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Wyszukujesz frazę "Czerwiński, Maciej" wg kryterium: Autor


Tytuł:
Rzutowanie semiotyczne, czyli językowe oswajanie obcości w kulturze. Szkic lingwistyczno-antropologiczny
Autorzy:
Czerwiński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/611444.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
cultural semantics
otherness in culture
semantyka kulturowa
obcość w kulturze
Opis:
In this article one semantic phenomenon is tentatively taken into consideration. This phenomenon emerged when historical discourse was under investigation but it is not limited only to historical texts. This phenomenon – which is in the absence of a better term called the semiotic projection of meaning – is crucial for language in general, for consciousness and cognitive mechanisms of human being. Every culture, confronting itself with such or such otherness – the otherness either of diverse cultures or past events, it has to overcome this otherness that is to say to adapt it which means that it has to impose on it a form that is more meaningful for itself. Putting it operationally, it has to inscribe the otherness in question into its own horizon of sense, and consequently – into its own semantic system. The understanding of past of understanding of an unknown culture can be seen as an adaptation of them. In this article such an adaptation is considered within three domains: history, other culture and universe of animals.
Artykuł poświęcony jest zjawisku rzutowania semiotycznego (semantycznej projekcji znaczenia), które ujawniło się w trakcie badań tekstów traktujących o przeszłości, choć nie ogranicza się ono wyłącznie do tekstów historycznych. Jest ono doniosłe dla języka, jak również dla świadomości i mechanizmów poznawczych człowieka. Każda kultura, konfrontując się obcością (dotyczącą innej kultury lub czasów minionych), musi ową obcość oswoić (przezwyciężyć), nadając jej formę bardziej dla siebie zrozumiałą. Inaczej mówiąc, musi ją wpisać we własny horyzont sensu, a wraz z tym – we własny system semantyczny. Zrozumienie przeszłości bądź odmiennej kultury to właśnie ich oswojenie. Analizie w artykule podlega oswajanie trzech zasadniczych domen: przeszłości, obcej kultury i świata zwierząt.
Źródło:
Etnolingwistyka. Problemy Języka i Kultury; 2013, 25
0860-8032
Pojawia się w:
Etnolingwistyka. Problemy Języka i Kultury
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dysydent Bogdan Radica
A Dissident Bogdan Radica
Autorzy:
Czerwiński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/635381.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Bogdan Radica
Croatian emigration
exile
liberal thought
independence
communism
fascism
dissidence
Opis:
In the article a certain prominent Croatian emigrant, but very little known in Croatia, is taken into consideration. Bogdan Radica (1904–1993) was a political dissident in two different circumstances. Between 1941–1945, as an attaché of the Yugoslav Embassy in Washington, he was opposing both the Ustasha’a Croatian state and Yugoslav policy under Serbian control, which he defined as a hegemonic and ‘anti-Yugoslav’. Between 1945–1993, with a short period supporting the Communists, he became the most prominent representative of the Croatian emigration, emphasizing pro-independent attitudes. His engagement is seen not as an ideological profile but as an attitude.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 6
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Socjalistyczny w formie, narodowy w treści. Chorwacka odmiana komunistycznej nowomowy w czasie tzw. chorwackiej wiosny
Socialist in Formand National in Content: The Croatian Version of the Communist Newspeak during the so-called Croatian Spring
Autorzy:
Czerwiński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/953412.pdf
Data publikacji:
2020-12-12
Wydawca:
Uniwersytet Opolski
Tematy:
Yugoslav Newspeak
Cwatian communism
national codę
communist code
semiotics
Opis:
In this article the problem o f Yugoslav Newspeak, in the Croatian version that appeared in the period o f the so-called Croatian Spring (1971), is taken into consideration. The aim ofthe analysis is to demonstrate how Croatian national values and beliefs - understood in semiotic terms as a ‘m onal codę’ - were conveyed within the rigid and inflexiblecommunist discourse (understood as a ‘communist codę ). Thus, the Stalinist slogan “National in form, socialist in content” is dcliberately shifted into “Socialist in Form andNational in Content”. This shift aims at demonstrating that the Croatian elite took advantage of the communist Newspeak in order to explicate its own national consciousness without being accused of anti-Serbian nationalism, or de stroying the idea o f “brotherhood and unity”. The interrelation of the two codes brings about a very complex linguistic phenomenon. In the article the analysis concems several problems: (1) the semiotic capacity of the genre that enablcd one to convey national values without questiomng Yugoslav unity, (2) discursive formations hringing about sensitive relations hetween Croats and Serbs, including certain semantic and formal strategies, and (3) the issue o f the purist consciousness with respect to Newspeak. The article demonstrates that the communist political leaders play an important role re-establishing independent Croatian discourse. This stratégy is not limited to Croatia sińce in all of the former socialist republics o f the Yugoslav I cderal >n the same situation occurred.
