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Wyszukujesz frazę "Bednarek, Stefan" wg kryterium: Autor


Tytuł:
Worthless yet Priceless: The Truths and Economics of Poetry
Autorzy:
Baron-Milian, Marta
Bednarek, Stefan
Rabiej, Stanisław
Gorgula, Marta
Powiązania:
https://bibliotekanauki.pl/chapters/1030816.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
poetry
truth
economy of literature
Opis:
The essay tries to capture the epistemological status of poetry from the perspective of questions posed by the economy of literature. Selected theories of poetry – those of Jochen Hörisch, Viktor B. Shklovsky, Jean Baudrillard and Franco Berardi – can be regarded as a kind of “economics of poetry” due to their proposed treatment of the properties of the poetic medium from an economic perspective. In each of these theories, poetry is defined as uneconomical and useless, which, paradoxically, becomes its fundamental condition for existence as a place for breaking the linguistic circulation of signs, a point of resistance against conventionalized communication and automatization of perception, and thus a medium offering unique knowledge about reality.
Źródło:
Truth and Falsehood in Science and the Arts; 128-146
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Why Is Philosophy Bad for the Soul? Commentary on Al-Ġazālī’s Critique of the Philosophers
Autorzy:
Wilczyński, Karol
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1012729.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
philosophy
erring
Al-Gazali
Islam
Opis:
In this text, two notions described in two works by Al-Ġazālī are analyzed: the notion of “precipitance” (Arabic: tahāfut) and “attachment to authority” (Arabic: taqlīd), which are described in Tahāfut al-falāsifa (English: The Precipitance of the Philosophers) and Al-Munqiḏ min al-ḍalāl (English: Rescuer from Error). I try to show that Al-Ġazālī in his criticism of philosophy focused not only on theoretical issues, but that one of the key parts of his criticism are practical issues concerning the philosophers’ way of life. Pointing to specific examples of using the two aforementioned concepts to overthrow philosophy, I propose a different interpretation of these two late works by Al-Ġazālī.
Źródło:
Truth and Falsehood in Science and the Arts; 46-61
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
When Does Simulation Enable Us Adequately to Attribute Mental States to Others?
Autorzy:
Smurzyńska, Adrianna
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1030894.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
mentalization
simulation
differentiation of perspectives
Opis:
The paper discusses issues of taking different perspectives and attributing mental states. The main focus is on the criteria of their adequate ascription. Taking another’s perspective and simulation theory are taken into consideration. The paper considers the results of research on the development of the ability to differentiate perspectives and disorders of this ability in borderline personality disorder. The ability to differentiate one’s own and others’ mental states has been presented as an aspect of social cognition that enables adequate mentalization, by accepting the presence of various perspectives and the possibility of the coexistence of various representations of reality.
Źródło:
Truth and Falsehood in Science and the Arts; 212-220
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Truth of the Place and Truth of the Exhibition: “Case Study” of the State Museum at Majdanek
Autorzy:
Kutnik, Jan
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1030941.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
museum
truth of place
exhibition
Majdanek
Holocaust
Opis:
The author discusses the problem of truth in museum exhibitions invoking the tragedy of World War II. In this respect, he is very appreciative of the value of Majdanek, Auschwitz-Birkenau, Stutthof and the other museums set up within the compounds of former Nazi German camps. Based on his own research from 2016–2019, he finds that shaping the relations between the truth of the place and the truth of the exhibition, skillfully using authenticity, and finding new forms of “speaking” to visitors are enormous challenges facing exhibitors.
Źródło:
Truth and Falsehood in Science and the Arts; 271-289
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Truth of a Painting, Truth of Matter: Robert Rauschenberg, Henryk Streng, and the History of Art
Autorzy:
Słodkowski, Piotr
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1030909.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
art history
modernism
intertextualism
new materialism
Holocaust
Opis:
Starting from the issue of truth in painting, the text presents a methodological discussion on inter-image relations. The starting point for this thinking is a radical juxtaposition of two artistic practices: Rauschenberg’s erasures on a drawing by de Kooning and Henryk Streng scratching out the signature on his own paintings. Both these interferences facilitate an analysis of the transition from approaching images intertextually to a research viewpoint that – quite the opposite – enhances the material aspect of visual representations.
Źródło:
Truth and Falsehood in Science and the Arts; 252-258
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Truth Embodied in Music
Autorzy:
Chęćka, Anna
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1030905.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
music
truth
interpretation
value
Opis:
This contribution to the discussion on truth in music shows two ways of thinking most often chosen by representatives of the contemporary English-speaking world’s analytic philosophy. The first way assumes seeking truth or falsehood in the actual musical work and its structures, while the other is related to truth in experiencing music, and thus to the sincerity, authenticity of a performance (and especially performers’ faithfulness to the score and to themselves). The text concludes with a literary example of the debate on truth in music. For aestheticists, it can be a source of reflection on metacritical issues of music performance, and for critics – encouragement to verify their own interpretative strategies.
