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Wyszukujesz frazę "Chęćka, Anna" wg kryterium: Autor


Wyświetlanie 1-6 z 6
Tytuł:
The deaf humanist. Can music philosophy educate listeners today?
Autorzy:
Chęćka, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1197970.pdf
Data publikacji:
2018-02-01
Wydawca:
Akademia Ignatianum w Krakowie
Tematy:
music
listening
understanding
humanistic education
Opis:
RESEARCH OBJECTIVE: This article is intended as a contribution to discussion on the role of music philosophy in educating contemporary participants in the world of culture. From a broader perspective, it fosters reflection on the condition of the humanities today. THE RESEARCH PROBLEM AND METHODS:The author makes use of traditional literary studies, employing, as a music philosopher, a speculative method and availing herself of the tools of analytical philosophy; she also refers to the empirical experiences of musicians and listeners. THE PROCESS OF ARGUMENTATION: The argumentation is based on metacritical analysis of the subject literature within the scope of trends and challenges in music philosophy. The author considers the possibility of educating sensitive and active receivers of classical music. She invokes the reflection of the philosopher Peter Kivy in light of the discussion carried on with him by James O. Young and Jerrold Levinson. Irrespective of their differences of opinion, these philosophers all emphasised the role of the aesthetic education of the listener. The author highlights points on which the philosophers’ dispute is merely superficial. RESEARCH RESULTS: The subject literature is dominated by the analytical model. This results partly from the obligation to imitate the sciences that weighs upon the humanities and also from subjecting the results of humanistic reflection to processes of parametrisation. Music philosophy and musicology are increasingly divorced from live experience and are turning into elite disciplines, reserved solely for a narrow group of specialists. Therefore, we should aspire to specifying how the academic goals of music-related study can be reconciled with the mission of disseminating the culture of listening to music and understanding it. CONCLUSIONS, INNOVATIONS AND RECOMMENDATIONS: The idea of interdisciplinary reflection on the experiencing of music should be promoted among scholars (musicologists and music philosophers).
Źródło:
Horyzonty Wychowania; 2017, 16, 40; 161-171
1643-9171
2391-9485
Pojawia się w:
Horyzonty Wychowania
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Truth Embodied in Music
Autorzy:
Chęćka, Anna
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1030905.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
music
truth
interpretation
value
Opis:
This contribution to the discussion on truth in music shows two ways of thinking most often chosen by representatives of the contemporary English-speaking world’s analytic philosophy. The first way assumes seeking truth or falsehood in the actual musical work and its structures, while the other is related to truth in experiencing music, and thus to the sincerity, authenticity of a performance (and especially performers’ faithfulness to the score and to themselves). The text concludes with a literary example of the debate on truth in music. For aestheticists, it can be a source of reflection on metacritical issues of music performance, and for critics – encouragement to verify their own interpretative strategies.
Źródło:
Truth and Falsehood in Science and the Arts; 247-251
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czy muzyka jest symbolem porządku moralnego? Koncepcje Gisèle Brelet i Pascala Quignarda
Is Music a Symbol of Moral Order? Gisèle Brelet’s and Pascal Quignard’s Approaches to Music and Morality
Autorzy:
Chęćka-Gotkowicz, Anna
Powiązania:
https://bibliotekanauki.pl/articles/521936.pdf
Data publikacji:
2011
Wydawca:
Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku
Tematy:
Brelet
Quignard
music
morality
aesthetic
value
ethical value
Opis:
The paper examines Gisèle Brelet’s and Pascal Quignard’s concepts concerning the relation between music and morality. The fi rst consideration involves Gisèle Brelet’s assumption that music always helps to instill virtue in the listeners. Brelet claims that we can train ourselves to be better people by listening to absolute (instrumental) music in particular. Contrary to Brelet’s intuition, Pascal Quignard, in his controversial discussion of music in La haine de la musique (Hatred of music), asks how we could be moved by Schubert and at the same time be able to act ferociously? How to explain the coexistence of Holocausts and terror campaigns on one hand, and the aesthetic sensibilities of the persons responsible for such evil on the other? In my paper, I give a sympathetic hearing to both Brelet’s and Quignard’s perspectives. I try to respond to some likely objections to Brelet’s idealism and Quignard’s skepticism.
Źródło:
Aspekty Muzyki; 2011, 1; 47-61
2082-6044
Pojawia się w:
Aspekty Muzyki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Persona (non) grata. Czy muzyka absolutna potrzebuje narratora?
Persona (non) grata. Does the absolute music need a narrator?
Autorzy:
Chęćka-Gotkowicz, Anna
Powiązania:
https://bibliotekanauki.pl/articles/522000.pdf
Data publikacji:
2013
Wydawca:
Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku
Tematy:
music alone
persona
narration
Opis:
Some narrative interpreters of absolute music canon — as Jenefer Robinson or Edward T. Cone — tend to perceive it as the symbolic utterance of a virtual musical character. This character, called musical persona, is supposed to have the ability to sustain listener’s interest as characters in literary fi ction do. The explanation for the fact that the piece of music is „powerfully moving” is that it depicts a „musical persona’s psychological drama”. In my paper I want to concentrate on Jenefer Robinson’s infl uential book Deeper than Reason and her conception of musical persona which seems to be highly controversial.
Źródło:
Aspekty Muzyki; 2013, 3; 11-25
2082-6044
Pojawia się w:
Aspekty Muzyki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Filozofia muzyki ponad podziałami
Философия музыки превыше разделения
The Philosophy of Music above Divisions
Autorzy:
Chęćka-Gotkowicz, Anna
Powiązania:
https://bibliotekanauki.pl/articles/497303.pdf
Data publikacji:
2009
Wydawca:
Stowarzyszenie Filozofów Krajów Słowiańskich
Opis:
Book Review: Bohdan Pociej, Z perspektywy muzyki, Biblioteka „WIĘZI”, Warszawa 2005, ss. 338
Źródło:
ΣΟΦΙΑ. Pismo Filozofów Krajów Słowiańskich; 2009, 9; 235-237
1642-1248
Pojawia się w:
ΣΟΦΙΑ. Pismo Filozofów Krajów Słowiańskich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czy rozumienie muzyki zależy od świadomego śledzenia struktur formalnych utworu? Jerrold Levinson i Peter Kivy wobec problemu doświadczenia muzycznego
Does musical understanding depend upon refl ective awareness of large-scale musical structure? Jerrold Levinson versus Peter Kivy and the problem of musical experience
Autorzy:
Chęćka-Gotkowicz, Anna
Powiązania:
https://bibliotekanauki.pl/articles/521982.pdf
Data publikacji:
2012
Wydawca:
Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku
Tematy:
Kivy Peter
Levinson Jerrold
muzyka
rozumienie
słuchanie
Opis:
Does musical understanding depend upon refl ective awareness of large-scale musical structure? Jerrold Levinson, in his brilliant book Music in the Moment, rejects this notion and defends the view that musical comprehension is fundamentally a matter of individual momentary impressions. In other words, understanding music is a matter of moment-by-moment absorption of individual bits of music. Levinson calls this perspective ‘concatenationism’. This perspective helps to defend music lovers who are passionate and attentive, yet structurally unconcerned. On the other hand, Peter Kivy, in his distinctively elegant style, defends the structuralist position, as it contributes a substantial part of the satisfaction derived from classical music. My aim in this article is to present the main strands of that passionate controversy between Kivy and Levinson.
Źródło:
Aspekty Muzyki; 2012, 2; 11-23
2082-6044
Pojawia się w:
Aspekty Muzyki
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-6 z 6

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