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Wyszukujesz frazę "American Literature" wg kryterium: Temat


Tytuł:
Code switching and the so-called “assimilation narrative”
Autorzy:
Vraukó, Tamás
Powiązania:
https://bibliotekanauki.pl/articles/1040279.pdf
Data publikacji:
2018-12-30
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
narrative
assimilation
Hispanic-American literature
Opis:
In literary theory, the works of (ethnic) minority authors–and similarly, the works of authors dealing with minorities–are often referred to as “assimilation narrative.” This term tends to suggest that minority authors, who write in the language of their country, seek a place in society through assimilation. Assimilation, however, means melting up in the majority nation by adopting all the values, customs and way of life characteristic of the majority, and abandoning, leaving behind, giving up the original traditional values, ethics, lifestyle, religion etc. of the minority. Assimilation means disappearing without a trace, continuing life as a new person, with new values, language, a whole set of new cultural assets. In this paper an effort is made to show that this is in fact not what many of the ethnic minority writers look for, so the term assimilation narrative is in many, although certainly not all, the cases, erroneuosly applied. It is justified to make a distinction between assimilation and integration narratives, as the two are not the same. In the paper examples are provided from Hispanic-American literature (Mexican-American, Puerto Rican and Dominican), across a range of genres from prose through drama to poetry, and also, examples are discussed when the author does in fact seek assimilation, as well as stories in which neither assimilation, nor integration is successful.
Źródło:
Linguistics Beyond and Within; 2018, 4; 173-181
2450-5188
Pojawia się w:
Linguistics Beyond and Within
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
MARIA CALLAS W DRAMACIE MARIA CALLAS. LEKCJA ŚPIEWU TERRENCE’A MCNALLY’EGO I W POWIEŚCI WIELKI BAGAROZY HELMUTA KRAUSSERA
Maria Callas in the Drama Master Class by Terrence McNally and in the Novel The Great Bagarozy by Helmut Krausser
Autorzy:
Pilipowicz, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/444658.pdf
Data publikacji:
2011-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
German literature,
American literature,
opera,
Callas,
devil
Opis:
The text deals with Maria Callas and with the connections of art and love, fame, cognisance and death. Callas is shown as a person whose voice builds a space turning the auditors into the characters that are evoked by her singing and made of human emotions. That is the way the people not only meet themselves but also discover some parts of their nature that they could not get known in the real world.
Źródło:
Acta Neophilologica; 2011, XIII; 251-270
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Comparative Literature in Classroom: A Model
Autorzy:
Singh, Ravindra Pratap
Powiązania:
https://bibliotekanauki.pl/articles/699362.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
comparative literature
Dalit literature
African American literature
model
Opis:
Many questions arise in the understanding of texts produced in different locales within the bigger ambit of world literature. It is here that the need arises to apply various modes of enquiry in understanding them. Comparative literature can become a common platform for understanding different cultures and literatures. The present paper is a modest attempt to introduce the concept of comparative literature to a fresh learner and then to evaluate literatures from two different contexts (Dalit and African American) together for practical purposes. A model is proposed for discussing comparative literature in the classroom. Thus, the paper becomes authentic and unique research, bringing theory and practice together.
