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Tytuł:
Dom - ojczyzna w emigracyjnej poezji M. Cwietajewej
Home - Homeland in M. Tsvetaeva’s Emigration Poetry
Autorzy:
Ndiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/973976.pdf
Data publikacji:
2008
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
home
homeland
emigration
metaphor
alienation
poetry
Marina Tsvetaeva
Opis:
Home and its attributes as designata of the homeland in Tsvetaeva’s poetry occur in various pictures. These are among other things: home-reminiscence and home-dream. The first case con- cerns Russia before emigration. The second home is a metaphor of the return. The existence in exile, involving the fact of physical and spiritual alienation, entails the way of perceiving oneself. Tsvetaeva believed in the possibility of finding the way home, but it never arose.
Źródło:
Acta Neophilologica; 2008, X; 139-146
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O tożsamości rosyjskiej literatury emigracyjnej (proza Nadieżdy Teffi)
On the identity of the Russian emigration literature (Nadezhda Teffi’s prose)
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/1832590.pdf
Data publikacji:
2018-12-30
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
N. Teffi
rosyjska emigracja
tożsamość literacka
Russian emigration
literary identity
Opis:
The subject of the analysis is the Nadezhda Teffi (Buczynska, borne Lokhvicka, 1872–1952) journalistic publicatios and the emigration prose. She spent more than thirty years in exile in Paris. The author focuses on the issues of linguistic identity of Russian emigration literature, with particular emphasis on the cultural context. The conducted analysis proves for that the representatives of the first wave of Russian emigration the mother tongue had a great importance. In addition to the communication function, he served two basic functions: information – as a way of creating and disseminating knowledge, values, traditions, etc., and integrating that reflected the emotional attitude to language. That is why Russian emigrants, although they knew foreign languages, mainly French and German, remained faithful to their homeland. At the same time, however, the works of emigrants were saturated with references to foreign languages.
Źródło:
Studia Wschodniosłowiańskie; 2018, 18; 51-63
1642-557X
Pojawia się w:
Studia Wschodniosłowiańskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Misja literatury emigracyjnej („pierwsza fala” emigracji rosyjskiej)
The mission of the emigrants’ literature („the first wave of the Russian emigration)
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/480828.pdf
Data publikacji:
2007-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Russian emigrants’ literature
first wave Russian emigration
literature
Opis:
Since the first years before the post-revolutionary emigration („the first wave”), the problem of the special assignment given by history appeared. Authors of the emigration literature understood its mission differently, however, they did agree on this one point: the principle of artistic freedom is the underlying reason for the emigrants’ literature. Alluding to Nina Berberowa’s wellknown formula, it is not about exile, but about the mission. Spiritual values of the „mission” of the Russian diaspora are becoming a part of the national culture in contemporary times.
Źródło:
Acta Polono-Ruthenica; 2007, 1, XII; 77-93
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Twórczość pisarzy pierwszej fali emigracji rosyjskiej w przekładach Juliana Tuwima
The writers creativeness of the first wave’s Russian emigration in Julian Tuwim’s translations
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/481580.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Y. Tuwim0
Russian emigration in Poland Polish-Russian literary relations emigration essays
literary translation
Opis:
The author pays attention to the Polish-Russian literary contacts after 1917. The subject of critical analysis is the translation heritage of Y. Tuvim – polish poet, writer and translator, participant of the literary club “Little Lodge in Kolomna”, founded in Warsaw by D. Filosofov. Y. Tuwim is better known as the translator of A. Pushkin, V. Mayakovsky by todays readers However, in his rich heritagethere are also works of Russian emigrants: L. Gomolitsky, N. Evreinov, V. Khodasevich.
