Autor: Bal, Mieke - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: A Special Guest Of Text Matters. Mieke Bal: “Writing With Images”
Autorzy:: Bal, Mieke
Filipczak, Dorota
Powiązania:: https://bibliotekanauki.pl/articles/641606.pdf
Data publikacji:: 2014-11-01
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Źródło:: Text Matters: A Journal of Literature, Theory and Culture; 2014, 4; 15-27
2083-2931
2084-574X
Pojawia się w:: Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Ruch: kinowość w malarstwie i literaturze
Movement: the Cinematic in Painting and Literature
Autorzy:: Bal, Mieke
Lipiński, Filip
Powiązania:: https://bibliotekanauki.pl/articles/909562.pdf
Data publikacji:: 2020-12-20
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: the cinematic
movement
painting
film
Edvard Munch
Mieke Bal
video-installation
Opis:: Translation of Mieke Bal's chapter into Polish. Translation of a fragment of Mieke Bal's book Emma & Edvard Looking Sideways: Loneliness and the Cinematic (2017), which accompanied an exhibition of Edward Munch’s painting in Munch Museum in Oslo. Bal analyzes Munch’s work in terms of its cinematic quality offering a persuasive argument about the productiveness of such an approach. Her perspective is framed by diverse notions of movement, inspired by readings of Henri Bergson’s philosophy. Following the set-up of the exhibition, which included her and Michelle Williams Gamaker’s video-installation Madame B., based on Gustave Flaubert’s novel Madame Bovary, she incorporates in her account aspects of cinematic thinking in Flaubert’s literature and discusses a dialogue between Munch’s work and their installation. Finally, Bal talks about the political dimension of movement in art, happening between the artwork and the viewer.
Źródło:: Artium Quaestiones; 2020, 31; 277-311
0239-202X
Pojawia się w:: Artium Quaestiones
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Sensing the Present: “Conceptual Art of the Senses”
Autorzy:: Bal, Mieke
Burke, Rachel E.
Powiązania:: https://bibliotekanauki.pl/articles/641659.pdf
Data publikacji:: 2017
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: senses
abstraction
writing
affect
aesthetic
Opis:: After Rachel E. Burke briefly introduces the essays presented with a focus on our contemporary relationship to modern subjectivity, Mieke Bal will make the case for the sense of presentness on an affective and sensuous level in Munch’s paintings and Flaubert’s writing by selecting a few topics and cases from the book Emma and Edvard Looking Sideways: Loneliness and the Cinematic, published by the Munch Museum in conjunction with the exhibition Emma & Edvard. It is this foregrounded presentness that not only produces the ongoing thematic relevance of these works, but more importantly, the sense-based conceptualism that declares art and life tightly bound together. If neither artist eliminated figuration in favour of abstraction, they had a good reason for that. Art is not a representation of life, but belongs to it, illuminates it and helps us cope with it by sharpening our senses. As an example, a few paintings will clarify what I mean by the noun-qualifier “cinematic” and how that aesthetic explains the production of loneliness.
Źródło:: Text Matters: A Journal of Literature, Theory and Culture; 2017, 7; 27-54
2083-2931
2084-574X
Pojawia się w:: Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:: Biblioteka Nauki

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