Źródło:
Journal of Applied Cultural Studies; 2015, 1
2392-0661
Pojawia się w:
Journal of Applied Cultural Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Limitations of Theory: A Response to Ulrich Reichardt’s “Theories of the global, Global Literature, and American Literature in a Globalizing Age”
Autorzy:
Camboni, Marina
Powiązania:
https://bibliotekanauki.pl/articles/625961.pdf
Data publikacji:
2017
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Limitations of theory
globalization
global literature
American literature
Opis:
Marina CamboniDipartimento di Lingue Mediazione Lettere FilosofiaStudi UmanisticiUNIVERSITÀ DEGLI STUDI DI MACERATAThe Limitations of Theory: A Response to Ulrich Reichardt’s “Theories of the global, Global Literature, and American Literature in a Globalizing Age”A Response to Ulrich Reichardt’s “Theories of the global, Global Literature, and American Literature in a Globalizing Age.” (In the present issue of RIAS). Keywords: Limitations of theory, globalization, global literature, American literature
Źródło:
Review of International American Studies; 2017, 10, 1
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Literacki głos pokolenia X? David Foster Wallace wobec popkultury
A Literary Voice of Generation X? David Foster Wallace on Popculture
Autorzy:
Gutowska, Sylwia
Powiązania:
https://bibliotekanauki.pl/articles/545525.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Gdański. Wydział Filologiczny
Tematy:
American literature
postmodernism
popculture
irony
comedy
Opis:
The article treats on the life and work of American postmodern writer David Foster Wallace. The subject is undertaken in context of appearance of his writing in the Polish translation (by Jolanta Kozak). The author aims to present Wallace as a potentially interesting writer in the field of Polish literary studies. Next to describing him as a popcultural phenomenon, she puts stress on matters of the texts themselves, such as postmodern irony and psychological issues, corresponding with the writer’s actual experience.
Źródło:
Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2017, 8; 201-212
2353-4699
Pojawia się w:
Jednak Książki. Gdańskie Czasopismo Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
It is More than a Bunch of Numbers: Trauma, Voicing and Identity in Jennifer Chow’s The 228 Legacy
Autorzy:
Ni, Pi-hua
Powiązania:
https://bibliotekanauki.pl/articles/1196043.pdf
Data publikacji:
2020-12-27
Wydawca:
Uniwersytet Warszawski. Katedra Italianistyki. Polskie Towarzystwo Retoryczne
Tematy:
literatura traumy
diaspora
tajwańsko-amerykańska literatura
azjatycko-amerykańska literatura
trauma fiction
Taiwanese American Literature
Asian American Literature
Opis:
This paper explores how Jennifer Chow’s The 228 Legacy (2013) recaptures the buried hi/stories of the 228 Massacre with a trauma narrative about Silk’s deep-kept secrets. It first delineates the evolution of trauma theory and trauma fiction highlighting the significance of articulating trauma and its relevance in healing, hi/storytelling and identity construction. This demarcation shall frame a critical lens to illustrate how Chow innovates distinct insulated narratives on the protagonists to mimic intergenerational ramifications of trauma in the Lu family, to represent their psychological healing and to express the association between silence-breaking, remembering and identity construction. This critical endeavor will also demonstrate that Silk’ story of survival promises the survival of hi/story. Thus, the novel proper not only portrays the traumatic impact, a nightmarish “legacy,” of 228 but also renders Silk’s trauma narrative as the “legacy” to connect with Taiwanese heritage and construct Taiwanese American identities. Given Chow’s innovative form and unique themes about trauma and Taiwanese American diaspora, the article situates her novel in the emerging Taiwanese American literature, Asian American literature, contemporary American diasporic literature and trauma fiction.
Artykuł omawia powieść Jennifer Chow The 228 Legacy z 2013 r., ukazując związki mało znanej historii masakry 228 z opowieścią o głęboko skrywanych sekretach rodzinnych. Na początku artykułu przedstawiono ewolucję teorii i literatury traumy, wskazując na ich przydatność w procesach godzenia się, utrwalania pamięci i konstruowania tożsamości. Tło teoretyczne pozwala przyjąć analityczny punkt odniesienia w stosunku do tego, jak Chow innowacyjnie łączy pojedyncze wątki narracyjne bohaterów, aby na przykładzie rodziny Lu odzwierciedlić wielopokoleniowy wpływ traumy i przedstawić proces uzdrawiania, oraz pokazuje związki między naruszaniem ciszy wokół traumy, a pamięcią i tożsamością. Analiza wykazuje też, jak historia przetrwania głównej bohaterki – Silk – jest zapowiedzią przetrwania historii społeczności. Powieść nie tylko przypomina koszmar 228, ale także przedstawia traumatyczne doświadczenia jednostek jako element tajwańskiego dziedzictwa kształtującego tożsamości Amerykanów pochodzących z Tajwanu. Przez wzgląd na innowacyjność form narracyjnych powieści Chow, jej dorobek należy uznać za ważny w kontekście literatury azjatycko-amerykańskiej, literatury diasporycznej i literatury traumy.
