Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

Wyszukujesz frazę "Stupko-Lubczynska, Anastasiia" wg kryterium: Autor


Wyświetlanie 1-6 z 6
Tytuł:
On the Question of So-called Amun-vases: Observations from the Temple of Hatshepsut at Deir el-Bahari
Autorzy:
Stupko-Lubczyńska, Anastasiia
Powiązania:
https://bibliotekanauki.pl/articles/484181.pdf
Data publikacji:
2015
Wydawca:
Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
Tematy:
New Kingdom Egypt
temple of Hatshepsut
Deir el-Bahari
iconography
Amarnean iconoclasm
‘Amun vases’
Opis:
It is well known that during the post-Amarna period, depictions and texts vandalized in the course of the religious revolution of Akhenaten were restored. On the whole, they were reworked without changes. However, in the case of some elements of the wall decoration, the repaired image differed somewhat from the original one. This is the case of liturgical utensils represented in the offering table scenes in the Chapel of Hatshepsut and Thutmose I, where instead of hes-vases with conical covers so-called Amun-vases were restored. These were hes-vases with ram-headed lids which are known to have been carried in processions heading to the Nile during the New Year celebrations. The paper aims at answering the questions, what was the reason for the destruction of the mentioned cult implements during the Amarna period and why in the course of the post-Amarna repair some of the libation vessels were restored as ‘Amun-vases’.
Źródło:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2015, 28; 159-189
2084-6762
2449-9579
Pojawia się w:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A Third Intermediate Period openwork piece of funerary equipment from the Chapel of Hatshepsut at Deir el-Bahari
Autorzy:
Stupko-Lubczyńska, Anastasiia
Powiązania:
https://bibliotekanauki.pl/articles/1632260.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Deir el-Bahari
Third Intermediate Period
funerary
openwork craft
Hatshepsut
Opis:
A set of wooden figures representing female deities with painted fronts and flat backs was identified in the archaeological material coming from recent excavations in the Chapel of Hatshepsut. The fragments were scattered through the shafts of Third Intermediate Period date. Most probably they had once formed a single piece of funerary equipment from one of the burials. Remains of nine figures were distinguished. These were divided into two groups by size. The smallscale figures had outstretched arms, while the big-scale ones were shown with one arm raised and the other lowered alongside the body. They are presumed to have been attached to a flat wooden background. Both iconographical types are attested in the decoration of mortuary equipment from the New Kingdom on, though no object decorated with the same set of goddesses has been found so far.
Źródło:
Polish Archaeology in the Mediterranean; 2015, 24(2); 169-182
1234-5415
Pojawia się w:
Polish Archaeology in the Mediterranean
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Decorated burial chamber of Meru (TT 240) at North Asasif: some remarks on the layout
Autorzy:
Stupko-Lubczyńska, Anastasiia
Powiązania:
https://bibliotekanauki.pl/articles/1632551.pdf
Data publikacji:
2020-12-19
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Theban Necropolis
North Asasif
Old Kingdom
Middle Kingdom
Sixth Dynasty
Eleventh Dynasty
Mentuhotep II Nebhepetra
burial chamber
sarcophagus
coffin
decoration
offering list
false door
object frieze
Pyramid Texts
“seven sacred oils”
glorification/resurrection/departure spells/texts (sAxw)
Opis:
The paper offers some preliminary considerations concerning the distribution, composition, and orientation of the elements comprising the decoration of the burial chamber of Meru, TT 240. The tomb, situated within the North Asasif slope, dates to the last phase of the reign of Mentuhotep II Nebhepetra. The repertoire of the decorative elements found in Meru’s burial chamber may be traced back to the Old Kingdom, while some peculiarities in their distribution and orientation seem to be a consequence of introduction of the Pyramid Texts, a post-Old Kingdom novelty in the decoration of a non-royal burial space.
Źródło:
Polish Archaeology in the Mediterranean; 2020, 29(2); 207-219
1234-5415
Pojawia się w:
Polish Archaeology in the Mediterranean
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Inscribed pot-stands represented in the Temple of Hatshepsut at Deir el-Bahari
Autorzy:
Stupko-Lubczyńska, Anastasiia
Powiązania:
https://bibliotekanauki.pl/articles/1681587.pdf
