explores texts about burial grounds by modernist writers from the American South, William Faulkner’s As I Lay Dying (1930) and Frances Newman’s Dead Lovers are Faithful Lovers (1928). En route, I consider Freudian and other understandings of mourning from a spatial perspective, focusing on variously abortive or failed funereal dramas of interment and burial.
    Źródło:
    Avant; 2017, 8, 2
    2082-6710
    Pojawia się w:
    Avant
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Car Painting in America: Edward Hoppers Vision of the Road
    Autorzy:
    Wylezek-Targosz, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/2076921.pdf
    Data publikacji:
    2021-12-19
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Edward Hopper
    modernism
    paiting
    American Studies
    car culture
    Opis:
    The article presents an analysis of three paintings by one of the greatest American realist painters, Edward Hopper. The three selected works share a common denominator: they all address the concept of a car and the influence it has on the nation’s life—it has altered the way people traveled and expressed their identity. A car in Hopper’s works serves a twofold function, it allows its drivers and passengers to experience the land more as they can travel wherever they desire but, on the other hand, it contributes to a separation from their environment as the journey involves fragmentariness and rootlessness. 
    Źródło:
    Review of International American Studies; 2021, 14, 2; 75-88
    1991-2773
    Pojawia się w:
    Review of International American Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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