Autor: Suh, Lynn - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Of the Body and Flesh: The Animals of Romeo Castellucci
Autorzy:: Obarska, Marcelina
Suh, Lynn
Powiązania:: https://bibliotekanauki.pl/articles/2035225.pdf
Data publikacji:: 2020
Wydawca:: Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:: animal
Castellucci
relationality
materialism
post-anthropocentrism
Opis:: The author takes a critical stance against director Romeo Castellucci’s powerful self-narrative. Her skepticism toward Castellucci’s trademark poetic reveals the materialist dimension of his theatre, in light of which such notions as relationality, indiscernibility, simple observation, and giving ground to an animal were revitalized and led to an open, unhampered directorial discourse, in a “thinking-out-loud” style of analysis. The article joins post-anthropocentric thought inspired by Donna Haraway, Jacques Derrida’s gentleness toward animals, and Deleuze’s take on the work of art in all of its relational complexity.
Źródło:: Didaskalia. Gazeta Teatralna; 2020, English Issue 3; 121-143
2720-0043
Pojawia się w:: Didaskalia. Gazeta Teatralna
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Dramaturgy Like a Ghost? A Few Remarks on the Dramaturg and Words in Dance
Autorzy:: Wycisk, Karolina
Suh, Lynn
Powiązania:: https://bibliotekanauki.pl/articles/2035215.pdf
Data publikacji:: 2020
Wydawca:: Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:: dramaturgy
dramaturg
dance
performance
Opis:: The author begins with an observation by André Lepecki concerning the fear of working with a dramaturg. Recalling several concepts that define the role of the dramaturg in dance (Lepecki, Liesbeth Wildschut, Bojana Cvejić, Bojana Bauer, Maaike Bleeker), the author juxtaposes various interpretations of the scope and forms of collaboration with the dramaturg. She reaches the conclusion that although in a professional context, dramaturgy is most of the time associated with project-based work and the freelance economy, the fusion of various functions and the growing significance of the word in dance productions make the presence of the dramaturg increasingly desireable. At the same time, she notes that the viewer’s contribution can also be considered as belonging to dramaturgy, and that the understanding of dramaturgy goes beyond the dichotomy of word/text, and movement/stage interpretation.
Źródło:: Didaskalia. Gazeta Teatralna; 2020, English Issue 3; 68-94
2720-0043
Pojawia się w:: Didaskalia. Gazeta Teatralna
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 3.

Tytuł:: “Are You Very Stupid or Very Intelligent?” : Joanna Szczepkowska and the Embarrassing Performance of Announcing the End of Communism
Autorzy:: Waligóra, Katarzyna
Suh, Lynn
Powiązania:: https://bibliotekanauki.pl/articles/2035208.pdf
Data publikacji:: 2020
Wydawca:: Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:: feminism
embarrassment
Szczepkowska
communism
television news
June 4
Opis:: The article takes a closer look at actress Joanna Szczepkowska’s appearance on Dziennik Telewizyjny [Television Daily] on October 28, 1989 when she famously said: “Ladies and Gentlemen, on 4th June 1989, communism in Poland came to an end.” Waligóra describes how the statement came about, the first responses to it, and how it was preserved in the collective memory. The author also discusses the actress’ public image in 1989 and the effect her public image had on the reception of what she had spoken on television. The author also explains why she sees Szczepkowska’s appearance as an embarrassing female performance – simultaneously emancipatory and eliciting consternation.
Źródło:: Didaskalia. Gazeta Teatralna; 2020, English Issue 3; 37-67
2720-0043
Pojawia się w:: Didaskalia. Gazeta Teatralna
Dostawca treści:: Biblioteka Nauki

Artykuł

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