Data publikacji:
2019-08-05
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Deir el-Bahari
Temple of Hatshepsut
Main Sanctuary of Amun
relief decoration
pot-stands
dedicatory formula
proscription of Hatshepsut
Amarna erasures
Opis:
On the lateral walls of the Bark Hall in the Main Sanctuary of Amun in the Temple of Hatshepsut, four stands for burning offerings are represented in front of Amun’s bark. Conservation work on the walls of this room uncovered the painted layer. One of the stands preserves traces of an inscription which was erased in ancient times in two phases. The first phase of erasure may be dated to the reign of Tuthmosis III, while the second one was executed during the Amarna period. The paper presents the legible parts of the text, which was a standard dedication formula, along with a reconstruction of the damaged areas
Źródło:
Polish Archaeology in the Mediterranean; 2018, 27(2); 365-374
1234-5415
Pojawia się w:
Polish Archaeology in the Mediterranean
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Inscribed Vessels Represented in the Chapel of Hatshepsut at Deir el-Bahari? Inscribed Vessels Represented in the Chapel of Hatshepsut at Deir el-Bahari?
Autorzy:
Stupko-Lubczyńska, Anastasiia
Powiązania:
https://bibliotekanauki.pl/articles/484188.pdf
Data publikacji:
2014
Wydawca:
Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
Tematy:
iconography
inscribed vessels
offerings
temple of Hatshepsut
Deir el-Bahari
New Kingdom Egypt
Opis:
During documentation of the offering scenes decorating the Chapel of Hatshepsut (the so-called Southern Hall of Offerings) in the mortuary temple of the queen at Deir el-Bahari, on some vessels represented among piled offerings on the upper part of its north wall, deep gouges typical for the iconoclasm of the Amarna period have been observed. Closer examination revealed similar traces of deliberate destruction also on depictions of other pottery forms, recorded on blocks attributed to the scene in question in its eastern section. It is interesting to remark that the described erasures have been noted (with only one exception) exclusively on the north wall of the Chapel, while all the vessels depicted in the corresponding area of the south wall bear no such traces. The aim of the paper is an attempt at reconstructing inscriptions placed on the vessels in question on the basis of similar representations coming from the other parts of Djeser-djeseru, the actual inscribed vessels known from the archaeological context and th depictions of similar artifacts found in some Eighteenth Dynasty tombs of the nobles.
Źródło:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2014, 27; 405-420
2084-6762
2449-9579
Pojawia się w:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
What an artist saw. Tracing the local iconographic tradition for the Temple of Hatshepsut at Deir el-Bahari
Autorzy:
Stupko-Lubczynska, Anastasiia
Powiązania:
https://bibliotekanauki.pl/articles/2033220.pdf
Data publikacji:
2021-12-31
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Deir el-Bahari
Asasif
Hatshepsut
Mentuhotep II Nebhepetra
Theban tombs
visitor’s inscriptions
artists
decoration
friezes of objects
linen
Opis:
An unusual iconographic motif—a fringed piece of linen—depicted in the Chapel of Hatshepsut, part of the queen’s temple at Deir el-Bahari, is examined in this paper as an illustration of the interest, well attested in Hatshepsut’s reign, in past artistic models/sources. The Chapel of Hatshepsut was intended for the mortuary cult of the female pharaoh, while the motif under discussion appears to have been inspired by decoration earlier by 500 years, found inside a burial chamber cut into the rock cliff of North Asasif, which is a natural continuation of the Deir el-Bahari amphitheater. The tomb (TT 311) belonged to Khety, a courtier of the Eleventh Dynasty pharaoh Mentuhotep II Nebhepetra. Assuming the validity of this iconographic link, the question arises concerning the accessibility of decorated burial chambers from the Eleventh-Dynasty in this area and their possible role as “pattern books” in the design of the early Eighteenth Dynasty private and royal mortuary monuments. In addition, the paper addresses the issue of the Chapel of Hatshepsut serving as a monumental “pattern book” for the Late Period Theban tombs.
Źródło:
Polish Archaeology in the Mediterranean; 2021, 30(1); 187-214
1234-5415
Pojawia się w:
Polish Archaeology in the Mediterranean
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-6 z 6

    Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies