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Wyszukujesz frazę "NDiaye, Iwona Anna" wg kryterium: Autor


Tytuł:
Dom - ojczyzna w emigracyjnej poezji M. Cwietajewej
Home - Homeland in M. Tsvetaeva’s Emigration Poetry
Autorzy:
Ndiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/973976.pdf
Data publikacji:
2008
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
home
homeland
emigration
metaphor
alienation
poetry
Marina Tsvetaeva
Opis:
Home and its attributes as designata of the homeland in Tsvetaeva’s poetry occur in various pictures. These are among other things: home-reminiscence and home-dream. The first case con- cerns Russia before emigration. The second home is a metaphor of the return. The existence in exile, involving the fact of physical and spiritual alienation, entails the way of perceiving oneself. Tsvetaeva believed in the possibility of finding the way home, but it never arose.
Źródło:
Acta Neophilologica; 2008, X; 139-146
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O tożsamości rosyjskiej literatury emigracyjnej (proza Nadieżdy Teffi)
On the identity of the Russian emigration literature (Nadezhda Teffi’s prose)
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/1832590.pdf
Data publikacji:
2018-12-30
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
N. Teffi
rosyjska emigracja
tożsamość literacka
Russian emigration
literary identity
Opis:
The subject of the analysis is the Nadezhda Teffi (Buczynska, borne Lokhvicka, 1872–1952) journalistic publicatios and the emigration prose. She spent more than thirty years in exile in Paris. The author focuses on the issues of linguistic identity of Russian emigration literature, with particular emphasis on the cultural context. The conducted analysis proves for that the representatives of the first wave of Russian emigration the mother tongue had a great importance. In addition to the communication function, he served two basic functions: information – as a way of creating and disseminating knowledge, values, traditions, etc., and integrating that reflected the emotional attitude to language. That is why Russian emigrants, although they knew foreign languages, mainly French and German, remained faithful to their homeland. At the same time, however, the works of emigrants were saturated with references to foreign languages.
Źródło:
Studia Wschodniosłowiańskie; 2018, 18; 51-63
1642-557X
Pojawia się w:
Studia Wschodniosłowiańskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Misja literatury emigracyjnej („pierwsza fala” emigracji rosyjskiej)
The mission of the emigrants’ literature („the first wave of the Russian emigration)
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/480828.pdf
Data publikacji:
2007-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Russian emigrants’ literature
first wave Russian emigration
literature
Opis:
Since the first years before the post-revolutionary emigration („the first wave”), the problem of the special assignment given by history appeared. Authors of the emigration literature understood its mission differently, however, they did agree on this one point: the principle of artistic freedom is the underlying reason for the emigrants’ literature. Alluding to Nina Berberowa’s wellknown formula, it is not about exile, but about the mission. Spiritual values of the „mission” of the Russian diaspora are becoming a part of the national culture in contemporary times.
Źródło:
Acta Polono-Ruthenica; 2007, 1, XII; 77-93
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Twórczość pisarzy pierwszej fali emigracji rosyjskiej w przekładach Juliana Tuwima
The writers creativeness of the first wave’s Russian emigration in Julian Tuwim’s translations
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/481580.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Y. Tuwim0
Russian emigration in Poland Polish-Russian literary relations emigration essays
literary translation
Opis:
The author pays attention to the Polish-Russian literary contacts after 1917. The subject of critical analysis is the translation heritage of Y. Tuvim – polish poet, writer and translator, participant of the literary club “Little Lodge in Kolomna”, founded in Warsaw by D. Filosofov. Y. Tuwim is better known as the translator of A. Pushkin, V. Mayakovsky by todays readers However, in his rich heritagethere are also works of Russian emigrants: L. Gomolitsky, N. Evreinov, V. Khodasevich.