Źródło:
Stylistyka; 2012, 21; 97-118
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O semiotycznej i intersemiotycznej roli tematu głównego. Od syntezy dziejów narodu polskiego do malarstwa realistycznego i nowoczesnego
Autorzy:
Czerwiński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/1203382.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Opolski
Tematy:
semiotics
semiotics of culture
historical text
painting
image
verbal codes
visual codes
Opis:
In the article the problem of semiosis of the global topie in verbal and visual texts is taken into consideration. In the first section a theoretical framework is introduced, in the second verbal text (i.e. the genre of the synthesis of Polish national history) is elaborated, in the third the similar discussion on visual ‘texts’ is conducted, while in the fourth section finał remarks are provided with additional suggestions concerning further investigations.The opening remarks concern the very idea of the topie in verbal texts, notably in historical texts (the operational term finał—taken from semiotic works of Boris Uspienski - is introduced). The finał - interrelated with the global topie and genre - organizes the whole historical narration and establishes its cohesion; their overwhelming presence enables grasping the very act of data interpretation. Every event or historical figurę conceptualized in a historical narration (for instance the Prussian Homage in 1525 or Polish king Sigismund) receives its own meaning only insofar as it maintains its constant relation with the global topie expressed by the title (top-down and bottom-up mechanisms).There are some similarities that the title and global topie possess in the acts of interpretation of painting, notably realistic representations of historical events. For example a piece of Jan Matejko entitled Hołd Pruski (Prussian Homage) imposes on an observer a set of connotative features deeply rooted in the Polish imaginery encoded in language and structured by the national narration. This particular example opens up a discussion about the function of the verbal title and visual ‘text’ in pieces of Giorgione, Rene Magritte, Kazimierz Malewicz, Marek Rostworowski.The analysis is not finished; it only sketches a very generał problem of interrelation of verbal and visual codes that could be analyzed within the field of semiotics and semiotics of culture.
Źródło:
Stylistyka; 2011, 20; 213-232
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Życie znaków w sieci kodów – czyli o semiotycznie zorientowanych badaniach dyskursu i stylu (na przykładzie znaku „naród chorwacki”)
Autorzy:
Czerwiński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/677741.pdf
Data publikacji:
2010
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
a semiotic theory of style and discourse
signs and codes
semiosis in language and culture
sign “Croatian nation”
Opis:
A life of signs in the network of codes. On semiotically-oriented studies of discourse and style (an analysis of the sign “Croatian nation”)In the article a semiotic theory of style and discourse is developed. According to some author’s previous research and theories by Bakhtin, Eco and Uspienski, the idea of overlapping of signs and codes is discussed. The sign-vehicle “Croatian nation” is taken into consideration in various contexts and various interlocutors (from Croatian literature, press and scholarly books). The result of such an investigation is aimed to empirically prove to what extent usual semantic interpretation deprives the whole meaning of texts.
Źródło:
Slavia Meridionalis; 2010, 10
1233-6173
2392-2400
Pojawia się w:
Slavia Meridionalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nowomowa po jugosłowiańsku
Autorzy:
Czerwiński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/678605.pdf
Data publikacji:
2012
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Opis:
The Yugoslav NewspeakIn the article the issue of a language of the Yugoslav communists – called here after Orwell the totalitarian Newspeak – is taken into consideration. It aims at finding similarities and differences between the Polish and Yugoslav Newspeak basing on analysis of discourses of the Yugoslav dictator – Josip Broz Tito, Yugoslav historiography and political slogans. In the first section concrete linguistic phenomena are taken into account (like lexical items, semantic dichotomies, periphrases, metaphors and so on), whereas in the second: extra-linguistic circumstances – including social-political and cultural context – making the Yugoslav communicative practices specific and different from the Polish ones.
