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Wyświetlanie 1-15 z 23
Tytuł:
Program kształcenia ogólnego Marthy C. Nussbaum jako remedium na „cichy kryzys” edukacji
Autorzy:
Lis, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/2052937.pdf
Data publikacji:
2021-12-31
Wydawca:
Akademickie Towarzystwo Andragogiczne
Tematy:
Martha Nussbaum
edukacja
Sokrates
model kształcenia ogólnego
kultura
Opis:
Celem artykułu jest przedstawienie i analiza podstawowych elementów programu kształcenia ogólnego autorstwa Marthy C. Nussbaum. Koncepcja edukacji, zaproponowana przez tę amerykańską badaczkę, oparta jest na dwóch podstawowych filarach: 1. Kształcenie w duchu sokratejskim i 2. Kształcenie dla światowego obywatelstwa. Nussbaum opisuje „cichy kryzys” współczesnej edukacji, którego konsekwencją jest brak umiejętności logicznej argumentacji oraz niezachęcanie do samodzielnego myślenia osób młodych. Program kształcenia ogólnego w ujęciu Nussbaum ma być swoistym remedium na współczesny kryzys nauk humanistycznych. Ostatnia część artykułu to analiza krytyczna koncepcji edukacji Marthy Nussbaum.
Źródło:
Edukacja Dorosłych; 2021, 85, 2; 119-134
1230-929X
Pojawia się w:
Edukacja Dorosłych
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Into the Heart o f Matters - in Search o f the Finality of the Translation Proces
Autorzy:
Kujawska-Lis, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/444192.pdf
Data publikacji:
2007
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
translation
revision
translation senes
Heart o f Darkness
recodification
Opis:
The article aims at providing a provisional answer to the question conceming the finality of the translation process. The main point of interest is the status of the revised version of a published translation, that is whether the revision is to be treated as a new realization of a particular literary work (and consequently enriching the translation series of this particular work) or not. In the introductory part, the article examines shortly the models of the process of translation focusing on including the stage of revision into it. The analytical part discusses examples of changes introduced in the revised version of Aniela Zagórska’s translation of Joseph Conrad’s Heart of Darkness in comparison with the first published version. The analysis refrains from pointing out corrected mistakes or updating lexical items, syntax and spelling. It focuses on the changes in the treatment of key expressions (heart and darkness, the horror) as well as some examples of structural repetitions and changes of lexical items connected with nautical terminology. On the basis of the investigation one may conclude that the introduced changes do not involve merely intralingual shifts in order to make the revised target version more natural. Rather they involve alterations which stem from a meticulous hermeneutic analysis of the original work and noticing a careful patterning of the lexical items and structures so that this patterning may be reflected in the translation and provide for new interpretative possibilities. Consequently, in William Frawley’s terminology, the translation code in the revised version is modified to such an extent in comparison with the code of the first translation that one may venture the hypothesis that the result is a new realization of this particular literary work.
Źródło:
Acta Neophilologica; 2007, IX; 31-43
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
CLARIFICATION AS THE TEXT KILLER. ANALYSIS OF SELECTED POLISH TRANSLATIONS OF EDGAR ALLAN POE’S THE FALL OF THE HOUSE OF USHER
Autorzy:
Kujawska-Lis, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/444728.pdf
Data publikacji:
2010-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
literary translation,
clarifi cation,
indefi nite,
interpretation,
Edgar Allan Poe
Opis:
Clarification is one of the textual phenomena enumerated by Antoine Berman as deforming tendencies in translation. It is best observable when the target text turns what was ambiguous in the original into more specific. This need to clarify the original often stems from systemic differences between languages. However, on numerous occasions the movement from the original ‘indefinite’ into the definite in the translation results from a subjective decision taken by the translator, who in fact has proper linguistic means at his disposal to retain the original level of indeterminacy. In the case of a literary work such a tendency may influence all its levels, especially the interpretative possibilities, as seen in two Polish translations of E.A. Poe’s The Fall of the House of Usher, by Bolesław Leśmian and Stanisław Wyrzykowski. By discussing descriptions of the fictional space and the references to the Usher siblings, this article indicates to what extent clarifying lexical choices impact on the atmosphere of the work, consistency of the fictional world, suspense and the stance of the narrator.
Źródło:
Acta Neophilologica; 2010, XII; 41-54
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Alliteration as a Means to Reinforce Orality in Conrad’s Early Marlow Narratives.