Źródło:
Acta Polono-Ruthenica; 2017, 3, XXII; 133-143
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Z historii polskich przekładów powieści Doktor Żywago Borysa Pasternaka (na podstawie korespondencji Jerzego Giedroycia i Gustawa Herlinga-Grudzińskiego oraz Jerzego Stempowskiego i Marii Dąbrowskiej)
From the history of the Polish translation of Pasternak’s novel Doctor Zhivago (based on the correspondence of Jerzy Giedroyc and Gustaw Herling-Grudziński and Jerzy Stempowski and Maria Dąbrowska)
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/482075.pdf
Data publikacji:
2018-06-30
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
reception of Russian literature in Poland
literary translation of Boris Pasternak
Doctor Zhivago
Maria Dąbrowska
Gustaw Herling-Grudziński
Jerzy Giedroyc
Jerzy Stempowski
Opis:
This article recalls the circumstances of the first edition of the novel by Boris Pasternak, Doctor Zhivago, in Polish translation, which appeared in 1959 in volume XLIV of the Biblioteka ‟Kultury” series, published by the Paris Literary Institute. Reconstruction of the history of this publishing initiative in the context of the political situation is possible thanks to historical sources preserved in the Paris and Warsaw archives, publications in periodicals, memoirs and epistolary culture. The circumstances in which the typescript was imported to Poland and in which the Literary Institute obtained a license for a Polish translation, the choice of translator, and Jerzy Giedroyc and Gustaw Herling-Grudziński’s correspondence are discussed. An important source of information is the lively correspondence between Maria Dąbrowska and Jerzy Stempowski, the son of a publicist and social activist, and Mason Stanisław Stempowski, a longtime life partner of the writer. The fragments of epistolary culture discussed here allow a better understanding of these outstanding individuals of the twentieth century. The content of the correspondence analyzed also allows us to reconstruct many interesting facts from the field of translating Russian literature into Polish, as well as the complex situation of Polish-Russian relations in the post-war period.
Źródło:
Acta Polono-Ruthenica; 2018, 2, XXIII; 85-96
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mors voluntaria i literatura rosyjska. Samobójstwo jako akt twórczy, społeczny i polityczny
"Mors voluntaria" and Russian literature. Suicide as an creative, social and political act
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/482215.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
suicide
suicidal motif
suicidology
Russian literature
Opis:
Suicide is, for centuries, a subject of particular interest in various fields, including philosophy, psychology and sociology. The author of this paper takes the “suicide and literature”, in order to examine selected examples of Russian literature. The analysis has highlighted the importance of a variety of typological models of suicides in literary works, as well as the determinants of suicidal behavior of Russian writers. Taken considerations include the spiritual, creative, social and socio- political aspects.
Źródło:
Acta Polono-Ruthenica; 2015, 1, XX; 91-102
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kobieta demoniczna Teffi (1872–1952) w przekładzie Juliana Tuwima
Demonic Woman Teffi (1872–1952), translated by Julian Tuwim
Autorzy:
Ndiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/482342.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Teffi (Nadezhda Lochwicka)
Julian Tuvim
demonic woman
literary translation
Russian emigration
Opis:
This article deals with the specifics of the language and the translational difficulties of Teffi (Nadezhda Lochwicka), one of the most recognized figures of pre-revolutionary Russia, poet, columnist and author of humorous stories. The author verifies the thesis essence on the material the novel’s title from the collection Demonic woman and her Polish variant in the translation of Julian Tuwim. Evaluating the choice validity of translator equivalents from the standpoint of the author’s individual style, the ideologicaltheatrical and the stylistic aspects were taken into account.
Źródło:
Acta Polono-Ruthenica; 2017, 2, XXII; 125-133
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Badania nad współczesną dramaturgią rosyjską Walentego Piłata (1946-2022)
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/2141857.pdf
Data publikacji:
2022-06-30
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Walenty Piłat
Russian Dramaturgy
Russian Studies
Opis:
The article presents the profile of the Polish researcher Walenty Piłat – a respected expert in Russian dramaturgy. The literary output devoted to contemporary Russian drama is in the center of attention. Among the rich galaxy of Russian authors, one of the most important places in the literary outout of W. Piłat is occupied by dramatists such as Aleksandr Vampilov, Nikolai Kolada, Ludmila Pietrushevska and others. The author presents the most important publications of W. Piłat, including the monographs: The work of Aleksandr Vampilov. Problems of Poetics (1986), Contemporary Russian dramaturgy. The eighties (1995), On the threshold of the twenty-first century. Sketches on Contemporary Russian Drama (2000).  