Źródło:
Studia z Filologii Polskiej i Słowiańskiej; 2012, 47
2392-2435
0081-7090
Pojawia się w:
Studia z Filologii Polskiej i Słowiańskiej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dialog znaków i kodów: między oryginałem a polskim przekładem w powieści Miljenko Jergovicia "Ruta Tannenbaum"
Dijalog znakova i kodova: između originala i poljskog prijevoda "Rute Tannenbaum" Miljenka Jergovića
A Dialogue of Signs and Codes: between Jergović’s Novel "Ruta Tannenbaum" and the Polish Translation
Autorzy:
Czerwiński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/486836.pdf
Data publikacji:
2011-01-01
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
dialog zanków i kodów
Ruta Tannenbaum
Miljenko Jergović
dijalog znakova i kodova
Dialogue of Signs and Codes
Opis:
U članku se analizira roman hrvatskog (i bosansko-hercegovačkog) pisca Miljenka Jergovića "Ruta Tannenbaum" i njegov prijevod na poljski jezik (prevoditeljica: Magdalena Petryńska). Istražuje se na koji se način dijalogiziraju znakovi i kulturni kodovi u originalu i u prijevodu, te se pokazuje koje se aspekte semantike književnog djela i semantike kulture ne mogu adekvatno prisvojiti u poljskom jeziku i u poljskoj kulturi. Tako se i razmatra mogućnost primjene jednog semiotičkog i kulturno-semiotičkog pristupa u translatologiju.
In the article the novel "Ruta Tannenbaum", written by Croatian and Bosnian-Herzegovinian author Miljenko Jergović, and the translation of the novel into Polish by Magdalena Petryńska is analyzed. By comparing the original and the translation the question of dialogization of signs and cultural codes is taken into consideration. It is presented which aspects of the semantics of the literary work and the culture itself cannot be adequately adapted into the Polish language and Polish culture. Simultaneously, the idea of applying a semiotic and cultural semiotic approach in translatology in analyzed.
Źródło:
Przekłady Literatur Słowiańskich; 2011, 2, 1; 83-105
1899-9417
2353-9763
Pojawia się w:
Przekłady Literatur Słowiańskich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rola stereotypu w kształtowaniu polifonicznego uniwersum literackiego i kulturowego na przykładzie oryginału i polskiego przekładu "Mostu na Drinie" Ivo Andricia
Uloga stereotipa u oblikovanju polifonog književnog i kulturnog univerzuma na primjeru originala i poljskog prijevoda "Na Drini ćuprija" Ive Andrića
The role of stereotypes in shaping the polyphonic literary and cultural universe based on the example of the original and Polish translation of Ivo Andric’s novel "The Bridge on the Drina"
Autorzy:
Czerwiński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/486894.pdf
Data publikacji:
2013-07-01
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Ivo Andrić
przekład na polski
stereotypy w tłumaczeniu
the imaginary aspect of culture
prijevod na poljski
stereotipi u prijevodu
imaginarij kulture
translation into Polish
stereotypes in translation
Opis:
U članku se analizira pitanje stereotipā koji se javljaju u originalnom tekstu Ive Andrića "Na Drini ćuprija" i u poljskom prijevodu Haline Kalite. Kako je svijet Andrićevog romana smješten u izuzetno hibridno, pogranično tlo, transfer smisla u okvir novog jezika, ovdje: poljskog, mora se realizirati u adaptaciji određenih kulturnih matrica i jezičnih jedinica. U istraživanju se pokušava obratiti pozornost na neprikladnost obaju imaginarija (bosanskohercegovačkog i poljskog) te na prividnu ekvivalenciju leksičkih jedinica, a također i na ulogu različitih čitateljā koji, imajući na raspolaganju vlastite kulturno determinirane predožbe/stereotipe, na drugačije načine pristupaju interpreatiji književnog djela.
In this article, the question of various stereotypes present in the original and Polish translation (translated by Halina Kalita) of Ivo Andric’s novel "The Bridge on the Drina" is taken into consideration. Since the universe of Andric’s book is located in the extraordinarily complex hybrid borderland of Bosnia, the very transfer of semantic sense into the new language, here: the Polish language must be realized within the adaptation of certain cultural matrixes and linguistic items. In this research article, several questions are analyzed: the lack of similarity between the Bosnian and Polish cultural universes, the apparent equivalence of linguistic items, and the role of various readers who — bearing their own cultural imaginations/ stereotypes — interpret the book in different ways.