Autorzy:
Kujawska-Lis, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/578879.pdf
Data publikacji:
2018
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
alliteration
orality
gawęda
yarn
Joseph Conrad
Opis:
Joseph Conrad’s narratives featuring Marlow are composed as stories within stories, in which Marlow (the intradiegetic narrator) tells stories to his few listeners (the intradiegetic addresses). Critics have found analogies of these narratives with the Polish gawęda tradition and the English sailor’s yarn, both related to oral story-telling. This paper sets out to look at one literary device — alliteration — found in early works narrated by Marlow (Youth, Heart of Darkness, and Lord Jim), and to indicate that various effects achieved by alliterative phrases (onomatopoeic, emphatic, rhythmical, and autotelic) all contribute to this narrator’s status as an oral performer.
Źródło:
Zagadnienia Rodzajów Literackich; 2018, 61, 1(125); 85-99
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
TRANSLATION OF BIBLICAL REFERENCES IN LITERARY AND NON-LITERARY TEXTS
Autorzy:
Kujawska-Lis, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/444264.pdf
Data publikacji:
2008-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
intertextuality
translation
literary text
non-literary text
competence
Opis:
The division of texts for the purpose of translation into literary and non-literary ones, based mostly on the dominant language function in a given text type, often leads to a stereotypical understanding of the stance of the translator’s competence. Non-literary text translators who focus entirely on that branch of knowledge that a given text refers to and on related terminology may overlook the cultural and intertextual elements. This not only ignores the intention of introducing them into the text, but also may change the meaning of passages in which they are included. The analysis of a book concerning psychology and psychotherapy: Systems of Psychotherapy. A Transtheoretical Analysis, as representing non-literary texts, and G.K. Chesterton’s detective stories, being examples of literary texts, provides some examples of introducing more or less implicit references to the Bible into psychological discourse and literature respectively. Despite the label of scientific texts, American psychological literature is characterized by numerous hidden quotations from other sources which serve various functions: using the already lexicalised phrase- ology or entering into a polemics with the religious doctrine. Consequently, in translating such texts, translators cannot limit themselves to a thorough knowledge of psychology, psychotherapy and terminology connected with those areas, but must also be observant enough to notice interte- xtual traces and then be able to localize them and interpret them correctly. Otherwise the transla- tion may alter the original meaning or introduce an ambiguity which is not welcome in such texts. Thus ‘intertextual competence’ is by no means reserved for literary text translators for whom this type of expertise is obviously of primary importance.
Źródło:
Acta Neophilologica; 2008, X; 37-50
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
(PSEUDO)POLONISMS IN JOSEPH CONRAD’S AMY FOSTER AND PRINCE ROMAN AND THEIR POLISH TRANSLATIONS
Autorzy:
Kujawska-Lis, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/444564.pdf
Data publikacji:
2012-06-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
literary translation
calques
cultural setting
bilingualism
Conrad
Opis:
Joseph Conrad’s language has been subject to various analyses regarding its uniqueness stemming from the writer’s trilingualism. Scholars have traced diverse influences from the French and Polish languages in this writer’s artistic output. Nevertheless, the effects of such influences are not thoroughly discussed. This article attempts to take a critical look at the outcomes deriving from the appearance of phrases which may be classified as Polonisms or pseudo-Polonisms in two short stories Amy Foster and Prince Roman and their translations into Polish. In the former story, untypical phrasings which may have been calqued from Polish serve to emphasise the alienation of the character of Yanko, in the latter, expressions which are generally common for both English and Polish highlight both the distinctiveness of Polish culture and its affinity with the European cultural setting. Unfortunately, in the translations into the language from which such linguistic or cultural concepts originated, such effects are much less distinctive.
Źródło:
Acta Neophilologica; 2012, XIV/1; 5-17
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
THE BLACK VEIL: 19TH-CENTURY POLISH TRANSLATIONS OF CHARLES DICKENS’S SHORT STORY
Autorzy:
Kujawska-Lis, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/444652.pdf
Data publikacji:
2018-06-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
The Black Veil
Charles Dickens
19th-century Polish translations
gothic tale
Opis:
This paper sets to analyze and compare three anonymous translations of Charles Dickens’s gothic short story The Black Veil that appeared in the 19th-century, the first one serving as an introduction of Dickens on the Polish literary scene. The analysis focuses on selected issues, such as the reconstruction of the suspense, treatment of culture, translators’ linguistic competence and completeness of the text.