Źródło:
Acta Polono-Ruthenica; 2017, 3, XXII; 133-143
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Z historii polskich przekładów powieści Doktor Żywago Borysa Pasternaka (na podstawie korespondencji Jerzego Giedroycia i Gustawa Herlinga-Grudzińskiego oraz Jerzego Stempowskiego i Marii Dąbrowskiej)
From the history of the Polish translation of Pasternak’s novel Doctor Zhivago (based on the correspondence of Jerzy Giedroyc and Gustaw Herling-Grudziński and Jerzy Stempowski and Maria Dąbrowska)
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/482075.pdf
Data publikacji:
2018-06-30
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
reception of Russian literature in Poland
literary translation of Boris Pasternak
Doctor Zhivago
Maria Dąbrowska
Gustaw Herling-Grudziński
Jerzy Giedroyc
Jerzy Stempowski
Opis:
This article recalls the circumstances of the first edition of the novel by Boris Pasternak, Doctor Zhivago, in Polish translation, which appeared in 1959 in volume XLIV of the Biblioteka ‟Kultury” series, published by the Paris Literary Institute. Reconstruction of the history of this publishing initiative in the context of the political situation is possible thanks to historical sources preserved in the Paris and Warsaw archives, publications in periodicals, memoirs and epistolary culture. The circumstances in which the typescript was imported to Poland and in which the Literary Institute obtained a license for a Polish translation, the choice of translator, and Jerzy Giedroyc and Gustaw Herling-Grudziński’s correspondence are discussed. An important source of information is the lively correspondence between Maria Dąbrowska and Jerzy Stempowski, the son of a publicist and social activist, and Mason Stanisław Stempowski, a longtime life partner of the writer. The fragments of epistolary culture discussed here allow a better understanding of these outstanding individuals of the twentieth century. The content of the correspondence analyzed also allows us to reconstruct many interesting facts from the field of translating Russian literature into Polish, as well as the complex situation of Polish-Russian relations in the post-war period.
Źródło:
Acta Polono-Ruthenica; 2018, 2, XXIII; 85-96
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mors voluntaria i literatura rosyjska. Samobójstwo jako akt twórczy, społeczny i polityczny
"Mors voluntaria" and Russian literature. Suicide as an creative, social and political act
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/482215.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
suicide
suicidal motif
suicidology
Russian literature
Opis:
Suicide is, for centuries, a subject of particular interest in various fields, including philosophy, psychology and sociology. The author of this paper takes the “suicide and literature”, in order to examine selected examples of Russian literature. The analysis has highlighted the importance of a variety of typological models of suicides in literary works, as well as the determinants of suicidal behavior of Russian writers. Taken considerations include the spiritual, creative, social and socio- political aspects.
Źródło:
Acta Polono-Ruthenica; 2015, 1, XX; 91-102
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kobieta demoniczna Teffi (1872–1952) w przekładzie Juliana Tuwima
Demonic Woman Teffi (1872–1952), translated by Julian Tuwim
Autorzy:
Ndiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/482342.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Teffi (Nadezhda Lochwicka)
Julian Tuvim
demonic woman
literary translation
Russian emigration
Opis:
This article deals with the specifics of the language and the translational difficulties of Teffi (Nadezhda Lochwicka), one of the most recognized figures of pre-revolutionary Russia, poet, columnist and author of humorous stories. The author verifies the thesis essence on the material the novel’s title from the collection Demonic woman and her Polish variant in the translation of Julian Tuwim. Evaluating the choice validity of translator equivalents from the standpoint of the author’s individual style, the ideologicaltheatrical and the stylistic aspects were taken into account.
Źródło:
Acta Polono-Ruthenica; 2017, 2, XXII; 125-133
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Badania nad współczesną dramaturgią rosyjską Walentego Piłata (1946-2022)
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/2141857.pdf
Data publikacji:
2022-06-30
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Walenty Piłat
Russian Dramaturgy
Russian Studies
Opis:
The article presents the profile of the Polish researcher Walenty Piłat – a respected expert in Russian dramaturgy. The literary output devoted to contemporary Russian drama is in the center of attention. Among the rich galaxy of Russian authors, one of the most important places in the literary outout of W. Piłat is occupied by dramatists such as Aleksandr Vampilov, Nikolai Kolada, Ludmila Pietrushevska and others. The author presents the most important publications of W. Piłat, including the monographs: The work of Aleksandr Vampilov. Problems of Poetics (1986), Contemporary Russian dramaturgy. The eighties (1995), On the threshold of the twenty-first century. Sketches on Contemporary Russian Drama (2000).  