Źródło:
Truth and Falsehood in Science and the Arts; 247-251
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Truth and Untruth in Irony
Autorzy:
Milanowicz, Anna
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1030891.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
truth
non-literal language
irony
meaning ambiguity
gender
Opis:
The concept of truth in irony should be approached through the lens of the speaker’s beliefs and intentions. However, the experience and emotions of an ironic message’s recipient are not without significance. The proposed approach describes irony as a form of concealment and camouflage. Irony vibrates between “what is said but not intended” and “what is intended but not said.” It balances between the ostensible truth and the ostensible untruth. “Ironic criticism,” also known as “blaming by praise,” appears positive, although its true message is not. The reverse happens to be true for “ironic praise.” From a moral perspective, irony is not virtuous: It violates “truth-telling” and is sometimes clownish. The author’s final considerations on the subject of “Does irony have gender?” are followed by a concise description of gender differences in the use of irony and self-mockery.
Źródło:
Truth and Falsehood in Science and the Arts; 205-211
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Truth and Falsehood of the Mirror: Subjectivity – Reflection – Practice
Autorzy:
Tomczok, Paweł
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1030944.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
mirrors in culture
dialectics
metaphorology
Opis:
The author discusses different uses of the mirror metaphor in philosophy, literature and aesthetics. On one hand, a mirror serves to talk about human empowerment and inner life, while on the other becoming one of the most important metaphors of truth, of proper representation of reality. The final part of the paper considers the practical location of mirrors – and the practice of mirroring as the basis for other philosophical and existential metaphors. The author treats the mirror not only as a metaphor but also as an artefact with its own history: the history of an object but also social and economic history. By taking into account this physical history of mirrors, we can observe the changing foundation of epistemological and aesthetic metaphors.
Źródło:
Truth and Falsehood in Science and the Arts; 147-160
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Truth and Falsehood in Science and the Arts
Autorzy:
Bokus, Barbara
Kosowska, Ewa
Bednarek, Stefan
Rabiej, Stanisław
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Opis:
The authors discuss truth and falsehood in science and the arts. They view truth as an irreducible point of reference, both in striving for elementary knowledge about the world and in seeking methods and artistic means of achieving this goal. The multilevel and multiple-aspect research presented here, conducted on material from different periods and different cultures, shows very clearly that truth and falsehood lie at the foundation of all human motivation, choices, decisions, and behaviors. At the same time, however, it reveals that every bid to extrapolate the results of detailed studies into generalizations aimed at universalization – by the very fact of their discursivation – either subjects the discussion to the rules of formal logic or situates it outside the realm of truth and falsehood.
Autorzy podejmują refleksję nad prawdą i fałszem w nauce i sztuce. Przypisują prawdzie status nieredukowalnego punktu odniesienia – tak w próbach dotarcia do elementarnej wiedzy o świecie, jak i w poszukiwaniach metod i środków artystycznych niezbędnych do osiągnięcia tego celu. Zaprezentowane tu wielopoziomowe i wieloaspektowe badania, prowadzone z wykorzystaniem materiałów pochodzących z różnych epok i różnych kultur, wyraźnie dowodzą, że prawda i fałsz stanowią podstawę wszelkiego rodzaju ludzkich motywacji, wyborów, decyzji i zachowań. Jednocześnie ujawniają, że każda próba ekstrapolacji wyników poszukiwań szczegółowych na poziom uogólnienia o ambicjach uniwersalizujących – przez sam fakt ich dyskursywizacji – albo podporządkowuje prowadzone rozważania regułom logiki formalnej, albo sytuuje je poza prawdą i fałszem.
Dostawca treści:
Biblioteka Nauki
Książka
Tytuł:
Truth and Early Music: The Intersection of Arts and Humanities
Autorzy:
Kolinek-Siechowicz, Karolina
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1030904.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
revival
authenticity
truth
Early Music
Historically Informed Performance
Opis:
The aim of the paper is to show how the concept of truth relates to the Early Music revival. The author shows consecutive stages of the revival in the light of different problems related to the tension between the arts and academic knowledge. The development of the movement is compared with the general concept of music revival presented by Bithell and Hill (2014).