Źródło:
Res Rhetorica; 2020, 7, 4; 98-113
2392-3113
Pojawia się w:
Res Rhetorica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
From Knight Errant to Exploring Pioneer: The Influence of Medieval Romances on the Depiction of Human and Non-Human Others in John Filson’s “The Adventures of Col. Daniel Boon”
Autorzy:
Magro, Giulia
Powiązania:
https://bibliotekanauki.pl/articles/27177650.pdf
Data publikacji:
2022
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Medievalism
Frontier Narratives
Early American Literature
Ecocriticism
Opis:
This article analyzes, through a comparative approach, a frontier narrative, John Filson’s “The Adventures of Col. Daniel Boon” (1784), in relation to selected medieval chivalric romances from an ecocritical perspective, exploring the way in which medieval patterns have been employed in the American mythopoeic process, especially in relation to the frontier and the wilderness myths. In fact, medievalist narratives have been often employed to justify an anthropocentric, expansionist, and imperialistic agenda with grievous consequences on the way in which Americans engage with nature and with nonhuman species. At the same time, this tendency is often accompanied by an androcentric and ethnocentric rhetoric, contributing to the marginalization from dominant national discourses of significant sections of the population due to their race and gender. For this reason, attention will be also given to how attitudes toward the nonhuman can reflect and bear an impact on those toward other humans. By investigating how narratives develop, evolve, and circulate across time and space, it becomes possible to reveal the harmful logic they carry, and stress the importance of shifting the narrative in the direction of more sustainable intra- and inter-species relations.
Źródło:
Review of International American Studies; 2022, 15, 2; 187-210
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“All-Electric” Narratives: Time-Saving Appliances and Domesticity in American Literature, 1945–2020 by Rachele Dini (A Book Review)
Autorzy:
Mitrano, Mena
Powiązania:
https://bibliotekanauki.pl/articles/2076967.pdf
Data publikacji:
2022-06-15
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Book Review
Rachele Dini
Domesticity
American Literature
Opis:
Filomena Mitrano's review of  Rachele Dini's book “All-Electric” Narratives: Time-Saving Appliances and Domesticity in American Literature, 1945–2020, Bloomsbury, 2022.
Źródło:
Review of International American Studies; 2022, 15, 1; 143-148
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Communality and the Individual in Cormac McCarthy’s The Road
Autorzy:
Tazbir, Jędrzej
Powiązania:
https://bibliotekanauki.pl/articles/653523.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
postapocalypse
hospitality
the other
individual
American literature
Opis:
The subject of the article is the analysis of the notion of communality in the relation between the two protagonists of The Road by Cormac McCarthy. Traversing the post-apocalyptic landscape populated mostly by wretched savages harbouring ill intent towards other human beings, the heroes ostensibly seek a place where establishing a sustainable society composed of the “good guys” can still be possible. However, while for the young son this goal implies the necessity of maintaining a sense of openness and hospitality towards the other, for the father it is the matter of day-to-day survival that takes precedence, which leads to repeated instances of withdrawing help from destitute survivors and avoiding human contact. The boy objects to this behavior, despite being wholly dependent on his father, as his sense of responsibility seems innate and unconditional. The man, on the other hand, gradually recognizes that he was so profoundly afflicted by the experience of losing his world that he cannot overcome his radical pessimism and distrust of the other. Therefore, when the man arrives at the end of his life, he comes to understand that it is only without him at his side that the son can enter a larger community.
