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    Wyświetlanie 1-6 z 6
    Tytuł:
    Approcci controversi all’unificazione politica italiana prima e dopo il 1861 Un confronto esemplare fra Ippolito Nievo e Federico De Roberto
    Autorzy:
    Artico, Davide
    Powiązania:
    https://bibliotekanauki.pl/articles/701158.pdf
    Data publikacji:
    2012
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Opis:
    The purpose of the article is to compare the best known historical novel by Ippolito Nievo, published in Britain as The Castle of Fratta, to Federico De Roberto’s I Viceré. Nievo drowned to death in 1861, the same year De Roberto was born. The year, which also officially marked the establishment of the Kingdom of Italy, represents a turning point in the history of Italian literature. As the comparison of the two novels shows, the idealistic and optimistic attitude preceding 1861 was to disappear a few years later, as it became apparent that the upper classes lacked the competence and morality needed to lead the new Kingdom. Key words: Ippolito Nievo, Federico De Roberto, historical novel, Risorgimento.
    Źródło:
    Romanica Silesiana; 2012, 7
    1898-2433
    2353-9887
    Pojawia się w:
    Romanica Silesiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Buovo d’Antona fra originale veneziano e suo adattamento yiddish: la narrazione cavalleresca veicolo delle ideologie
    Buovo d’Antona between the Venetian original and its Yiddish adaptation: Chivalry romance as a vehicle for ideologies
    Autorzy:
    Artico, Davide
    Powiązania:
    https://bibliotekanauki.pl/articles/701123.pdf
    Data publikacji:
    2020
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Elye Bokher
    Buovo d’Antona
    chivalry romance
    Yiddish literature
    gender roles
    Opis:
    The paper contains some partial findings of a comparative research on the chivalry romance Buovo d’Antona as printed in Bologna and in Venice in the 1480s in a number of different, yet quite similar one to another, incunables; and its ottava rima adaptation in yiddish-taytsh, made by Elye Bokher (Elia Levita) in Padua around 1507, and then published as Bovo-Buch in Isny, Württemberg, as late as 1541. Respectively, the narratives implicitly deliver two different ideologies, meant as consequent sets of socially shared convictions about the good living. In particular, the place of women in society and the family, or better said, the male representation thereof, substantially differs in the Yiddish adaptation compared to the Venetian original.
    Źródło:
    Romanica Silesiana; 2020, 17, 1; 43-54
    1898-2433
    2353-9887
    Pojawia się w:
    Romanica Silesiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Esempi di rappresentazione degli omosessuali nella Commedia di Dante
    Autorzy:
    Artico, Davide
    Powiązania:
    https://bibliotekanauki.pl/articles/700553.pdf
    Data publikacji:
    2013
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Opis:
    Selected Representations of Homosexuality in Dante’s Commedia Since its very beginning, ‘the Queer’ as a cognitive construction in academic studies has been characterised by a certain degree of resistance to definition. The reluctance to have its traits encompassed by precise borders mirrors the very theoretical perspective ‘the Queer’ moves from, that is, one from which every strict classification appears to be hermeneutically reductive. Nonetheless, literature as a means of expression undoubtedly presents identification benchmarks for ‘the Queer.’ That is true for Italian literature as well, in which homosexuality, for instance, has been (re)presented since Dante Alighieri’s Commedia. The analysis of three Cantos performed here is aimed at providing a starting point for future diachronical studies whose purpose is to compare the approach to the theme in the Italian literature of the Middle Ages to the benchmarks emerging from the 20th century’s production, in whose mainframe an evolution in representation of ‘the Queer’ is made patent in the passage from Pasolini’s prose of the Sixties to the works by later authors such as Franco Buffoni and Pier Vittorio Tondelli. Key words: homosexuality in Dante’s Commedia.