Źródło:
Acta Neophilologica; 2018, XX/1; 123-144
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kilka uwag o mutowaniu postaci fikcyjnych i recepcji tekstów kultury na przykładzie powieści Alienista Caleba Carra i jej serialowej adaptacji
Some Remarks on Mutations of Fictional Characters and the Reception of Cultural Texts Based on Caleb Carr’s Novel The Alienist and its TV Series Adaptation
Autorzy:
Kujawska-Lis, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/444827.pdf
Data publikacji:
2019-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
reception
intertextuality
intermediality
character mutations
The Alienist
Opis:
The Alienist, a TV series released in 2018, is based on Caleb Carr’s best-sell-ing novel published in 1994. Irrespective of its genesis as an adaptation, presently the TV series generates new senses when watched from the perspective of works that have appeared in visual culture since the publication of the book. This paper sets to demonstrate to what extent the original novel and later the TV production create a mutation of a well-known pair of detectives (Sherlock/Watson) and how the reception of the series may differ from that of the original novel.
Źródło:
Acta Neophilologica; 2019, XXI/2; 127-140
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
DOMESTICATING AND MODERNIZING HEART OF DARKNESS
Autorzy:
Kujawska-Lis, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/444889.pdf
Data publikacji:
2013-06-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
domestication
foreignization
modernizing
Joseph Conrad
Antoine Berman
Opis:
The present paper seeks to analyse the development of the translation series of Joseph Conrad’s Heart of Darkness with emphasis on domesticating and modernising tendencies. To this end, two translations into Polish are compared: Aniela Zagórska’s version published in 1930 and Ireneusz Socha’s modern translation of 2004. Various levels at which domesticating and modernising tendencies can be noticed are considered. It seems that, contrary to current tendencies to foreignize translated texts, the modern version of Heart of Darkness, at least at the linguistic level, may be labelled as the domesticated one in comparison with the earlier translation. Generally, Zagórska tries to reproduce Conrad’s wording in Polish; whereas Socha’s aim, or skopos, seems to be creating the text that reads naturally. The paper shows in what ways the translators’ choices of particular translating strategies and procedures accentuate the deforming tendencies, as defined by Antoine Berman.
Źródło:
Acta Neophilologica; 2013, XV/1; 61-80
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
G.K. CHESTERTON’S GAMES WITH IDENTITIES
Autorzy:
Kujawska-Lis, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/444960.pdf
Data publikacji:
2009-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
detective story,
Chesterton,
identity,
intertextuality,
Catholicism
Opis:
Gilbert Keith Chesterton, the author of, amongst others, the Father Brown detective stories is generally analysed, with some exceptions, by Polish criticism in terms of ideology and Catholi- cism. His literary technique is treated with less attention, though his artistic output as such is perhaps valued even more in Poland than in England. This article attempts to fill in the gap by examining the ways in which Chesterton structures some of his stories and the way he introduces and inserts elements of Catholic doctrine into them. This article investigates the recurring motif of various identities for the same character both in selected stories and within the framework of the whole Father Brown cycle. Chesterton’s characters epitomise the dichotomy of human nature: one and the same character may transition from an honest person into a criminal and vice versa. The author also shows the implications of leading a double life and, of course, employs the notion of a double identity as a vehicle for committing a crime.
Źródło:
Acta Neophilologica; 2009, XI; 107-118
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Some Functions of "Utopian Business" Motif in Nicholas Nickleby by Charles Dickens
Autorzy:
Kujawska-Lis, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/445066.pdf
Data publikacji:
2005
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
utopian business
Charles Dickens
Nicholas Nickleby
cultural model
Opis:
The article aims at presenting some of the functions of the "utopian business" motif represented by the Cheeryble Brothers in Nicholas Nickleby by Charles Dickens, as well as indicating some of the ways in which the utopian dimension is achieved. Shown in comparison with other Dickensian companies, the Cheeryble Brothers seems unique. The uniqueness lies in the fact that in the majority of cases the firms are destructive forces in the novels whereas employment in the brothers’ company equals the highest happiness possible. The firm is an ideal, almost symbiotic merger of private and business lives of the characters, moving it to the realm of utopia. The functions of the "utopian business" motif are numerous. The company is seen as the centre of goodness in the novel and the antithesis of evil represented by Ralph Nickleby and Squeers. The motif ends the picaresque element in the novel by providing the main character with proper financial stability which in turn enables him to support his family and seek for emotional stability. At the same time it reinforces the fairy-tale convention in the novel where the brothers, through their helpful attitude, act as good uncles of other characters. From a different perspective, the "utopian business" motif is used to advocate the idea of self-help and charity thus indicating the cultural model of the world based on the Christian in a general sense, and Puritan in a narrower sense, ethics.
Źródło:
Acta Neophilologica; 2005, VII; 17-30
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
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