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2016, 4, 1
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Figuring Atlantic Legacies: Impossible Archives, Missing Histories, Literary Counter-Memories
Autorzy:
Iuli, Cristina
Powiązania:
https://bibliotekanauki.pl/articles/625959.pdf
Data publikacji:
2017
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
trans-Atlantic
archive
critical memory
American literature
Opis:
Cristina IuliUniversità degli Studi del Piemonte Orientale, Dipartimento di Studi UmanisticiFiguring Atlantic Legacies: Impossible Archives, Missing Histories, Literary Counter-MemoriesAbstract: This paper considers how neo- or trans- Atlantic studies conceives of the Atlantic and its legacies in relation to the idea of the archive, that is, of a body of works related to traces of a trans-Atlantic American past, to its principle of organization and analysis for literary studies, and to the critical descriptions of American Cultures in the context of a long trans-Atlantic network. It addresses how recent works on critical race studies and decoloniality, on performativity and memory and on comparative circum-Atlantic spectrality frame an original way to address how the literary imagination challenges the historical voids produced by modern Western amnesia. Keywords: trans-Atlantic; archive; critical memory; American literature
Źródło:
Review of International American Studies; 2017, 10, 1
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Black No More? The Recent Recognition of Mixed-Race Identity
Autorzy:
Chojnowska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/571990.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Warszawski. Wydział Neofilologii
Tematy:
Mulatto
multiracialism
African American culture
African American literature
passing
Opis:
Artykuł omawia relatywnie niedawną zmianę, jaka zaszła w kategoryzacji tożsamości rasowej w USA. Tradycyjnie postrzegani i identyfikujący się jako podgrupa Afroamerykanów zgodnie z zasadą „jednej kropli krwi”, dawni „Mulaci” zyskali w ciągu ostatnich dziesięcioleci nowe możliwości definiowania swej tożsamości rasowej dzięki teoriom postetniczności i hybrydowości, tożsamości „new mestiza” i wpływom świata latynoskiego. Jednocześnieujawniły się głosy krytyki wobec porzucenia esencjalistycznego postrzegania rasowości. Porównując przeciwstawne stanowiska w tej sprawie, artykuł przedstawia różne możliwości (auto)identyfikacji rasowej w USA.
Źródło:
Acta Philologica; 2014, 45; 78-84
0065-1524
Pojawia się w:
Acta Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Exilic representation and the (dis)embodied self: memory and photography in Yoshiko Uchida’s , autobiography Desert Exile: The Uprooting of a Japanese-American Family
Autorzy:
Jarmołowicz-Dziekońska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/2142714.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
photography
memory
counter-memory
representation
Japanese-American literature
Opis:
Photography and memory seem to be inextricably bound up with each other, as photographs can invoke memories which help to excavate past moments with vivid details. Yoshiko Uchida in her autobiography, Desert Exile: The Uprooting of a Japanese-American Family (1982), delves into her past experiences through the lens of counter-memory, i.e. the memory of the minor and the subjugated. The Japanese-American author strives to recover the past by means of photographic images which—blended into written reminiscences— uncover yet another plane of articulation. Individual memory has enabled the author to chisel her own identity with textual and photographic means of self-expression. Constructing her autobiographical confession, Uchida also draws upon the collective memory of the war internment of the Japanese and Japanese Americans, which inevitably shaped her present self. A set of photographs which accompanies her account testifies that the ocular dimension can be as powerful as the textual one. Each photograph contains a stratum of data which deprives the text of its autonomy and grants it an equal status of signification.
Źródło:
IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych; 2019, 31; 148-171
0860-4487
Pojawia się w:
IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
(Im)Perfect memories in Jacqueline Woodson’s Another Brooklyn
Autorzy:
Łapińska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/2142679.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
memory
childhood
grief
death
loss
African American literature
Opis:
The article entitled “(Im)Perfect Memories in Jacqueline Woodson’s Another Brooklyn” explores the fallibility of memory as presented in Another Brooklyn, a novel by an African American author Jacqueline Woodson. The text presents the idea that personal memories change due to the passage of time along with the new experiences of an individual, and relates it to the studied novel. Special attention is given to different dimensions of grief and loss presented in the analyzed story. The mourning after the loss of loved ones is explored through the use of concepts such as Elizabeth Kübler-Ross’ five stages of grief, the selective amnesia and the idea of continuing bonds. The process of growing up is also briefly considered as a mourning process over losing the innocence and safety provided by childhood. Further, the article presents the hardships of growing up without a mother in an unsafe neighbourhood, the loss of vital friendships and the search of a better life - all introduced through the recollections which occurred after a significant passage of time and the accumulation of experiences which lend themselves to the change of the mindset of the main character.