Źródło:
Acta Neophilologica; 2022, 2, XXIV; 261-272
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Olsztyńskie badania emigrantologiczne. Historia – stan obecny – perspektywy rozwoju
Olsztyn’s emigration studies. History – current status – devel-opment prospects
Autorzy:
Ndiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/481094.pdf
Data publikacji:
2019-06-30
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
emigrant-related
research emigration
olsztyn
the committe of slavic emigration
the international slavistic committee
Opis:
Olsztyn is an important center of emigrant-related research in Poland. The first works in this field were written at the beginning of the 1990s century. Currently, the results of research concerning the history of emigration literature are presented in the scientific series “The Luminaries of Russian Emigration”, “Theory and Practice of Translation”, “Between Words – Between the Worlds” and the scientific journal “Acta Polono-Ruthenica”.In 2018, at the Institute of Eastern Slavic Studies, UWM initiated a statutory subject Emigran-tion studies. Interpretation – Reception – Translation, which aims at conducting research focused on the description of history and heritage issues of cultural Russian emigration that can be assigned to such thematic areas as: history of the Russian literary process, issues of interpretation of the lit-erary text, Polish-Russian literary relations and literary translation. The essential focus the team is interdisciplinary research. The subject of the team’s research focuses on the most important aspects of emigration-related research, including the history of emigration, fate, the status of the emigrants and their spiritual, religious and political life.The author discusses the history, current state and perspective of Olsztyn’s emigration research, with particular emphasis on their international dimension.
Źródło:
Acta Polono-Ruthenica; 2019, 2, XXIV; 15-24
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Z dziejów polsko-rosyjskich stosunków literackich (korespondencja Marii Dąbrowskiej i Jerzego Stempowskiego)
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/481214.pdf
Data publikacji:
2018-03-30
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Maria Dąbrowska
Jerzy Stempowski; Russian emigration
Polish-Russian relations
epistolary culture
Opis:
From the history of Polish-Russian literary relations (correspondence of Maria Dąbrowska and Jerzy Stempowski)
Źródło:
Acta Polono-Ruthenica; 2018, 1, XXIII; 37-47
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Koncept śmierć w poezji emigracyjnej Nadieżdy Teffi
Concept of „death in the lyrics of Nadezhda Teffi
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/482017.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
concept of „death”
Teffi
cognitive-creative approach
Opis:
Nadezhda Teffi (former Buczynska, born as Lochwicka, 1872-1952) - poet and novelist, one of the most interesting characters in Russian literature of the first half of the twentieth century. In 1920 Teffi left Russia supplying the same community of thousands of Russian immigrants. In Paris, still accompanied by the opinion of eminent satirist, but a poetic works can trace many aspects of the Teffi creative attitude, and especially reflective and nostalgic nature of the emigration work. The experience of exile provoked to think about the country, the world and herself in this world. Similar sentiments reflect the poems included in the books of poetry: Шамрам. Песни Востока (Songs of the East, Berlin, 1923), Passiflora (Berlin 1923) and in the poems published in collective volumes and anthologies. The article analyses the concept of death in the lyrics of Teffi. Semantical structure of this concept includes both objective senses and individual imaginations of the author.
Źródło:
Acta Polono-Ruthenica; 2016, 1, XXI; 225-235
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Berliński kod architektoniczny w twórczości emigracyjnej Vladimira Nabokova
Berlin architectural code in emigrant creation of Vladimir Nabokov
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/482191.pdf
Data publikacji:
2013-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Russian emigration
Russian literature
Nabokov
architectural code
Opis:
In 1921-1923 Berlin was a centre of Russian emigration. Many poets and writers from Russia, like Maksim Gorki, Aleksy Remizow, Andriej Bieły, Ilja Erenburg, Aleksy Tołstoj, Władysław Chodasiewicz, Borys Pasternak, and for a short time also Marina Cwietajewa and Siergiej Jesienin, connected their life with this city. It was just in Berlin where was working one of the most interesting and the most intriguing writer of XX century (1922-1937) - Vladimir Nabokov. These period was characterized for him not only by happy moments (first love, marriage, birth of son), but also by tragic ones (death offather). His stay in Berlin marked out really important stage in creativity of Nabokov. It was theplace of his debut in the pages of Berlin’s newspaper “Руль” in 1921, in which he published his first poems under the pseudonym Sirin. In Berlin Nabokov wrote his first story and first novel. Itwas where he achieved his fame and formed his unique style of writing. Nabokov’s emigrant prose from 20’s constitutes an extraordinary guidebook to Berlin. In his art pieces he recreated the topography of Berlin by using architectural codes. Most often he related the code of home to a closed, domestic and peaceful circle. It is a circle tight in the meaning of space, but profound in the meaning of sensations. The lack of real home was a reason to lookingfor surrogate and it effected disorientation in the world in which poet had no place. The city hasa role of open, then foreign and hostile space. Here for the most part we can see the code in the shape of street or houses in city. This kind of code used by Nabokov, but also by other emigrantpoets, creates a feeling of disharmony, artificiality and unnaturalness.
Źródło:
Acta Polono-Ruthenica; 2013, 1, XVIII; 67-78
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł

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