Źródło:
Acta Neophilologica; 2022, 2, XXIV; 261-272
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Olsztyńskie badania emigrantologiczne. Historia – stan obecny – perspektywy rozwoju
Olsztyn’s emigration studies. History – current status – devel-opment prospects
Autorzy:
Ndiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/481094.pdf
Data publikacji:
2019-06-30
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
emigrant-related
research emigration
olsztyn
the committe of slavic emigration
the international slavistic committee
Opis:
Olsztyn is an important center of emigrant-related research in Poland. The first works in this field were written at the beginning of the 1990s century. Currently, the results of research concerning the history of emigration literature are presented in the scientific series “The Luminaries of Russian Emigration”, “Theory and Practice of Translation”, “Between Words – Between the Worlds” and the scientific journal “Acta Polono-Ruthenica”.In 2018, at the Institute of Eastern Slavic Studies, UWM initiated a statutory subject Emigran-tion studies. Interpretation – Reception – Translation, which aims at conducting research focused on the description of history and heritage issues of cultural Russian emigration that can be assigned to such thematic areas as: history of the Russian literary process, issues of interpretation of the lit-erary text, Polish-Russian literary relations and literary translation. The essential focus the team is interdisciplinary research. The subject of the team’s research focuses on the most important aspects of emigration-related research, including the history of emigration, fate, the status of the emigrants and their spiritual, religious and political life.The author discusses the history, current state and perspective of Olsztyn’s emigration research, with particular emphasis on their international dimension.
Źródło:
Acta Polono-Ruthenica; 2019, 2, XXIV; 15-24
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Z dziejów polsko-rosyjskich stosunków literackich (korespondencja Marii Dąbrowskiej i Jerzego Stempowskiego)
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/481214.pdf
Data publikacji:
2018-03-30
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Maria Dąbrowska
Jerzy Stempowski; Russian emigration
Polish-Russian relations
epistolary culture
Opis:
From the history of Polish-Russian literary relations (correspondence of Maria Dąbrowska and Jerzy Stempowski)
Źródło:
Acta Polono-Ruthenica; 2018, 1, XXIII; 37-47
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Koncept śmierć w poezji emigracyjnej Nadieżdy Teffi
Concept of „death in the lyrics of Nadezhda Teffi
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/482017.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
concept of „death”
Teffi
cognitive-creative approach
Opis:
Nadezhda Teffi (former Buczynska, born as Lochwicka, 1872-1952) - poet and novelist, one of the most interesting characters in Russian literature of the first half of the twentieth century. In 1920 Teffi left Russia supplying the same community of thousands of Russian immigrants. In Paris, still accompanied by the opinion of eminent satirist, but a poetic works can trace many aspects of the Teffi creative attitude, and especially reflective and nostalgic nature of the emigration work. The experience of exile provoked to think about the country, the world and herself in this world. Similar sentiments reflect the poems included in the books of poetry: Шамрам. Песни Востока (Songs of the East, Berlin, 1923), Passiflora (Berlin 1923) and in the poems published in collective volumes and anthologies. The article analyses the concept of death in the lyrics of Teffi. Semantical structure of this concept includes both objective senses and individual imaginations of the author.
Źródło:
Acta Polono-Ruthenica; 2016, 1, XXI; 225-235
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Berliński kod architektoniczny w twórczości emigracyjnej Vladimira Nabokova
Berlin architectural code in emigrant creation of Vladimir Nabokov
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/482191.pdf
Data publikacji:
2013-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Russian emigration
Russian literature
Nabokov
architectural code
Opis:
In 1921-1923 Berlin was a centre of Russian emigration. Many poets and writers from Russia, like Maksim Gorki, Aleksy Remizow, Andriej Bieły, Ilja Erenburg, Aleksy Tołstoj, Władysław Chodasiewicz, Borys Pasternak, and for a short time also Marina Cwietajewa and Siergiej Jesienin, connected their life with this city. It was just in Berlin where was working one of the most interesting and the most intriguing writer of XX century (1922-1937) - Vladimir Nabokov. These period was characterized for him not only by happy moments (first love, marriage, birth of son), but also by tragic ones (death offather). His stay in Berlin marked out really important stage in creativity of Nabokov. It was theplace of his debut in the pages of Berlin’s newspaper “Руль” in 1921, in which he published his first poems under the pseudonym Sirin. In Berlin Nabokov wrote his first story and first novel. Itwas where he achieved his fame and formed his unique style of writing. Nabokov’s emigrant prose from 20’s constitutes an extraordinary guidebook to Berlin. In his art pieces he recreated the topography of Berlin by using architectural codes. Most often he related the code of home to a closed, domestic and peaceful circle. It is a circle tight in the meaning of space, but profound in the meaning of sensations. The lack of real home was a reason to lookingfor surrogate and it effected disorientation in the world in which poet had no place. The city hasa role of open, then foreign and hostile space. Here for the most part we can see the code in the shape of street or houses in city. This kind of code used by Nabokov, but also by other emigrantpoets, creates a feeling of disharmony, artificiality and unnaturalness.