Źródło:
IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych; 2018, 30/2; 155-165
0860-4487
Pojawia się w:
IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
<i>American Literature in the World: An Anthology from Anne Bradstreet to Octavia Butler</i>, edited by Wai Chee Dimock et al.
Autorzy:
Iuliano, Fiorenzo
Powiązania:
https://bibliotekanauki.pl/articles/626176.pdf
Data publikacji:
2019
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Hemispheric American Studies
Transnational literary studies
American literature in the world
Literary studies
Anthology of American Literature
Global perspective
Wai Chee Dimock
book review
Opis:
A book review of: Wai Chee Dimock, et. al., editors, American Literature in the World: An Anthology from Anne Bradstreet to Octavia Butler. Columbia UP, 2017. 
Źródło:
Review of International American Studies; 2019, 12, 2; 167-174
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Donald Trump and the American Literary Tradition
Autorzy:
Moseley, Merritt
Powiązania:
https://bibliotekanauki.pl/articles/601251.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Trump
American literature
egalitarianism
xenophobia
braggadocio
self-assurance
Transcendentalism
Opis:
Though in many ways the most unusual US president ever elected, both in experience and in character, Donald Trump is not entirely sui generis. This article strives to show that in some respects he is in the American tradition, as evidenced by his continuity with some classic American literary works. Characteristics which Trump shares with the American literary tradition include religiosity; egalitarianism, and its corollaries including anti-expertise, braggadocio, self-assurance and self-reliance; insularity and xenophobia; and American exceptionalism.
Źródło:
New Horizons in English Studies; 2018, 3
2543-8980
Pojawia się w:
New Horizons in English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Atom by Atom, All the World into a New Form”: Ralph Waldo Emerson’s Theory of Reform
Autorzy:
Orlandi, Daphne
Powiązania:
https://bibliotekanauki.pl/articles/35198604.pdf
Data publikacji:
2023
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Transcendentalism
Reform
Ralph Waldo Emerson
Individualism
Dissent
American literature
Opis:
The idea of dissent has often been discussed in association with the works of the Transcendentalists, who greatly influenced the literary and philosophical landscape of the United States in the 19th century. This article aims to shed light on an often-ignored side of Ralph Waldo Emerson who, often described as an aloof thinker, was an adamant dissenter and, more specifically, a conscientious reformer. By focusing on his theory of reform as expressed in a selection of essays devoted to this theme, this paper argues that Emerson’s concept of reform, though primarily directed towards the individual, was also intended to have repercussions in society at large. This dichotomy of individualism and communal effort is analyzed in texts which cover a twenty-year span in Emerson’s life, to demonstrate it is an opposition that must be reevaluated and possibly resolved.  