Źródło:
Przekłady Literatur Słowiańskich; 2013, 4, 1; 19-36
1899-9417
2353-9763
Pojawia się w:
Przekłady Literatur Słowiańskich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Odpowiedzialność za wydanie i wykonanie rozkazu
Responsibility for issuance and execution of an order
Autorzy:
Czerwiński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/964879.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
execution of orders
command responsibility
superior order defence
respondeat superior
absolute liability
Opis:
‘On the issue of responsibility for issuance and execution of an order’ is the study dedicated to an important, although little explored in Polish conditions, problem of orders. The complexity, due to a different basis of liability and its multi-subject, is presented according to two aspects. The first one is liability for issuing the order, the other is liability for enforcement of the order. Due to the strict bound of basic issues related to the matter of responsibility for the issuance and enforcement of the order with criminal responsibility, the article is recognized from an international legal and criminal standpoint, shown mainly on the basis of the jurisprudence of international tribunals. A general emphasis is put on a discussion and familiarization with matters relating to the fields of command responsibility and superior order defense, which are the essential notions concerning matters of individual responsibility for the issuance and enforcement of orders.
Źródło:
Acta Universitatis Lodziensis. Folia Iuridica; 2015, 74
0208-6069
2450-2782
Pojawia się w:
Acta Universitatis Lodziensis. Folia Iuridica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bezradność słów. Ante Kesicia „fikcja” o Zagładzie
Helplessness of Words. Ante Kesić’s “Fiction” on the Holocaust
Autorzy:
Czerwiński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/636132.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Ante Kesić
Croatian literature
representation of World War Two
the Holocaust literature
concentration camps
Opis:
In the article one book written by the Croatian author, Ante Kesić, is taken into consideration. The novel Black Snow, published in 1957, narrates about a Slovenian young woman, Breda, who was caught by the Germans in Ljubljana (for her contacts with communist partisans) and sent to the Dachau Concentration Camp. Although not of Jewish origins she encounters the Holocaust of the Jews in the camp and gets pregnant with a Jewish artist. The novel conceptualizes tragedy of war and the Holocaust in a very experimental way, by using a range of modernist, avant-garde or even surrealist literary techniques. The author attempts to invent a new language with a new grammar that would enable to express something that is not expressible.
Źródło:
Poznańskie Studia Slawistyczne; 2017, 12; 61-77
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Old Dubrovnik, Young Serbia and Vague Croatia. Mental Maps in the Serb-Catholic Imagination in Dubrovnik
Autorzy:
Czerwiński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/601643.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
Tematy:
Serb-Catholics
Dubrovnik
Dalmatia
nation-building
Serbia
Habsburg monarchy
Opis:
This article describes the experience of the community of Serb-Catholics living in Dubrovnik in the early twentieth century. It is based primarily on an investigation of the literary and cultural periodical Srdj (1902–08). This study focuses, firstly, on the conceptual ambivalence resulting from efforts to apply linguistic criteria to determine Serbian identity and, secondly, on the efforts to construct a mental map that would serve projections of Serbian symbolic territory. While the presence of the Serb-Catholic milieu in the city was short-lived (from the mid-nineteenth century to the First World War), it nevertheless left traces on the urban landscape that typified the ambivalent formation of national identity along religious lines, as Croatians were associated with Catholicism and Serbs with Orthodoxy.
Źródło:
Acta Poloniae Historica; 2020, 121
0001-6829
Pojawia się w:
Acta Poloniae Historica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Europa jako znak w nowomowie jugosłowiańskich komunistów na przykładzie wystąpień Josipa Broza Tity
Autorzy:
Czerwiński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/677816.pdf
Data publikacji:
2012
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
semiotics of culture
language Communists of Yugoslavia
Josip Broz Tito language
Europe
Opis:
Europe as a sign in the Yugoslav Communist newspeak basing on the Tito’s addresses Although the Yugoslav Communist newspeak resembled the Polish one on the formal level, it significantly different conceptualized and evaluated the extra‑linguistic reality, including primarily notions referring to main subjects of the international politics. It resulted from a diverse place the Communist Yugoslavia had in the Cold War order and its role within the non‑allied countries. As a result semantic relations were different in this discourse. The aim of this article is a reconstruction of the content of one of the most important signs in this language – the sign of Europe basing on the Yugoslav dictator’s (Josip Broz Tito) addresses. The research demonstrates that the cultural and social‑political context imposed other connotative features on the notion of Europe. As the result it has completely different functions that its Polish equivalent. This in turn leads to different types semiosis of this sign in both cultures and other signs coming from the same semantic field.