Źródło:
Acta Polono-Ruthenica; 2013, 1, XVIII; 67-78
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kobieta w islamie. Na przykładzie Senegalu jako nowoczesnego kraju muzułmańskiego
Woman in Islam. On An Example of Senegal As A Modern Muslim Country
Autorzy:
Ndiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/566716.pdf
Data publikacji:
2006
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie. Instytut Nauk Politycznych
Tematy:
Senegal
Woman
Muslim Country
Opis:
In Senegal, where 94 per cent of the society are Muslims, the position of women differs from the most Islamic countries. The causes of this characteristic phenomenon are on the history, the religion, the philosophy and the pragmatism of Senegal. The fact that this country was for a very long time under different cultural and religious influences makes its people open-minded. Women participate in every field of activities. The main decisions in order to improve the situation of women, the equality of rights in the society, were taken since the Senegal's independence in 1960. That's why a Muslim woman in Senegal is able to carry out an active professional and social life, with keeping on her religious identity. There for the Senegalese society shows that Islam and modernity can exist in harmony. The Senegalese case shows also that Islam in Africa does not destroy native African culture.
Źródło:
Forum Politologiczne; 2006, 4 - Islam we współczesnej Afryce; 303-322
1734-1698
Pojawia się w:
Forum Politologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dialog między Afryką a Europą. Léopold Sédar Senghor - duchowy przywódca, polityk, poeta, filozof
Dialog Between Africa and Europe. Léopold Sédar Senghor - Spiritual Leader, Politician, Poet, Philosopher
Autorzy:
Ndiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/566834.pdf
Data publikacji:
2008
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie. Instytut Nauk Politycznych
Tematy:
Africa
Europe
Senegal
Leopold Sedar Senghor
Opis:
Léopold Sédar Senghor (1906-2001), eminent columnist, excellent speaker, literary critic, philosopher, culture specialist and linguist, one of the ablest African poets of the 20th century, he was one of the first to start the dialogue between Africa and Europe in the 30's. His poetry and journalism broadened a cultural sphere, and his socio-political activity laid foundations of reaching an agreement between different continents. The great African patriot, he was and will remain a man of an open world, the boundless world.
Źródło:
Forum Politologiczne; 2008, 7 - Przywódcy i przywództwo we współczesnej Afryce
1734-1698
Pojawia się w:
Forum Politologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ogólnopolska Konferencja Naukowa z udziałem gości zagranicznych „Afryka w systemie bezpieczeństwa międzynarodowego”, Olsztyn, 23-24 maja 2016
Polish Conference with the participation of foreign guests “Africa and the International Security System”
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/522646.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Katedra Języków i Kultur Afryki. Polskie Towarzystwo Afrykanistyczne
Źródło:
Afryka; 2016, 43; 185-188
1234-0278
Pojawia się w:
Afryka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ogólnopolska Konferencja Naukowa: „Ruchy migracyjne w Afryce. Historia oraz stan obecny” 23 maja 2014 r.
Polish National Scientific Conference: Migration Movements in Africa. History and Status Quo
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/522726.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Warszawski. Katedra Języków i Kultur Afryki. Polskie Towarzystwo Afrykanistyczne
Źródło:
Afryka; 2014, 39; 152-153
1234-0278
Pojawia się w:
Afryka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Życie jest snem…” Oniryczny świat w poezji Nadieżdy Teffi (1872-1952)
“LIFE IS A DREAM...” AN ONEIRIC WORLD IN NADEZHDA TEFFI’S POETRY (1872-1952)
Autorzy:
Ndiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/444291.pdf
Data publikacji:
2017-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
dream motif
oneiric poetry
Teffi (Natalia Buczyńska)
Opis:
This article’s topic is the analysis of the theme of sleep and ways of his linguistic representation in Nadezhda Teffi’s poetry. The author distinguishes various updates of the selected motif, divided them according to their meaning and thematic scope and pointed out their importance in the poetic achievements of the Russian emigrant. The subject of the analysis is the context of direct nominations of the lexeme, its derivates, semantic words and antonyms, appearing in the debut volume of poems Seven Fires (1910) and in Poetry Poems published in Exile: Passiflora Shamram. Songs of the East (1923). The research concept adopted by the author remains in line with the communication style of the text, whose tasks cover various aspects of the analysis of the literary text perceived as a form of communication reflecting both the stylistic standard and the individual style of the author.