Źródło:
Review of International American Studies; 2023, 16, 2; 177-193
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Long History of “Doublethink”: A Response to Djelal Kadir’s “Agnotology and the Know-Nothing Party: Then and Now”
Autorzy:
Broncano Rodríguez, Manuel
Powiązania:
https://bibliotekanauki.pl/articles/626119.pdf
Data publikacji:
2017
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
humanities
state control
ignorance
American Literature
World Literature
world culture
American Studies
Comparative Studies
Opis:
Manuel Broncano RodríguezTexas A&M International University  The Long History of “Doublethink”: A Response to Djelal Kadir’s “Agnotology and the Know-Nothing Party: Then and Now” A Response to Djelal Kadir’s “Agnotology and the Know-Nothing Party: Then and Now.” (In the present issue of RIAS). Keywords: humanities, state control, ignorance, American Literature, World Literature, world culture, American Studies, Comparative Studies
Źródło:
Review of International American Studies; 2017, 10, 1
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fabulation et métalepse dans le diptyque Fangirl (2013) et Carry On (2015) de Rainbow Rowell
Fantasy and Metalepsis in Rainbow Rowell’s Diptych “Fangirl” (2013) and “Carry On” (2015)
Autorzy:
Velain, Marion
Powiązania:
https://bibliotekanauki.pl/articles/2056905.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
fabulation
metalepsis
Rainbow Rowell
American literature
fanfiction
métalepse
littérature américaine
Opis:
Dans Fangirl (2013) et Carry On (2015), l’écrivaine américaine Rainbow Rowell brouille les frontières entre la réalité et la fiction, ainsi qu’entre le récits extradiégétiques et intradiégétiques. Cet article vise à apporter un éclairage sur les aspects transgressifs et instables des mondes fictifs de Rowell où les personnages sont capables de passer d’un niveau diégétique à un autre. En plaçant l’histoire enchâssée dans Fangirl à un autre niveau, l’autrice de ce livre pour la jeunesse créé une oeuvre où les frontières n’existent pas. A travers l’expansion des mondes entrelacés, elle bouscule les codes standards et normatifs du temps et de l’espace dans la littérature.
In Fangirl (2013) and Carry On (2015), the American writer Rainbow Rowell blurs the lines between reality and fiction, as well as extradiegetic and intradiegetic narratives. This article aimsto shed light on the transgressive and unstable aspects of Rowell’s fictional worlds where her characters are able to move from one diegetic level to another. By placing the embedded story in Fangirl at another level, the Young Adult author presents a work where borders do not exist. Through the expansion of the intertwined worlds, she jostles the standard and normative codes oftime and space in literature.
Źródło:
Lublin Studies in Modern Languages and Literature; 2020, 44, 4; 127-137
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The many lives of Henry James – biographers, critics and novelists on the Mastere
Autorzy:
Kusek, Robert
Powiązania:
https://bibliotekanauki.pl/articles/638759.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Henry James, identity, life-writing, biographical studies, Zeitgeist, American literature
Opis:
The return of life-writing genres, biographical writing in particular, to the heart of present-day literary practices remains one of the most interesting phenomena in contemporary literature written in English. The article discusses a number of narratives (written by biographers, literary critics and novelists) which have emerged in the last decades and which attempt to present and critically analyse the life of Henry James, the master of American fiction at the turn of the 19th and 20th centuries. The author recapitulates on the major trends in contemporary biographical practices which address the life of Henry James – especially the conclusions reached by biographers and critics associated with Marxism, Deconstruction, Feminism and Queer Theory. Moreover, the article investigates the phenomenon of the nearly simultaneous arrival of several biographical novels about Henry James.
Źródło:
Studia Litteraria Universitatis Iagellonicae Cracoviensis; 2011, 6, 1
2084-3933
Pojawia się w:
Studia Litteraria Universitatis Iagellonicae Cracoviensis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Alterity, First-Person Narratives and Memory in Paul Auster’s Works
Autorzy:
Kochbati, Mehdi
Powiązania:
https://bibliotekanauki.pl/articles/605638.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
autobiography
memory
fiction
autobiographical pact
identity
American literature
Paul Auster
Opis:
Der Band enthält die Abstracts ausschließlich in englischer Sprache.
If the presence of extracts from the life of the author (Paul Auster) allows us to postulate the “autobiographical” project of the memorial writing, others on the contrary confer it with a fictive project. The use of a stratagem of increased self-distancing and the multiple “mise en abyme” of identities leaves us puzzled as to the existence of an autobiographical scheme specific to Auster’s creation. Through the many forms of auctorial disguises, games of duplication, selfreflective mirroring, identity usurpation and handwritten possession, memorial writing integrates the different autobiographies of others. These are transformed into a functionalized or “real” autobiography of a subject who is a narrator, a character and an author.
Le numéro contient uniquement les résumés en anglais.
Том не содержит аннотаций на английском языке.
Źródło:
Lublin Studies in Modern Languages and Literature; 2016, 40, 2
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Perverse Theaters and Refracted Histories: Violence and (Anti)realism in Viet Thanh Nguyen’s The Sympathizer
Autorzy:
Traina, Giacomo
Powiązania:
https://bibliotekanauki.pl/articles/35193838.pdf
Data publikacji:
2023
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Viet Thanh Nguyen
The Sympathizer
Vietnamese American Literature
Vietnam War
Opis:
This paper explores the way in which Viet Thanh Nguyen’s Pulitzer-prize-winning debut novel, The Sympathizer (2015) reframes history by outlining unseen continuities, reimagining the war in Vietnam as a Petri dish for America’s Forever War, as if yesterday’s wars and today’s were one the mirror of the other. The Sympathizer is not about war as much as about war narratives and the power rationales that allow for their unequal dissemination. It tackles the well-rooted idea of the Second Indochina War as a war that defies representation. In this instance, however, aesthetic (un)representability of war is not intended as a philosophical matter as much as a political issue. The question is not “Is the war in Vietnam representable?” as much as “Whose representation of the war in Vietnam gets passed down?” In other words, the issue at hand is not representability but representations. All the cultural artifacts addressing the war’s memory, in Nguyen’s view, are fabrications that convey partial perspectives. A narrative about narratives, The Sympathizer is informed by a logic according to which the only way to expose this state of things is to put together a fiction at once realist and antirealist that with its own existence single-handedly redefines collective memory as “an arena of competing narratives, an uneven field dominated by the memory machines of Hollywood” (Chattarji). By bending the facts, Nguyen brings into question the power circumstances that make misrepresentation possible. 
Źródło:
Review of International American Studies; 2023, 16, 2; 141-158
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
De brújulas y nepantlas: identidad y fronteras en Borges y Anzaldúa
Autorzy:
Barili, Amelia
Powiązania:
https://bibliotekanauki.pl/articles/2087620.pdf
Data publikacji:
2009
Wydawca:
Uniwersytet Warszawski. Wydział Neofilologii
Tematy:
Jorge Luis Borges
Gloria Anzaldúa
identity
Latin American literature
borderlands
Opis:
Al estilo del ensayo de Borges “Kafka y sus precursores”, en este artículo propongo leer a Borges desde/con Anzaldúa y a Anzaldúa desde/con Borges, y reflexionar sobre cómo articulan ellos su identidad desde el margen. Espero poder mostrar que ambos autores, y por extensión chicanos y latinoamericanos comparten perspectivas comunes que pueden ser mutuamente fructíferas en el momento de pensar la cuestión de cómo establecer un nuevo sujeto enunciador que exprese su propia voz, en pie de igualdad, con los discursos dominantes vigentes. En mi análisis relaciono los conceptos de “aleph”, “borderlands” y “nepantla” como espacios fluidos desde los que crear sentido de los múltiples fragmentos e influencias de variada índole que contribuyen a formar nuestra identidad. Propongo que tanto Anzaldúa como Borges ilustran que ese vivir entre culturas, ese “ver doble” (ver desde varias perspectivas simultáneamente) vuelve transparentes los condicionamientos culturales y permite subvertirlos. Ambos ponen énfasis en la experiencia como determinante del contenido de lo literario y –considerando tanto al lector como al escritor como horizontes de recepción y de producción– dan voz a la complejidad de su experiencia de mestizaje cultural.
Źródło:
Itinerarios; 2009, 9; 9-21
1507-7241
Pojawia się w:
Itinerarios
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A Road Course in Early American Literature: Travel and Teaching from Aztlán to Amherst by Thomas Hallock (A Book Review)
Autorzy:
Racine, Nathaniel R.