Źródło:
Slavia Meridionalis; 2012, 12
1233-6173
2392-2400
Pojawia się w:
Slavia Meridionalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Synteza dziejów narodu – zarys problematyki stylistycznej gatunku (na podstawie tekstów chorwackich i serbskich)
Autorzy:
Czerwiński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/678906.pdf
Data publikacji:
2010
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Opis:
A stylistic outline of a genre: synthesis of a nation’s history (a research of the Croatian and Serbian texts)In the article a particular genre, i.e. synthesis of a nation’s history, or national historiography, is stylistically elaborated. There are at least two reasons why this sort of genre, that has never been scholarly discussed, ought to be analyzed: a social-political relevance (books like A History of Poland, or A History of Croatia, or A History of Serbia play an important role in spreading historical consciousnesses and particular interpretations of history), a linguistic-stylistic (the very construction of texts of this sort differs in many respects from scholar texts possessing many popular-scholar linguistic markers and, additionally, since they concern history, the narrative itself has a its own peculiarity).
Źródło:
Studia z Filologii Polskiej i Słowiańskiej; 2010, 45
2392-2435
0081-7090
Pojawia się w:
Studia z Filologii Polskiej i Słowiańskiej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sens dziejów narodowych a struktura tekstu historycznego. O niektórych mechanizmach tekstotwórczych na przykładzie historii Polski
Autorzy:
Czerwiński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/679003.pdf
Data publikacji:
2011
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Opis:
The understanding of national history and the structure of historical text. About some text-forming devices on the example of Polish historyIn the article some operational terms in historical text (here in the genre of the popular-scientific synthesis of a national history) are taken into consideration, notably: final (term by Boris Uspienski) and narration/narrative. It is demonstrated how the last link of a chain of events in historical representation – called by Uspienski the final – influences, and in fact enables, the very construction of any story about the past. Moreover, the final makes it possible to grasp all historical entities (protagonists, events, etc.) within a defined axiological sphere. Thus, some entities are considered to be good whereas some other are bad. Their role in a narrative is determined in relation to the final that affirms a teleology of a nation (here in the example of Polish nation). In this context, the two concepts that of event and process, taken from narratology (Doležel and van Dijk), are elaborated.
Źródło:
Studia z Filologii Polskiej i Słowiańskiej; 2011, 46
2392-2435
0081-7090
Pojawia się w:
Studia z Filologii Polskiej i Słowiańskiej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Archiwum znaków – semiotyka pamięci kulturowej
Archive of Signs: The Semiotics of Cultural Memory
Autorzy:
Czerwiński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/474202.pdf
Data publikacji:
2014-12-12
Wydawca:
Uniwersytet Warszawski i Uniwersytet Rzeszowski
Tematy:
dyskurs
pamięć
semiotyka
znak
Opis:
Przedmiotem niniejszego artykułu jest problem pamięci kulturowej w kontekście badań nad dyskursem o nachyleniu semiotycznym. Podejmowana jest próba wykorzystania instrumentarium analiz dyskursu historycznego w refleksji nad pamięcią. Tytułowe archiwum znaków – semantycznie profilowanych w dyskursie – potraktowane zostaje jako rezerwuar wiedzy zgromadzonej i przenoszonej dzięki językowi, literaturze i sztuce.
The main goal of this article is to present cultural memory in the context of semiotically-oriented discourse studies. An attempt is made to apply theoretical approaches of analyses of historical discourse in the field of cultural memory. The archive of signs, semantically profiled in discourse, is understood as a reservoir of knowledge stored and conveyed by language, literature and arts.
Źródło:
tekst i dyskurs - text und diskurs; 2014, 7; 31-48
1899-0983
Pojawia się w:
tekst i dyskurs - text und diskurs
Dostawca treści:
Biblioteka Nauki
Artykuł

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