Źródło:
Acta Neophilologica; 2017, XIX/2; 145-153
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O specyfice kulturowo-językowej monodramu Jewgienija Griszkowca Jak zjadłem psa i potencjalnych oraz realnych reperkusjach przekładowych z uwzględnieniem tłumaczenia na język polski
CULTURAL AND LINGUISTIC SPECIFICITY OF YEVGENI GRISHKOVETZ’S MONODRAMA HOW I ATE THE DOG AND POTENTIAL AND REAL TRANSLATION PROBLEMS, INCLUDING TRANSLATION INTO POLISH
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/444295.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Yevgeni Grishkovetz
theatrical translation
monodrama
Opis:
This article draws attention to the issue of translating dramatic texts in the context of contemporary translation practices and to its essential role in the construction of the international cultural community. The status of the theater translator and specific linguistic or cultural problems are investigated based on the example of Polish translations of contemporary Russian playwright Yevgeni Grishkovetz’s work. The collaboration between the translator and the theatre is described as well as the factors affecting the final shape of the stage text and the difficulties involved in translating the works of the aforementioned author. An attempt is also made to examine the thin line between translation and adaptation. The analyzed material suggests that, rather than opting for the philological fidelity to the original, the translators desired to ensure the playwright’s works a “timeless” life on stage historically and artistically.
Źródło:
Acta Neophilologica; 2016, XVIII/2; 161-177
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przekład związków frazeologicznych z nominacjami diabła w polskich tłumaczeniach powieści Michaiła Bułhakowa Mistrz i Małgorzata
Translation of Phraseological Compounds with the Lexeme of Devil in the Polish Versions of the Mikhail Bulgakov’s Novel The Master and Margarita
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/444350.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
phraseology
literary translation
translatability
linguistics
Opis:
The fantastical and devilish qualities of The Master and Margarita by Mikhail Bulgakov created a need for the adequate means of expression. Therefore, the phraseological units are the most representative group, as they belong to the more colloquial part of language, and have a more familiar stylistic tone. The units with the words “chort” or “devil” are the most significant, therefore they were analysed in depth from the point of view of the translation theory. To exemplify the aforementioned phenomenon, the author refers to two sources: the canonical translation of The Master and Margarita by Irena Lewandowska and Witold Dąbrowski, which is still present in the consciousness of the Polish reader, and the newer version authored by Andrzej Drawicz. The comparative analysis of the selected material indicates that the authors of both translations preferred to use the phraseological units which differed in structure or the lexical composition from their Russian counterparts. However, the juxtaposed “translation equivalents” indicate the similarities in which Polish and Russian language capture our reality.
Źródło:
Acta Neophilologica; 2012, XIV/2; 159-176
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
POEZJA WASILIJA KAMIEŃSKIEGO „POD MIKROSKOPEM”. Z HISTORII ROSYJSKIEJ POEZJI WIZUALNEJ
Vasily Kamensky’s Poetry “Under the Microscope”. The Summary of Russian Visual Poetry
Autorzy:
Ndiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/444378.pdf
Data publikacji:
2011-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
poesia visiva,
visual poetry,
Russian literature,
the Futurism,
Vasily Kamensky
Opis:
Visual poetical text came into existence as a connection of two types of activity - the poetical (verbal) one and the visual (graphic) one. It composes a varied phenomenon, which unites poetry, painting, graphic arts, fine arts and photography together. That dependence on each other was understood differently by particular artists in distinct periods of history. Russian literature also has its rich history of visual poetry. The first trials, which were started by Symeon of Polotsk in the 17th century, were continued by Gavrila Derzhavin, Alexei Apuchtin, Erl Martov, as well as others. This new and productive period of visual poetry was connected with the vanguard movement from the beginning of the 20th century, which spread across Europe. The biggest contribution into the development of this literary genre in Russia, not only in a practical matter, but also in a theoretic one, brought in futurists and constructivists, for whom the form became an essence, and a word became an image. The poetry of Vasily Kamensky (1884-1961) had a special place among different examples of experimental word-image Russian vanguard poetry. He is known as a Russian futurist, and a poem-experimenter. His poems prove that visual poetic graphic arts, can be recognized as a dominant force in the creating of and illustration of texts. This process can be done with a basic level of meaning in the writing and illustration of the text, however, this is purely linguistical.