Powiązania:
https://bibliotekanauki.pl/articles/2076911.pdf
Data publikacji:
2021-12-19
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Book review
Thomas Hallock
Early American Literature
Travel
Teaching
North America
Opis:
Nathaniel R. Racine's review of A Road Course in Early American Literature: Travel and Teaching from Aztlán to Amherst by Thomas Hallock.
Źródło:
Review of International American Studies; 2021, 14, 2; 157-164
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Modes and Moves of Protest
Autorzy:
Paladin, Nicola
Powiązania:
https://bibliotekanauki.pl/articles/626144.pdf
Data publikacji:
2019
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
mobs
crowds
American literature
The Nix
Nathan Hill
mass protest
dissent
Opis:
The role of mass protest has been recurrently central yet controversial in the American culture. Central because American history presents a constellation of significant collective protest movements, very different among them but generally symptomatic of a contrast between the people and the state: from the 1775 Boston Massacre and the 1787 Shays’s Rebellion, to the 1863 Draft Riots, but also considering the 1917 Houston Riot or anti-Vietnam war pacifist protests. Controversial, since despite-or because of-its historical persistence, American mass protest has generated a media bias which labelled mobs and crowds as a disruptive popular expression, thus constructing an opposition-practical and rhetorical-between popular subversive tensions, and the so-called middle class “conservative” and self-preserving struggle.     During the 20th century, this scenario was significantly influenced by 1968. “The sixties [we]re not fictional”, Stephen King claims in Hearts of Atlantis (1999), in fact “they actually happened”, and had a strong impact on the American culture of protest to the point that their legacy has spread into the post 9/11 era manifestations of dissent. Yet, in the light of this evolution, I believe the very perception of protesting crowds has transformed, producing a narrative in which collectivity functions both as “perpetrator” and “victim”, unlike in the traditional dichotomy. Hence, my purpose is to demonstrate the emergence of this new and historically peculiar connotation of crowds and mobs in America as a result of recent reinterpretations of the history and practice of protest in the 1960s, namely re-thinking the tropes of protest movements of those years, and relocating them in contemporary forms of protest. For this reason, I will concentrate on Nathan Hill’s recent novel, The Nix (2016), and focus on the constant dialogue it establishes between the 1968 modes of protest and the Occupy movement.
Źródło:
Review of International American Studies; 2019, 12, 2; 103-118
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Genius, Appropriation and Transnational Collaboration in Ezra Pound’s Cathay
Autorzy:
Vali, Abid
Powiązania:
https://bibliotekanauki.pl/articles/889010.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
American literature
modernist poetry
imagism
Ezra Pound
Cathay
Classical Chinese poetry
Opis:
When we discuss the cross-cultural relationships of Euro-American modernists we often fall between the poles of either celebrating the ‘coming together of traditions’ or suspiciously decrying the power play involved. A case in point is the divergent critical understanding most often posited of Ezra Pound’s relationship to the materials he produced from Ernest Fenollosa’s notes – notably Classical Chinese poetry in the form of Cathay (1915). The first position is Hugh Kenner’s who holds that its meaning, its primary function, was as an anti-WWI volume, rather than as any representation of Chinese poetry or an extension of Imagism (1971, 202–204). In seeming opposition to this vision of an ideal aesthetic come at by the application of genius, we have those who highlight the source material of Fenollosa’s notes to discuss various modes of Pound as translator. Interestingly, these critics, who resist the Kennerian celebration of Poundian genius and insist that Pound is engaged here in an act of translation, “essentially [...] appropriative” (Xie 232), or otherwise, also reinforce a reading whereby “the precise nature of the translator’s authorship remains unformulated, and so the notion of authorial originality continues” (Venuti 6). This is the issue I wish to address when we study the disparities between Fenollosa’s notes and the Cathay poems, i.e. Pound’s own choices with regard to those poems’ content, as a key chapter in the study of transnational collaboration.
Źródło:
Anglica. An International Journal of English Studies; 2018, 27/1; 97-110
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł

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