Źródło:
Truth and Falsehood in Science and the Arts; 233-246
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Validity of Aesthetic Judgments: George Santayana’s Polemics with Tradition
Autorzy:
Grzeliński, Adam
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1013023.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
aesthetic judgement
aesthetic experience
Santayana
Kant
Opis:
The paper discusses issues of the validity of aesthetic judgements in the concept of George Santayana, the author of The Sense of Beauty and Reason in Art. Although Santayana places aesthetic experience as well as experience as such at the center of his analyses, and explicitly opposes the view that aesthetic judgements are supra-individual, I endeavor to demonstrate that his concept is not necessarily contrary to the achievements of 18th-century aesthetics proclaiming the validity of judgements of taste (Shaftesbury, D. Hume, E. Burke or I. Kant). It is true that Santayana’s multifaceted understanding of beauty reveals the limitations of Kant’s aesthetics, but nevertheless, it does not contradict its achievements. The differentiation he made between the beauty of matter, form, and expression suggests a dual meaning of the validity of aesthetic judgements, on the one hand pointing to their universality while on the other referring to the ideals of reason whose sensual representation is available in works of art.
Źródło:
Truth and Falsehood in Science and the Arts; 101-114
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Polish History of Literature as a Lieu de Mémoire
Autorzy:
Junkiert, Maciej
Bednarek, Stefan
Rabiej, Stanisław
Szuster, Katarzyna
Powiązania:
https://bibliotekanauki.pl/chapters/1030913.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
history of literature (discipline)
Adam Mickiewicz
Maria Janion
Opis:
The paper contains an analysis of the genealogy of 19th-century Polish research in the field of literary history. My inquiry contains a comparison between literary research in Germany and in Poland. From this point of view, literary history was an important factor in the process of building a modern nation. Furthermore, literary historians also played the role of indispensable authorities on the cultural past and present: in Germany as professors of universities, and in Poland during the partitions as intellectuals and writers.
Źródło:
Truth and Falsehood in Science and the Arts; 259-270
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Disengaged Researcher as a Type: Truth and Probability in Studies on Religious Thought
Autorzy:
Rogalski, Michał
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1030834.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
truth
probability
intellectual controversy
history of ideas
Catholic modernism
Opis:
The paper discusses the issue of the intellectual historian’s attitude to the subject of his research, especially if it takes the form of an intellectual conflict or controversy. It is a critical analysis of the possibility of assuming an objective attitude towards one’s own research: without any valuation. Based on Aristotle’s remarks on rhetoric, the author shows that the presentation of research results in writing is linked to taking a position towards them and giving them a place and meaning in the context of broader reasoning, which is synonymous with the operation of evaluation. The empirical context of the presented argument is provided by a self-analytical case study: the author’s research on Catholic modernism in Poland. Reflecting on it, the author points to another source of the impossibility of objectivity, hidden in the hermeneutic method of research. Gadamer’s postulate of writing history again and again for the sake of the changing historical context leads to a strong emphasis of the worldview of researchers themselves in their studies.
Źródło:
Truth and Falsehood in Science and the Arts; 161-171
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Only a Poet Never Lies… Maciej Kazimierz Sarbiewski’s Thoughts on the Privilege of Poets
Autorzy:
Łukaszewicz-Chantry, Maria
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1012744.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
probability
poetic art
fiction
allegoresis
Mimesis
Opis:
In his treatise De perfecta poesi, sive Vergilius et Homerus, Maciej Kazimierz Sarbiewski presents his reflections on poetic art and states that poets never lie. This privilege results from the conviction that a poet creates in the same way as God, bringing his characters to life. That is why “he can speak about what is not, as if it really existed.” Poetic fictions are also often a veil behind which a precious truth is hidden. This truth can be reached by using an appropriate allegorical interpretation.
Źródło:
Truth and Falsehood in Science and the Arts; 62-68
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Not Naked but Wearing “Dress upon Dress”: Johann Georg Hamann on Truth
Autorzy:
Żymełka-Pietrzak, Anna
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1030947.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
truth
incarnation
condescension
authorship
Johann Georg Hamann
Opis:
The chapter presents a detailed analysis and interpretation of Johann Georg Hamann’s metaphor of truth clothed in dress upon dress, which was introduced in Hamann’s letter to Kant of July 27, 1759. Truth is displayed as a woman in many layers of dresses, but removing the clothing reveals a fearful ghost. This metaphor is in the chapter regarded as emblematic for Hamann’s reflection on truth and has been interpreted in the light of the author’s theologico-ethical model in which God’s truth becomes accessible to humans in communicational acts of condescension. The incarnation of Jesus Christ is the most important act of this kind, and comprises a theological matrix for human authorship. The incarnation of truth is an imitation of God’s kenotical act and is understood as service to the truth.
Źródło:
Truth and Falsehood in Science and the Arts; 115-127
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł

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