Źródło:
Acta Neophilologica; 2011, XIII; 201-215
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O translokacji nomina propria w dziele literackim (na przykładzie polskiсh tłumaczeń powieści Doktor Żywago Borisa Pasternaka)
On Translocation of Nomina Propria in a Literary Translation (Based on Polish Translations of Doctor Zhivago by Boris Pasternak)
Autorzy:
Ndiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/444650.pdf
Data publikacji:
2019-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Boris Pasternak
Doctor Zhivago
proper names
translation strategies
patronymics
Opis:
This paper analyzes problems involved in the Polish translation of proper names contained in Boris Pasternak’s novel Doctor Zhivago. Empirical material was collected from two Polish translations published in book form: by Jerzy Stempowski (Paris: Instytut Literacki 1959) and by Ewa Rojewska-Olejarczuk (Warsaw: PIW 1990). The study aimed to analyze translatorial equivalents taking into account the following criteria: consistency with the named object, informativeness of the name, and retaining the cultural ambience. The following research methods were applied: descriptive, com-parative analysis as well as functional and stylistic analysis. The comparative analysis focused on the adequacy of the applied translation methods.
Źródło:
Acta Neophilologica; 2019, XXI/2; 187-200
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Konceptualizacja śmiechu w językowym obrazie świata Nadieżdy Teffi (na materiale prozy wspomnieniowej)
The Conceptualisation of Laughter in the Language of the World of Nadezhda Teffi (Based on Material from Her Prose Memoirs)
Autorzy:
Ndiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/1754291.pdf
Data publikacji:
2021-08-11
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Nadieżda Teffi
koncept ŚMIECH
językowy obraz świata
proza wspomnieniowa
rosyjska literatura emigracyjna
Nadezhda Teffi
the concept of Laughter
linguistic picture of the world
prose memoir
Russian émigré literature
Opis:
W centrum uwagi badawczej Autorki pozostaje koncept смех w rosyjskiej literaturze emigracyjnej. Celem artykułu jest analiza danego konceptu w prozie wspomnieniowej Nadieżdy Teffi, pisarki pierwszej fali emigracji rosyjskiej. Przedmiot niniejszej analizy stanowi leksyka wyekscerpowana z tomów Wspomnienia (1933) oraz Moja kronika (2015). Analiza została ukierunkowana na wyodrębnienie semantycznej struktury konceptu oraz sposobów jego lingwistycznego wyrażenia w tekście literackim. W procesie analizy odwołaliśmy się do metodologii zaproponowanej przez Josifa Sternina, co pozwoliło wyróżnić w strukturze konceptów różnorodne jednostki mentalne autorskiego obrazu świata, werbalizowane w tekstach literackich (sensy i wyobrażenia obiektywne oraz indywidualno-autorskie). Ponadto w badaniu wykorzystano metodę opisową oraz analizę funkcjonalno-stylistyczną. Na podstawie przeprowadzonej analizy lingwistycznej możemy wnioskować, że koncept смех jest szeroko reprezentowany w prozie wspomnieniowej Teffi. Indywidualno-autorskie znaczenia reprezentujące peryferie analizowanego konceptu mają różną konotację. Uczucia i emocje wyrażane za pomocą śmiechu w świecie przedstawionym są zarówno pozytywne, negatywne, jak i neutralne. Częstotliwości użycia jednostek leksykalnych oraz różnorodność ich aktualizacji świadczą o tym, że koncept СМЕХ zajmuje ważne miejsce w językowym obrazie świata Teffi.
The focus of this research is the concept of Laughter in Russian émigré literature. The particular aim of this article is to analyse this concept in the memoirs of Nadezhda Teffi, one of the writers from the first wave of Russian emigration. The subject of this analysis is the lexis taken from the volumes Memoirs (1933) and My Chronicle (2015). The analysis focuses on distinguishing the semantic structure of the concept of Laughter, and the ways of its linguistic expression in the literary text. During the process of analysis, we refer to the methodology proposed by Josif Sternin which made it possible to distinguish, in the structure of concepts, various mental units of the author’s image of the world as verbalised in literary texts (objective and individual-author meanings and images). Moreover, this study uses a descriptive method and a functional and stylistic analysis. Based on the linguistic analysis carried out, we conclude that the concept of Laughter is widely represented in Teffi’s memoirs. The individual-author’s meanings representing the periphery of the concept analysed have a different connotation. The feelings and emotions expressed through laughter in the depicted world are positive, negative and neutral. The frequency of use of the lexical units, and the variety of their updating, prove that the concept of Laughter has an important place in Teffi’s linguistic worldview.
Źródło:
Roczniki Humanistyczne; 2021, 69, 7; 221-243
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-25 z 33

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