    Źródło:
    Romanica Silesiana; 2013, 8, 2
    1898-2433
    2353-9887
    Pojawia się w:
    Romanica Silesiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Mostri musulmani. La deumanizzazione dell’antagonista miscredente nella storia di Buovo d’Antona dalla tradizione anglonormanna al Bovo-Bukh di Elia Levita
    Muslim Monsters: The Dehumanisation of Antagonist Unbelievers in the Story of Beuve of Hampton from the Anglo-Norman Tradition to Elia Levita’s Bovo-Bukh
    Autorzy:
    Artico, Davide
    Powiązania:
    https://bibliotekanauki.pl/articles/34670942.pdf
    Data publikacji:
    2024-06-30
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Beuve of Hampton
    Bovo-Bukh
    Muslim monsters
    chivalric romance
    Old Yiddish literature
    Buovo d’Antona
    mostri musulmani
    poema cavalleresco
    letteratura yiddish
    Opis:
    The story of Beuve of Hampton circulated throughout the Late Middle Ages and was printed in a number of incunables issued in Venice and Bologna in the 1480s. One of those inspired Elia Levita to compose his own Old Yiddish version known as the Bovo-Bukh. Though written in Padua in 1507, Levita’s poem was printed in Württemberg in 1541. The Bovo-Bukh became so popular that it continued to be widely read and adapted in several Ashkenazi centres in Europe until the late 18th c entury. T he original story goes b ack to Anglo-Norman Boeuve de Haumtone, whose earliest manuscripts are dated to the end of the 13th century. Its plot features a creature called Escopart. It is a giant freak in the service of the Saracens. Yet, once baptised, it turns into a magical Auxiliary. In the early 15th century, Andrea da Barberino adapted the story in prose as Book IV of his largely fictional chronicle of The Royal House of France. In this text, the unbeliever appears as a werehound named Pulicane, but its narrative function is quite similar to Escopart’s. With its name changed into Pellucano, the character is depicted in the Venetian incunables too. In Levita’s version, it becomes Pelukan. The purpose of this paper is to present the ideological changes in the depiction of the monstrous unbeliever, both in historical terms (the timespan of more than two centuries) and with reference to different axiologies. The strong prejudice of the Anglo-Norman tradition, in which the low-born and the unbelievers were depicted as hell spawn never to be trusted, was replaced by a common-sense approach in the later versions of the story. Finally, in Levita’s poem, the confessional background becomes unimportant in determining personal allegiances.
    La storia di Buovo d’Antona attraversa manoscritta tutto il Basso Medioevo fino ad essere impressa in numerosi incunaboli andati in stampa fra Bologna e Venezia negli anni Ottanta del XV secolo. Da uno di questi Elia Levita trasse ispirazione per un suo poema yiddish che, scritto originariamente a Padova nel 1507, fu stampato a Isny, nel Württemberg, soltanto nel 1541. Questo Bovo-Bukh, come cominciò ad essere conosciuto, sarebbe diventato una pietra miliare della letteratura yiddish antica, venendo ristampato e adattato in vari centri europei della cultura Ashkenazi fino a Settecento inoltrato. La storia originale è tratteggiata nel poema anglonormanno Boeuve de Haumtone, i cui primi frammenti manoscritti risalgono alla fine del XIII secolo. Nel poema compare l’Escopart, un mostruoso gigante dai tratti diabolici che sta al servizio dei saraceni ma che, una volta battezzato, assume i contorni dell’aiutante magico, solo per poi rivoltarsi contro l’eroe che l’aveva risparmiato. La storia fu adattata in prosa da Andrea da Barberino nel Libro IV dei suoi Reali di Francia, in cui il miscredente appare come una specie di mastino mannaro chiamato Pulicane. Il nome diventerà Pellucano negli incunaboli veneziani e Pelukan in Levita. Nell’articolo si esamina l’evoluzione ideologica attraversata dal mostruoso miscredente sia in senso diacronico, sia rispetto ai sistemi assiologici di riferimento. Da antitesi plebea ed eterodossa del cavaliere cristiano di sangue nobile, infida e traditrice, si trasforma in un riformabile alleato dell’eroe, per vedere infine la sua originale appartenenza confessionale ridotta a un dettaglio insignificante nell’ambito del sincretismo monoteista di Levita.
    Źródło:
    Italica Wratislaviensia; 2024, 15.1; 239-263
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Protagonista del Risorgimento
    Autorzy:
    Artico, Davide
    Powiązania:
    https://bibliotekanauki.pl/articles/2165572.pdf
    Data publikacji:
    2012-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Opis:
    Adriano Viarengo, Cavour, Salerno Editrice, Roma 2010, 564 pp.
    Źródło:
    Italica Wratislaviensia; 2012, 3; 151-153
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Raccontare la Nazione: la letteratura sull’unificazione politica dell’Italia nel XIX secolo
    Narrating the Nation: Literature on the Political Unification of Italy in the 19th Century
    Autorzy:
    Artico, Davide
    Powiązania:
    https://bibliotekanauki.pl/articles/2165570.pdf
    Data publikacji:
    2012-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    unfication of Italy
    Italian literature
    Risorgimento
    Opis:
    This article contains the proposal of a theoretical apparatus and criteria which might be adopted to approach the topic of Italian Literature about the Risorgimento. The ‘social value’ of literary works was taken as a basis, that is, their ability to explain the historical process to contemporary readers by depicting large-scale events while narrating the personal stories of fictional characters. A basic research hypothesis here presented is that 1861 constitutes a turning point in Italian Literature, as the optimistic hopes of pre‑Unity patriotic-oriented authors turn into disillusion in the wake of the lack of sound achievements by the new Kingdom in the fields of the social and cultural advancement which should have followed political unification, but it did not.
    Źródło:
    Italica Wratislaviensia; 2012, 3; 9-25
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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